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Best Iranian Series Since 2009

Since 2009, when the first video on demand (VOD) series was made and released in Iran, this new means of broadcasting movies and series has had several highs and lows all the way up to the present day. However, the introduction of online VOD streaming services is seen as a watershed moment for this sector of the entertainment business. Because of this, we have compiled a list of the best Iranian series here.

In the beginning, nobody took this newly developing market very seriously at all. However, after some time, it became abundantly clear that it is a very difficult competitor for television in light of the fact that it does not have the conventional audits and regulations of content that are present in television, nor does it have its monopoly in the field of production. The most prominent figures in Iranian cinema have made their way into the video on demand industry in recent years.

1- Yaghi Series

The Outlaw Series (Yaghi) is, without exaggeration, one of the best Iranian series up to this point. The meticulous and star-studded series that holds the audience’s attention throughout each episode and makes them eager to see the next episode. Yaghi series has become the stage to see the presence of stars such as Parsa Pirouzfar and Tanaz Tabatabai together, the forceful and distinct presence of Niki Karimi and Farhad Aslani, and the gorgeous appearance of Ali Shadman along with Amir Jafari. The book Salto, which was written by Mehdi Afroozmanesh, served as inspiration for the creation of this series.

The story of Yaghi series focuses on a young man called Javid who, despite facing opposition from his family, friends, and a culture that encourages him to go in the other direction, is determined to make a path for himself and ultimately achieves his goal. According to the official description, the series Yaghi narrates a story about a hero’s journey that is full of highs and lows and has a cast of individuals from a variety of socioeconomic strata who either help him along the way or get in his way. In order to succeed, Yaghi himself often has to push through excruciating pain and exhaustion.

Director: Mohammad Kart

Producer: Seyed Maziar Hashemi

Screenwriters: Mohammad Kart, Pedrampour Amiri, Hossein Domari

Cast: Parsa Pirouzfar, Ali Shadman, Tanaz Tabatabai, Amir Jafari, Farhad Aslani, Niki Karimi

Broadcast year: 2022

2- Mortal Wound Series (Zakhm-e Kari) 2021

The Mortal Wound, a series that was produced just for the Filmo platform and is widely considered to be one of the most intriguing shows of the year 2021. The book Twenty Mortal Wounds served as the basis for this VOD series adaption. The “Zakhm-e Kari” series is the first series that was created by Mohammad Hossein Mahdavian. This series has a unique narrative in comparison to the director’s subsequent works.

The following is a synopsis of the events that took place in Mortal Wound: An emergency arises in the Rizabadi family, and as a result, everyone is eager to get a portion of this huge business. But Malek recounts a different tale, one that is replete with remorse and political maneuvering “Do you agree that winter is one of favorite seasons here? It is lovely, although it may be challenging to…”.

Director: Mohammad Hossein Mahdovian

Producer: Mohammadreza Takhtkashian

Cast: Javad Ezzati, Rana Azadivar, Hanieh Tavasoli, Saeed Changizian, Elahe Hesari, Abbas Jamshidifar, Mehdi Zaminpardaz, Amirhossein Hashemi

Broadcast year: 2020

3- Frog Series (Ghoorbagheh) 2019

It is one of the best Iranian series that was able to catch the attention of the public, and the director of that series is Houman Seyyedi. The series is called “Frog.” The tale of the series is told in a new setting, and the filmmaker makes an effort to keep the film’s distinct tone intact all the way through until the conclusion of the series. It is seen as a positive step forward for Houman Seyyedi’s career, despite the fact that it does not have a satisfying conclusion.

The following is a synopsis of the story: The Frog series tells the tale of an ordinary and almost unlucky person who rises from obscurity to become wealthy; the challenges that are placed in the path of this character from the story and also how he faces each problem complete the story line of this masterpiece. The story of the Frog series is related to the achievement of wealth, but at what cost?

Director and writer: Human Sidi

Producer: Ali Asadzadeh

Cast: Navid Mohammadzadeh, Saber Abar, Sahar Dolatshahi, Fereshteh Hosseini, Mehran Ghafourian, Anahita Afshar, Mohammad Amin Shirbaf, Ehsan Mansouri, Nima Mazaheri, Saeed Haj Ali, Siamak Al-Mahbiyan and Homan Seidi.

Broadcast year: 2019

4- Jeyran Series

The Jeyran series tells the narrative of a romance of sorts and a game of power that takes place in an Iranian court. A tale that, despite the fact that it is set in the past and relates the story of what happened there, is not a historical series. It is a fast-paced series that makes an attempt to depict love in a fresh light. The extraordinary nature of this series may be attributed, in large part, to the participation of well-known actors like Bahram Radan and Parinaz Izdiyar, as well as to the outstanding work of Merila Zarei and Amir Jafari.

Be sure to pay close attention to the clothing design of the Jeyran series while you are watching it since this is one of the ways in which it excels above other instances of its kind. The following is a plot summary of the story: the series focuses on the life of Jeyran, who was Naser al-Din Shah’s favorite mistress and his first. The time period of the narrative is the 19th century in Iran. Jeyran is one of the best Iranian series.

Director: Hassan Fathi

Producer: Ismail Afifeh

Screenwriter: Ehsan Jovanmard, Hassan Fathi

Cast: Bahram Radan, Parinaz Izdiyar, Amirhossein Fathi, Amir Jafari, Roya Teimourian, Mehdi Pakdel, Rana Azadivar, Kataneh Afsharinejad, Setare Pesiani, Ghazal Shakri, Morteza Ismailkashi, Homan Barknoord, Mehdi Koshki, Samira Hasanpour, Fateme Masoudifar, Behnaz Nazi

Broadcast year: 2021-2022

5- Shahrzad Series

Shahrazad series is considered the best Iranian series so far. One of the most important reasons for this reception were the actors of the Shahrazad series, all of whom were considered stars of Iranian cinema. The first season of this drama, romantic and historical series was aired in 2014 and was quickly welcomed, so that the next season was made and aired immediately. The story of Shahrzad series takes place in the 1950s and is a romantic story in a historical context.

Shahrazad is a love story between two loving couples. Shahrazad (played by Taraneh Alidousti) is a medical student and Farhad (played by Mostafa Zamani) is a literature student and journalist. These two are in love and intend to get married. Farhad’s father (Mehdi Soltani) and Shahrazad’s father (Mahmoud Pakniat) are both of the people listening to the great Agha (Ali Nasirian) who was a powerful and influential person in the country at that time i.e. 1954 during Mossadegh’s era.

Farhad and Shahrazad were among the staunch supporters of Dr. Mossadegh until Farhad was arrested and hanged on charges of murder and conspiracy against the monarchy. The Bozorg Agha has only one daughter named Shirin (Parinaz Izadiyar), who is the wife of his nephew Qobad (Shahab Hosseini), who is a proud girl and loves Qobad, but Qobad is not interested in Shirin at all and is forced to carry on because of the fear of his uncle’s power. Shirin and Qobad do not have children, and the Bozorg Agha, who wants to have a grandchild to have an heir later, decides to take Shahrazad, who is Farhad’s fiancee, as a second wife for Qobad.

Third Season of Shahrzad

But in the third season of the Shahrzad series, the answers to all questions are clear. No mystery remains in relation to any character and all the pieces of the puzzle are put together. Shahrazad’s life situation improves and Shirin reaches a more suitable mental state. In the meantime, Farhad is conspiring with his friends to make a plan to make Dr. Mossadegh escape.

Director: Hassan Fathi

Producer: Seyyed Mohammad Emami

Authors: Hassan Fathi, Naghme Samini

Cast: Ali Nasirian, Taraneh Alidousti, Shahab Hosseini, Mostafa Zamani, Parinaz Izadiyar, Ghazal Shakeri, Mehdi Soltani, Mahmoud Pakniat, Hooman Barghnavard, Amir Hossein Rostami, Abolfazl Pourarab, Jamshid Hashempour, Roya Nonahali, Reza Kianian, Amir Jafari,

Broadcast year: 2016 (first season), 2017 (second season), 2018 (third season)

6- Made in Iran 1

The Made in Iran 1 Series is a social satire series that has gotten a lot of attention owing to the star-studded acting team as well as the utilization of locales and actors from outside of Iran when it was being aired. Five years passed between the filming of the first and second seasons, yet despite this, the second season was unable to match the popularity of the first. The lives of two friends who are without jobs and who often find themselves in precarious situations are the focus of this series. If you are looking for an Iranian comedy series, Made In Iran 1 is considered the best Iranian series in this genre.

Directors: Mohammad Hossein Latifi (First season) – Barzo Niknejad (Second season)

Screenwriters: Khashayar Elvand, Arash Qadri, Peyman Qasemkhani (First season) – Amir Arabi (Season 2)

Cast: Amin Hayai, Mohammad Reza Golzar, Farhad Aslani, Behnam Tashkar, Pamela El-Kaik, Pir Daghar, Gohar Khairandish, Elika Abdul Razzaghi, Bahare Rahnama, Mohsen Kiaei, Mehran Ahmadi and Sara Bahrami

Broadcast year: 2010

7- Raaz-e Bagha (The Secret of Survival)

The comedy series Raz-e Bagha, also known as The Secret of Survival, is an option worth considering. The director, Saeed Agakhani, is responsible for the series, and it is included among his other successful works. The majority of the performers in Raz-e Bagha had already collaborated with AghaKhani on the television series “Noon KHeh,” making this the least risky aspect of the production.

The events that transpire in the Raz-e Bagha series are centered on the passing of a character by the name of Rahim Timsar. Through the course of the show, we get familiar with this individual and gain insight into his life. The actions and conversations of two people called Hatam and Rahim serve as the primary center of the narrative. The situation between these two characters becomes more tense once Rahim becomes acquainted with a peculiar and questionable organization.

Director: Saeed Aghakhani

Producer: Saeed Agha Khani

Screenwriter: Amir Vafaei

Cast: Bahram Vafaei, Nima Shabannejad, Saeed Aghakhani, Hassan Majouni, Hadih Bazund, Sirus Mement, Yadullah Shadmani, Sadruddin Hejazi, Jafar Dehghan, Ehsan Rozbahani, Behzed Zibandeh

Broadcast year: 2022

8- Eclipse Series

The Eclipse series is considered to be one of the greatest examples of Iranian VOD serues in the social drama genre. Maziar Miri, whose filmography includes hits like Saadat Abad and Howz-e Naghashi, is the director of this series. Miri’s prior work includes other popular films as well. The majority of the show’s stars are well-known and well-respected, and in addition to them, this series has also given us our first look at several promising newcomers to the acting world, making the show one of the best Iranian series.

The events of this series get underway in the college where the protagonist, Amir, is a student. Even though he had committed to marrying his cousin, he has developed feelings for another girl. This forbidden love tale is taking place behind their families’ backs, and they are completely oblivious of it. But as it is discovered that Amir has feelings for another girl, the plot really starts to pick up steam, and the problems that are presented in the story get underway.

Director: Maziar Miri

Producer: Homayun Asadian

Screenwriter: Hossein Tarabnejad, Homayun Asadian, Mehdi Shirzad

Cast: Amin Tarokh, Minoo Sharifi, Sajjad Babaei, Ali Omrani, Pouria Rahimi, Elmira Dehghani, Masoud Karamati, Setareh Eskandari, Shohreh Soltani, Amir Haji Mohammadi, Shams Fazl Elahi, Fariba Khademi

Maghzhaye koochak-e zang zadeh movie review |Life without will

Maghzhaye koochak-e zang zadeh movie review

Houman Seyyedi is one of the young directors of Iranian cinema. He has become a prominent director with his high-quality films in recent years. Maghzhaye koochak-e zang zadeh can be considered the peak of Houman Seyyedi's film career. This film achieved very good sales in Iranian cinemas; on the other hand, critics also gave very good marks to this film. Many critics believe that Maghzhaye koochak-e zang zadeh is the best and most coherent film of Houman Seyyedi. According to all the essential parameters in cinema, from the script and direction to the selection and performance of actors, photography, music, etc., this movie has a remarkable quality. We are with you in this article with Maghzhaye koochak-e zang zadeh movie review.

Houman Seyyedi; A director who knows his job

If you are a movie lover, you must know that there is a great director behind every excellent and high-quality movie. No good film can be made without a professional and skilled crew. Maghzhaye koochak-e zang zadeh is no exception. From the first minutes of this movie, you realize that you are watching a different film. A movie that is supposed to entertain you and make you think. Maghzhaye koochak-e zangzadeh's film has several layers and appropriate complexity, unique visual expression, and excellent technical aspects. It has become one of the most popular and best-selling works of Iranian cinema.

Houman Seyyedi, the director of this film, has been able to convey the concept he had in his mind to the audience with a good narration. The peak of Houman Seyyedi's art is where the film's concept is presented to the audience from the beginning.

In the scene where Shahin (played by Navid Mohammadzadeh) says: "They say that if there is no shepherd, the sheep will perish. Either they will get lost, or wolves will attack them, or they will die of hunger because they have no brains. Anyone who does not have a brain needs a shepherd. A compassionate shepherd." The shepherd has the authority of the father of the sheep. A person is nothing without a father... He tells us when, where, and what to do. When to sit, when to sow, when to die."

The story of Maghzhaye koochak-e zang zadeh

One of the important parameters in Maghzhaye koochak-e zang zadeh movie review is the story of this movie. In fact, a movie without a good story is just a collection of images that are put together. At first glance, the film's story is straightforward and routine. But as we go further, the deeper layers of the story are revealed to the audience.

In general, Maghzhaye koochak-e zang zadeh is about the leader of a criminal group named Shakur (played by Farhad Aslani). He leads a group of criminals on the city's outskirts, and Shahin and Amir are among his closest soldiers. Soldiers who were once orphaned or badly cared for children have now become brainless criminals. Criminals who only need the shepherd to order them to do it.

The story is straightforward at first glance, but deep human concepts are revealed over time in the film's story. Maghzhaye koochak-e zang zadeh movie review is not possible without considering this aspect of the movie. Houman Seyyedi has tried his best to make a fun film and teach people about freedom because some think they must have a leader or shepherd.

But do humans have the same life as sheep? Can they finally be freed from their shackles? Why are some people afraid of being without a shepherd? Are they afraid of death or hunger? Houman Seyyedi has tried to answer all these questions in Maghzhaye koochak-e zang zadeh. However, the conclusion in this film is entirely up to the audience, and the director has implemented his idea in Maghzhaye koochak-e zangzadeh with the least disclosure and only with good subtlety.

Why Maghzhaye koochak-e zang zadeh is a great movie?

All the praises of the movie Maghzhaye koochak-e zang zadeh make the question arise for the audience, are we on the side of a great film? The answer to this question is positive. Despite some flaws in conveying the concept, this movie is one of the best movies of recent years in Iranian cinema. A film that was able to receive very prestigious awards in many international festivals. Navid Mohammadzadeh's wonderful acting, along with Farhad Aslani, is another parameter that makes Maghzhaye koochak-e zang zadeh a great movie. To prove this claim in Maghzhaye koochak-e zang zadeh movie review, we go to some of a movie's most important quality parameters.

The wonderful performance of Navid Mohammadzadeh and Farhad Aslani

The unique performance of the actors can make a movie last. Al Pacino's performance in The Godfather and Anthony Hopkins's in The Silence of the Lambs are examples of this claim. For this reason, in Maghzhaye koochak-e zang zadeh movie review, it can be said that one of the reasons for the greatness of this movie is the wonderful acting of the two main actors of the movie, Navid Mohammadzadeh and Farhad Aslani.

However, the characterization of the characters of Shakur and Shahin is well done, and they can be believable for the audience. Shakur and Shahin are well portrayed as father and son or shepherd and sheep, and Navid Mohammadzadeh and Farhad Aslani have managed to handle this twisted relationship well.

Unique story telling

Many movies have a good story, acting team, and good cinematography. But in the end, they cannot attract the audience. One of the main reasons for this problem is the lack of a catchy, exciting, and appropriate narrative. A good director and screenwriter should be able to tell the story of his film in such a way that the audience is waiting for the following film sequence.

Of course, in some slow-narrative cinematographic works, the story itself is considered an advantage or characteristic. But in action-packed drama films, the fast pace of narration is significant. In Maghzhaye koochak-e zang zadeh movie review, we must mention that the narration of this movie is wonderful. In fact, from the opening sequence, the audience is well attracted to the film, and this fascinating narrative continues until the film's end.

Deep concepts of human life

As mentioned, Houman Seyyedi has tried his best to portray concepts such as free will, free life and thoughtless disobedience in Maghzhaye koochak-e zang zadeh. For this reason, it can be said that the movie got a good score in terms of concept and purpose.

Everything is not money!

Shakur, one of the biggest and strongest criminals in his city, has a lot of wealth. On the other hand, Shahin struggles with the history of poverty and wants to have a lot of wealth. But Houman Seyyedi has proven the claim that Everything is not money! Because at the movie's end, Shahin faces a situation where he has his dream, but nothing is worth the past for him. In his film, Seyyedi does not say Everything is not money!, but portrays it.

The twist of Maghzhaye koochak-e zang zadeh story

One of the points that should be paid special attention to in Maghzhaye koochak-e zang zadeh movie review is the deep layers of the story of this movie. We are not in favor of a one-line story. Instead, we are going to watch several layers of different characters. That's why the plot twist of Maghzhaye koochak-e zang zadeh has made it a great movie. However, this plot twist is not narrated well in the final sequences, and the general audience may be unable to connect with it. However, in Maghzhaye koochak-e zang zadeh, we are on the side of one of the best story twists in Iranian cinema.

