I need my weird alone time or I will explode


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todays bird
"I'm Dorothy Gale from Kansas"

if i look back, i am lost
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blake kathryn
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#extradirty

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⣠Chile in a Photography âŁ

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@thebearcametoo
I need my weird alone time or I will explode

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The Three Graces by the late photographer Leonard Nimoy (yes, Spock from Star Trek!) from his Full Body Project
the sex binary is socially constructed and not actually descriptive of any biological truth. you know that, right? it's important to me that you know that
i know people can be a little overzealous in describing political backslides ("this used to be the feminism website!!!" etc.) but it's disturbing to me how much incredulity i've gotten from other trans people as of late just for, like, saying that "biological woman" is neither a real category nor a phrase that should ever leave your mouth uncritically
Margaret Macdonald Mackintosh, The Four Queens, 1909.

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Broccoli Knuckle Duster by David Delahunty
being too warm during the day: well, this sucks, but this temperature makes sense because the sun is up, and the sun is making me warm. i am unhappy but logically i can deal with it for now.
being too warm at night: what if i kill everybody.
Sometimes you send something you found online to a friend because you want to brighten their day, and sometimes you send something you found online to a friend with the precise attitude and bearing of a cat very carefully lining up their paw with the back of another cat's head.
i think people are starting to confuse class analysis with bioessentialism. like... no not all men do this, but Men as a constructed social class do do this. that's still okay to say. that is regular material analysis of the world around us.

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itâher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"âessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageâa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesâreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
The photo in this tweet is not Margaret Rossiter.
Itâs Dame Jocelyn Bell Burnell, an astrophysicist who discovered the first evidence for pulsars as a graduate student.
Her PhD advisor, Anthony Hewish, was awarded the Nobel Prize for the discovery.
my friend keeps sending the groupchat voice notes of her eating bussy and calling it "asmr"..... bro go study for your physics exam đ
hi sorry uh. incredible miscommunication on my part lmfao.
my bad yall
The 2026 Gender Census is now open!
[ survey.gendercensus.com ]
The 13th annual international gender census, collecting information about the language we use to refer to ourselves and each other, is now open until 13th August 2026.
Itâs short and easy, for most participants it takes 5 minutes or less.
After the survey is closed Iâll process the results and publish a spreadsheet of the data and a report summarising the main findings. Then anyone can use them for academic or business purposes, self-advocacy, tracking the popularity of language over time, and just feeling like weâre part of a huge and diverse community.
If you think you might have friends and followers whoâd be interested, please do reblog this blog post, and share the survey URL by email or at AFK social groups or on other social networks. Every share is extremely helpful!
Survey URL: https://survey.gendercensus.com
The survey is open to anyone anywhere who speaks English and feels that the gender binary doesnât fully describe their experience of themselves and their gender(s) or lack thereof.
Thank you so much!
[ Link to survey ]
the urge to write is like a cat meowing for dear life for someone to open the goddamn door, who then shows utter disinterest in said open door
Leonora Carrington (6 April 1917Â â 25 May 2011) was an English-born Mexican-artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City, and was one of the last surviving participants in the Surrealist movement of the 1930s. Leonora Carrington was also a founding member of the Womenâs Liberation Movement in Mexico during the 1970s. 2. Post

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Toby Stephens as Nathaniel Cole - MÄrama (2026) dir. Taratoa Stappard
I love very specific cakes
I had to redraw this cake đ°
A companion: