One Thousand Promises Interview
Howdy, yâall! Â Okay, now that Iâve gotten my stereotypical Texan greeting out of the way, letâs proceed! Â This past week I contacted Francesca Willow & Madison Mae Parker. Francesca is 22 and originally from Newcastle upon Tyne, England. Â She studied dance at Trinity Laban Conservatoire of Music and Dance, receiving her B.A. in Contemporary Dance. Â Francesca also received her M.A. in Theater and Performance Studies from Kingâs College London. Â Madi is 24 and originally from Lubbock, Texas. Â She attended Texas A&M and studied Creative Writing. Â Together these two people make up âOne Thousand Promises.â
Pictured in order:Â Francesca Willow & Madi Mae ParkerÂ
What is One Thousand Promises, you ask? Well, OTP is a performance duo that combines spoken word and dance. Â Amazing, right? Â This past Sunday, October 25th, One Thousand Promises performed at Mic Check, a weekly spoken word event held at Revolution Cafe & Bar in Bryan, TX. Â Since they were going to be visiting the Bryan-College Station area, I emailed them to see if they would be down to do an email-based interview (their schedules are crazy, yo). Â So, letâs begin, shall we?
Q: Â First thingâs first, how did you two meet?
Fran - We met in London. Madi studied abroad in spring 2012 and we met as she started coming to Hillsong London, the church Iâm part of.
Madi â I hadnât even started doing spoken word poetry then, itâs crazy how it worked out because it wasnât until the following fall that I started even performing at mic check.
Q: Each of you had to get started on poetry or dancing in one way or another. Â How did each of you get involved in your respective art form?
Madi â Iâve been writing from a young age and was studying creative writing, in fall of 2012 I discovered mic check and soon started performing my poems on Sunday nights.
Fran â I danced from a young age, but not seriously or doing anything that required technique. I had a friend who was training seriously to go to dance school and he suggested I start training with his teachers (he dances for Cullberg Ballet in Sweden now so it paid off!). So at 15 I convinced them to take me, despite having done no ballet or proper contemporary, and I essentially had two years working my butt off to get into dance school but it worked!
Q: Your art project is called âOne Thousand Promises.â Â Where did this name come from?
One Thousand Promises (OTP) - We had like a three hour skype meeting trying to decide on a name. Francesca had already started choreographing to my poem âTo Be Woman Is To Be Waterâ and in the poem I have a line about women being seen as âorigami skin being expected to bend ourselves into what we need to beâ. We were both really interested in origami and when we started looking into it we discovered the Japanese legend that if you make one thousand paper cranes you have a wish granted. Something about that really captured our attention, and it came from there.
Q: Youâre currently on tour. Â How did you decide you wanted to go on tour together?
OTP - Francesca was already coming to Texas as her and another dancer had been funded to come perform at Texas Grand Slam. She was planning to stick around for a while longer, and the start date of the writing residency I will be attending soon had just been pushed back to January so I had a spare few months too. The idea just kinda popped into our heads: weâre both here, we both perform, why not do it together?!
Q: Where do each of you get your inspiration to write poetry or choreograph dance?
Madi â personal experiences first and foremost, itâs a way for me to communicate whatâs inside to the outside world. I often say in workshops with students that if you can put the chaos around you on page, it doesnât seem so big any more. Iâm also inspired by strong visual images that pull the readers/audience in that hopefully makes them think about something tangible in their lives in a new way.
Fran â For me it really differs piece to piece, as Iâve been involved in quite a variety of projects! In general when Iâm choreographing I tend to have a concept I want to work with, and I spend a lot of time improvising and setting myself tasks to make movement, shaping the thing properly comes later on in the process. With choreographing to poetry I tend to pick out certain lines that resonate with me and play around with how that can be represented physically without being too literal, or how it prompts my body to move.
Q :What does a typical day look like for yâall on this tour?
OTP - There really is no typical day!! Some shows are a couple hours from the last venue, some are twelve hours away. Shows end quite late, so most days involve getting up a bit later and doing a hefty amount of driving straight away. Then as much as possible we look around the city before we head to our venue for the night to set up.
