itâs that time of year again
Cosmic Funnies

titsay
i don't do bad sauce passes
Misplaced Lens Cap
Not today Justin
Sade Olutola

shark vs the universe
DEAR READER
Keni
AnasAbdin
$LAYYYTER

Janaina Medeiros

romaâ

#extradirty
Xuebing Du
Peter Solarz
Jules of Nature
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@texieiswrite
itâs that time of year again

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200 Dialogue Prompts
A/N: Not all of these are mine! A lot of them are though.Â
1. âYou said that Iâd get to have you all weekend. Why canât you just tell them you canât go?â - âBecause itâs my job, and itâs important.â - âAnd Iâm not?âÂ
2. âYou should sleep.â - âIâm not human, therefore, I do not require sleep.âÂ
3. âI will protect you with my life.âÂ
4. âPlease donât let me fall.â - âNever.âÂ
5. âYouâll catch me, right?â - âAlways.âÂ
6. âYou broke me and now you expect me to follow you out onto the battlefield? No. The answer is no.âÂ
7. âI told you that Iâd never leave you; Iâm not going anywhere.â
8. âYou take me instead, do you hear me? Give her back and take me instead.âÂ
9. âWait, something doesnât feel right.âÂ
10. âDid you hear that?â
11. âI almost just died and now youâre telling me that Iâm a prophet of God? Are you sure you have the right person?âÂ
12. âStay here and donât move. Iâll be right back.âÂ
13. âLook, I know youâre a hardass, but can you play with my hair? It would really help.âÂ
14. âI donât deserve you.âÂ
15. âDonât tell me youâre fine, I can see the blood!âÂ
16. âIâm sorry, butâŚI donât remember you.âÂ
17. âI wish Iâd never met you.â - âNoâŚyou donât mean that.âÂ
18. âYou know I hear you talking, but I still donât have my coffee.âÂ
19. âDo you want to know the hardest thing about having a soulmate? Itâs not the separation in the beginning, not the endless nights lying awake, hoping and praying that someone was made for you. ItâsâŚitâs the love. Itâs too strong, and you canât fight it. Iâve tried. Believe me, Iâve triedâŚbut Iâm always going to love you. And I need you to know that.âÂ
20. âYou would risk the lives of millions for one person? Why?â - âBecause itâs not just one lifeâŚitâs yours.âÂ
21. âThis might sound selfish, but I donât care about the world - I only care about you!âÂ
22. âWas I just an easy scapegoat to you? Is that it?âÂ
23. âNo! Stay away from me! Stay back!â
24. âYou must be mistaken - I donât know who you are.âÂ
25. âI need to know that you can trust me. Please.âÂ
26. âI have theseâŚpowers raging around inside me, and I have no clue how to control them.âÂ
27. âI need your help.â
28. âTake one more step and I snap her pretty little neck.â
29. âThis is real. Youâre real, Iâm real. I need you to come back to reality.âÂ
30. âYouâre really starting to scare me.âÂ
31. âIâm here for your protection.â - âI donât need protecting.âÂ
32. âCan someone please explain to me, in small words, why Iâm being assigned to this mission?âÂ
33. âKeep your hands over your ears, do you hear me? Even when the noises stop. Donât listen.âÂ
34. âClose your eyes and keep them closed.â
35. âYou shouldnât have seen that.âÂ
36. âI donât want you here.âÂ
37. âFollow me. Itâs okay, just hold my hand.âÂ
38. âWhatever you do, donât make a sound.âÂ
39. âStop freaking out, Iâll be right back.âÂ
40. âThatâs for me to know and for you toâŚwell, you know how the saying goes.âÂ
41. âI know the signsâŚyou canât hide from me, (Name).âÂ
42. âItâs okay to break.â - âIâm not going to break.âÂ
43. âDo you believe in soulmates?â - âNo.â - âOh, well thatâs a shame because Iâm it. Iâm your soulmate.âÂ
44. âIf youâre watching this then that means Iâve been taken.âÂ
45. âYou can hold my hand if you want.âÂ
46. âAs long as I get to hold your hand.âÂ
47. âI will always choose you.âÂ
48. âI can braid your hair for youâŚif youâd like.âÂ
49. âMaybe if you actually stop staring at her and talk to her, you might have a chance.âÂ
50. âAre you drunk?â - âNot nearly enough.âÂ
51. âAre you trying to seduce me?â - âDepends. Are you seducible?âÂ
52. âI thought I almost lost you.âÂ
53. âIâve been calling you. I left voicemails - where were you?â
54. âYou and me against the world, remember?âÂ
55. âIâll come back for you.âÂ
56. âDo you remember this? Itâs the music box you got me when we were twelve.âÂ
57. âNever trust a man that can dance.âÂ
58. âWeâre not alone.âÂ
59. âThereâs someone in the house.â
60. âPay attention to me.â
61. âWere you drawing me?âÂ
62. âItâs basic human instinct.âÂ
63. âIâd rather be spitting blood.âÂ
64. âYou can sleep now. Iâll fight the bad dreams off if they come to get you.âÂ
65. âI didnât tell you that I love you because I wanted to hear it back. I told you because I needed you to know.âÂ
66. âIt doesnât matter what I want.âÂ
67. âYou canât have her and itâs killing you inside.âÂ
68. âLetâs carve our initials into the tree.âÂ
69. âWhen you touch me I feel a little less broken.âÂ
70. âYou look so much like herâŚâÂ
71. âLet me help you.âÂ
72. âCome on. Letâs get you into the bath.âÂ
73. âHow many did you take? Open your mouth, I need to see.âÂ
74. âYou need medicine.âÂ
75. âI need you to keep pressure on the wound, okay?âÂ
76. âYou have to promise me that you wonât fall in love with me.âÂ
77. âYou smell nice.âÂ
78. âI could hear you screaming. Are you okay?âÂ
79. âShh. I heard something.âÂ
