NWSL LAFC - Los Angeles Womenâs Soccer Team: kit concept.
PUT YOUR BEARD IN MY MOUTH

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JBB: An Artblog!
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Andulka

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Lint Roller? I Barely Know Her
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@theroomoftheirown
NWSL LAFC - Los Angeles Womenâs Soccer Team: kit concept.

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Every Mexican across the globe rn
Winners of the 2015/16 UEFA Champions League!
âI think the difference in him is that heâs a ruler of a country. Thatâs the difference. I wouldnât even call him a superhero. In the mythology of the country, heâs not a superhero. Heâs a warrior, and itâs part of their tradition. Itâs not like heâs like, âWho is that masked guy thatâs doing this stuff?â Everybody knows itâs him, and they expect that itâs him, and they pray to God, or even him in some cases, that he would do the things that heâs doing. Which is much different than most of the superheroes in which you donât know their identity and you donât know when they might show up. Thereâs an expectation thatâs much different. So thatâs the main difference.â âChadwick Boseman on TâChalla A.K.A. Black Panther in âCaptain America: Civil Warâ
i know what yall thinkin and its what im thinkin nobodys gotta say it

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Refuse to share a pencil, reject a boy, say no to your imprisoned dad â all of these can get a teen girl killed in El Salvador's gang war.
para nuestras niĂąas
Artist name: Kristy Sandoval El Sereno, CA
Once you are enslaved, you have no moral obligation to the people who have enslaved you. In enslaving you they have freed you of all moral obligation because the nature their enslavement of you says that you are without humanity, without manhood without womanhood, without dignity and anything you do to get those things back is morally justified.
Dr. John Henrik Clarke (via so-treu)
Juana Burga @ Talbot Runhof SS15 PFW

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Lindsey Horan has played her last game with PSG and will return to the US to play for the Portland Thorns in the upcoming NWSL season as well as the senior US Womenâs National Team.
Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red.
Kait Rokowski (via lucidsolitude)
Ai Weiwei (1995)Â Dropping a Han Dynasty Urn
An astonishingly irreverent piece of work. Â This triptych features the artist dropping a Han Dynasty (206 BC - 220 AD) in three photographs. Â
When questioned about the work, he suggested that the piece was about industry: â[The urn] was industry then and is industry now.â Â His statement, therefore, was that the urn was just a cheap pot two thousand years ago, and the reverence we feel toward it is artificial. Â One critic wrote: âIn other words, for all the aura of preciousness acquired by the accretion of time (and skillful marketing), this vessel is the Iron Age equivalent of a flower pot from K-Mart and if one were to smash the latter a few millennia from now, would it be an occasion for tears?â
However, the not-so-subtle political undertone is clear.  This piece was about destroying the notion that everything that is old is good⌠including the traditions and cultures of China.  For Ai Weiwei, this triptych represents a moment in which culture suddenly shifts (sometimes violently), shattering the old and outdated to make room for the new. Â
Objectification makes sexuality a reality of womenâs lives, not just a psychological, attitudinal, or ideological one. It obliterates the mind/matter distinction that such a division is premised upon. Like the value of a commodity, womenâs sexual desirability is fetishized: it is made to appear a quality of the object itself, spontaneous and inherent, independent of the social relation which creates it, uncontrolled by the force that requires it. It helps if the object cooperates: hence, the vaginal orgasm; hence faked orgasms altogether. Womenâs sexualness, like male prowess, is no less real for being mythic. It is embodied. Commodities do have value, but only because value is a social property arising from the totality of the same social relations which, unconscious of their determination, fetishize it. Womenâs bodies possess no less real desirabilityâor, probably, desire. Sartre exemplifies the problem on the epistemological level: âBut if I desire a house, or a glass of water, or a womanâs body, how could this body, this glass, this piece of property reside in my desire and how can my desire be anything but the consciousness of these objects as desirable?â Indeed. Objectivity is the methodological stance of which objectification is the social process. Sexual objectification is the primary process of the subjection of women. It unites act with word, construction with expression, perception with enforcement, myth with reality. Man fucks woman; subject verb object.
Catharine MacKinnon, Feminism, Marxism, Method, and the State (1982). (via sukoot)

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Dakota by Attilio D'Agostino
Lyndsey Marshal as Cleopatra in Rome