Excellent cinematography, music and technique

Maghzhaye koochak-e zang zadeh also has a lot to say regarding parameters like music, cinematography, and technique. The tense music of the film can convey the feeling of stress to the audience. This is much more evident in the emotional sequences of the film. The cinematography of Maghzhaye koochak-e zang zadeh is also unique and can surprise you. For example, in the movie's opening sequence, slow motion is well used so that you can get to know the movie's characters with all the details.

Maghzhaye koochak-e zang zadeh; A film that makes you think

Bigonah series | It is not possible to live without mysterious secrets

Bigonah series; A drama series that will surprise you

It can be said that drama series is one of the most popular series in Iran. Series that depict complex relationships between people well. Also, family and friendship secrets are revealed in them over time. This popularity of the drama series made Mustafa Kiaei and Mehran Ahmadi go to the production of the Bigonah series. Of course, Mohsen Kiaei also plays a role in this series. A series in which old secrets and relationships play a very prominent position and every moment of watching this series can surprise you. In this article, we get to know this series altogether.

                        Bigonah series release time

One of the most critical questions about the Bigonah series is the release time of this series. We have to tell you that this series is currently streaming on the Filimo platform. In fact, the Bigonah series broadcast started on Sunday 6th of September 1401. From this date onwards, you can watch this series every Sunday on the Filimo platform.

Bigonah series summary

The summary of the Bigonah series is concise and uncomplicated. In the summary of this series, it is stated that: "Bahman Mardani returns to Iran to discover the secret of what caused him to flee abroad 25 years ago, and puts the family of Rashid Farshbaf - a famous master of carpet design - in a new situation, a situation which is very strange…"

As you can see, the story of the series relies a lot on old secrets between different people in the series. Unknown, the revelation of each of these can be very satisfactory to the audience. Mohsen Kiaei, along with Emad Rezainik and Reza Alipour, has tried their best to write a twisty story. Even in the first part of this series, you are faced with dramatic events that can complete the characterization of the characters well.

How many episodes does Bigonah series have?

Knowing the number of episodes of the Bigonah series can help the viewers to solve some twists of the story for themselves. Twists that only time can remove. Therefore, it should be said that the Bigonah series will be released in 22 episodes on the Filimo platform. However, since the editing of the series is not finished, the number of episodes of the series may increase or decrease.

Get to know the actors of Bigonah series

One of the essential points about the Bigonah series is the countless famous actors in this series. Mostafa Kiaei, very famous actors such as Mohsen Kiaei, Vishka Asaish, Shabnam Moghadami, Mehran Ahmadi, Mahoor Alvand, Nasrin Nosrati, Hossein Pourkarimi, Hadih Bazund, Navid Laighi, Manouchehr Zindadel, Danya Madani, Mobina Tabai, Mehran Vathoughi are present in this work. Among the other actors of Bigonah series, we can mention Masoud Rayegan, Mehraneh Mehintrabi, Roya Timourian, and Attila Pesiani. Actors who can turn a drama series into a super series by themselves.

Is Bigonah worth watching?

After getting to know the actors and the synopsis of the Bigonah series, it is time to check if this series is worth watching or not. To answer this question, one should first check the various parameters of this series, such as the quality of the script, the music, and the quality of the actors' performances.

The parameters that each one of them can turn an ordinary series into a great series or a crap series. Therefore, to check the quality of the Bigonah series, we must check these parameters first.

In general, it should be said that Mustafa Kiaei is one of the best directors in Iran. His previous works could attract the audience's attention and become the most popular works in Iranian cinema. Therefore, you can trust Mustafa Kiaei and his team of experienced writers again. Also, the strong presence of Mohsen Kiaei in Bigonah series should not be underestimated. A strong group of actors is another parameter that can contribute to the success and quality of this series. In the following, we will learn about the most important quality parameters of the Bigonah series.

How is the performance of the actors in Bigonah series?

One of the most important quality parameters of a series is the quality of its actors. From the point of view of the acting team, the Bigonah series leaves no room for words. But when it comes to the quality of the acting performance, the Bigonah series can be closely examined. The acting of the main actors, such as Mohsin Kiaei, Masoud Raagan, Vishka Asayesh, Mahor Alvand and Shabnam Moghadami, is very high. By presenting a unique performance, these actors were able to turn the Bigonah series into a wonderful stage for themselves. The actors have been able to cope with the mysterious characterization of their characters and show the emotions of the characters well.

The performance quality of the secondary actors is not less than that of the main actors. Although the stage of the Bigonah series belongs to the main actors, the secondary actors are only supposed to help better characterize the characters of the series. So, consider the quality of the actors' performance is essential to you. In that case, we must say that Bigonah series will not disappoint you.

Unique music by Alireza Ghorbani

A movie without music will not have a high artistic value and definitely cannot attract the audience well. That's why the producers of Bigonah series have tried their best to make the music of the series amazing in every way. Alireza Ghorbani, one of the best singers of traditional music in Iran, is the main singer of Bigonah series. So, if your ears are used to listening to high-quality music, we must say that you will enjoy listening to Bigonah series.

The soundtrack of Bigonah is also at a high level in terms of quality, and it is wonderful for a drama series. The producers of the series have used this type of music well in the episodes that require sad or romantic soundtracks. Finally, it can be said that the theme of Bigonah series receives a passing grade in every aspect.

The quality and catchiness of the script

The script is the most essential quality parameter of a drama series. Crime, action, or romantic series may have a good rhythm with the use of music or exciting scenes and can attract the audience, but a drama series must have a strong script so that the audience is eager to see each episode. It will be challenging to follow a series that cannot engage the audience well.

Bigonah series has also received a passing score in terms of the script. Because all the details in the story, characterization and narration of the story have been well observed. Of course, many episodes of this series have not been published, and it is impossible to judge the script of Bigonah series fully, but in these first episodes, we are on the side of a powerful script. For example, as you can see in the synopsis of Bigonah, the story has a perfect twist, and we are not just dealing with a simple story.