80. âStop staring at me like that.âÂ
81. âI can never forget that taste.âÂ
82. âI was made to destroy. Not to fix, but to break.âÂ
83. âIf you want me, come and get me, motherfuckers.âÂ
84. âI see the spark in you. Itâs amazing. Whatever you choose to do with it, youâll be great.âÂ
85. âIf you need an emergency extraction just text SOS and Iâll send armed backup.âÂ
86. âJust a fewâŚmoreâŚlinesâŚâ - âYouâve been at it all night. Take a break.âÂ
87. âImitation is the greatest form of flattery.âÂ
88. âI know how this goes. First you buy me a drink, then you tell me how pretty I look, and then, at the end of the night, you ask for my number.âÂ
89. âItâs been a while. Youâre not coming back, are you?âÂ
90. âHe is very dreamy, but he is not the sun. You are.âÂ
91. âI only ever thought there were two kinds of love: The kind you would kill for, and the kind you would die forâŚbut you, my darling, you were the kind of love I would live for.âÂ
92. âBreathe with me, yeah? Come on. Breathe. You got it - there you go.âÂ
93. âLosing you was the most unbearable pain Iâve ever felt.âÂ
94. âI want you. All of you, and not just half-heartedly, wholly. And maybe thatâs selfish, but I donât care.âÂ
95. âLoving you has never been so easy.âÂ
96. âThere are shooting stars in your eyes, and every time I look at you, I make a wish to be able to kiss you one last time.âÂ
97. âIâm drunk and I hate everything. Everything except you.âÂ
98. âCan you justâŚhold me? Just for tonight.âÂ
99. âYou have yourself wrapped in thorns, and then you hate everyone who tries to touch you.âÂ
100. âPut the knife downâŚIâm not going to hurt you.âÂ
101. â(Name), pleaseâŚyouâre scaring me.âÂ
102. âYou donât have to do this.âÂ
103. âAt this point, if a clown invited me into the woods, I would just go.âÂ
104. âYou loved herâŚthatâs not a weakness, thatâs a virtue.âÂ
105. âLove is never kind; love is confusion and pain and abandonment. Itâs every single nightmare your mind has been plagued by. And, yes, it can unmake you in ways you never thought were possible, but love - it will remind you what itâs like to be human.âÂ
106. âIâm right here. Iâve been here all along, but you still canât see me.âÂ
107. âThe way he watches youâŚlike heâs ready to take a bullet for you.â - âIs that a bad thing?âÂ
108. âAnd I love, I love, I love you.âÂ
109. âI donât think I ever want to be parted from you. I donât think my heart could take it.âÂ
110. âYouâre such a needy baby.âÂ
111. âYou have bewitched me; body and soul.â
112. âI worship you.âÂ
113. âI am begging on my knees. Please, donât do this.âÂ
114. âI donât think you know how to love.âÂ
115. âItâs torture, being human. Sometimes I wish I could just turn it off. Turn it all off.âÂ
116. âYou donât have to carry the weight of the world all by yourself, you know?âÂ
117. âIâm all yours.â - âReally?âÂ
118. âI know I can be pretty dense, but youâre giving me someâŚpretty big signals here, and I donât know if Iâm reading them right butâŚI hope Iâm somewhere along the right track.âÂ
119. âJust one momentâŚâ - âWhat are you doing?â - âWell, I suppose Iâm going to kiss you. I hope thatâs alright.âÂ
120. âYouâre a woman, that alone makes you magic.âÂ
121. âWhat if weâre the only ones left?âÂ
122. âSorry, I didnât hear a word you just said.âÂ
123. âYou have my word. You have all my words.âÂ
124. âBe nice.â - âAlways.âÂ
125. â(Name)?â - âYeah?â - âIâm gonna kiss you now.â - âOkay.âÂ
126. âJust stay. We can figure everything else out later. Right now, just stay.âÂ
127. âMy hands are not clean, and maybe they never will be, but they can still carry you home when youâre ready to sleep.âÂ
128. âWeâre a mess, you and I.â
129. âStop looking at me with pity in your eyes. Stop it. Stop fucking looking at me like that.â
130. âIt wonât be easy, you knowâŚtrying to love me.âÂ
131. âYou took advantage of me when all I did was help you.â
132. âWhat good will come from killing them? Revenge and vengeance are very different things, you need to understand that.âÂ
133. âTake my gun, I donât want to hurt you.â - âYou wonât hurt me.â - âPlease. Just take it.âÂ
134. âBah-Humbug.âÂ
135. âYou want to run away? On the night of our wedding?âÂ
136. âYouâre upset.â - âIâm not.â - âI know that face. Thatâs your Iâm-upset-with-you face. And your eyebrows - they get really expressive when youâre mad.âÂ
137. âTruth is, I just wanted an excuse to hold your hand.âÂ
138. âDo you love me? If you do, then you need to do this for me.âÂ
139. âStop staring.â - âIâm not.â - âOh, sure you arenât.âÂ
140. âI have a holeâŚin my side.â - âIâm sorry, what?â - âI was shot.âÂ
141. âI didnât want you to panic and now youâre panicking which is making me panic and-âÂ
142. âYou should talk to her.â - âAnd have her hear me? No thank you.âÂ
143. âYou really donât know how to talk to women, do you?âÂ
144. âYou already know how this one will end.âÂ
145. âI trust you completely.âÂ
146. âI prefer the view from up there.âÂ
147. âIâm not sure how many coffees it takes to be happy, but so far, itâs not twelve.âÂ
148. âIâm so proud of you.âÂ
149. âAway you three inch fool.âÂ
150. âYou will be the end of me.âÂ
151. âI will give you the sun.âÂ
152. âYou are safe. I wonât let them hurt you.âÂ
153. âI want you to go upstairs and lock the door, okay? Donât come out until I tell you to.âÂ
