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@thingswearereading
August rain:
the best of summer gone, a new fall not yet born. The odd uneven time.
- Sylvia Plath

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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achilles be like âi know a spotâ then goes off to troy never to return from the war
hamlet be like âi know a spotâ and then jump into opheliaâs grave
I want a production of midsummer nightâs dream where during the loversâ fight scene puck is in the background lounging and sipping a cocktail and the audience doesnât notice until oberon starts chiding him and he responds âbelieve me king of shadows I mistookâ all while gesturing with an umbrella straw
Charade (1963) dir. Stanley Donen

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shakespeareâs Taming of the Shrew is good until itâs not
Iâve said it before and Iâll say it again: why? is shakespeareâs Taming of the Shrew? so good? until act 5?
letâs unpack this.
Iâve always loved Taming of the Shrew, simply because of Kate. I think she is firey, passionate, proud, and not content with just sitting around waiting for a man. same, sis! I think she is one of few characters that shakespeare wrote for women of any real substance. that is, until she goes back on EVERYTHING she says in act 5, and the audience watches Kate as she is essentially brainwashed, and the characters on stage are like, wow! looks like petruchio tamed the shrew! *drop curtain*
acts 1-4 for Kate are stunning. when petruchio blindly agrees to marry Kate (for her fatherâs money) - he doesnât really understand how...it may be difficult...to uh..., non-consensuallyforcesomeoneintomarryinghim? ah, but women didnât have rights back then! ((thatâs why acts 1-4 are wonderful! we finally shine a light on gender stereotypes and social hierarchy, deception in marriage, and all sorts of delicious themes that, in the 1500âs were swept under the rug!))
my favorite speech of kateâs is the one where she begins with âno shame but mine. i must, forsooth, be forced to give my hand, opposed against mine heartâ
translation: i wonât just bring him shame, i bring myself shame if i go through with this, with giving away myself against my own will.
and, of course, thereâs Act 2 Scene 2 when petruchio actually meets Kate, and she schools him left right and center about how she will not be reduced to his standards of her, because she is above the patriarchy
until she isnât? in act 5?
I donât want to spoil the ending (in case you havenât read it) but, itâs, just, it almost seems like act 5 was written by a different playwright!
but at the same time, i get it. how else could shakespeare tie this one up in a little bow, like the rest of the comedies? it is the 1590âs, afterall. i know this for sure: i would have respected shakespeare a lot more if Kate could have saved herself.
tfw youâve got the bullets (Rebel Without a Cause thoughts)
(hi. I originally posted this on my AP Literature tumblr, but it was so applicable that I decided to post it here too. and I made some edits. enjoy)
So, I watched Rebel Without a Cause a week or so ago, and I definitely have some stuff to say. (Unpopular opinion, I liked the movie! PLEASE DONâT THROW THINGS!!)Â
I believe this movie hits many relevant arguments, but the overarching theme or topic of the movie that got me thinking the most was the quote right before the chickie fight, when Buzz tells Jim he actually does like him, and Jimâs like, âyo, why are we doing this then?â and Buzz says âhey, you gotta do something, right?âÂ
When humans become teens for the first time, it is also the first time we face real, adult problems and must confront them. What this quote, or this theme of the movie is saying plays right to the title. A ârebel without a causeâ is someone who isnât satisfied with society, but doesnât have a specific aim to fight for, so they just âdo something.â and if that something is drive a stolen car off of a cliff, so be it. Teens donât value destruction, they value change - they just donât know how to go about the process. Teenagers value action without thinking about consequences, so when conflict arises, they retreat to the âIâm just a kidâ line.Â
This differs from characters who live in fear, such as the adults in the movie, who clearly value minding consequences than anything else. Both Jimâs mother and father were fearful in their own ways, because they valued the âwhat ifâ scenario. Mom was mortified of Jim acting out, constantly demanding they move city to city. Dad was fearful of Jim in a different way, clearly caring about his well being, but at the same time, would not stand up to his wife for him. (& I would just like to say: I feel like the dad was a super complex character, thereâs a lot of Aristotelian âthoughtâ wrapped up in him, even if he was billed as a secondary character. but overall, Iâd argue that he valued consequences much higher than change.)Â
anyways:
This 1956 teenage classic portrayed young adults very different than Iâm used to. Donât get me wrong, I love a golden age film. It was just interesting to analyze how different teens were portrayed back then, in comparison to how they are today. I just saw the film Booksmart, and the difference of the teen leads in that 2019 film were ridiculous. I feel as if teens today react very internal when conflict arises, we are constantly keeping baggage behind closed doors, where teens in these movies are VERY brash and bold, and jump the gunâŚor drive off of a cliffâŚor try to shoot someone until they get shot down, and James Dean comes screaming âI GOT THE BULLETS!!â and everything is awkwardâŚbut anyways. I think this movie is to show both adults and teens, but mostly adults, that the other generationâs problems they face are very real and very valid, even if our values are different. also i found a gif of James Dean saying I GOT THE BULLETS, so there you go.
i am holden caulfield and so are you
hi,Â
this isnât about theatre, but itâs still important.Â
i just finished rereading The Catcher in the Rye - truly my favorite book of all time ever. the best narrator voice Iâve ever seen. I read this book as assigned reading in the 10th grade and I, along with probably my whole class, saw myself in the very relatable life and language of Holden Caulfield. my favorite part of the entire book is when Holden is in the taxi cab, and asks the driver, you know what, Iâll just find the quote.
"Hey, listen," I said. "You know those ducks in that lagoon right near Central Park South? That little lake? By any chance, do you happen to know where they go, the ducks, when it gets all frozen over? Do you happen to know, by any chance?" I realized it was only one chance in a million.
He turned around and looked at me like I was a madman. "What're ya tryna do, bud?" he said. "Kid me?"
"NoâI was just interested, that's all."
Holden doesnât care about the ducks, really. Well, he may just be interested, but heâs also extremely self aware, and very worried about his own fate/mortality. growing up is scary. where do the ducks go when the pond freezes over = where does Holden go when time passes too quickly, and now he has to leave his adolescence behind him?Â
Iâd love to see this as a play. in 10th grade, I imagined playing phoebe over and over again. but i could be holden too. if only the JD Salinger foundation would release the rights!
welcome to the library
hi,
Iâve been wanting to create a side blog/catch-all brain dump space for things I am reading/studying in school. Iâm an acting major at a music conservatory, living that BFA life
on this blog, you may expect:Â script/film reviews, my opinion, recommendations, studying/school habits, maybe some monologue recs? & a general peak into the life of an artist. hope thatâs cool with you