The underrated bliss of staying in on a sunny Saturday afternoon when everyone else in the house’s out.
I love how quiet it is.

PUT YOUR BEARD IN MY MOUTH
styofa doing anything

if i look back, i am lost
Sweet Seals For You, Always
DEAR READER
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap
RMH
YOU ARE THE REASON

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Xuebing Du

Discoholic 🪩

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Kaledo Art

roma★
Lint Roller? I Barely Know Her
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@thatsblasphemy
The underrated bliss of staying in on a sunny Saturday afternoon when everyone else in the house’s out.
I love how quiet it is.

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Do you know how to breathe properly?
Where I live,
roosters start to crow at four
in the morning.
Knowing I’m not the only one awake at this hour
brings me comfort.
In Singapore
the sun doesn’t rise till seven.
Wait -
where have the roosters gone?
“Tea meditation is a practice. It is a practice to help us be free. If you are still bound and haunted by the past, if you are still afraid of the future, if you are carried away by your projects, your fear, your anxiety, and your anger, you are not a free person. You are not fully present in the here and the now, so life is not really available to you. The tea, the other person, the blue sky, the flower, is not available to you. In order to be really alive, in order to touch life deeply, you have to become a free person. Cultivating mindfulness can help you to be free.”
Thich Nhat Hanh, Anger

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Katherine Larson, from Radial Symmetry; “Gardens in Tunisia”
[Text ID: “There are days that walk through me / and I cannot hold them.”]
“Alright, here goes. I’m old. What that means is that I’ve survived (so far) and a lot of people I’ve known and loved did not. I’ve lost friends, best friends, acquaintances, co-workers, grandparents, mom, relatives, teachers, mentors, students, neighbors, and a host of other folks. I have no children, and I can’t imagine the pain it must be to lose a child. But here’s my two cents.
I wish I could say you get used to people dying. I never did. I don’t want to. It tears a hole through me whenever somebody I love dies, no matter the circumstances. But I don’t want it to “not matter”. I don’t want it to be something that just passes.
My scars are a testament to the love and the relationship that I had for and with that person. And if the scar is deep, so was the love. So be it. Scars are a testament to life. Scars are a testament that I can love deeply and live deeply and be cut, or even gouged, and that I can heal and continue to live and continue to love. And the scar tissue is stronger than the original flesh ever was. Scars are a testament to life. Scars are only ugly to people who can’t see.
As for grief, you’ll find it comes in waves. When the ship is first wrecked, you’re drowning, with wreckage all around you. Everything floating around you reminds you of the beauty and the magnificence of the ship that was, and is no more. And all you can do is float. You find some piece of the wreckage and you hang on for a while. Maybe it’s some physical thing. Maybe it’s a happy memory or a photograph. Maybe it’s a person who is also floating. For a while, all you can do is float. Stay alive.
Somewhere down the line, and it’s different for everybody, you find that the waves are only 80 feet tall. Or 50 feet tall. And while they still come, they come further apart. You can see them coming. An anniversary, a birthday, or Christmas, or landing at O’Hare. You can see it coming, for the most part, and prepare yourself. And when it washes over you, you know that somehow you will, again, come out the other side. Soaking wet, sputtering, still hanging on to some tiny piece of the wreckage, but you’ll come out. Take it from an old guy. The waves never stop coming, and somehow you don’t really want them to. But you learn that you’ll survive them. And other waves will come. And you’ll survive them too. If you’re lucky, you’ll have lots of scars from lots of loves. And lots of shipwrecks.”
“When you all come,
let’s choose flowers.”
Wild Geese
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.
- Mary Oliver
Adrenaline should not be the reason for sleeplessness. It should be the function of.

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Cold day
(via)
Super furry buddies.
Pretend It’s a City (2021, Martin Scorsese)
Aubrey Plaza for Rollercoaster … please give me a moment to process
I have a big brother, which is better [than a sister]. ‘Cause a big brother can protect you. Tomboy (2011), dir. Céline Sciamma
Such a tender film this.

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“To write is certainly not to impose a form (of expression) on the matter of lived experience. Literature rather moves in the direction of the ill-formed or the incomplete […] Writing is a question of becoming, always incomplete, always in the midst of being formed, and goes beyond the matter of any livable or lived experience. It is a process, that is, a passage of Life that traverses both the livable and the lived. Writing is inseparable from becoming: in writing, one becomes-woman, becomes-animal, or -vegetable, becomes-molecule, to the point of becoming-imperceptible. These becomings may be linked to each other by a particular line […] or they may coexist at every level, following the doorways, thresholds, and zones that make up the entire universe […] Becoming does not move in the other direction, and one does not become Man insofar as man presents himself as a dominant form of expression that claims to impose itself on all mater, whereas woman, animal, or molecule always has a component of flight that escapes its own formalization. The shame of being a man—is there any better reason to write?”
— Gilles Deleuze (trans. Daniel W. Smith & Michael A. Greco) Literature and Life
We'll take a cup of kindness yet,
for auld lang syne.