Tiff

Blue’s Feathers and Wings Compendium: Atypical Wing Shapes

Part 1 [Standard ]| Part 2 [Atypical] | Feather Markings | Tail Feathers

Nose Anatomy 01 by Frankhorlw

Thank you anon! l made some small examples of how l do folds and I’m going to try my best to explain it as best as l could.

When drawing clothing, it’s best to use a cylinder as a guide on how the fabric would look being wrapped around it. The folds of the fabric should be following the same direction of the cylinder’s form with round strokes. The first mistake from the example below, straight lines can takes away the form and leaves a flat unnatural feeling. Remember to think 3D!

Creases and folds should be drawn on tension areas, as in when the fabric gets tighten or fold together. Think of the direction on where the tension is going or coming from. The more tension there are, the longer and straighter the crease is. When the object bends, fabric tends to make a oval-ish looking hoops with overlapping folds (Do not over do them or it will look tedious).

Have you ever been trying to draw tiles on a wall or on the floor in perspective, but notice that after you’ve drawn them, they don’t look like they’re all the same shape or size?  Well here’s a tutorial on how to fix that. Your picture probably looks like this, right?

Well, i’m here to tell you how to fix that…Let’s start out with your basics.

The gray line is the horizon line, and the black dot is your horizon line. These are essential for the first steps of perspective. Without these, your perspective may turn out wonky and just not flattering to the eyes. Right now we’ll work in One point perspective.

Now let’s pretend we’ll be drawing a hallway. Draw a vertical line where the edge of the wall is.

Now, from the tips of the bottom and top of your wall, you’re going to need to draw a line extending all the way to the vanishing point. If you’re working in photoshop you could either use the line tool, or shift+click. If traditional, you’ll need to use a ruler.

Now that we have the wall that’s in perspective, it’s time to draw the rest of the lines. here I’ve drawn the wall facing us that’s closest, the ceiling, the floor line, and the end of the hallway. ASSUMING that you are working in one point perspective, all vertical lines are straight and parallel to each other, and all horizontal lines are straight and parallel to each other. 

Now here I have erased the lines that extended beyond the back wall, and found the center point of the edge of the left wall. From there, you draw an extended line just as before towards your vanishing point.

now make a vertical line where your first “tile” is. 

now this may be a little hard to explain. Now you’re going to draw a line coming from the corner of the wall, through the corner where your line meets the tile you just drew, and all the way to the ground line. 

You see where these two lines meet? you’re going to draw a vertical line to the ceiling from here.

Like so! 

Now rinse and repeat! you should have perfectly even spaced tiles now! And if you have tiles on the ceiling

Just draw horizontal lines connecting to the vertical lines!

like. here’s what happens when you don’t have good refs:

Underwater effect tutorial!

this is a pretty broad question and im guessing/hoping you meant “how do you color in black and white in your comics” so have a few random tips about values and paneling and stuff i guess

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