schojnaer wetier

Miriam Cahn

This recovery of spiritual texts hidden from the Church became the philisophical foundation of the Western Renaissance focusing on the dignity of the human being and the divine spark within each of us.

Ken Little - Hey 1996 Bronze

— Don LaCoss, “Egyptian Surrealism and ʻDegenerate Artʼ in 1939″                    

the button doesn’t necessarily say “Elucidate the Rapture” but it does say something that’s kind of lengthy and has religious connotations. the woman pushing the button has an expression of indescribable smugness. there might be other buttons on the machine (?) she is pressing.

35.98" x 47.99" (91.4 cm x 121.9 cm)

HANS BALDUNG: MATER DOLOROSA, ABOUT 1516, MUSEUM OF FINE ARTS, BUDAPEST. As if painted by Matthias Grünewald. This Mother Dolorosa is the purest example that these two artists were standing not so far away from each other. And, as I read, they both broke down in a deep depression after finishing every single painting, knocked to the ground by the power of their own work. ( Source:Dürer, London, Sirrocco, 2013.)

Bernard Schultze (1915-2005) — Mannequin-Migof   (mannequin, reworked with oil, wire, plaster, textiles, 1967)

Bernard Schultze (1915-2005) —Winged Animal-Migof  [wood, wire, textile, plastic, oil paint, 1974]

1953