Changeling In the Library

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

I’ve read too many books and watched too many shows where pacing has ruined a good story. So, here are some of my tips for getting pacing right:

1. Don’t take too long to get to the inciting incident

Look, showing the ordinary life of your protagonist might be interesting if there’s something strange about their life, but readers want stuff to happen.

At least with genre fiction, you shouldn’t take too long to get to the action - the event that gets the story going.

If you can do it well and have readers invested from the start, you can start with the inciting incident. However, for most works I would recommend having it in the second chapter.

Your readers want to know what the story is about, not what the character thinks of his English teacher

2. Keep it moving, but don’t rush

Action is important. It drives the story and it’s interesting. You should make sure to put enough action in your work. Things should be happening.

BUT a novel is not a play or a movie or a comic. What makes reading a full-length novel so entertaining is the detail. The in-depth characterisation and description. The emotion and thought processes.

So, keep it moving, but don’t sacrifice the juicy details. Don’t skip from one action or dialogue scene to the next without taking your readers deeper into the intricacies of the story and characters.

It’s a delicate balance that can only truly be found by reading a lot and practicing.

3. Avoid a sagging middle

Your beginning is solid. Your end is exciting. But the middle is a chaotic mess that bores the reader. Trust me, it happens more than you might believe.

Sagging middle syndrome is a thing, and the only way to avoid it is to plan.

Look, I like pantsing, but planning the middle of your novel will help your pacing exponentially.

Make a rough outline of what needs to happen to get your characters to the climax. Add a few lighter/character-driven scenes where there are too many action scenes in the sequence. Remove events which are unnecessary. And make sure that everything makes sense!

This counts for second books in series as well. It should be good on its own, not just as a filler.

4. Don’t fast forward to the end

I’m looking at you, Game of Thrones.

If you’ve built up the story and set up everything for the final big bang, you have to deliver.

Keep the pacing somewhat similar to that of the rest of the story. Your readers have gotten used to it. And if they’re still reading at that point, they probably like that pace. Don’t write a relatively slow book and then have the climax be over in three pages.

I know you want the climax to be exciting. So, yes, make it a little more fast-paced than the middle. But not massively different.

5. Trust your characters

As with every aspect of creative writing, character is most important.

Is your character experiencing the scene quickly and choppily? Or are they slowing down and taking in everything?

If you stick with what your characters are feeling, you will get it right.

Look, exams have fried my brain. So, this isn’t the most well-formulated post I’ve made. But I hope that it can be helpful.

WROTE FOR ONE WEEK

Award yourself this badge if you have written for one week straight!

This is gonna be a long list.

ab intra - from within

ab origine - from the source

absit iniuria - “let insult be absent”

absit invidia - “let envy be absent”

absit omen - “let omens be absent”

ab uno disce omnes - from one, learn all.

abyssus abyssum invocat - deep calleth unto deep

a capite ad calcem - from head to heel

acta non verba - actions not words

ad altiora tendo - “I strive to higher things”

