One Nice Bug Per Day
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Kiana Khansmith


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let's talk about Bridgerton tea, my ask is open
I'd rather be in outer space 🛸
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@theedgeofforever

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[Trying to flirt in the city] I think what you said about Wong Kar Wai was really insightful
[Trying to flirt in the country] I'd love to get high with you on your porch for 5 days
k.d. lang and girlfriend Leisha Hailey attend the Sixth Annual Boathouse Rock Dance Party on June 9, 1997
Softest tones for this summer outfit, pairing a lovely obi with embroidered kani (crab), and a kimono full of cute seasonal patterns:
Tanabata/star festival themed: tanzaku (paper strips on bamboo), hoshi (star)
Summer treats : kaizukushi (assorted shells), suika (watermelon),
masturi/festival themed: mizufuusuen/water balloon, uchiwa (round fan), kingyo (goldfish), chouchin (paper lantern), etc

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year of the horse
Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creature—it is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
Now would be a good time for everyone to understand how the US dollar hegemony works, and how oil was leveraged to turn the dollar into a weapon. Here, it goes like this:
1. The United States creates dollars, which costs them essentially nothing.
2. Over time, US military power compelled the biggest oil producers (starting with Saudi Arabia in 1974) to trade exclusively in dollars.
3. When a company needs oil, it needs dollars to buy it. You can obtain dollars in a number of ways: you can take a loan or you can sell shoes to the US or teacups to Europe. Notice that the factory has to ship actual shoes to the US or to third markets in order to obtain, basically, a bookkeeping entry that took the US microseconds to create.
4. The oil company receives the shoe factory's dollars in exchange for oil. It invests these dollars into US treasury bonds or securities, which is really the only sensible thing they can do --cash deprecates in value over time, and there are virtually no other risk-free places to park your billions of dollars worth of oil earnings.
5. The US puts part of the investment it received into military use, so that it can keep anyone who would dare to detach from this dollar hegemony in check. The rest goes to enrich the US. Return to step 1.
Note that this mechanism is essentially an obfuscated tax on the rest of the world. An Iranian shoe factory has to obtain dollars if it wants to buy oil, and the oil company is incentivized to store its dollars in the US treasury. This means that part of the value that foreign capitalists would otherwise pocket actually ends up in the United States.
To obtain a million dollars, the US government pushes a button; to obtain the same million a Bangladeshi factory has to sew 500 000 T-shirts.
Because the oil bill comes in dollars and the only deep, liquid, politically safe asset is a US Treasury bond, value flows to Wall Street.
In other words: The US creates money, manufactures a need for everyone to hold some of that money, and then incentivizes them to return that money to the US.
The petrodollar was only ever the beginning. Many things are gated behind the dollar: Shipping, aviation, SWIFT transactions, etc. Everyone needs dollars; if you can't get any you're going to struggle in the global capitalist economy. This is why the US gets to create seemingly endless dollars and have them still hold value, it's why the US can bend anyone reliant on the dollar to their will via sanctions; the dollar itself acts as a weapon. Of course, the status quo is maintained at gunpoint, and the dollar's value is ultimately backed by US military might. The United States exports death.
Because of all of this, the US has an enormous material incentive to keep oil flowing, to keep its military spending high, and to topple any and all projects that would endanger this system. To stop the flow of unequal exchange, to stop the coercive taxation over the rest of the world, would be to destabilize the US empire. Anyone who would provide an alternative must necessarily be seen as an adversary.
Want to nationalize your oil? Want to deal in another currency? Are you another military superpower? No? Too bad, here's one million drone strikes and a new *democratic* government for you.
This is why shifting to renewables has been such a struggle in the west, this is why the planet is warming, this is why the US is engaged in endless wars, this is why most of the world is poor, this is why millions have died. This is imperialism and it must be dismantled.
Tumblr (2007)
By @xamdl4 via twitter
one fact about me is that for some reason I consider the thumbs up emoji reaction to texts to be an extremely aggressive response. I know this is irrational but someone does this 👍 to my text and I’m immediately like oh so I should go fuck myself then??? 👍 I should drive off a fucking bridge????

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> Get into color grading
> realize every screen displays color slightly differently
> realize every camera captures color a little differently
> realize every format and image editor translates color
> realize every printer deposits ink differently
> realize every kind of paper accepts ink differently
> realize colors look completely different under different lighting conditions
> ok I'm going to do everything greyscale now
> black density changes as ink cartridge depletes and depending on viscosity after multiple prints
> "what color white are you using"
> duckduckgo least painful method of death
I too enjoy hurting and abusing characters in fiction very much but could we not have thought of a word that sounds slightly less stupid than Whump about it.
deeply grateful to DuckDuckGo both for autocorrecting this search and for having the grace to forego even mentioning it had been corrected
THE UNTAMED [2019]
The dragon king's daughter presents her priceless jewel to the Buddha; frontispiece of a 12th-century Lotus Sutra handscroll in the "Heike Nokyo".
Sutra art from the Heike-Nôkyô. The mikaeshi of chapter 12. The daughter (Longnü) of the Dragon King offers the Buddha her priceless jewel (pearl). With this anecdote, the Lotus Sutra proclaims that women can become Buddhas like men. After that she turns into a man and immediately attains the highest enlightenment of a Buddha. The Heike-nôkyô is a masterpiece of the decorated sutra. It is dedicated by Taira no Kiyomori (1118-81) to Itsukushima Jinja shrine in 1164, is one of the masterpieces of decorated sutras ( sôshoku kyô ) made by aristocrats in the 11th and 12th centuries.

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MANISH MALHOTRA Couture Fall/Winter 2027 pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com
just saw a chair so photogenic I had to reevaluate my feelings towards plastic furniture
do you see this. beyond ridiculous
what are our thoughts
I understand your feelings for the chair robin crabussy
unpost this right now you strange strange man
I hired a wizard to cast png on it. effervescent