Looper - Featurette
I love going behind the scenes of a movie and listening to the actors and directors talk about what it was like on set.

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Looper - Featurette
I love going behind the scenes of a movie and listening to the actors and directors talk about what it was like on set.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Joseph Gordon-Levitt & Rian Johnson - Looper Interview with Tribute at TIFF 2012
The Promised Land - Gus Van Sant
Looper - Animated Trailer
Much like War Horse, this is not the Spielberg I feel like I grew up loving, but it still looks like a great story. It is more along the lines of a Shindler's List. Spielberg's next film Robopocalypse will bring him home to some of his sci-fi roots.Â

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The Master - Theme
Paul Thomas Anderson
I finally saw The Master last night. It was not what I was expecting, but it was still PT Anderson. The pacing of his films is very much like how he talks. I think he really brings an excellent personal quality that for me is always more relatable. Joaquin Phoenix really blew my mind with how he played the roll. His acting is so involved down to the very last detail of how he walks, the mannerisms, the overall energy. And like PT said everything about the film even down to the type of film used made it so believable and engrossed you into another world.Â
I saw the film in 70mm at Village East Cinema in lower Manhattan, but I didn't feel like I was watching anything different than a 35mm print. The Theater itself is beautiful and has a beautiful decor with a grand piece on the ceiling.Â
Ridley Scott
Prometheus was Scott's first digital film, shot on the RED camera in 3D. It is cool to hear him talk about how he has always wanted his films to be very clean and remembers always battling the grain in low light with film. It's also just cool to see one of the greats talk about processes that someone like myself can relate to. The way the interview is edited is kind of weird.Â
(source:Â cinescopophilia)
50 years of the Playboy Interview: Stanley Kubrick
A Brief History of John Baldessari - Henry Joost & Ariel Schulman
I just came from a press screening of Shorts Programs #1 at NYFF, held at Lincoln Center.Â
Here was the program:Â
Crescendo - Alonso Alvarez / Up the Valley and Beyond - Todd Rosken / A Story for the Modlins - Sergio Oksman / A Brief History of John Baldessari - Henry Joost & Ariel Schulman / Saint Pierre - Kevan Funk / Frank Etienne Toward Beautitude - Constance Meyer
My favorite by far was A brief history...narrated by Tom Waits this very stylistic, design driven short doc tells just what the title specifies, a brief history of American artist John Baldessari. Or better known as the guy who puts circles over everyone's faces.Â
The film was very matter of fact, and spelled out everything for the viewer. It also had a quality of french cinema where everything that was seen was explained and was there in front of you very plainly as so. There was a lot of humor to the film, as Baldessari's art has a dark sense of humor to it. The use of narration backed by clever titling, kept me engaged throughout the entire duration.

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Armando Taravez
I sat down with Armando to share my thoughts on his new script Fate yesterday. Fate is about a young hitman from Queens who realizes that school is more important to him and wants out of the game. His boss Henry isn't going to let him go that easy, and he will have to fight for his freedom and his life. Armando wrote the script, is producing and starring in the short film, they plan to shoot next month.Â
Armando's last project Blind Date, which premiered at the Sunday Night Screenings Film Festival is a short vignette that perfectly captures the essence and uncomfortableness of blind dates.
Aside from writing, producing and starring in his own films, Armando is also a photographer - Check out his work here.
Also, you can see him in my short film Parallel as Tomas.Â
TABU The ghosts of F.W. Murnau, Luis BuĂąuel, Joseph Cornell and Jack Smith hover above Miguel Gomesâs third featureâan exquisite, absurdist entry in the canon of surrealist cinema. Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dreamâan evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in a Portuguese colony in the early 1960s. âBe My Babyâ belted in Portuguese, a wandering crocodile, and a passionate, ill-advised coupling seen through gently moving mosquito netting make for addled movie magic. The winner of the Alfred Bauer Prize (for a work of particular innovation) and FIPRESCI (International Film Critics) award at this yearâs Berlin Film Festival. An Adopt Films release .An Adopt Films release.
Project Imagination
NYFF Shorts Program #1
P&I Screening tomorrow, check back for updates

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Ben Zeitlin, director of Beast of the Souther Wild, and fellow SUNY Purchase graduate, composer Dan Romer.
Scorsese on VertigoÂ