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@theonethatweimagined

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ania Tomicka’s stirring figurative paintings have a particularly mystical quality within her latest body of work, “Omen.” See more here.
“If you’re poor, the only way you’re likely to injure someone is the old traditional way: artisanal violence, we could call it – by hands, by knife, by club, or maybe modern hands-on violence, by gun or by car. But if you’re tremendously wealthy, you can practice industrial-scale violence without any manual labor on your own part. You can, say, build a sweatshop factory that will collapse in Bangladesh and kill more people than any hands-on mass murderer ever did, or you can calculate risk and benefit about putting poisons or unsafe machines into the world, as manufacturers do every day. If you’re the leader of a country, you can declare war and kill by the hundreds of thousands or millions. And the nuclear superpowers – the US and Russia – still hold the option of destroying quite a lot of life on Earth. So do the carbon barons. But when we talk about violence, we almost always talk about violence from below, not above. […] People revolt when their lives are unbearable. Sometimes material reality creates that unbearableness: droughts, plagues, storms, floods. But food and medical care, health and well-being, access to housing and education – these things are also governed by economic means and government policy.[…] That’s a tired phrase, the destruction of the Earth, but translate it into the face of a starving child and a barren field – and then multiply that a few million times. Or just picture the tiny bivalves: scallops, oysters, Arctic sea snails that can’t form shells in acidifying oceans right now. Or another superstorm tearing apart another city. Climate change is global-scale violence, against places and species as well as against human beings. Once we call it by name, we can start having a real conversation about our priorities and values. Because the revolt against brutality begins with a revolt against the language that hides that brutality.”
— Call Climate Change What It Is: Violence, Rebecca Solnit. (via kuanios)
Travel far enough, you meet yourself.
David Mitchell; Cloud Atlas (via sunsetquotes)
I feel very small. I don’t understand. I have so much courage, fire, energy, for many things, yet I get so hurt, so wounded by small things.
Anaïs Nin, from Nearer the Moon: The Previously Unpublished Unexpurgated Diary, 1937-1939 (via luthienne)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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There’s still time to get Baking with Kafka for Christmas. In good bookshops and online here: https://goo.gl/6sypYT
Happy 2018, all! Delighted to bring out a new print - @davidmackkabuki watercolored @neilhimself’s words for the new year. (I will donate to @CBLDF & to @GaimanFND as well as a tiger rescue or two) http://www.neverwear.net
maila / echo park / june 2014
GEMMA WARD by STEPHEN WARD
RUSSH MAGAZINE AUG/SEPT 2015
low light <3

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Photography: “ISIS Maria”
‘Isis Maria’ is the first collaborative project by Brazilian fashion photographers Marcos Florentinoand Kelvin Yule, as the collective MAR+VIN.
Created for the online platform FFW, the editorial series is a modern interpretation of the Egyptian goddess Isis and the icon of Maria, representative of motherly virtue. (via)
Instagram.com/wetheurban
We have a legend. Anyone who dares to jump from the mountain, God will grant his wish. Long ago, a young man’s parents were ill, so he jumped. He didn’t die. He wasn’t even hurt. He floated away, far away, never to return. He knew his wish had come true. If you believe, it will happen. The elders say, “A faithful heart makes wishes come true”.
The Hermit and the Last Dragon
Concept art assignment from this week. We had to reference a specific artist/art style and stay true to the source material all the way through the process. I picked traditional Japanese woodblock, which really helped me break out of my comfort zone!
Ozuma Kaname.

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by anne-lise coste (+)
Martin Wittfooth