Simone Weil, Waiting for God
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Simone Weil, Waiting for God

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THE BEAR (2022-2026) 5.07 | "Caramel"
by Nikolett Emmert
Chen Chen,ย Your Emergency Contact Has Experienced an Emergency
Weightless Possibility
Artist Moonassi's official website. Drawings, prints, books, and daily blog.

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very cruel to put this much love inside the body of such an unloveable creature
before sunrise (1995)
๐ฌ 0ย ย ๐ 1ย ย โค๏ธ 5
์๋ณด๋ค ์ฉ์ ์ด ์ข์ต๋๋ค
์์งํ ๋งํ๋ฉด
์๋ณด๋ค ์ฉ์ ์ด ์ข์ต๋๋ค.
์ข๋ค๊ธฐ๋ณด๋ค ์ ์ฑ์ ๋ง์ต๋๋ค.
์๋ฅผ ์ธ ๋๋ ์ข์ ๊ณผ ์๊ดด๊ฐ์ ์ฐ์์ด์์ง๋ง
์ฉ์ ์
์ง์ง๊ณ ์์ผ๋ฉด ๊ทธ๋ฅ ์ผ์ด ๋ฉ๋๋ค.
๋ง์์ด ๋ฒ๋คํ์ง ์์ต๋๋ค.
์ฉ์ ๋ด์ ๋๊ณ ๋์์๋ฉด
๋๋ค์ ์ด ์๊ฐ, ์ ์๊ฐ ์ด์ง๋ฝ๊ฒ ์ฌ๋ผ์ค์ง๋ง
๊ทธ๋๋
์ง์ง๊ณ ์๋ ๋์์๋ ์ฌ๋ผ์ค์ง ์์ต๋๋ค.
๋์์ฒ์ ์ฌ๋ ๊ฒ ๊ฐ์ต๋๋ค.
์ผํ๋๋ฐ
์ฌ๋ ๊ฒ ๊ฐ์ต๋๋ค.
๋ค.
์๋ณด๋ค ์ฉ์ ์ด ์ข์ต๋๋ค.
To be honest,
I like welding better than poetry.
Rather than liking it, it suits me better.
Writing poetry was a constant cycle of frustration and self-loathing.
But with welding
being exhausted is just work.
My mind is not restless.
The moment I put down the welding rod and turn away,
once again,
this thought and that thought
rise up in a chaotic rush.ย
Still,
while Iโm welding, they do not surface.
For the first time in my lifeย
it feels like I'm resting.
I'm workingย
but it feels like resting.
Yes.
I like welding better than poetry.
๋ชจ๋๊ฐ ์์ ์ ๋ฌด๊ฐ์นํจ๊ณผ ์ธ์ฐ๊ณ ์๋ค (2026)
anything u think about YOUR life after 10pm is bs to be ignored. anything u think about a characterโs life after 10pm should be posted about online and expanded on for paragraphs. :)
we are all trying here (2026) dir. cha young-hoon

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Iโm so grateful that so many things are none of my business
we are all trying here (2026) dir. cha young-hoon
The psychological thriller of figuring out what you want and what youโre going to do about it
god, there is so much to digest about we are all trying here's ending. and i will digest it, over the coming weeks, months, and maybe years, because this was never a drama meant to be watched in one sitting with you kicking your feet. it is a drama meant to be understood, deeply, and overall, a billboard sign from the writer park haeyoung to her own industry saying to protect art, protect our words, protect writers, protect poetry, protect what makes us human, no matter how much we remain failures, no matter if AI comes and erases us, no matter if we don't make $1 from it, that mark we leave will touch someone's heart.
these are not characters you make edits of. this is not a drama that'll land a subway CF in it. this is a drama that asks its audience to be smart and think about the dialogue and what each character represents.
hwang dongman may be the most complex male lead i have seen in a kdrama, perhaps ever. you root for him, you are embarrassed for him, you cry for him, you want to bang his head into the ground and stitch him right back up at the same time. and the three characters closest to his heart - eunah, jinman, and gyeongse, all represent each emotion within him. the anxiety of wanting to protect his brother, the unwavering support of eunah his soulmate, and the love/hate with him and gyeongse, who are somehow each other's muse and yet downfall, is just written so. goddamn. well.
at the end of the day, dongman's movie plot did not matter. we could gather it was something scifi, something melodramatic, something, something. but it moved those closest to him. he fought his worthlessness with his own words at the end, with his own humor. and i think that's what the drama was getting at; the scene between jinman and dongman, where he tells his brother i want to live humorously. i want to find HUMOR in the unrelenting pain and depression of our lives.......that is how we win. that is how we live, until the weather changes. like eunah's last dialogues say, how i wish i can live my whole life watching every terrible thing be comedic with you who makes it a comedy. weather maker hwang dongman's eternal spring; may it blossom over everyone who sat with this drama for these past weeks.
we are all trying here (2026) - episode 12
I wish I could spend my whole life just watching you. Even if you don't create anything great... Like now, it'll always be a comedy. Even when you step into a burning pit, it's still comedy. Depressing stories, sad stories, tragic stories... I want to keep watching you turn everything into a comedy.
๋ชจ๋๊ฐ ์์ ์ ๋ฌด๊ฐ์นํจ๊ณผ ์ธ์ฐ๊ณ ์๋ค (2026).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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๋ด์ ๋ ๊ธฐ๋ค๋ฆฝ๋๋ค.
์ฒซ๋๋ ๊ธฐ๋ค๋ฆฌ๊ณ . ๊ฐ์ ํ๋ ๋ ๊ธฐ๋ค๋ฆฌ๊ณ .
๊ธฐ๋ค๋ฆฌ์ง ์๋ ๊ณ์ ์ด ์์ต๋๋ค.
์ง๊ธ์ธ๋ฐ.
๋ด์ฌ๋ฆ๊ฐ์๊ฒจ์ธ.
๋ค ์ง๊ธ์ธ๋ฐ.
๋ฐ๋์ ๋๋ญ์์ด ํ์๊ฒ ๋ค์ง์ด์ง๋๋ค.
Always waiting for spring.
Waiting for the first snow. Waiting for the autumn sky.
There's no season you don't wait for.
But it's right now.
Spring, summer, fall, winter.
It's all right now.
Leaves move in the wind flashing white as they turn.
๋ชจ๋๊ฐ ์์ ์ ๋ฌด๊ฐ์นํจ๊ณผ ์ธ์ฐ๊ณ ์๋ค (2026).
we are all trying here (2026) dir. cha young-hoon
We got 100 years at best. Everything disappears in 100 years... so does anything truly exist if it disappears? To lay those doubts to rest... you end up desperately writing stories [...] All stories are just cries that we exist.
๋ชจ๋๊ฐ ์์ ์ ๋ฌด๊ฐ์นํจ๊ณผ ์ธ์ฐ๊ณ ์๋ค (2026).