154. âIâm a fallen angel.âÂ
155. âI just fell out of an airplane without a parachute and I have no idea how I survived.âÂ
156. âHe stares at you every time you look away.âÂ
157. âShut the hell your mouth.âÂ
158. âWell butter my buns and call me betty crocker.â
159. âMeeting you was the best coincidence life ever gave me.âÂ
160. âYou make my heart happy.âÂ
161. âTell me a lie.â - âI love you.âÂ
162. âThey told me you died. And I screamed. I screamed until my lungs hurt too much to continue.âÂ
163. âIâm not sure what peace is supposed to feel like, but I think it may feel a lot like you.âÂ
164. âTo keep you safe, I would do anything.âÂ
165. âI deserved a better goodbye.âÂ
166. âIâll take care of you.â - âItâs rotten work.â - âNot to me. Not if itâs you.âÂ
167. âYouâve suffered through enough.âÂ
168. âDonât get too close to that one, sheâll singe your fingertips and have you on your knees."Â
169. âHe was my almost.âÂ
170. âGo ahead. Underestimate me. Thatâll be fun.âÂ
171. "Did you have another blackout?â
172. âI think weâd make this a fair fight if we each had a gun. Donât you agree, boys?â
173. âYou think you gave me some sort of gift? You took a messed up girl and turned her into a broken woman.â
174. âI donât owe you a damn thing.â
175. âStar gazing. Thatâs your thing? Seriously?â
176. âYou donât know when to stop, do you?â
177. âYouâre a coward, (Name)! You hide away this entirely different part to yourself all because youâre afraid that someone might get close to you! Youâre afraid that someone might just care about you more than you think you deserve. That - that isnât fair.â
178. âDonât do it. If you attack now, then I wonât be able to keep you safe.â
179. âI canât believe youâre alive!â
180. âHeaven just couldnât wait for youâŚ"Â
181. âHigher, further, faster, baby.âÂ
182. âItâs my fault.â
183. âYou got a minute to live, fill it with words.âÂ
184. âWeâll lose.â - âThen weâll do that together too.âÂ
185. âI donât want to hurt you.â - âIâd like to see you try.âÂ
186. âIâm eating because Iâm very uncomfortable.âÂ
187. âI know I kissed you before, but I didnât do it right. Can I try again?âÂ
188. âI would die before I let anything happen to you.âÂ
189. âYou have my heart. I donât think I could get it back even if I wanted to.âÂ
190. âI think I may be slightly more drunk than I thought.âÂ
191. âYou are love in its best form.âÂ
192. âI donât regret every second with you, I treasure themâ
193. âMy universe is you.âÂ
194. âHere, let me hold that for you.âÂ
195. âI read once that holding your breath can stop a panic attack soâŚwhen I kissed youâŚyou held your breath.âÂ
196. âLet. Her. Go.âÂ
197. âDid you just call me your boyfriend/girlfriend?âÂ
198. âWe were meant for each other.âÂ
199. âWhy not be angry? Anger is better than tears, better than grief, better than the guilt.âÂ
200. âHe loves you, you know? Heâs just afraid of admitting it.âÂ
Iâm just now finding out Anne Frank was bi??? OMG
Yeah okay, those edits were made by her dad, a cishet person - and also her dad, a Holocaust survivor, who would have been brutally aware that when the diary was first published in freakinâ 1947, had he included anything which people could use to demonize his daughter or tar her as some kind of âpervertâ, it would prevent the message he was trying to send about the horrors of the Holocaust and the heroism of his daughter from being properly understood and accepted the way he hoped.
That isnât fair. It isnât just. But it is reality. If Otto Frank had let this be included in the published version, thereâs a large chance the homophobic backlash would have prevented the book from reaching the audience it did and spreading the message it needed to. It was NINETEEN. FORTY. SEVEN. The Holocaust had ended TWO YEARS AGO. The acceptance of LGBT identities was basically nonexistent. Otto Frank made a decision based on the time and place he was living in, about what the world at that time was and wasnât ready to accept.Â
Let me say this as bluntly as I can - I am a bisexual Jewish girl and I would have made the same decision Otto Frank did. Making sure Anne Frank was unambiguously seen as sympathic and heroic was more important. Making sure people werenât sidetracked from the main issue of the Holocaust was more important. He shouldnât have had to make that decision, without doubt. Anne Frankâs sexuality (however she would have identified in modern terms) shouldnât be considered relevant to her status as a hero or a sympathetic victim. But in 1947, it undoubtedly would have been.
Otto Frank survived Auschwitz and lost his entire family (a wife and two teenage daughters)Â to the horrors of the Holocaust. He hoped that publishing his daughterâs diary would spread awareness and sympathy for the victims of the Holocaust. If he had to make sacrifices to do that - well frankly, so fucking be it. I donât know who alive today has the right to judge him.Â
Thank you for that addition. We cannot blanket demonize people while ignoring context.
consider this: being fat and chubby is ok and good
Sources?
Sources: me looking at myself and going âniceâ
Favorite Detective Pikachu Easter Eggs
Latino american dub fun fact about the movie: detective pikachu is voiced by jose antonio macias( pepe toĂąo) who is james in the anime

