“We grow into smaller bodies, my breasts disappear, / your cheeks soften, teeth sink back into gums. / I can make us loved, just say the word.”
— Warsan Shire, Backwards
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@theweedyke
“We grow into smaller bodies, my breasts disappear, / your cheeks soften, teeth sink back into gums. / I can make us loved, just say the word.”
— Warsan Shire, Backwards

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“That night, I began to understand that there’s a difference between someone actively trying to harm you and someone’s specific constellation of shortcomings being harmful to you. It’s the difference between an earthquake, inescapable and un-anticipated, tearing everything you’ve built down and stepping into the path of a tornado even as the sirens ring out their warning.”
— Minda Honey, On Finding the Freedom to Rage Against Our Fathers
“I wanted to talk about my father, the therapist wanted to talk about my mother. My father is not speaking to me. My father can be cruel. My father has a temper. But what about your mother? My mother? My mother has cancer.”
— Minda Honey, On Finding the Freedom to Rage Against Our Fathers
“And I did not know how to be in one city and leave my anger in another.”
— Minda Honey, On Finding the Freedom to Rage Against Our Fathers
“I’m sorry you were not truly loved and that it made you cruel.”
— Warsan Shire

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“But how did you come burning down like a wild needle, knowing just where my heart was?”
— Mary Oliver, “West Wind, IV”, in West Wind (via antigonick)
I lifted my head to look up into the changing leaves, thinking about how at some point, we were all headed home. At some point, all of this, everything and everyone, became memory.
— Jacqueline Woodson, Another Brooklyn
When you’re fifteen, pain skips over reason, aims right for marrow.
— Jacqueline Woodson, Another Brooklyn
Our land moved in grassy waves toward the water. The land ended at the water. Maybe my mother had forgotten this. And kept on walking.
— Jacqueline Woodson, Another Brooklyn
I know now what is tragic isn’t the moment. It is the memory.
— Jacqueline Woodson, Another Brooklyn

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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At night we told stories about the future with clairvoyant certainty. Our clothing was spectacular and fit to a T. We admired eachother with ferocity.
— “Then” from Citizen, Aaron Shurin
I wanted Saint Francis, the love of / His animals. The wolf, broken and bleeding— / That was me.
— Self Portrait, Cynthia Cruz
And till today I ask myself: / What divine messenger / gave grandpa grace / gave his words strength / even though today my eyes / see him changed / into an old man.
— Translated from the Tsotsil, Clare Sullivan
A kiss on the forehead—erases misery. / I kiss your forehead. / A kiss on the eyes—lifts sleeplessness. / I kiss your eyes. / A kiss on the lips—is a drink of water. / I kiss your lips. / A kiss on the forehead—erases memory.
— “A kiss on the forehead”, Marina Tsvetaeva
and love is only and always about the lover not the beloved
— They Clapped, Nikki Giovanni

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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In this country he does not know / the word for “drowning” and yells: / “I am diving for the last time!”
— from Deaf Republic: 9, Ilya Kaminsky
And our girls spit in the policeman’s nostrils / It is the spittle of our people freezing in the avenues.
— from Dead Republic: 5. And They Drag the Living Body in the Sunlit Piazza, Ilya Kaminsky