ad astra - to the stars

ad fontes - to the sources

ad meliora - towards better things

ad oculos - to the eyes

ad undas - to the waves

ad victoriam - to victory

adsum - I am here

a fortiori - from the stronger/from strength

a mari usque ad mare - from sea to sea

audeamus - let us dare

audentes fortuna iuvat - fortune favors the bold

audi, vide, tace - hear, see, be silent

beatae memoriae - of blessed memory

bona fide - in good faith

bono malum superate - overcome evil with good

capax infiniti - holding the infinite

carpe diem - seize the day

carpe noctem - seize the night

cave - beware

ceteris paribus - all other things being equal

circa - around

citius, altius, fortius - faster, higher, stronger

clavis aurea - golden key

cogito ergo sum - I think, therefor I am

compos mentis - in control of the mind

concilio et labore - by wisdom and effort

concordia cum veritate - in harmony with truth

concordia salus - well-being through harmony

coniunctis viribus - with connected strength

consummatum est - it is complete

corruptus in extremis - corrupt to the extreme

crescit eundo - it grows as it goes

de novo - from the new

de profundis - from the depths

dies irae - day of wrath

dona nobis pacem - give us peace

ego te provoco - I challenge you

esse est percipi - to be is to be perceived  

esse quam videri - to be, rather than to seem

esto quod es - be what you are

ex animo - from the soul

ex luna scientia - from the moon, knowledge

ex scientia tridens - from knowledge, sea power

ex silentio - from silence

ex undis - from the waves of the sea

experientia docet - experience teaches

fac et spera - do and hope

fac fortia et patere - do brave deed and endure

faciam quodlibet quod necesse est - I’ll do whatever it takes

faciam ut mei memineris - I’ll make you remember me

facta, non verba - deeds, not words

fortis et liber - strong and free

fortis in arduis - strong in difficulties

gloriosus et liber - glorious and free

hic abundant leones - here lions abound

hic et nunc - here and now

hic sunt dracones - here there are dragons

hinc illae lacrimae - hence those tears

hinc itur ad astra - from here the way leads to the stars

igni ferroque - with fire and iron

in memoriam - into the memory

in nocte consilium - advice comes over night

libra - balance

littera scripta manet - the written words endure

locus standi - a right to stand

luceo non uro - I shine, not burn

luctor et emergo - I struggle and emerge

mare liberum - free sea

memento vivere - remember to live

more ferarum - like beasts

natura non contristatur - nature is not saddened

nec spe, nec metu - without hope, without fear

noli me tangere - do not touch me

ophidia in herba - a snake in the grass

pro se - for oneself

propria manu - by one’s own hand

quaere - to seek

quod abundat non obstat - what is abundant does not hinder

resurgam - I shall arise

semper ad meliora - always towards better things

semper anticus - always forward

semper apertus - always open

semper fortis - always brave

semper liber - always free

stet - let it stand

tuebor - I will protect

(even if you don’t, a quick reblog could help get the word out; this is serious and can affect authors’ royalties.)

CreateSpace has a longstanding problem of hacking. If you receive an email about your royalty information being changed, go to your account immediately and change it back. You will likely find that the name and bank account numbers have been changed (and, as confirmed by other people posting about this problem online, usually you’ll get a Russian woman’s name instead of yours. No idea why.) Make sure to change them back, obviously.

Unfortunately, there is not much to be done to prevent this issue; CreateSpace does not ban you after attempting multiple passwords or trying to log in from different locations. Hackers just keep trying different passwords until they get in. You can change your password, but it doesn’t seem to help.

I actually contacted CS about this, and got an email back saying, roughly, “thank you for bringing this to our attention; we hope to continue serving you in the future.” So they are not really changing anything.

Scariest Urban Legends In Each State

Realistic Stuttering: “Sorry, I uh… I didn’t mean- I didn’t mean to do that…”

ACTUALLY! It depends on why they are stuttering. 

A Nervous Stutter results in what is called Mazing, or rewording the sentence. That is the classic “I, um… well I… look it’s just that… so we…” that @hellishhues is talking about. When someone is mazing their words you’re seeing a form of Speech Apraxia where the brain is having trouble forming verbal speech. This can be brought on by brain damage, memory loss, anxiety, nerves, and several other things. 

The root cause of a nervous stutter is a disconnect between the mouth and the brain. 

With this you will also sometimes see the classic “S-s-s-sorry…” especially if the person has been training to speak clearly and is now at a point of fatigue or stress where they are not mentally capable of forming the words.

The other kind of stutter is a Physical Stutter, sometimes referred to as slurring, and another facet of Speech Apraxia. This stutter is caused when the muscles of the mouth, tongue, and throat are physically unable to form certain sounds. This is most often seen in the very young and victims of brain trauma. 

Sounds are acquired at different ages, so a 2-year-old will probably not be able to clearly pronounce certain words (which is why toddler sound so off when they’re written with developed dialogue). These mis-pronunciations are sometimes referred to as lisping, but only if the sounds are run together. If the person starts and restarts the sound because they got it wrong, it can also sound like the classic sound stutter. 

But it all depends on why the character is stuttering!

Do they have Speech Apraxia, Audio Processing Disorder, muscle dysfunction, or another medical reason to stutter? (1)

Are they stuttering because of anxiety, stress, or fatigue? (2)

Does the stutter stem from intoxication or blood loss? (3)

All of those will sound different! 

1 - Will have mazing, repeated sound stutters, and be the classic stutter that annoys OP.

2 - This is where you’ll see the repetition stutter, mazing, rephrasing, and filler words.

Vsauce - Actually really educational, dude has a nice voice, knows what he’s talking about. A lot of really sciencey shit, good if you wanna understand something complex.

Forgotten Weapons - Obscure and beautiful guns handled by a competent person who doesn’t use it as a platform for the NRA and really only mentions politics when it’s relevant to the history of the gun 

Hicock45 - A little more political than Forgotten Weapons, but shows off a lot of history and shoots their guns a lot more, showing you the actual operation. 

Townsends - 18th century history and food, obscure stuff done by reenactors. Plus the food’s p. good too. 

Skallagrim - HEMA fighter and weapons reviewer, knowledgeable and a fairly unique channel. Good source for fantasy writers looking for combat info. Has a series on the best weapons for different fantasy species.

CrashCourse - Well researched, pretty funny little videos, on topics from everything from history to biology to quantum mechanics.

Kurzgesagt - In a Nutshell - Great explainer for people looking to get into complex science topics. Not exactly a comprehensive source, but goddamn are they good to start from.