Love is all very well, but you have to be sensible. ATONEMENT (2007) dir. Joe Wright
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Love is all very well, but you have to be sensible. ATONEMENT (2007) dir. Joe Wright

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You must know⌠surely, you must know it was all for you. You are too generous to trifle with me. I believe you spoke with my aunt last night, and it has taught me to hope as Iâd scarcely allowed myself before. If your feelings are still what they were last April, tell me so at once. My affections and wishes have not changed, but one word from you will silence me forever. If, however, your feelings have changed, I will have to tell you. You have bewitched me, body and soul, and I love, I love, I love you. I never wish to be parted from you from this day on.
Pride & Prejudice (2005) dir. Joe Wright
âThis is the story of how I died. Donât worry, this is actually a very fun story and the truth is, it isnât even mine. This is the story of a girl named Rapunzel.â
Tangled (2010) dir. Byron Howard, Nathan Greno
âDearest Cecilia, the story can resume. The one I had been planning on that evening walk. I can become again the man who once walked across a Surrey park at dusk in my best suit, swaggering on the promise of life; the man who, with the clarity of passion, made love to you in the library. The story can resume. I will return. Find you, love you, marry you, and live without shame.â Atonement (2007) dir. Joe Wright

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Time, my dearest Emma⌠time will heal the wound. Emma. (2020) dir. Autumn de Wilde
âThe reason I was so terrified about taking her on was that when I first got the part I had women coming over to me saying âyouâre not Elizabeth Bennet, I am.â I think thatâs why the character is so loved, because everybody who loves the book is Elizabeth Bennet. Or sheâs what you aspire to be, sheâs funny, sheâs witty and intelligent. Sheâs a fully rounded and very much loved character. So itâs terrifying to actually take her on. But equally because Iâd been obsessed I also believed that I was Elizabeth Bennet so I was the right person for it.â â  Keira Knightley
Pride & Prejudice (2005) dir. Joe Wright
âThis is not just a magazine. This is a shining beacon of hope for⌠Oh, I donât know⌠letâs say a young boy growing up in Rhode Island with six brothers, pretending to go to soccer practice when he was really going to sewing class and reading Runway under the covers at night with a flashlight.â The Devil Wears Prada (2006) dir. David Frankel
"This stuff"? Oh, okay. I see. You think this has nothing to do with you. You go to your closet and you select, I don't know, that lumpy blue sweater, for instance because you're trying to tell the world you take yourself too seriously to care about what you put on but what you don't know is that... that sweater is not just blue. It's not turquoise. It's not lapis. It's actually cerulean. And you're also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns and then it was Yves Saint Laurent who showed cerulean military jackets. Then cerulean quickly showed up in the collections of eight different designers. And then it filtered down through the department stores and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs. And it's sort of comical how you think that you've made a choice that exempts you from the fashion industry when, in fact, you're wearing a sweater that was selected for you by the people in this room from a pile of "stuff."

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I started something, but I donât think itâs very good. Itâs just about our little life. Who will be interested in a story of domestic struggles and joys? Maybe, it doesnât seem important because people donât write about them.
âIf I loved you less then I might be able to talk about it more.â EMMA. (2020) dir. Autumn de Wilde
âwhere the north wind meets the sea thereâs a river full of memoryâ
Meryl Streep as Miranda Priestly in The Devil Wears Prada (2006)
âI got chills, theyâre multiplyinâ. And Iâm losing control cause the power youâre supplying, itâs electrifyinâ. You better shape up cause I need a man. And my heart is set on you. You better shape up. You better understand. To my heart I must be true. Nothing left. Nothing left for me to do. Youâre the one that I want.â Grease (1978) dir. Randal Kleiser

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CHARLIE HUNNAM in THE GENTLEMENÂ (2019)Â dir. Guy RitchieÂ
I do so wonder Ms. Woodehouse, that you should not be going to be married? So charming as you are. I have none of the usual inducements of women to marry. Fortune, I do not want. Employment, I do not want. Consequence, I do not want. I believe few married women are half as much mistress of their husbandâs house as I am of Hartfield. Emma. (2020) dir. Autumn de Wilde