A child's dream of a star. c. 1902. Cover illustration.
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A child's dream of a star. c. 1902. Cover illustration.
Internet Archive
Book uploaded to IA by scanner-nicole-deyo

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“Vienna Moderne”, R. Tropsch. 1901.
This week's musical treat.
The BBC has started a YouTube channel for classic Doctor Who and are posting a video every day. And I got sucked into this pulp epic, which had great action, astonishing cliffhangers, terrific supporting characters, and a cheeky wit. 10/10. Would recommend.

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.... cover of a magazine ...
Harper's magazine, October 1894
Artist: Edward Penfield
WARREN DAVIS (1865 - 1928)
Franklin Booth, illustrator (American,1874-1948) • Flying Islands of the Night • James Whitcomb Riley, author • Indianapolis: The Bowen-Merrill Co. • 1892
Franklin Booth produced 16 watercolor illustrations for Flying Islands of the Night.

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Folies Bergere / La Loie Fuller, 1893. Jules Chéret. Original lithograph.
Paul Berthon (Franch, 1872-1909) • Poster for the revue L'ermitage • 1897 • Color lithograph • Los Angeles County Museum of Art
Benjamin Edwin Minns (1863-1937) - Woman by the Harbour, 1916; Manly from Mossan Heights, 1930, watercolour
The heart of the ancient wood. 1900. Cover art.
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Santiago Rusiñol - Roadside in Autumn (1888)

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Dig this badarse 1908 sheet music cover, featuring a gun-toting Gibson Girl. The tune itself is a music hall-type number sung by a lady whose beau is a cat burglar (the refrain implores us, if we see a stranger crawling up the side of our house late at night, “DON’T SHOOT: Ask him in for tea, it may be my boy Bill”). Amusing as the song is though, I can’t help but feel that it’s outshined by Edgar Keller’s incredibly evocative cover art.
John Sloan - Gertrude S. Drick "Woe" (1917)
Rowland Elzea writes, "Gertrude Drick (Smith) was a genuine Greenwich Village character. The story of her engineering the Declaration of Independence of Greenwich Village in 1917 in order to appeal to President Wilson for protection as a small nation, which Sloan memorialized in his etching Arch Conspirators, has been told in a number of places…Gertrude, who had been Sloan's pupil at the Art Students League, wrote him in 1944, 'A letter, this morning, from Joe (my Aunt of whom you have heard me speak) says, this question and answer - What is said to be the most perfect hand ever painted? The right hand of Da Vinci's Mona Lisa. I would certainly change this, and say both hands of Gertrude painted by John Sloan!'" (John Sloan’s Oil Paintings: A Catalogue Raisonné, Part 1, Newark, Delaware, 1991, p. 213)
He continues, "In Gist of Art Sloan wrote of the subject of this very handsome portrait, 'Her visiting card was edged in heavy black and bore the single word 'woe.' She had a witty, quick intelligence and I believe she liked to do the unexpected, especially during the years she lived in Greenwich Village. A happy memory - here's luck to her.' The joke, of course, was that when questioned about her card, she would reply, 'Woe is me!'" (source)