Still Life: Flowers and Fruit (1850-1855) by Severin Roesen (American (born Prussia), 1816 – 1872), oil on canvas, 40 x 50 3/8 in. (101.6 x 128 cm), The Metropolitan Museum of Art, New York City

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Still Life: Flowers and Fruit (1850-1855) by Severin Roesen (American (born Prussia), 1816 – 1872), oil on canvas, 40 x 50 3/8 in. (101.6 x 128 cm), The Metropolitan Museum of Art, New York City

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“Subverting” Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how “Wound of Christ” from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risqué way that challenges Christian beliefs. But what you don't know is that that stigma isn’t just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christ’s foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internet…where you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in fact…you're posting an image that was sexualized for you by the very Medieval saints you think you’re so different than…from “subverted” Catholic art.
snoopy of the day
Venus Flytrap 4x4 Ceramic Art Tile by Gretchen Kramp ebay gretchen-kramp

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soimething purple just happened
i’ve warmed up significantly towards the concept of small talk ever since i learned that its sole purpose is to make friendly noises.
as long as you smile and nod, people are satisfied. it’s just to show that you are nice and there with good intentions. we’re small in a big world and have to rely on other people to be decent to us. so we do our little human dance to each other to say, “i’m not here to hurt you. here’s something we have in common, like the weather or sports or itchy sweaters, so we both know we’re on the same team. we both agree on a basic fact, like that it is rainy or that being itchy is uncomfortable, and this proves we can get along. i’m being light-hearted and non-threatening right now.”
small talk isn’t to get to know a person. it’s just a greeting to affirm you’re buddies in the universe.
i am motivated by wanting the other person to know i am friendly, so i have gotten pretty decent at small talk when i used to hate it.
“AN ARMY OF LOVERS SHALL NOT FAIL” lesbian shirt from the Wearing Gay History archive. Truly one of my absolute favourites.
Marisol Muro, Kitties recharging with the Moon

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Leopold Schmutzler, German (1864 - 1940)
Seerose (Water Lily), Engraving
I came home. I enjoyed my bath. I enjoyed perfuming myself. I knew I was born for this, to do it over and over again, the ritual of the dressing, the perfuming for love, for sensuality. I enjoyed everything sensually.
Anaïs Nin, Mirages: The Unexpurgated Diary of Anaïs Nin, 1939–1947
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Korina Wray
happy electric feel friday

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Humans are good sometimes actually
It’s dusk, dearest. (In passing, isn’t ‘dusk’ a lovely word? I like it better than twilight. It sounds so velvety and shadowy and—and—dusky.) In daylight I belong to the world; in the night to sleep and eternity. But in the dusk I’m free from both and belong only to myself—and you.
L.M. Montgomery, Anne of Windy Poplars