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Cinnamon Cheese
@thecinnamoncheese
This was supposed to be a writing blog but it's a Journey To The West blog now. I also post about other things occasionally. (No NSFW content or spam in comments and DMs welcome. You will be blocked.) Aroace | Genderfluid
Okay so I bought this necklace when I hadn't figured out I was genderfluid yet but it's been so useful to me now because I put it on and immediately feel ten times more masculine. If I am a man all I need to do is put this on and I feel instantly validated. This is my man necklace, I got it because it reminded me of the manliest man god in Norse mythology, I put it on my otherwise very non-male body and I feel so so happy
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Arrowslits! I'm building a little citadel/watchtower for my island, and I wanted to give it some nice arrowslit windows in order to guard it properly. It took a bit of muddling to get them right, but I'm so proud of them now that I've figured it out!
Commentary below the cut (before you read, this is my AU interpretation of them- it will not be canon compliant):
There's a lot of inspiration that went into this art piece so prepare yourself.
I was watching a Youtube short when I came across a painting called "Common Ground", painted by Tom Lovell in 1940. This art piece is a reference to the painting.
The painting reminded me of a post @antidotefortheawkward-art made regarding a possibility for how Princess Iron Fan and Jade-Faced Fox's dynamic turned for the better after the Bull Demon King was captured.
If you know what the "Common Ground" painting looks like, then a notable difference I'm sure you've noticed is the hair. In the painting, the women's hair is up in a prim and proper hairdo; not a single strand out of place. However, in this drawing both PIF and JFF's hair is let loose and looks very unruly. There are two reasons for this.
I cannot for the life of me draw those hair loops. They are so fucking elaborate and I can do anything but that.
Depicting their hair a disheveled mess communicates the emotional rawness more clearly this way. From what I can gather, Chinese culture holds hair in a very high manner and to see these two women completely disregard it really nails home the, how do I call it? the effect of loss. after the Bull Demon King is taken away. They both love him, and care about him, even though their circumstances are wildly different and should act as friction between the two.
Okay, onto point number three. I know that Princess Iron Fan is shown with more youth-like beauty, but after seeing how she's depicted in the 1986 show, I wanted to give her a more "aged beauty" look. I think it works well with the exhaustion she must've felt, competing for her husband's love, enduring the lack of it and dealing with her son's own capture (I know it didn't go down exactly like that but she was going through it and did not care for the details.)
As for the colors- I chose them because I am partial to warm tone colors and also because they communicate the complicated feelings both Princess Iron Fan and Jade-Faced Fox must've been going through, seeking comfort in each other during this time. The red is meant to show that there is still some hostility between the two, which is to be expected after the whole debacle. However, the softer colors such as the light orange and yellow are meant to show, well. both of those colors are my favorite colors, and are meant to represent what I think is the best feeling in the world: care.
But how I implemented them here.. I'm not going to lie to you- I low-key just hoped they would.. merge. I guess. I could've done better, but I think it looks cool.
Before I go into depth about my re-imaging for these two I gotta do some honorable mentions.
I used OSP's Princess Iron Fan and Jade-Face Fox designs as a reference for their attire. Shout out to my favorite channels ever :D
And as for the chair PIF is sitting on- it's actually an opium bench! I learned about this when I searched for "tang dynasty furniture" on Tumblr and came across @tsunamishark's post about it. I used their concept art as a reference as well.
Now alllll of that is out of the way, possible PIF and JFF solidarity!
Let me be clear. I think Jade-Faced Fox is a bitch. If you like her, I respect your opinion and I have only seen OSP video in the chapter where she appears so you know.
But the way she acted, I literally cannot, like girl, you mad that she wants to see her husband? Who, by the way, isn't your husband? She is so bitchy. The fact that she had audacity to say that shit is honestly so baffling because if I talked about the Princess Iron Fan like that I would be looking over my shoulder to see if she was on her way to kill me.
However, antidote's take on her has made her more sympathetic to me. I think while it wouldn't be OOC if it turned out she didn't care much for the Bull Demon King in the first place, it's a lot more interesting if she did really love him as well, making her feel more like a person with good intentions just as much as bad ones.
In my AU, I do plan for Princess Iron Fan and Jade-Faced Fox to reconcile and settle on good terms with each other. I have been debating whether or not they should become a couple as well (another Yuri to add to this AU) but that feels like wrapping things up in a neat little bow which is NOT what I want to do. I think I'll keep the status of their relationship ambiguous to both the readers and to me; if y'all are a PIF x JFF truther then I won't be telling you otherwise. (the ship is kinda growing on me tbh). but still. I do want to point out that Jade-Faced Fox caused a huge tear in PIF's relationship with her husband, so obviously it's going to be complicated. (like I understand that was the culture at the time but it was pretty obvious that PIF was NOT happy with the arrangement. at all.)
