Sylvia Plath, from “The Moon and the Yew Tree,” Ariel
Peter Solarz
tumblr dot com
🪼

祝日 / Permanent Vacation
noise dept.

#extradirty
NASA
KIROKAZE
TVSTRANGERTHINGS
let's talk about Bridgerton tea, my ask is open

Product Placement
Not today Justin
Stranger Things

❣ Chile in a Photography ❣
One Nice Bug Per Day
i don't do bad sauce passes

titsay
d e v o n
trying on a metaphor

JVL
seen from T1
seen from Malaysia
seen from Germany
seen from T1

seen from Brazil

seen from United States

seen from United States
seen from Germany

seen from Malaysia
seen from United Kingdom
seen from United States
seen from T1
seen from United States

seen from United States
seen from Germany

seen from T1
seen from United States
seen from United States

seen from Malaysia
seen from T1
@temporarytragedy
Sylvia Plath, from “The Moon and the Yew Tree,” Ariel

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Song, Allen Ginsberg
Lo so, siete a bocca aperta. L’opera è di Darian Rodriguez Mederos, classe 1992, artista cubano di cui sentiremo parlare ancora.
via Jacopo Veneziani
rop van mierlo, illustrations for wild animals, 2010
Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

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Heidi, episode 52: “Till We Meet Again”
Just how it is I guess.
EMILY DICKINSON
from a letter to Austin Dickinson written circa August 1851;
original photo and edit
Julia de Burgos, tr. by Jack Agüeros, from Song of the Simple Truth: The Complete Poems of Julia de Burgos; "To Julia de Burgos"
[Text ID: "in all my poems I undress my heart."]
Hanif Abdurraqib, They Can't Kill Us Until They Kill Us

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— Good Will Hunting (1997) “We get to choose who we let into our weird little worlds.”
Ernest Hemingway, from "Garden of Eden," originally published in 1986
jenny holzer
Richard Siken, from Litany In Which Certain Things Are Crossed Out // Fall Out Boy, from Hum Hallelujah

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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of course i’ll go out of my way for you, it’s you after all.