retrouvailles.

So she denied that they’d ever been married. She went back to the clergyman who married them, got the registry entry destroyed, and added an entry for the birth of her son, listing herself, his mother, as a spinster. This was scandalous: it made her a fallen woman, the socially-unacceptable mother of an illegitimate baby - but it put her back in control of her fortune, allowing her to get away from her husband and live independently with her child. 

This all-Black Alice-in-Wonderland themed 2018 Pirelli calendar though.

Lupita Nyong’o as The Dormouse

Duckie Thot as Alice

Naomi Campbell and Sean ‘Diddy’ Combs as The Beheader

RuPaul and Djimon Hounsou as The Queen and King of Hearts

Whoopi Goldberg and Thando Hopa as The Royal Duchess and Princess of Hearts

Jolene (33 R.P.M) - click for .mp3

Unsure where this came from, if not the palsied hands of the good Lord himself.

Simple premise: Dolly Parton’s “Jolene” slipped from 45 to 33 rpm. Nothing more; no studio trickery, no trip hop drum breaks. The guitar lopes back in and around itself. The bass becomes elastic, hot rubber. The violin stabs become sustained cello lines. The backing choir’s split harmony rattles around, slinking ghostly into the corner.  And most importantly, Parton’s once-frantic vocal is transformed from bubblegum country scrawl into something approximating field holler reverence.