But I like the idea of Princess Iron Fan giving Jade-Faced Fox the benefit of doubt. This AU is big on second chances after all.
Older Princess Iron Fan my beloved! I've always thought she should be designed as more middle-aged. She's a woman who's been long married, had a child and been left by her husband for a younger woman— it just makes sense in my mind that she would look a bit older!
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A personal favourite headcanon of mine: The Pilgrims Are All Horse Girls
Wukong: Worked as a Bimawen in heaven and though he hates to bring it up he has an encyclopedic knowledge of horses and how to care for them. And he'll never admit it, but he does have a soft spot for the animals.
Tripitaka: Is a massive dork who's liked horseys ever since he was a little kid. I don't think he'd be a very good rider, but he sure does love having a horse all his own now. Also Ao Lie is nice to him and doesn't let him fall. Often.
Pigsy: Often daydreamed about having a horse on his farm because it would really help with farming. His least favourite neighbour had a real nice mare and HIS crops yield was almost twice as much as the Gao's, but Pigsy was never able to convince his father in law that a horse would be a good investment.
Sandy: Did a decent amount of cavalry work and got to work with some pretty sick warhorses. He certainly had his favourites which he occasionally accidentally-on-purpose slipped some sugar.
Okay I just realised this has something with GREAT comedy potential
So one day they get Sandy talking about his time in heaven and among other things he's like "Oh my favourite horse to ride was this gelding called Bǎolín, he was so nice and calm and extremely well trained, and he had such a beautiful black coat as well. Funny story: I used to sneak into the stables about once a week and slip him about a handful of sugar. It was probably terrible for his diet, but no one ever caught me, and he really liked it so—" and Wukong jumps to his feet and screeches "THAT WAS YOU?????!!!!"
Sandy spends the next couple of hours hiding in the nearest deep body of water while the monkey screams death threats from the shore
A personal favourite headcanon of mine: The Pilgrims Are All Horse Girls
Wukong: Worked as a Bimawen in heaven and though he hates to bring it up he has an encyclopedic knowledge of horses and how to care for them. And he'll never admit it, but he does have a soft spot for the animals.
Tripitaka: Is a massive dork who's liked horseys ever since he was a little kid. I don't think he'd be a very good rider, but he sure does love having a horse all his own now. Also Ao Lie is nice to him and doesn't let him fall. Often.
Pigsy: Often daydreamed about having a horse on his farm because it would really help with farming. His least favourite neighbour had a real nice mare and HIS crops yield was almost twice as much as the Gao's, but Pigsy was never able to convince his father in law that a horse would be a good investment.
Sandy: Did a decent amount of cavalry work and got to work with some pretty sick warhorses. He certainly had his favourites which he occasionally accidentally-on-purpose slipped some sugar.
One thing I'd love to hear more analysis about wrt Journey to the West is that no matter where the pilgrims go and what they do they always encounter more violence and abuse of power, even from characters positioned as being entitled to their positions of authority.
And don't get me wrong, the pilgrims do a lot to alleviate pain and their own stories end on a note of success and triumph. But in every land they go to if it's not a yaoguai warlord eating people then it's bandits wanting to rob and kill them or a king deciding to murder like a 1000 kids to extend his own life or even the supreme ruler of heaven doling out death sentences over what can easily be read as very minor infractions against his commands.
It can make for a pretty disheartening portrayal of JTTW's world. Honestly, I'm not even surprised that it's inspired a number of grimdark retellings. Yet there's something pretty refreshing too in how in addition to the explicit portrayal of the universal capacity for shitty and selfish behavior, there's no Main Bad Guy here that you defeat and then everything is fixed forever.
I know that in a lot of ways this is a story about a silly little monkey and his friends going on goofy adventures, but it's just so neat to me that there's this constant underlying emphasis on choice and consequence and the capacity to cause both suffering and solace applying to EVERYONE.
I think all the suffering also serves to show us why the plot is so important. Tripitaka NEEDS to retrieve and share the scriptures— that's the only way anything is going to get better.
I had a fifteen minute long crying session yesternight over the fact that all I was 10 years ago, at the ripe old age of 14, is lost and lonely, and now, at 24, I am neither and that filled me with so much gratitude
reblog to tell a teenager that these aren’t actually the best years of your life and that things can and will get better when you have independance and maybe are away from your situation right now.
HELP there is a very obvious blanket crease all up the left side of my face and it's not fading and I have to go be employed in my customer service job like seven minutes HELPPPP
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HELP there is a very obvious blanket crease all up the left side of my face and it's not fading and I have to go be employed in my customer service job like seven minutes HELPPPP