Philomena Fern
Clip Studio Paint
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@thanksforthetea
Philomena Fern
Clip Studio Paint

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Done in Clip Studio Paint.
I was mad so I made this lovely chart for all yāall. McCreeās skin tones through comics, sprays, and models. Including his actual textures.
Only liberty I took was his cute spray, which I lowered the brightness so the black was true black (or close enough) to get the real colors, vs the glowing pastel colors the cute sprays have.Ā
TIP: If you plan on using overlays/screens, try using a middle color vs the lightest or darkest. Or, you can use another color over the skin tone to overlay, but it keeps the richness of the skin color. Or just simply erase the overlay on the skin (thatās generally what Iāll do since my overlays are very basic and more directive lighting).Ā
If youād like more of these for other characters, I can hook you the fuck up.Ā
Others: SymmetraĀ - LucioĀ - SombraĀ - RoadhogĀ -Ā Ana - Hanzo
Hanzo skin tones for anon and the other person who asked forever ago but I ignored because fuck Hanzo. The screenshot I chose from Dragons is because we stared each other and the eyes and in that moment I knew, he didnāt want to be here as much as I did. Thatās the kind of solidarity I can get behind.Ā
more- McCree - Sombra - Symmetra - Lucio - Roadhog - Ana
The Ultimate Megapack cheat sheets are officially updated and complete. These are the same brushes used every day by artists at Disney, Pixar, Dreamworks, Google (Google Doodles!), Cartoon Network, and Nickelodeon.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
My beautiful plunny boy named Snow Tournament aka Viktor.
Such a handsome man.
Plunnies are owned by Honey King.
Hey friends!
Meg here for this weeks TUTOR TUESDAY! This is part one of two, where weāll be studying expressions. Today weāre going to just take a peek at mouths and how they work!
If you have a recommendation for a tutorial just message this blog or my personal blog here! Have fun, Keep practicing, and Iāll see you next week!
YO YOU PEOPLE WHO WANNA ANIMATE OR JUST BE ABLE TO DRAW DIGITALLY
YOU KNOW HOW THE FANCY ASS WACOM CINTIQS ARE HELLA EXPENSIVE LIKE $1,000 USD TO $2,000 USD?
WELL CHECK OUT THIS BABY:
THIS IS THE YIYNOVA MSP19U AND ITS LITERALLY JUST $600 USD AND IS PRETTY MUCH THE SAME EXACT THING AS A CINTIQ BUT YOU DONāT HAVE TO SELL YOUR LIFE AWAY TO WACOM FOR IT.
BRAH. IT COSTS AS MUCH AS MY WACOM INTUOS 5 LARGE TABLET COST BUT MINE YOU CANāT LOOK AT YOUR HAND WHEN YOU DRAW BECAUSE ITS JUST OPAQUE PLASTIC.Ā
DO YOU KNOW HOW MUCH I WISH I KNEW ABOUT THIS BEFORE I GOT MY INTUOS? A LOT. SO IF YOUāRE WANTING A FANCY ASS DRAWING TABLET GET THIS LIL GUY.
I thank Domics on YouTube for pointing this out because WOW. FUCK.
sommerrev LOOK AT THJS ONFG
HHMMMM. the last time a post was going around like this it was a scam but hot daaaamn. Want
Iāve been using this since August 2013 and have been loving EVERY MOMENT WITH IT! It is awesome, easy to use and heckuva great pressure sensitivity. Totally reccomended cos itās also super cheap. (Thereās also an MSP19U+ version that has buttons on the side for you to do quick keys settings)
Edit: oh wait, this advanced version is the plus version. Anyways, totally reccomended, just that, for a heads up, itās a bit low in terms of support over fixes and stuff for now.Ā
PEOPLE BE POSTING ABOUT MY TABLET
I will sing the praises of this thing forever. I got it for under $600 and a similarly sized Wacom would have cost me $2,000. Itās insane.Ā
I have a Yiynova MSP19U and I FUCKING LOVE IT. Ā $650 after shipping. Wacom and their horribly overpriced tablets can suck a dick.
this is whAT I USE AND ITS REALLY FUCKIN GOOD
Had this baby since June 2013. Itās what I use for animating in flash!
Even though theyāre small, Huion tablets cost around 60 to 100ā¬.
