TSENG JING HUA THE ACTOR THAT YOU ARE

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@thisonelikesaliens
TSENG JING HUA THE ACTOR THAT YOU ARE

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Tseng Jing Hua for GQ Singapore
Will Or at Taipei Film Festival 07.12.26
PAYBACK | episode 7
-> Sun, Sky + Kajorn
Tag Game: Fave of Faves
Rules: Pick 10 of your favourite actors (or however many you want) and then pick your fav performance from each one
I was tagged by @thisonelikesaliens (here) @embersinthefirelight (here) and @abstractelysium (here). Thank you all π«Ά
Well I'm gonna only count actors that I've seen in 3 or more shows in full. I was gonna do a mix of BL and non BL but it got too hard to pick. So I I'm gonna stick to actors that have at least one BL role even if that wasn't my favourite role of theirs. Also I've been procrastinating on this for a couple of days because I didn't feel like making decisions but I wanna get this done so I'm just gonna go with my gut and not overthink.
Komagine Kiita in Tengu's Kitchen & in At 25:00, in Akasaka
I've seen in 6 different roles and for the life of me I could not pick between these two. I tried, I went through a lot of different ways to look at it and still I couldn't pick. He's always amazing btw but these two are just perfection to me. So, one ql and one not. It has to be that way.
Mix Sahaphap in Only Friends: Dream On
He's perfect in everything but Dean was a special treat. The show was not good but he was incredible in it.
New Thitipoom in Peaceful Property
I think New is so underrated as an actor. Playing Home he was able to show so many different sides and it was great to watch.
Perth Tanapon in Love You Teacher
I loved how he was able to show something new in this one. He's one of the best imo and Pobmek was such a fantastic character for him to show it.
Shiono Akihisa in Kashimashi Meshi
Shiono is one of those actors that I'm always thrilled when they show up anywhere. I love him in Tengu's Kitchen but he's so good in this show.
Gun Atthapan in Midnight Museum
He just does so much in this series. I think he's a phenomenal actor and it's hard to pick between his roles but in this one his physicality in the different characters is just a joy to watch.
Furuya Robin in Love Is Better the Second Time Around
Another actor where I just scream with joy whenever they appear. There's something about him that I just can't take my eyes off him when he's on screen.
Tay Tawan in A Dog and a Plane
It was hard to choose between Toto and Karan tbh but I'm loving him in ADAAP too much for it not to come out on top. It's such a different character for him and the way he's using his whole body is different. I love him.
Lee Je-hoon in Taxi Driver
He was boy kisser in a short film so I'm counting it. Cause I love him so much. I could watch him do anything honestly but in this show he does everything. He's incredible and I could watch him play this role for 10 more seasons.
That's it for now. I really gave myself an out by only including actors that did bl cause otherwise this post would never get done. Don't know who's done this so if you have point me to it. Tagging but as usual no pressure @colourme-feral @dramalove247 @troubled-mind @mikuni14 @romemok @nabi-unveiled @incandescentflower @tanrak @byemambo @mewsthumbring @bolobaaumoubolo @bluesandfilms @hyeoni-comb @paramees and if you see this and want to play consider yourself tagged here β‘οΈ@ π

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At least you're able to sleep. You're so damn heavy.
PAYBACK | episode 7
Rin is a big foodie. She lives for food.
AOKBAB & RIN | LOVE DESIGN
LOVE DESIGN | Episode 2
Will Or at Taipei Film Festival 07.12.26