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Have I posted this yet
One Dimensional Characters
I wanted to come back from my long hiatus to talk about critical error a lot of writers. Not just in books but also in television we often see one dimensional characters. Who are these characters? These are the people that have limited perspective, uncomplicated lives, and watered down reactions. Here recently I started watching a new show in which the main duo are, I guess, buddies, a man and woman. In almost every episode the man is contemplating some big life issue and the woman...well, in all honesty, sheâs just there. Her reactions are limited, she has no problems, and even when something big happened her reactions was just, âEh, whatever.â Hence, a one dimensional character. So, how can a writer avoid this dilemma? Well, take a gander at my list below!
Ask yourself these questions:
Whatâs my characters strengths and limitations? For example, what do they do well and what could they improve on. Knowing this can help you build the very structure of who your character is.
How easily manipulated is your character? Do they stand with their morals or are they flexible? Would they kill for the greater good? What would they if someone they loved was in grave danger?
What real life problems does your character face? Do they have allergies? Family drama? Real life issues help readers connect with characters. No one wants to read about the perfect Mary Sue who has everything she has ever wanted.
What are your character's flaws? How do they related to real people?
Does your character voice their opinion? When and why? Maybe your character doesnât speak until the tide gets high. Maybe they like to keep their ideas to themselves.
What is your characters breaking point? What happens when theyâve had enough? Do they fight or flee?
Sorry to Disrupt the Peace by Patty Yumi Cottrell was published March 17, 2017. It is the winner of the Barnes and Noble Discover Award. The book centers around thirty-one-year-old, Helen Moran, whose brother has just committed suicide. Helen goes back home to âinvestigateâ his reason behind taking his own life. As she steps into her unnamed brotherâs life, readers can begin to understand how unraveled the main character is from the inside. With the bookâs progression, Helen puts her brotherâs life under a microscope and learns that he wasnât the person she thought he was. In fact, heâs nothing like she thought he was. She examines his relationships with other people such as their adopted parentâs, his friends, and even their sibling bond.
Patty Yumi Cottrell is the author everyone wants to be. Right away, readers can notice the risks she takes with her novel. For starters, there are not quotation marks whenever a character speaks. At first, I was kind of iffy about this. However, as it began to be clear why, I started to love that aspect. Helen is telling the story about herself not her brother. Sheâs the type of main character you love to hate. With her take on the story, the novel adapts with a signature style. Along with Cottrellâs writing style, itâs not surprise I fell in love at the fist sentence. But, that doesnât mean every book is perfect.
The ball immediately starts rolling from the first to last page. However, in the middle, I have to admit that it did drag. I found myself putting the book down for long periods of time. There comes a point in the novel where the character just doesnât do anything interesting. The plot seems to drag along until it just doesnât anymore. Once it picks up again, readers are unable to put it down.
I would rate this book 9.5/10 due to the stalled plot. Other than that, I loved the book completely with my heart and soul. The novel embraces readers in a way I myself havenât felt in a long time. It reminded me why I love reading.
I need to follow more writers so reblog if you post stuff about your wips, writing tips, whine about writing, or need more writer friends, and Iâll check out your blog. :)
i want to follow more writeblr blogs. so uhhh I guess reblog if youâre a writeblr?

