The Imperial S 🏛️ (Commissions Open 14/15)

i think it's so CUTE that he and pomni just ROUGHHOUSE from a disagreement. pomni TACKLES him??? And jax doesn't throw her off (from surprise?) but pomni was able get a few hits. Also?? The way they just agreed to take it somewhere else?

pomni SHOULD get to beat him up, they SHOULD just get physical, and I BET they enjoyed it in some cathartic way I need a fanfic of them beating each other up but they're having FUN okay?

like based on this ad

Caine? HELLO???

Part 2 here

Doctor grabs some nick-knacks to pin to their coat and a new hooded sweatshirt with a chibi U-Official on it. They also grab some candy to snack on while continuing to shop in the mall.

Amiya gets some black nail polish and some decorative bracelets that look like "cool kid" fake-Originium Suppressors. Except these have studs or dull spikes on them. She even gets a necklace with a crown charm design on it.

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

Alliteration. Close repetition of consonant sounds, especially initial consonant sounds.

Anapest. Foot consisting of 2 unstressed syllables followed by a stress.

Assonance. Close repetition of vowel sounds.

Blank verse. Unrhymed iambic pentameter.

Caesura. A deliberate rhetorical, grammatical, or rhythmic pause, break, cut, turn, division, or pivot in poetry.

Chapbook. A small book of about 24-50 pages.

Consonance. Close repetition of consonant sounds--anywhere within the words.

Couplet. Stanza of 2 lines; often, a pair of rhymed lines.

Dactyl. Foot consisting of a stress followed by 2 unstressed syllables.

Decasyllable. Line consisting of 10 syllables.

Enjambment. Continuation of sense and rhythmic movement from one line to the next; also called a "run-on" line.

Envoi. A brief ending (usually to a ballade or sestina) no more than 4 lines long; summary.

Epigraph. A short verse, note, or quotation that appears at the beginning of a poem or section; usually presents an idea or theme on which the poem elaborates, or contributes background information not reflected in the poem itself.

Foot. Unit of measure in a metrical line of poetry.

Galleys. First typeset version of a poem, magazine, and/or book/chapbook.

Hendecasyllable. Line consisting of 11 syllables.

Hexameter. Line consisting of 6 metrical feet.

Honorarium. A token payment for published work.

Iamb. Foot consisting of an unstressed syllable followed by a stress.

Line. Basic unit of a poem; measured in feet if metrical.

Meter. The rhythmic measure of a line.

Octave. Stanza of 8 lines.

Octosyllable. Line consisting of 8 syllables.

Pentameter. Line consisting of 5 metrical feet. For instance, iambic pentameter equals 10 syllables (5 unstressed, 5 stressed).

Quatrain. Stanza of 4 lines.

Quintain. Stanza of 5 lines.

Refrain. A repeated line within a poem, similar to the chorus of a song.

Rhyme. Words that sound alike, especially words that end in the same sound.

Rhythm. The beat and movement of language (rise and fall, repetition and variation, change of pitch, mix of syllables, melody of words).

Septet. Stanza of 7 lines.

Sestet. Stanza of 6 lines.

Spondee. Foot consisting of 2 stressed syllables.

Stanza. Group of lines making up a single unit; like a paragraph in prose.

Strophe. Often used to mean "stanza"; also a stanza of irregular line lengths.

Tercet. Stanza or poem of 3 lines.

Tetrameter. Line consisting of 4 metrical feet.

Trochee. Foot consisting of a stress followed by an unstressed syllable.