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new reaction pic just dropped

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When some one reminded him that the people of Sinope had sentenced him to exile, he said, "And I sentenced them to stay at home."
Diogenes, quoted by Diogenes Laertius
i am rly fascinated by this sculptures penis bc it doesnt look like how the ancient greeks n romans depicted penises does that make sense. i am normal n i can b trusted around a phallus
shocking!
"Osugi's attitude toward police shadows demonstrates that both he and the police worked within limits. When he was in Osaka at the time of the Rice Riots, he heard that a riot had developed at a particular rice shop so, together with a group of friends, he decided to inspect the location. Since most of the men present, including Osugi, were being shadowed, the tour group consisted of about 20 uniformed policemen and their radicals. After the radicals, surrounded by a phalanx of police, inspected the riot, the officer in charge begged Osugi and his friends to leave the area because, 'if anything happens, I will get in trouble: if headquarters finds out about this, I will be held responsible.' Osugi complied and discussed the Rice Riots with the policeman until they arrived at a colleague's home. The policemen appeared about to enter and continue the discussion until Osugi sharply reminded them that their place was outside. Several years later, Ito Noe, who was Osugi's second wife, described an incident in which three policemen followed Osugi, Yoshida Hajime, and herself. She complained that they were following much too closely and reminded them to obey the 'shadowing rules.' When they began arguing with her, Osugi grabbed one by the collar and matched off to their station where he was threatened with arrest. Ito finally found the station chief and explained the situation. He ended up admitting that the shadows had acted improperly and assigned new shadows to them with his apologies." - Thomas Stanley, Osugi Sakae, Anarchist in Taisho Japan

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Terracotta figurine of a fox scratching his neck (Greek, late 6thâearly 5th century B.C.)
Image and text information courtesy MFA Boston.
Immobile Nude, Hans Bellmer, 1972
Negative etching
Although they included great men such as Pindar, Hesiod, Epaminondas, Pelopidas, and Plutarch, the Boeotian people were portrayed as proverbially dull by the Athenians
coping boeotian on the wikipedia page for boeotia
In all sincerity - Thebes is the George Harrison of ancient Greece. An undeniable talent yet forever on the outside of the much more interesting Athens-Sparta dynamic, with a period of dominance that lasted all of about five minutes
#'george harrison of ancient greece' is such a beautifully boomer analogy
old folks were right about one thing it feels good as fuck to go "ugghh" whenever you sit down and stand up.

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Sasha Gordon (American, 1998) - Whores in the Attic (2024)
Palacio de QuetzalpapĂĄlotl, Teotihuacan, MĂŠxico November 2018
The master can only cling to the notion of work-as-sacrifice, like Christ to his cross and his nails; it is up to him to authenticate sacrifice, to apparently renounce his right to exclusive enjoyment and to cease to expropriate with purely human violence (that is, violence without mediation). The sublimity of the gesture obscures the initial violence, the nobility  of the sacrifice absolves the commando, the brutality of the conqueror is bathed in the light of a transcendence whose reign is internalized, the gods are the intransigent guardians of rights, the short-tempered shepherds of a peaceful, law-abiding flock of owners and owner wannabes. The gamÂble on transcendence and the sacrifice it implies are the mastersâ greatÂest conquest, their most accomplished submission to the necessity of conquest.
Anyone who intrigues for power while refusing the purificaÂtion of renunciation (the brigand or the  tyrant) will sooner or later be tracked down and killed like  a mad dog,  or  worse: as  someone who only pursues his own ends and whose blunt disdain for âworkâ lacks any tact toward othersâ feelings: serial killers like Troppmann, Landru, Periot were doomed to defeat because they murdered people without justifying it in the name of defending the Free World, the Christian West, the State or Human Dignity. By refusing to play the rules of the game, pirates, gangsters and outlaws  disturb  those with  good  conÂsciences (whose consciences are a reflection of myth); but the masters, by killing the encroacher or enrolling him as a cop, reestablish the omnipotence of the âeternal truthâ: namely, that those who donât sell themselves lose their right to survive and those who do sell themselves lose their  right to live.Â
The sacrifice of the master is  the essence  of humanism, which is what makes humanism-and let this be underÂstood once and for all-the miserable negation of everything human. Humanism is the master taken seriously at his own game, acclaimed by those who see in his  apparent sacrifice (that caricatural reflection of their real sacrifice) a  reason to  hope for salvation. Justice, Dignity, Nobility, Freedom ⌠these words that yap and howl, are they anything but household pets who have continued to reliably return  home to their masters since the time when heroic lackeys won the right to walk them on the streets?
To  use  them  is to forget that  they are the ballast that enables power to rise out of reach. And if we  imagine a regime deciding that the mythical sacrifice of the masters should not be proÂmoted in such universal forms, and setting about tracking down these word-concepts and wiping them out, we could well expect the Left to be incapable of combating it with anything more than a plaintive batÂtle of words whose every phrase, invoking the âsacrificeâ of a previous master,  calls for an equally mythical sacrifice of a new one (a leftist master, a  regime mowing down workers in the name of the proletariat).
Bound to the notion of sacrifice, humanism is born of the mutual fear of masters and slaves: it  is nothing but the solidarity of a shit-scared humanity. But those who reject all hierarchical power can use any word as a weapon to punctuate their action. Lautrfamont and the illegalist anarchists were already aware of this; so were the dadaists.
-Raoul Vaneigem âBasic Banalities (Part 1)ââ (1962)
Medicine, Gustav Klimt, 1907 (print) The iconic Medicine painting by Gustav Klimt, created for the University of Vienna ceiling in 1907, was sadly destroyed by Nazi troops in 1945, along with two other related works from the same series.
How AI could destroy mathematics and barely touch it
I've already heard a lifetime's worth of discussion on this topic, but I think this one gets at some of my opinions on the topic.

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'The Mask Of Cthulhu' by August Derleth, 1971 (Victor Valla)
child: why do they sell board games in bookstores
loving parent: because there's a manual in every board game
child: oh
child: why don't they sell cars in bookstores
loving parent: because when you're buying a board game, what you're really buying is the rules, and those are in the manual. a car manual with no car can't drive you, but if you have the manual to a board game you could play it without the pieces. there are people who can play a game of chess just by saying where they're moving the pieces and imagining the board, but it's very hard so they give you a board and pieces to help you.
loving parent: That's why you never see Mousetrap in bookstores. Because you can't play it with just the manual.
child: whats Mousetrap
moral: kids these days don't know about Mousetrap