WIP of the pebbles visiting their Uncle Grace
he wasn't even looking at me and he found me
Claire Keane
TVSTRANGERTHINGS

η₯ζ₯ / Permanent Vacation
Three Goblin Art
todays bird

β£ Chile in a Photography β£
will byers stan first human second
Misplaced Lens Cap
AnasAbdin
noise dept.
PUT YOUR BEARD IN MY MOUTH
d e v o n

Kiana Khansmith
i don't do bad sauce passes
Mike Driver

"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
DEAR READER
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@theoceansembrace
WIP of the pebbles visiting their Uncle Grace

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the creature
redraw over a (g)oldie of mine
I love Carl's introduction. It's such a great establishing moment.
Ryland Grace has made it all the way to his bike with Eva Stratt at his heels, so her trusted security team has correctly assessed it's time to move in the cars, and Carl is approaching off-screen.
Grace comes out of the little "I don't know why that makes me such a nut!" rant, and there Carl is, stepping up into frame exactly next to Stratt. Tall, broad, unimpressed, unmistakably a force to be reckoned with, unmistakably a trusted professional.
But also a nameless goon at this point. An extension of the threat Stratt seems to represent to Grace. A depersonalized tool.
Grace clocks the cars, his presence, the unfolding situation, instantly and incredulously. And he does something clever, something he always does, which is to call attention to the absurdity of the unspoken threat by trying to force the situation into a normal mold.
"I'm sorry, I didn't catch your name."
Turning Eva's nameless goon into a person with agency. Trying to force a relationship that hinders coercion.
Ideally, this would force them all to acknowledge how abnormal they are acting and retreat a little to keep up the appearance of normality. Or admit to what they are doing by refusing. Either way, the ball shifts out of Ryland's court into theirs.
Neither happens, though.
Carl sees exactly what he's trying to do with that and interrupts him mid-question. "Carl." And then keeps staring at him the same way as before. One word, and we already know so much about him.
He is not a nameless goon. He is an individual named Carl.
And he fully supports what is happening there. Because nothing is normal and it's stupid to pretend that what is happening isn't happening.
So yes, while he bonds with Grace over silliness and is the astrophage-coparent and instigator of Carl's Hypothesis... he is also entirely introduced to us as the man who will wish Grace the best of success on the mission while he's being sedated on the ground. Because Carl has a personal opinion about what is at stake.
"Sun's really dying, isn't it?"
"Yeah."
Phm from Adrian's perspective is just what if you were Penelope and Odysseus came home but he also brought a jellyfish and keeps begging you to build a fish tank for the jellyfish and make jellyfish food for the jellyfish and youre an ancient Greek whos never seen a jellyfish and you cant even comprehend how your going to do it but youre going to because if you dont Odysseus may kill himself. And also the jellyfish can do like. Witchcraft.

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i become an angel
They're just silly
"If it's any consolation, you will be hailed as a hero"
Mary play the 'THEY. WANT. YOU' bit from In_The_Navy-The_Village_People.mp3 ππ
Munchkin Cat Corbeau redesign again

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Sketch in between comms. Just imagine they got the suit on lol
White guy on a suicide mission in space to save humanity I miss you so much
think about it long time

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the world is counting on you [ get it as a print here! ]
[ID: An illustration of Ryland Grace from the Project Hail Mary film adaptation. Heβs in side view, wearing the mustard-yellow overall, looking at a glowing crocheted earth hovering over his hand. A warm light shines over him. Behind him is the Hail Mary spacecraft. The background is outer space, filled with stars. END ID]
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