This can be seen in the characterization of all the characters in the series. For example, there are no purely positive or negative characters in the series, and we are supposed to see characters that are real. However, the production group of the series could have given more depth to some secondary characters so that the audience would be interested in them as well. However, the characterization of the main characters is well done, and we are not left with any flaws.

The quality of directing and writing

As mentioned, the visions of the story of Bigonah are very appropriate, and these appropriate visions are directly related to the direction of Benazir Mustafa Kiaei and Mehran Ahmadi. These two famous directors have been able to have a perfect narrative in Bigonah. On the other hand, the cuts and arrangement of the sequences have also been made professionally. In fact, after the end of each episode, you will impatiently wait for the following Sunday to watch this fantastic series again.

Bigonah; A must-see series

Ablagh Movie | A Detailed Review of The Movie Directed by Narges Abyar

About The Ablagh; A Film Directed By Narges Abyar

Abiyar's "Ablagh movie" is a seemingly powerful film that both wants to talk big and is different from Narges Abiyar's other previous works in terms of direction. In the movie Ablaq, apart from Bahram Radan's weak acting, there are several impressive sequences. The most important thing is the two encounters between "Jalal" (Radan) and "Rahleh" (Elnaz Shakerdoost), whose narrative suspense is both breathtaking and nail-biting. Elnaz Shakerdoost's performance in the film is also remarkable: her most crucial performance after "Suffocation," which, because this time her role was opposite to Fereydoun Jirani's film with dialogue, may indicate a turning point in her career.

But if we take into account these few little details, we can see that the Ablagh movie does not live up to any of those promises. The film does not deliver its speech in a manner that is memorable and impactful, and the visual concepts it employs while shooting does not bear any fruit other than to irritate the audience. Ablagh is, without a doubt, the least impressive of the four movies that Abyar has directed (Since "Shiyar 143" in 2014). The movie covers the narrative of a lady who lives on the outskirts of the city with her husband and kid. But the film also shows how the story of their life evolves during the course of the movie.

Ablagh Movie

In the first hour of the movie, the audience is presented with an important question: what will become of Jalal and Raheleh? In addition to this many enigma, there are one or two more minor issues, the solutions to which will be discussed in the remaining time of the Ablagh movie. However, the cumulative effect of these riddles and the manner in which one pays attention to the nuances of the film are not sufficient to alleviate the dullness that characterizes the first hour of the film.

The screenwriter has likely spent several sequences and even sections defining the characters in the Ablagh movie and establishing the atmosphere, possibly with the hope that the audience will acquire a deeper understanding of the factors that led to the development of such criminal behavior in that setting. We might highlight the scene of Ali's escape (played by Hootan Shakiba) from the hands of creditors, the set of a family celebration, pigeon keeping sequence, and the delight of the townsfolk when Jalal and Shahla (played by Gelareh Abbasi) got a boy as some of the intriguing parts of the film.

The sequence of the municipal officers going to the place to follow up on the situation of the rats and that sequence of fighting with its old symbolism, which must have wanted to make a metaphor of glory and honor, are going to be amazed the audience. A girl who is unable to speak and gain her rights in this harsh and terrifying atmosphere, or a young guy who is silent after seeing all of the wrongs that Jalal has done, are just two examples of the many symbols that can be found in this movie.

Why We Call Ablagh Movie A Boredom

In reality, the film doesn't reveal its story for an hour. And during this time, the script for Ablagh movie was unable to properly connect the deep movement of the narrative to properly create the atmosphere of the neighborhood and the people who lived there with the main story that was being told in the movie. Because of this, the Ablagh movie of Narges Abyar appears to go at a sluggish and monotonous pace.

It is fascinating to consider the plot of this picture in light of "About Eli," which was directed by Asghar Farhadi. In "About Eli," the most important event takes place sometime around the 60th minute (that is, in the middle). Up until that point, everything runs smoothly, and there is little suspense, allowing the audience to acquire a better feel for the characters and a better understanding of the issue. However, it begins with a little cliffhanger, which is "the direction that Eli and Ahmed's relationship will take." However, this warm, welcoming, and friendly environment, via the use of a soft dissolve, gradually crosses a bridge and enters the anxious second half of the film.

The picture itself does not split into two sections at this point. Remember the pantomime sequence in the middle of the movie and how it creates a feeling of nervousness and anticipation for a significant event by using a simple game between friends that has no apparent link to the screenplay.

Narges Abyar and The Way She Directed Ablagh

The Ablagh movie does not have consistent cohesion in terms of casting and direction. The camera on the quivering hands with unusual whipping pans in the packed mezzanines alongside the various discussions of the characters has merely become a cause of difficulty for the spectator as opposed to boosting the tension and psychological stress of the scenario. The long and emotional (and possibly satirical) slow motions of the local party scene (for example, the moment of blowing bubbles) or the peculiar and pointless camera movement in the scene where Jalal and Shahla watch Raheleh on the roof as if each of them were from a different movie with their own distinct visual identity. They have arrived on their own accord.

These pictures seem to have been sewn together for no apparent purpose and defy logic in the same way that a forty-piece quilt does. The Ablagh movie demonstrates that even with a skilled professional cinematographer like Saman Lotfian - whose body of work includes critically acclaimed films such as "The Last Snow" - the weight of the director's will and guidance in the final output of the camera is so daring and significant that it cannot be overstated. It does not matter how beautiful each plan is as long as the pictures do not come together to make a single texture that can be easily identified.

The cast of Ablagh Movie

The film is also affected by the composition of its actors. Bahram Radan, in the role of Jalal - a different character in his collection of works - has nothing more to offer than his other roles in these years, except for his flawless makeup. It is strange that an actor, after two decades of playing various roles, still has such problems. He still sticks his words together while speaking; It's as if you hear them halfway.

Shadi Karamroudi's role as a girl from the lower city - with her own brags and fears - is unbelievable. And Hootan Shakiba has clearly worked hard to bring this character to life. Although his efforts in the two-person solitudes with Raheleh are memorable, he has not succeeded in making Ali's complex character real. Ali is a mischievous and ignorant young man who seems to have no sense and cannot handle life, but at the crucial moment of the story, he stands by his wife with courage and honor.