INFO ABOUT,--> CLICK--> Click on the first cell in a row to expand the text. This sheet is a tool made for artist alley sellers to better manage their business. We' ve been using this setup for about two years now and it has proven invaluable to assessing growth and making future merch decisio...
hello, tumblr! today i come bearing gifts! my wife is an absolute treasure and over the past year+ has been building/perfecting an onsite profit tracking spreadsheet!
provided you give it the correct information it tracks your net income (income after expenses) and also shows you what you are making per hour (plus, you can see where youāre real income is coming from, itās very humbling and revealing)!
if you have questions, she is myowsers on twitter
a softer sequel to this
(please dont repost without credit)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
HERE IS MY REQUESTED ICON TUTORIAL :0
hope you guys enjoy!!!
steps/transcript:
1. start off with whatever shape you want for your icon! i chose a circle bc itās easy peasy 2. paste what image you want on top! letās use mouse rin. how cute is she? :D 3. next weāre going to make her shiny. start by making a duplicate layer (ctrl+j) and setting it to multiply! 4. now we repeat the last step, but instead of making it a multiply layer, make it into a screen layer! now rin is all bright and happy! 5. next weāre going to merge all three rin layers together. select all 3 layers and right click and hit āmerge layersā 6. now that rin is merged, weāre going to duplicate her again! :D so many rins~ (I do this so one rin has part of her body poking out of the image. itās cute!) 7. right click on the first rin layer and click ācreate clipping maskā we want that rin attached to the circle 8. now on the second layer(the unclipped one) we want to erase all of that extra rin so thereās only what we want! now sheās in the shape of our icon! :D 9.next step is to make a new layer inbetween the clipped rin and the circle! put whatever background you want the icon to have. in this i decided on ccute tiny polka dots! :0 10. now that the background is done, i like to add a white outline around rin. righ click the clipped rin layer and hit āblending optionsā then make stroke size 3! 11. now we merge all of the layers! almost done :D 12. i like to add thick borders around my icons. so for that, right click and hit āblending optionsā again, and this time āstrokeā 8! 13. now create a new layer with a clipping mask and add some colour! i like to make mine a screen mode at 30-50%! i like how nice and pink rin is now! :D and thatās it! now you just gotta save your image, and youāre all done!!!!! you made an icon!!! woohoo!!! :D
i never know what to do with the body when i do these so hereās one of those things with armsā¢
Cutiefly Drink
Alola~! I havenāt picked up the latest Pokemon game, but @waffel-haus asked me to draw her a Cutiefly on a little drink umbrella and I couldnāt say no.
Getting back into the art game baby!
rapidpunches:
SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHESā STYLE
Iām NOT an expert but I have some working experience I can share. You need experience to become great. Here is my set of instructions, tips, and notes towards making a 12-page comic.
My method is to work backwards. Personally I work ābackwardsā because the end is the only wholly necessary page or set of panels in the story. Everything in between is open to editing and hacking as the most important moments are emphasized and chosen.
I even plan/draw the end page first. The end is the last page a reader sees- so spend your freshest energies on making it as epic, memorable, poignant, and beautiful as #$%^&.
If you draw the pages from 1 to 12 sequentially you run the risk of fresh to burnt out- an uneven distribution of drawing skill. (treat the first page and the 2-page splash as you would the last).
Roughly⦠the steps to making your comic is
WRITE
PLAN THUMBNAILS
DRAW
ā¦BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:
How does it end?
Does the protag succeed or fail?
What is the turning point of their story?
What the protag do that led them there?
Where does it start?
Who is this protag?
EXAMPLE:
Guy gets mauled by a bear.
This is a fail on the guyās half.
The bear must eat something or heāll starve to death.
Itās the guyās fault the bear canāt find other food. He caused the avalanche that buried all the cabins.
The guy is yodeling in an avalanche zone.
The guy is some guy.
CREATING āTHE BEAT SHEETā Take the above stuff and reorder it to make sense.
This guy yodels.
Echoes roll.
Snow slides down.
Avalanche buries the mountain.
Cabins are engulfed.
This bear has no access to cabin food and garbage.
Bear eats this guy.
Expand. Blow up important beats for emphasis. Keep less important beats brief.
This guy is hiking in the snowy mountains.
He comes across an avalanche warning sign.
There is nobody around but him.
