Review / Looking up Ben James: A Fable / John Gossage
Review / Looking up Ben James: A Fable / John Gossage
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Review / Looking up Ben James: A Fable / John Gossage
Review / Looking up Ben James: A Fable / John Gossage
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Review / Halfstory Halflife / Raymond Meeks
Review / Halfstory Halflife / Raymond Meeks
Halfstory Halflife
Photographs by Raymond Meeks Chose Commune, Paris, France, 2018 144 pp., 78 black and white photographs, 21.5 x 28 cm 50âŹ
The poet and photo historian John Wood once wrote a poem about âthe bathersââall those paintings of young men or young women, nurtured by âsummer days and shimmering pools where innocence itself once bathed in embracing lengths of providing light.â He wasâŚ
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v3.13 / Brenton Hamilton: All Speaks of Change
v3.13 / Brenton Hamilton: All Speaks of Change
The end of November, 1807. Heâd been writing like a man possessed. Heâd seen into the nature of Nature! The element, Potassium. Sodium too. Neither of which had been isolated before Humphry Davy, our man of the hour, jolted a bit of potash with a few determined volts.
Davy was an amateur in the classic senseâa lover of a great many things. Among his affinities were electricity (first andâŚ
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A difficult recovery is underway, not only of the body but of the womb from its ancient pathologies. This week on Od Review, check out Diane Fensterâs series HYâ˘STâ˘ERâ˘IA: Body as Battleground. See more at www.odreview.com #photography #art #theodreview #hysteria @21steditions https://www.instagram.com/p/Bp-5mrOAeaP/?utm_source=ig_tumblr_share&igshid=6wee9oy87wji
v3.12 / Diane Fenster & the Wandering Womb
v3.12 / Diane Fenster & the Wandering Womb
In 2017, photographer Diane Fenster was diagnosed with Stage 1 endometrial cancer. A complete hysterectomy followed, and after that, a series of wondrous images about the essence of femininity. Where does it reside? In those two ounces of tissue removed by the surgery? In oneâs memories, like the phosphorescent core of a glacier? Or does it wander the imagination, never stopping long enough toâŚ
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v3.11 / Philip LePage & the Third Still
v3.11 / Philip LePage & the Third Still
âHow much do you love me?â asks a girl in Haruki Murakamiâs very short, short story (see below). The boy responds, not by gathering her to his arms, not with the fidelity of his kiss, but with the only other thing commensurate to loveâs interminable estates: the measure of his own loneliness.
âHow much do you love me?â she asks. âAs much as a train whistle in the night,â he says.
Itâs not anâŚ
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v3.10 / Patricia A. Bender's Euclidean Pursuits
v3.10 / Patricia A. Benderâs Euclidean Pursuits
What is it about some shapesâsimple, play-school-building-block shapesâthat defies our failing attention spans? Thereâs the moon, round as it was the first time I saw it, and just as intoxicating. Hereâs a triangular leaf, like all the other leaves Iâve seen. I pick it up anyway and press it in my book. And again, I sit down to write. The squares of the laptop keys beautifully repeat a boxyâŚ
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v3.9 / A Familiar Disorder: The Art of Peggy Washburn
v3.9 / A Familiar Disorder: The Art of Peggy Washburn
âThen I reflected that all things happen, happen to one, precisely now. Century follows century, and things happen only in the present. There are countless men in the air, on land and at sea, and all that really happens happens to me.ââJorge Luis Borges
To talk about Peggy Washburnâs photography, you have to talk about time. That makes me nervousâbecause I have this mushy gray clock in my headâŚ
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v3.8 / John Singletary & the Common Heart
v3.8 / John Singletary & the Common Heart
There are creatures in the sea that throb and undulate so much like the human heart that the first wet steps of our aqueous foremothers seem inevitable. In their search for the origin of the heartâs beat, scientists look to sea anemones and their archaic fibrillations for clues. Watching them (on YouTube) waltz through the darkness, without ego or direction, aglow with the dance of their ownâŚ
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In Nadezda Nikolova-Kratzerâs extraordinary series, Elemental Forms, you get the feeling that darkness has its own transcendental order, âinto which [we] never entered and from which [we] will never leave.â See more at www.odreview.com @cometsandfog @theodreview @21steditions #photography #photobooks #photographers

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v3.7 / Prior to Light: Nadezda Nikolova-Kratzer's Elemental Forms
v3.7 / Prior to Light: Nadezda Nikolova-Kratzerâs Elemental Forms
âcontemplatio in calgine divina
âDo not think technology first: rocket and the lift off of the rocket. Look instead, like in the depths of a closed eye, into the opacity of knowledge where, forming one with it, the rocket passes through infinite distances. Think according to the knowledge that steers the rocket as if in a dream, heavier and more transparent than the boundless night it penetratesâŚ
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v3.6 / Where Nothing Subsists: The Art of Marc Sirinsky
v3.6 / Where Nothing Subsists: The Art of Marc Sirinsky
In Swannâs Way, the inexhaustible Marcel Proust writes, âWhen from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still alone, more fragile, more unsubstantial, the smell and taste of things remain poised a long time . . . like souls amid the ruins waiting and hoping for their moment, souls in whose tiny, almost impalpable drop of essenâŚ
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v3.5 / Amanda Tinker's Fragile Fantasies
v3.5 / Amanda Tinkerâs Fragile Fantasies
The serpents are on their way to oblivion. Petals leap against the dark arcs of hawkmoths. And all the while, the mindâs architect opens her hands, as the poet Samuel Taylor Coleridge famously wrote, âto transfer from our inward nature a human interest and a semblance of truthâ to these âshadows of imaginationââto extend what we would extend to no other fantasy: our own âwilling suspension ofâŚ
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Od Review / 21st Editions: Photography, Photo Books, Photographers
v3.3 / Diana Nicholette Jeon & the Book of Visions
v3.3 / Diana Nicholette Jeon & the Book of Visions
âWhether or not the stories are âtrueâ is not the problem. The only question is whether what I tell is my fable, my truth.â These words preface Carl Jungâs autobiography, Memories, Dreams, and Reflections (1962). But they could just as easily precede the photographs in this feature. In little oneiric albums, each conceived as a diptych, Diana Nicholette Jeon reflects on personal and sharedâŚ
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v3.2 / Locked in Auras: Anne-Laure Autin
One of the first descriptions of a migraine aura comes to us from the ancient Greek physician Hippocrates who said of the person experiencing the aura, âHe seemed to see something shining before him like a light, usually in part of the right eye; at the end of a moment, a violent pain supervened in the right temple, then in all the head and neck.â Though Hippocrates recorded this strangeâŚ
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Od Review contributor Doug Fogelson is a magician with color. Proud to have this original framed and on the wall! See more: https://theodreview.com/2016/10/01/issue-10-doug-fogelson-the-leaves-of-sure-obliteration/ And check out dougfogelson.com! #photography #photobook #photographer @21steditions @dougfogelson #color