After the assault sequence, the film finally comes to life. But unlike the uneventful first half, everything moves at lightning speed to reach the final conclusion. First. At the same time, we have all seen Rahele's innocence; in a sequence copied from the movie about Eli, the cards are stacked against her, and even her close friend leaves her alone in this sensitive moment.

Rahim, Jalal, and Finally Raheleh

Then, the neighborhood's women are violent, making a demon out of Jalal, as if he rapes all the women in the community. In the following, Rahim, with a passionate speech, makes the ambiguous and intertwined dimensions of the issue complete for Raheleh and leaves the final decision to herself. And now she is the one who has to decide the end of this story. In a melodious mise-en-scène, she passes through the fire, and although she seems to burn, she actually comes out of this predicament pure and reasonable because the door and the wall testify to her purity and innocence.

Verdict On Ablagh Movie

In the Ablagh movie, which she directed two years ago, Narges Abyar has gone for an inflammatory and up-to-date theme; "Me Too." She reveals what the process of sexual harassment of women is and how, when everyone knows that the male abuser is guilty, they expect patience and silence from the abused woman. In the end, the film's hero is redeemed due to the understanding, courage, and trust of her dim-witted, reckless and troublesome husband, and she leaves the neighborhood with pride.

Roozi Roozegari Merikh series | Social humor in a fantasy series

Roozi Roozegari Merikh Series; Human problems on Mars!

Peyman Qasemkhani is one of the most famous and popular serial writers in Iran. He has very successful works in his career, all of which have been one of the most enduring Iranian comedy series. After Peyman Qasemkhani decided not to operate for a long period of time, he returned to the series of serialization by making Roozi Roozegari Merikh Series. A serial that has not been published in many parts, so it is not easy to criticize it. However, in some early episodes, it has also been able to attract the audience. Here's a look at Roozi Roozegari Merikh Series to see if this comedy series is worth watching.

Peyman Qasemkhani in the role of a director!

Peyman Qasemkhani initially began his career in cinema. He wrote his first filter for the movie "I Love Earth". A movie that has similarities to Roozi Roozegari Merikh Series. He worked as a writer for most years of his career and had no interest in directing comedy series. However, he decided to be the author and director of his new series, Roozi Roozegari Merikh. A series that has become one of the most popular comedy series on the Filimo platform in recent weeks.

In general, Peyman Qasemkhani is very interested in making strange characters in his comedy script. That's why he has come to the alien characters several times in his work. Peyman Qasemkhani always strives to narrate his world in his works and create Unicked characters. Although this is a high risk, he can always succeed in creating Unicked characters. The series "Passengers" is another successful series related to space aliens.

After the success of the series "Passengers", Peyman Qasemkhani decided to build Roozi Roozegari Merikh Series. The serial also plays the director. In fact, in this series, we are on the side of his first comedy series. A fantasy series that has imaginary characters. Humans have gone to Mars because of the bad conditions of the earth. But wherever humans go, their funny problems will be with them. Peyman Qasemkhani has created a unique and funny serial, considering the contradictions that exist in the modern life of an astronaut or space traveler.

Roozi Roozegari Merikh Series summary

The story of Roozi Roozegari Merikh Series is about the unfortunate criminal named Nasser (played by Sam Derakhshani). His job is betting and always fails in his betting. In the first and second episodes, he takes the greatest gambling of his life. On the other hand, Nasser borrowed money from people who must hide. But the main part of the story begins when Mars, Luna, Lady-Merrik, and Mars' real estate consultant, are waiting for a package to be sent from the Earth. In the end, Nasser goes to Mars, and the story of his life and misfortune continues this time on another planet.

As mentioned, the story of the Roozi Roozegari Merikh Series is told in a fantasy atmosphere. When humans can travel to Mars and live on the planet. But we are not just going to watch a narrative of ordinary people on Mars. Rather, in Roozi Roozegari Merikh Series, we come up with a set of comedy events that happen to the UNIC series. Peyman Qasemkhani has made every effort to get rid of the stereotypical comedy and have a different space with its previous serials. In terms of storytelling, characterization, and narrative, Peyman Qasemkhani was able to be well away from the stereotypes. However, humor and script situations are still very similar to his previous works.

Get to know the actors of the Roozi Roozegari Merikh Series

One of the parameters that greatly influences the success of a comedy series is its acting team. Roozi Roozegari Merikh Series also uses a very powerful acting team to maximize the quality of the serial. Among the most famous actors in the series include Sam Derakhshani, Vishka Asayesh, Amir Norouzi, Amir Kazemi, Bahador Maleki, Noshin Tabrizi, Amir Mehdi Jouleh, Ramin Nasser Nasir, Falamak Joneidi, Peyman Fatemi, Kazem Nourbakhsh Behrouz Khani. Actors are each professional in comedy and are very popular among the audience.

Among these actors, Sam Derakhshani and Vishka Asayesh play a more prominent role in the series. Both of these actors have also been able to play and play it well. The serial side actors also performed well. So you can take Peyman Qasemkhani as a serious director. However, there is still a long way to go until the end of the series.

Is Roozi Roozegari Merikh Series worth watching?

Probably for you the question is whether Roozi Roozegari Merikh Series is worth watching. We have to say that there are many parameters that make this comedy series a good work. For example, the screenplay of this series is well-written and is not similar to any Iranian comedy series. On the other hand, the décor design team has also worked hard to make the series Unic. The serial comedy style is also very similar to Peyman Qasemkhani. A strong and deep social humor that has tried to explain social problems to the audience in a different way. Here are some of the positive points of this series.

Extraordinary Screenplay

In the first part, the amount of creativity in the Roozi Roozegari Merikh Series script will surprise you. The serial manufacturer has made every effort to write a Unique Script. All the details in the writing of this script have been careful to watch the audience a law violation. Of course, it cannot be said that the screenplay of this series is flawless and has no problem. But the Roozi Roozegari Merikh Series script gets an acceptable score for a comedy series. If you want to watch a professional comedy series in a different style, this series can be one of your main choices.