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Honestly, I never want anyone to say that writing is easy because it really isnât, and Iâll tell you why. When I write, and when others do as well, Iâm literally bleeding my soul out into words. Yes, the situations are fictional, but the characters are different versions of me. Some are the angry side, the depressed side, the anxiety side. I started writing my latest book without realizing where it was going. When I realized Natalia didnât know her biological father, just like me, I nailed down a part of the plot. Throughout this journey I have been on with her, weâve both came to a slow conclusion that it doesnât matter as much as we thought. Her issues are my issues and, God, she is just as real as you or me.
If Youâre a WriteblrâŚ
Ok, my dash is strikingly empty of writeblr posts to reblog. I need to fix this.
If youâre a writeblr and you tend to post mostly writing-related content, reblog this post so I can find you!
Camp Nano July 2018
Words: 33,437/80,000
Title: RUSH
Genre: Fiction/romance/LGBT+/Adventure/Mystery
âYouâre thinking about it, arenât you?â Swan asked, jarring Nat from her inner thoughts.
Natalia felt her face heat up and hope Swan wouldnât notice in the dim lighting, âCan we get back to why weâre here? Katie gave me my motherâs journal that Nate had. I found out from reading it that because of Joss, my father, Marco left us.â
âIâm assuming you read the journal in its entirety?â Swan asked and went on when Nat nodded, âWell what did you find? Thatâs always the best place to start when looking for the truth.â
Nat sighed as the waitress came up to their table, placing down two glasses and a bottle of uncorked wine. They both thanked her and went on to place their orders, Nat rambling off the first thing that came to mind. Once they were alone again, Natalia admitted, âI donât know if I want to find him.â
âWhat?â
She reached for the bottle and poured the wine into both glasses. Hers was near the brim and she sipped from it before replying, âJoss could be some psycho or something. Why risk it?â
âUh, because heâs your real father, Natie,â Swan scoffed, and then her voice went soft, âYouâve literally dreamed about this.â
âYeah, when it was Marco,â Nat spoke, âI wanted him as my dad and now-â âYou have a shot at the real thing,â interrupted Swan, âMarco is never going to want you like that, Natalia. I hate to break your bubble but like you said, he left because of this Joss guy, right? He didnât give two shits about your mom or you or Nathan. Heâs gone and thatâs that. But now, good God, you have a chance at having the real thing. Whatâs holding you back?â
Full chapter can be found on Wattpad, here: www.wattpad.com/story/151512926-rush-girlxgirl?utm_source=widget&utm_medium=link_copy
Ah yes. The familiar, recurring despair of a writer whoâs halfway into their story only to be met with constant doubt whether they should finish it or set it on fire.
A plotline I wrote early in the story: so have you forgotten about me or what?
Me:Â

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me: finally! all done making my characters. Now, I can actually write the story!
an entirely new character that has no place or purpose in this story:
Writing is, 10% typing and 90% staring at your computer trying to find a better way to describe someone eating a piece of toast.