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If anyone asked me to describe episode 4 of The Edge of Horizon, Iβd say itβs easily the sexiest episode a romance series could possibly pull off.
And I donβt just mean the nail-biting, edge-of-your-seat tension every time the Captain and the Prince have their secret reunions. Iβm talking about the politically charged dialogue, too. Especially that conversation in the car and the scene toward the endΒΉ. The way the show reminds us of Phob's history as a servant proves that the revolution isn't just some abstract intellectual conviction for him. Itβs a reality he has lived through.
Letβs talk about the incredible realism of this script: a young palace servant falls in love with a prince, theyβre caught, and the Prince's father frames the relationship as the ultimate act of lower-class ingratitude: "A servant dares touch his master's son." The Prince is forced to write a cruel letter to break things off, not out of a lack of love, but because itβs the only way to keep him save.
The servant goes on to live a brutally hard life under other noble landowners, but his brilliance eventually wins him a scholarship to study abroad. He spends eleven years away, returning right in 1932 with radical ideas about equality and constitutional reform. How insanely good is his psychological arc? His time in France gave him the intellectual vocabulary (liberty, equality, constitutionalism) but his own lived experience gave those revolutionary ideas their emotional gravity.
When Phob argues that birth shouldn't dictate privilege, he's not talking in abstractions. He's remembering the exact day he was taught that, no matter how brilliant or honorable he turned out to be, he was still just "a servant" at the end of the day. The way the Prince's father frames his accusation is so telling. It's not "You're unsuitable for my son." It's "You forgot your place." And that is the textbook language of a rigid, hierarchical society.
This is exactly what makes their argument so layered. When the Prince says, "The King kept Siam independent," heβs protecting the status quo he was brought up to revere. When Phob counters with points about taxes and unequal treaties, heβs doing way more than just winning a debate. Heβs taking a hammer to the entire social order that once told him he wasn't even worthy of standing next to the man he loves.
So when he tells his mother, "It doesn't always have to be like that," he is literally talking on two different levels at the exact same time. Politically, he is signaling that the absolute monarchy's old order is on the brink of collapse. Personally, itβs a quiet, heartbreaking hope: that maybe one day, he will no longer be forced to bow before the man he loves.
Thereβs such a tragic irony to the Princeβs situation. Heβs really not the villain here, despite his actions. From what we watched, he literally gave up his own happiness to keep Phob safe, playing along with his father's demands because rebelling would have put a target on Phob's back. Heβs been living a total lie, forced to keep up appearances and maintain that royal facade for years. Imagine how completely hollow his life must have felt.
Heβs just a victim of the exact same hierarchy, but in a different way. Phob suffers for being "too low," while the Prince suffers because, despite being "too high," he isnβt free to love who he wants. Poor Janthorn has no idea that the history between Phob and Tin is so much more nuanced than just "conservative vs. progressive." (Though whether Phob's revolution is truly egalitarian or partly motivated by his own heartbreak is something only Phob and the gods will ever know.)
One thing Iβve brought up before (and really want to highlight again) is how much I appreciate that this drama doesn't just treat 1932 like a textbook history lesson. The writing is just so sophisticated. It takes this massive constitutional change and makes it incredibly intimate.
Obviously, a constitution changes who runs the government. But changing the country also changes the dynamics of love, marriage, and who is allowed to stand beside someone else as a true equal. A huge historical upheaval is distilled down to a question of whether two people can finally share the same social space. Before 1932, they're defined by master and servant, Royal Highness and commoner. After 1932, at least in theory, theyβre just two citizens of the same constitutional state. Whether society actually caught up to that overnight is a whole different story (it definitely didn't) but symbolically, the revolution carries the promise of erasing the invisible line that had always kept them separated.
NOTE:
ΒΉThe arguments toward the end of this episode are actually referencing real historical debates from the 1932 Siamese Revolution. Phobβs line, "Royals have assets for generations because commoners pay taxes" is a critique of the absolute monarchy.
Back then, there wasnβt a clear line dividing the King's personal money, royal wealth, and actual state finances. A lot of the revolutionaries who studied in Europe (both military and civilian) were furious that ordinary people did all the hard labor and paid all the taxes, just for that money to fund the royal court while commoners got zero political say. Phob is essentially pointing out the revolutionaries' biggest critique: that the aristocracy's generational wealth exists on the backs of regular citizens, which was one of the biggest catalysts for the 1932 coup.
When the prince responds, "But the King guided Siam so it was never colonized," he is invoking the classic royalist defense. His argument is simple: yes, the people paid taxes, but those taxes built a kingdom that fiercely guarded its independence.
Consider the geopolitical reality of the era:
1. Burma & Malaya: Colonized by the British.
2. Vietnam, Cambodia, & Laos: Colonized by the French.
3. Siam: Remained entirely independent.
Mainstream history generally credits monarchs like King Mongkut and King Chulalongkorn for this feat, pointing to their efforts in modernizing the state administration, abolishing slavery, and making calculated diplomatic concessions to Western powers. Ultimately, the prince is asserting that the monarchy earned its elite status by safeguarding the nation, a narrative that still heavily shapes Thai historical memory today.
Look at Phob's comeback: "Yes, Siam wasn't colonized, but we lost extraterritorial rights. We had to attend Western courts. It doesn't look good."
To put that into perspective, extraterritoriality was a system imposed on Siam through unequal treaties in the 19th century. Essentially, if a British or French citizen committed a crime within Siam, Siamese courts had no jurisdiction over them. Instead, they were tried in British or French consular courts. In other words, Siam's own legal system had zero authority over foreigners on its own soil, representing a massive blow to the kingdom's sovereignty.
Why did this happen? It comes down to the fact that even though Siam avoided being colonized, it still had to sign humiliating, unequal treaties, especially after the Bowring Treaty. Those treaties basically handed foreign powers extraterritorial rights, capped import tariffs, and gave them massive commercial privileges.
When Phob points this out, he's arguing that Siam's independence came at a heavy price: "Sure, we stayed independent on paper, but Western powers still forced humiliating concessions on us." And heβs historically accurate. Siamese officials literally had to watch foreign consular courts operate inside Siam's own territory. If a Siamese citizen got into a dispute with a foreigner, they often had to face a foreign court instead of their own. The whole point is that these foreign legal privileges severely undermined Siam's judicial sovereignty.
Many of the revolutionaries who studied in Europe genuinely admired Western ideas like democracy, constitutional government, modern bureaucracy, and equality before the law. But they also saw how unequally those same Western empires treated Asian nations. Because of this, the reformist position became a delicate balance: they recognized that the monarchy successfully saved Siam from direct colonization, but argued that accepting unequal treaties had left the country only half-sovereign. Their goal was clear: Siam needed a constitutional reform and a stronger modern state to truly stand on its own.
So, when the Prince claims that "the monarchy deserves respect because it kept Siam independent when nearly all our neighbors were colonized," he's touching on a massive historical gray area. Neither side of the debate is entirely right or wrong. Modern historians usually agree that Siam stayed independent thanks to a mix of smart royal diplomacy, major internal reforms, and the tense geopolitical rivalry between Britain and France. But they also acknowledge the dark side, that Siam had to give up territory and sign unequal treaties that heavily stripped away its sovereignty. The 1932 Revolution was born from these exact competing views: had the absolute monarchy fulfilled its historical purpose, or did the country now desperately need a constitutional government?
Tseng Jing Hua for MRRM Hong Kong
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PAYBACK | EP 7

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And this is my way of repaying you, too. Whatever I give you, you'll have to take all of it.
Payback | Ep 7