Deep social humor

One of the problems that many Iranian comedy films and serials are involved in is superficial comedy. In most of the works of Iranian cinema, you do not find a deep comedy that indirectly points to social problems. That's why many serial makers are looking for drama serials. But in Roozi Roozegari Merikh Series everything is different. By watching this series, you are going to see the content of social humor with some of the Parodi. Creative humorous situations on another planet have not been found in any of the comedy works of Iranian cinema. Perhaps Roozi Roozegari Merikh Series cannot compete with Hollywood comedy series, but definitely from many Iranian comedy series and movies.

The unique design of décor and clothing

Roozi Roozegari Merikh's costume design will definitely surprise you in the initial sequences. Because the producers of this series have tried their best to make the sets and clothes of the actors in this series completely unique. Something that is rarely seen in Iranian comedy series.

Many viewers think that these two parameters do not have a great impact on the final quality of the series. If this is a misconception. Because if a series does not have a suitable decor design, it will become repetitive for its audience over time. Also, choosing different clothes for the characters also helps to make the series more dynamic. Especially this series is narrated in a fantasy atmosphere, and the audience should feel that the characters live on Mars.

Qasemkhani has a lot of experience in making comedy serials

Another positive point of Roozi Roozegari Merikh is Qasemkhani's high experience in making comedy series. He has been the author of dozens of comedy series and movies and has even acted in some of them. That's why Qasemkhani has used all his years of picking experience in making Roozi Roozegari Merikh. By watching the first episode of the series, you will easily notice the great influence of Roozi Roozegari Merikh in the atmosphere, dialogues, and script. So if you are his fan, this series can definitely be fun for you. Because in this series, he has decided to return to his peak writing days and prove once again that he is one of the best writers of comedy series in Iran.

Roozi Roozegari Merikh Series; A fun series

Peyman Qasemkhani is named after quality comedy serials and movies. The audience has a greater passion to watch that effect when it comes to writing a series. Now if the director of the series is Peyman Qasemkhani himself, we will definitely watch a funny comedy series. He has made every effort to make the audience spend time watching the series. However, attention to social problems has also been the focus of Peyman Qasemkhani so the series is not just a superficial comedy series.

What Is A Cult Movie (Film)

A movie that has a dedicated fanbase is known as a "cult film," "cult movie," or "cult classic." Cult movies are distinguished by their devoted and enthusiastic fandom, which coalesces into an intricate subculture. Members of this subculture see the movies several times, quote the dialogue, and actively participate in screenings. Definitions that are inclusive provide room for large studio productions, even those that tank at the box office, and explanations that are exclusive put more of an emphasis on lesser-known, subversive movies that are avoided by the mainstream. Each nation has its own cult movies. In this post, we want to talk about the best Iranian cult movies that change the path of Iranian cinema.

The difficulty in defining the word "cult cinema" and the subjectivity of determining whether films meet the criteria for that designation are similar to debates that arise when attempting to categorize works of art. The cult was a phrase that was often used in cinema analysis for decades previous to the 1970s when the term "cult film" was first used to describe the culture that surrounds underground films and midnight screenings. However, the word "cult" had been in use for decades before that.

+6 Best Iranian Cult Movies

If you have been of movie fan, you must have come across the word "cult movie" in the media and press. In cinema studies, films are usually explored in 3 fields of filmmaking (producers), audiences, and their social, cultural, and political implications, and in cult films, the second factor becomes critical. We have reviewed and introduced the essential Iranian cult movies here. A cult film is a piece of art outside the rules of the genre that attracts many fans from different strata of society as spectators and creates a social response. Let's review some Iranian cult movies and emphasize that this list will be updated with the passage of time.

Ganj-e Qarun by Siamak Yasemi

Mohammad Ali Fardin, Forouzan, and Taqi Zohuri feature in Siamak Yasemi's 1965 Iranian film Ganj-e Qarun. Ganj-e Qarun, also known as Qarun's Treasure, is a significant emblem of prosperity in Persian mythology. The biblical character Korah, who lived at the same time as Moses, is referred to as Qarun in Persian. A happy-go-lucky young guy called Ali Bigham unexpectedly saves the life of a wealthy elderly man named Qarun, who is trying suicide. Despite his great fortune, Qarun feels depressed and alone.

He has no one to live with him and is unwell. When Ali brings Qarun home, he discovers that the man there is really his own father, who long ago abandoned him and his mother. Ali initially ignores his father, but Qarun eventually captures his interest. Hasan acts as a comic to accompany Ali throughout the movie.

According to history, the film Ganj-e Qarun is the first film in Iranian cinema that has achieved millions of sales. This famous production by Siamak Yasmei created such a commotion during its cinema screening that it forced about 800,000 people - from the one million population of Tehran - to buy cinema tickets to watch the story. Ganj-e Qarun, considered one of the Iranian cult movies, shows that the poor and inferior class of society can be happier than the wealthy class.

Qeysar by Masoud Kimiai

Masoud Kimiai, an Iranian director, released Qeysar in 1969, which later is considered one of the Iranian cult movies. The movie, which was hailed as a "landmark in Iranian cinema," sparked a renewed interest in dark noir plays about offending family honor. As the titular hero Qeysar, Behrooz Vossoughi rose to fame in Iranian cinema. 

In a hospital, Fati, a young lady, passes away. When her family learns she killed herself, they are distraught. In a note she leaves behind, she explains that she committed herself as a consequence of being raped by Mansour Ab-Mangol. Farman, the elder brother of Fati and a former street thug now operating a butcher shop, makes the decision to face Mansour. Farman fights with his rage and finally chooses to put down his knife before meeting Mansour after his uncle persuades him not to pursue retribution.