A dumb expression forms over his face and he yodels.
Echoes roll but nothing nearby is moved.
At the top of the mountain the snow drifts twitch.
Guy, satisfied, hikes away from there still yodeling.
Frozen snow cracks.
Snow puffs billow and great slabs of ice crash down the mountain side.
Guy sees this and hightails it to safer ground.
Animals, people, are all panicking and getting pushed over by the rushing snow.
Cabins are destroyed.
The guy takes cover by an outcropping of rocks, fastens himself securely to the rock face, and waits for the avalanche to die down.
Avalanche dies down.
A lone bear shambles over from the other side of the mountain.
The bear goes to where a cabin used to be (only roof tiles are left). Bear sniffs a dish satellite.
Bear forlornly eats a food wrapper.
Bear tries to dig.
Guy comes down from the rocks he as climbing and sees bear.
Bear stops digging and sees him.
Guy runs.
Bear chases him down.
Bear eats the guy.
BEAT SHEET COMPLETED!!!
After the beat sheet, write up all the sound effects and speech bubbles and conversation/dialogue you want to be in your comic.
Since comics are a visual medium, highest priority is given to the beats. If a story canāt be told with the art without the dialogueā you messed up and itās time to rethink your life choices.
Try to keep all your text chunks as short as a tweet. Professionally you donāt want more than 25 words per speech bubble and no more than 250 words per page.
Next is translating the beats to pagesā¦
STRUCTURE OVERVIEW:
[1] point of entry, in media res, hero intro
[2][3] conflict. establish conflict, setting, and mood by the third page. [4][5] rising action/false resolution to conflict/investigation
[6][7] turning point/plot twist/epiphany (this one epic image, to page spread is pivotal, spend a lot of effort into creating this)
[8][9] aftermath/ādarkness before dawnā/struggle [10][11] recovery/ārise and conquerā/āfallā
[12] resolution/final end/cliffhanger
[front cover][interior] [interior][back cover]
āāāāāāā
My maximum per page is nine panels but Iāve seen pages that have way more. I like to have about 3 to 4 panels per row or less but Iāve seen the ārulesā broken before. Advanced comic book artists manipulate time with the number of panels and the size of each panel.
remember, DIAGONALS!!! open up an issue of batman, superman, spider man, deadpool or whatever youre reading theyre everywhere.
āāā-
ā¦DRAW IN THIS ORDER:
Page 12,
Page 6 and 7 (this is typically one large image that takes up the space of two pages),
Page 1,
and then the rest.
ONLY āDEVIATIONā ALLOWED:
Page 12 and 1*
Page 6 and 7,
and then the rest.
*Draw the first and last page as a spread in situations where the beginning of the story mirrors the end of the story.
Cover is dead last.
āāā-
(If at the very end you find out you need more pages and itās absolutely unavoidable and totally necessary you have to add them in fours. Try to stick to 12 pages for this crash course.)
āāāāāāā
FURTHER NOTES:
Plan and draw the pages in spreads (the twos) since this is how it will appear in print and when you submit them to an editor for review guess what, the pages with an exception to the first and last will be reviewed as spreads.
You at most only need one establishing panel of the setting and environment (scene) per page.
Forget ātrue to lifeā perspective outside of the establishing panel). Practice diagonal composition of objects and subjects within panels. For dynamism.
You donāt have to present the text all in one go (one paragraph or bubble). You can and should break up paragraphs, sentences, and if you need to single out wordsā to make smaller, more easily managed bubbles to scatter through the panel.
Less important moments have smaller panels and or lesser detail. More details (or more word bubbles) slow down time. More drawn detail also creates a concentration of values (itās darker and sometimes combines together as one shape or mass)
Know your light sources. Control the blacks. Control the values.
TIPS | COFFEE? :3 | dA | IG |Ā ā” |  ⤠|Ā ā
(more coming soon 11/22/2016)
Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I amĀ this?
do not repost, thank you ^^

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
I love my Dorito husbando. This was actually a lot of of fun to do.
Bill Cipher is from Gravity Falls. Art is by me.
Trying to get back into digital art, so here is a warm-up piece of Bucky Barnes I did for @waffel-haus. In a ponytail. And shiftless. I was ok looking at shirtless Sebastian Stan for reference. ( o v o )
Bucky Barnes is from Marvel.
Art is by me.