Submarine: Pills
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Piece of shit jammed on me.
You sure you didnât just empty out that motherfucker?
Man, I donât know. Â I donât even know how to check really. Â I shouldnât have even brought this gun. Â I wanted to bring Lucille but you were beeping and stuff-
Donât put that on me. Â You knew what time I was coming to pick your ass up. Â Donât act like itâs my fault you were rushing as usual.
Nathaniel was laying on the floor bleeding, cryingâŚ.. dying.   Popcorn stepped over him.
Show me how to release the clip again.
Are you being for real right now?
Yeah, motherfucker show me how to get the clip out, man. Â Why you always gotta make you ask you twice for shit, damn.
Look, gimme here.
Congo, the big one put his gun between his knees, barrel up, while he took the rifle from Popcorn and easily slide the empty clip out. Â See? Empty. Â You just spray motherfuckers without looking. Â Here, with your sloppy ass.
Popcorn gives him a look that says, fuck with me again, go ahead I dare you. Â He mutters something under his breath, something I canât make out but Iâm sure heâs talking shit. Â It doesnât matter, I gotta move. Â Â Still on my stomach I crawl towards the shadowy area of the barn. Â Theyâre really fighting now because all I hear is bitch this and bitch that and a couple Iâll fuck you ups. Â I belly crawl away making sure I donât make as much noise as they do. Â
Nathaniel is still crying, bleeding and dying. Â Â I can see smoke coming out of the hole in his belly. Â Iâve seen this before, it doesnât end well.
Will you shut the fuck up? with your nappy ass beard. Â Â This is Popcorn talking now. Â Heâs always talking, that one. Â Heâs the one that punched me in the face this morning, the one that kicked me in the nuts after he broke my nose. The one that shot Nathaniel in the stomach for not knowing what he was talking about. For not knowing about the pills. Â Â I remember his laugh.
Here, take this. Â Congo, the big guy pulls out a shiny pistol from his waistband. Â Donât lose it. Â I got that 75 years ago or maybe it was last week. Â
They both cackle. Inside joke
Looking down at Nathaniel Popcorn speaks. Â Iâm going to ask you again and you might as well tell me the truth because your ass is going die in a few anyway. Â Where are the pills?
Nathaniel tries to answer. Â He tries to tell them he doesnât know about any pills. That he told him everything he already knows which is nothing. Â And why did he shoot him? Â Why did he kill him when they donât even know each other? Â Why?
One of the great things about having kids is when theyâre a baby, a real little baby; there are moments when you see the entire spectrum of human emotion flash across their face in a matter of seconds. Â Â Looking at Nathaniel now, itâs the same thing only I see fear, regret, anger and then nothing.
Standing over Nathaniel laughing and carrying on about someone who had said something to someone about something Congo and Popcorn didnât notice Nathanielâs last moments as a person. Â They didnât have the privilege of seeing Nathaniel realize he was slipping away. That the hole in his stomach stopped hurting and his eyes were giving in to a deep, deep, sleep. Â At the very end he said something. He said something but nobody heard.
Screaming from the house. Â Martha.
Tell me old man where are the muthafucking pills?
Why you yelling at a dead man? Can't you see his ass is dead?
Aw what the fuck.
Iâm telling you, your ass crazy.
More screaming from the house. Â Martha.
They cackle again not hearing or not caring about the screaming. Â Martha.
On my belly I crawl deeper in the shadows. Â I want to get away not just from Popcorn, Congo and whatâs his face in the house with Martha but from Nathaniel and the look of sadness and regret on his still face. Â From the smell of blood and burnt flesh, from the sounds of Marthaâs screams, from my broken nose and my swollen nuts. Â I think of my son. Â I think of my boy. Â I think of being with him. Â Wanting to hold him and tell him that itâs ok. That it will all be ok. Â Â To please, just take the pills. Â Please be careful what you do with them, be careful who you show them to.
Screaming from the house. Â Martha. Martha.
He ainât talkin.
Not no more he ainât.
More cackling from these two.
This is Popcorn talking now. Â Letâs bounce. Â We gotta find that other motherfucker. The one I fucked up this morning? Â Heâ the one weâre looking for. Â Â Talking to Nathaniel he says I thought it was you but I was wrong. Â Â I guess you didnât know what I was talking about. haHA!
What I tell you? Talking to dead people means you crazy. Â You crazy.
Popcorn cackles and slaps Nathaniel in his dead face.
Letâs go, man. Â I need to get back to my REAL TIME, Iâm tired of this shit. Â Iâm starting to feel sick.
Thatâs what happens when you donât know what youâre doing. Â Â When you just bounce around time swallowing what doesnât belong to you. Â Iâm standing now, a few feet from them and Nathaniel. Â Congo is the first to speak
Quit playing, Iâm sick. Â Give us the pills.
More screaming from the house. This time itâs not just Martha.
There are no pills you dumb ass. Â Â Thatâs what I was trying to tell you before. Â They make you swallow them when you first get here. Â The time released capsules know when youâre time is up and itâs wind chime city. Â Boom, youâre gone. Â
Popcorn, the little one stood a few feet from me holding a very sharp, very shiny knife. Â The big one, the one they called Congo from the mean streets of Skokie, IL with his shaved head, fair skin and hazel eyes fell to his knees in agony. Â
My friend needs to bounce back to his time and place and you need to quit playinâ with me and get me my pills.
His eyes dart back and forth between me and his little brother Congo.
Whatâs happening to him?
Heâs got to go home
The house is on fire but we donâtâ notice. Â Windows shatter from the heat I suppose. Â Â I hear screaming from the house but it's not Martha.
I feel weird, Popcorn. Â I feel really weird. I feel like-
A really nice warm breeze came from the house fire blew Congo away mid-sentence. Â It was startling how sudden it was. Â Both Popcorn and I looked at where Congo was standing just a half second ago but he was gone. Â The wind blew him out like a candle and now he was no more.
In the second I had to look at Popcorn I saw the full spectrum of human emotions flash across his face. Â Then he was gone too.
I sit and watch the house burn to the ground. Â Martha didnât get out but neither did whatâs his face and that makes me smile. Â Everyone is dead except for me but that doesnât mean I can skip my chores. Â I wait for the house to burn to the ground then I rebuild.
Itâs lonely now without Martha and Nathaniel but Iâll keep busy and that helps till I hear the wind chimes again.

















