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if i look back, i am lost
Claire Keane
Xuebing Du
🩵 avery cochrane 🩵
Noah Kahan
Cosimo Galluzzi
NASA

★

titsay
The Bowery Presents
noise dept.
art blog(derogatory)
$LAYYYTER
Show & Tell
PUT YOUR BEARD IN MY MOUTH

Product Placement
Jules of Nature
ojovivo

tannertan36
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@things-with-teeth
light me up
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STOP the "grimdark muddy and grey medievalism film about a white dude doing some bullshit" industrial complex. WHERE is the Questing Beast WHERE are the cool women WHERE are the people of color WHERE is the fun and whimsy and fantastical
Her initial text was just "there's a new trailer for a movie set in the late 14th century and I'm so fucking tired."
Re: my observation that the average undergraduate now seems to have much greater familiarity with Homeric epic and at least some Greek literature (esp. tragedy) than with the Aeneid or any Roman material, I think there’s a myriad of things at work here but at least one is that we’ve reverted to this weird cultural construct where ancient Greek myth and literature is viewed as universal while Roman literature is viewed as particular and this affects what books are taught e.g. in high school and college English classes but also what gets mined for retellings. and I also think Roman material is often imagined as being more deeply implicated in the ideological framework of patriarchal western imperial society and like, in some cases perhaps that’s fair, but I would argue as a literary historian that Roman poetry is precisely where we see the cracks forming in Roman gendered imperialism just like Greek tragedy is where we see the cracks forming in Athenian gendered imperialism. whether we want to commit to any idea of authorial intent is a different question but imo it’s impossible to read e.g. Roman elegy or pastoral or even Lucan and come away with the pop-culture idea of the iconic masculine Roman subject (hell, I think even the Aeneid questions the conventional notion of masculine Roman virtus that Lucan absolutely shatters, but that’s another discussion)
anyways this also gets combined with a dynamic that’s really maddening to me as a classicist where anything Roman is almost exclusively gendered as masculine in popular culture (see the Roman Empire meme, but also the subculture of Jordan Peterson bros roleplaying as stoics and reading or pretending to read Marcus Aurelius) whereas on the Greek side we have Anne Carson’s Sappho translations and a total saturation of feminist rewritings of Greek myth, Homeric epic, and tragedy. this is actually really weird from the perspective of a Roman social historian, given that women are far more visible in Roman material (esp. from the 1st century CE onward) than they are anywhere in classical Greek society, and it has the consequence that Roman poetry (except, like, Lucretius I guess) gets sidelined because the types of dudes that are going to maybe read Marcus Aurelius or Tacitus are definitely not going to read Catullus or Vergil’s Eclogues or even the Aeneid given that poetry itself is often gendered as feminine in the 21st century popular imagination, and the types of non-classicists who like Anne Carson’s Sappho and feminist approaches to Greek myth are also probably not going to read Roman poetry
Moonlight Dandelions (in color) - original bw ver!
I want the record to state I have never been this hard in my entire life

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Oh God, I’m so tired. 6 July, 1927 The Letters of Vita Sackville-West to Virginia Woolf (1924-1941)
You are the descendant of the people in your family who came before you. You are your grandmother's descendant.
The people in your family who came before you are your antecedents or ancestors. Your grandmother is not your descendant, she is your antecedent.
A decedent is a dead person.
Spite is hilarious
1DontKnows aka Phanuwat Chukoed aka ภานุวัฒน์ ชูเกิด aka Mew aka มิว (Thai, b. 1996, Thailand) - Hello darkness, my old friend, Digital Collage

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I'm in a little local cafe and the women behind the counter started griping to each other, "Oh Christ, Stephen's back again," "It's him, is it? I thought he'd stopped coming," "It's definitely him, look, it's bloody Stephen on a Thursday morning," "Do you want me to get rid of him or are you going to do it?" and so I was peering outside, trying to spot this nightmare customer, this pestilence of a person, this pox upon the cafe trade, and then one of the women from behind the counter ran outside, clapping two trays together loudly and yelling "GET OUT OF IT, STEPHEN!" and it turns out that Stephen is an absolutely gigantic fuck-off seagull who hangs around outside, menacing people for crumbs
Strength. Art by Summer Wagner.
Crimson peak fanart
The Lost Boys (1987)

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MY NEIGHBOR TOTORO (1988) dir. Hayao Miyazaki
The Bride (above, c. 1941) and The Skeleton (below, c. 1936) - Hyman Bloom