Q: What do each of you hope to convey to the audience?  What do you expect from the audience in return?â¨
 OTP - Thatâs a big question, but I think weâre just hoping to use our stories and experiences to convey a sense of hope, whilst still acknowledging how hard life can be sometimes. Itâs about not pretending everything is perfect, but recognising the darkness that can occur in life, and still finding a sense of empowerment, and the belief that you can overcome, despite that. In terms of the audience we just want to create a dialogue, an open space for conversation. After a lot of our shows people have come up to us and told us how our work related to their story and their lives, and I think if weâre encouraging others to share and talk about their own challenges by addressing ours, thatâs a healthy and good thing.
Q: Your tour is set to go to Louisiana, Texas, California, Nevada, Utah, Colorado, and Illinois. Â Which location has been your favorite to go to? Â Which location are you most excited for (and it better be Bryan for Mic Check--kidding)?
OTP - Every venue has something different to offer, and each space and audience has been so different that itâs almost impossible to compare! That being said, Fran is pretty stoked to perform in LA and Chicago because she has some really great friends there. Madi hasnât been to any of the cities outside of the Louisiana/Texas shows, so sheâs just excited to see cities she hasnât seen before
Q: What has been your biggest challenge on tour so far?
OTP- Driving. Itâs not necessarily a challenge but itâs more tiring than you expect it to be.
Q: What do each of you do to pass the time when travelling from performance to performance?
Fran - Poor Madi has to do all the driving because I canât drive! In England itâs not a necessity like America, but luckily our musician joins us next week and he does drive so then they can share. I make origami cranes! Weâve been selling them on tour; each one has a little poem inside so they take a while to make. Weâve also been listening to a lot of This American Life; Ira Glass is a storytelling genius.
Q: Did you think youâd ever be where you are today--on tour, performing for many people, and traveling around the U.S.?
Madi - Hell no! It still seems unimaginable that we are doing this. The fact that people from various states and cities want to come and see our work is truly humbling. Still unsure how I stumbled into such a worthwhile and meaningful profession.
Fran â Funnily enough Iâve already travelled the US before, so itâs so weird now doing it for work! Itâs my first time performing in America so the difference in audiences has been really cool.
Q: When did you realize you wanted to do poetry & dance?
OTP - Basically when we decided to do a tour haha. I think we just realised no one else was doing it, and to us it seemed so obvious, and collaborating is so fun! So, we just decided we should do it.
Q: Do you have any advice for those just getting into poetry or dance? Any personal experience you want to use to teach an important lesson?
Madi â constantly put yourself out there. It can be scary but the more experiences and tried you give yourself the more you will learn and grow, and the more opportunities will fall into your lap.
Fran â donât let anyone tell you you canât do it. Iâm not saying youâll become famous or anything, but I believe anyone can dance if you work hard enough. I had the odds stacked against me. Also, as much as you have to be talented, I always say you have to be able to hustle in this industry. And I donât mean stabbing someone in the back to get to the top, I just mean if you have an idea, or something you want to share, you donât have to wait for someone to hand you the opportunities. You can make it happen, you can put on your own shows, you donât need a huge dance company to employ you. Itâs hard work, but it can be done.
Q: Who are each of your favorite performers (poets for Madi & dancers for Fran)?
Madi â Anise Mojgani, Franny Choi, Tanya Ingram and Derrick Brown.
Fran - I really like CandoCo as a whole company because theyâre a rep company, which means they get different choreographers in each season and are always showing something different. I also love what theyâre doing in terms of inclusivity and displaying different body types. In terms of performance art I also love Richard Dedominici, heâs wildly funny and his work is so intelligent.
Q: Where would be your dream place to perform together?
OTP - The White House if Donald Trump is NOT president! Haha just kidding. Weâre really hoping to get out to Asia/Australia/New Zealand at some point in the future. Weâve got friends in Japan and Korea so we would love to get out there.
As you can see, both Francesca and Madi are absolutely wonderful people. Â You can check out their tour information here. Â Maybe theyâll be performing near you! Â You can also follow them on Instagram to keep up with their amazing tour adventures.
Hope you enjoyed the interview & I hope you have a great week!
- Alex Cowan














