Hey, I'm sorry I didn't see your submission to destroycomics about the prints until today. I'll post it and I'd like to take one off your hands, but I can only offer an art trade right now.
What kind of art trade?
Not today Justin

blake kathryn
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@timothylegion
Hey, I'm sorry I didn't see your submission to destroycomics about the prints until today. I'll post it and I'd like to take one off your hands, but I can only offer an art trade right now.
What kind of art trade?

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SCIENCE!
tHE GRID
Why We're Doing This (And Why We're Not)
I want to thank everyone who’s been so kind in the wake of our announcement about this Comedy Central opportunity. The messages, comments, blog posts, and emails have all been insanely nice and it means the world to me to see them all. It’s very motivating and makes me want to get this thing right even more than I already did.
With that in mind, I feel like I wanted to just put my motivation out there publicly. This is for a few reasons. First off, I’ve always felt so strongly connected to the fans of this show and feel like they are a huge part of the process. People are already posting suggestions for the pilot on our message board over at the main web site unsolicited, and I think that’s the best. I read them all. Also, I think it’s interesting to let you guys see my thought process - I have a chip on my shoulder and often think about why and this should show that off. Mostly though, I feel like I put this out into the world it will force me to live and die by it a bit more - declare something publicly and you are accountable for it.
So why are we doing this? Why take this thing we love and change it? What motivates that?
Read More
Gethard explains Why We're Doing This and he could be saying Why Do Anything?
Because. Because fuck it. And Why The Fuck not.

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src via sinyasiki
aku illustration I did.
El derrocamiento interminable
ABVH, ilustración original de Pawel Kuczynski
USA! USA!

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Lightning slowed down at 10,000 frames per second.
That is one of the coolest things I’ve ever seen
why is the last streak being lighted from the bottom ?
Stencil work by Canvaz
Mark Englert. Director Series: Kubrick
Nathan GD Bulmer.

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How much planning do you do before you start to shoot a scene? As much as there are hours in the day, and days in the week. I think about a film almost continuously. I try to visualize it and I try to work out every conceivable variation of ideas which might exist with respect to the various scenes, but I have found that when you finally come down to the day the scene is going to be shot and you arrive on the location with the actors, having had the experience of already seeing some scenes shot, somehow it’s always different. You find out that you have not really explored the scene to its fullest extent. You may have been thinking about it incorrectly, or you may simply not have discovered one of the variations which now in context with everything else that you have shot is simply better than anything you had previously thought of. The reality of the final moment, just before shooting, is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
Stanley Kubrick July 26, 1928 — March 7, 1999