The bitter and tragic ending of Qeysar, compared to the happy ending of Farsi films in the late 60s, created a turning point in Iranian cinema, which for the first time introduced the words "hero" and "anti-hero" among Iranian cinema enthusiasts. The film gained such popularity among critics and the general public that it turned the movement of "Caesarism" (Qeysar Way) with its protestant elements (which preferred the administration of justice based on personal rules to adherence to current laws) into a hot debate in society.

Kandoo (Beehive) by Fereydun Gole

Behrouz Vossoughi, Davoud Rashidi, Jalal Pishvaeian, and Reza Karam Rezaei starred in the 1975 Iranian film The Beehive, which was a drama in the Persian genre and was given the title Kandoo in its original language. The film was directed by Fereydun Gole.

Inspired by ancient Iranian mystical traditions such as Attar's Seven Valleys of Love, the movie Kandoo shows a story in which Agha Hosseini (Davoud Rashidi), after winning the game "Torna," force Ebi go to cafes from Lalezar Street to Tajrish Bridge without money and visit restaurants and eat free food and drinks. Agha Mustafa (Jalal Pishvaeian) believes that Ebi will not be able to handle this task and makes a bet with Agha Hosseini on this matter.

The image of Behrouz Voshoughi at the end of the film Kandoo with that bloody and beaten face in the northernmost part of Tehran, after passing seven cafes, is one of the most memorable images recorded in the history of Iranian cult movies. An image that many fans and cinephiles of today remind each other of repeatedly.

The Tenants (Ejareh-Nesheenha) by Dariush Mehrjoei

The Tenants, also known as Ejareh-Neshinha, is a comedy film that was released in Iran in 1987 and directed by Dariush Mehrjui. It is generally agreed upon that it is the most outstanding Iranian comedy picture to have been released during the 1980s. The story revolves around a single flat in Tehran and the numerous people that call it home.

By making the movie Tenants, Dariush Mehrjoei went to a social subject whose conflicts and problems continue to this day; The culture of apartment living - which, as a sign of modernity, has replaced the big old houses with courtyards - and the formation of the housing crisis in a metropolis like Tehran, was an essential point that Mehrjoei refers to the crisis conditions of those days with humor. Playing one of his most memorable roles in the character of Abbas Agha, Ezzatullah Entezami speaks one of the most frequent monologues of the film with his sharp Tehrani tone. Critics did not notice this film in its time, but it became one of the Iranian cult movies over time.

Hamoun by Dariush Mehrjoei

The most prominent work of Dariush Mehrjoei, from its first screening at the Fajr Film Festival, made such an impression on critics and serious moviegoers and found such fans that many Iranian cinephiles watch this film again and again. "Hamoun," with its complex and self-contained narrative, which was very similar to the confusions and surprises of its main character, is one of the few wholly philosophical and mystical films shown in post-revolutionary cinema. Hamoun caused a lot of commotion in society and the press in the late 70s and created a strange dichotomy that the confrontation of its supporters and opponents continues to this day. Hamoun, without a doubt, is one of the best Iranian cult movies ever.

The Glass Agency (Ajans-e Shishei) by Ebrahim Hatamikia

The Glass Agency, an Iranian drama film from 1998 that Ebrahim Hatamikia wrote and directed, is one of his best pieces as well as one of the most well-liked and contentious movies from post-revolutionary Iranian cinema. The Glass Agency takes place at a travel agency where a veteran with a gun holds hostages after failing to earn enough cash to send his wounded buddy overseas for medical care. Some of the main rifts in contemporary Iranian society are openly exposed in the movie. Both conservatives and reformists have praised the film for its subtle message of empathy for veterans and condemnation of those who take advantage of their position for political gain.

Many critics considered "The Glass Agency" to be a copy of Sidney Lumet's famous "Dog Day Afternoon." But Ebrahim Hatamikia, with his skillful understanding and recognition of the atmosphere and conditions of his society, has achieved such an Iranianized version of the idea of hostage-taking that the value and impact of his film for us are many times greater than its American counterpart. For this matter, the film is considered one of the best Iranian cult movies.

Iranian Cult Movies Are Not Limited to These Titles

It is evident that studying "Iranian cult movies" in this country's cinema requires more detailed research than a short article, which, above all, can introduce us to a kind of sociology that includes the understanding of the behavior and interests of cinema audiences. For more titles that can be considered Iranian cult movies, we recommend you watch the movies listed below:

·         Shokaran (2001)

·         About Eli (2008)

·         Marmoolak (2002)

·         Santouri (2005)

28th Episode of the Jeyran Series

On Friday, October 5, the 28th episode of the Jeyran series, which was directed by Hassan Fathi and directed by Hassan Fathi, was shown on Filimo. In this episode, the audience observed a variety of incidents. We are going to go through the key takeaways from the 28th episode of the Jeyran series together. Golin Banoo, the first wife of Shah Qajar, visited Jeyran in the 28th episode of the Jeyran series after observing that Jeyran was grieving the death of her son.

While Golin Banoo was there, she tried to soothe Jeyran by discussing a similar suffering that they both had. The discovery of intrigues that led to the death of Shah Qajar's baby boys in order to prevent reaching the crown prince is a source of discomfort that seems to be a forerunner to a significant source of uncertainty. Jeyran was already grieving the death of her son when she heard Golin's comments, but in addition to that, she felt rage and resentment since she had just recently discovered that her son had been murdered and not passed away from a fever.

Jeyran's conflict with Taj al-Dawlah in the 28th episode of the Jeyran series

Jeyran went to Taj ol-Dowleh as a result of being prompted to do so by Golin's conversation with Nane Ashob. After hearing the news that his son would become crown prince, Taj ol-Dowleh was overjoyed and in a good mood. However, she was taken aback when she saw Jeyran seem furious and with a red face. It wasn't until then that Jeyran understood that in addition to his own kid and Golin's, the small son of Setareh, the little wife of the Shah, had also passed away when he was a youngster.

Jeyran's child and Golin's child were the only ones who died before reaching adulthood. As a result of the event, Jeyran has come to the conclusion that Taj ol-Dowleh is responsible for the deaths of the Shah's boys and has pointed the finger of blame in her direction. Even though the incident took a different turn after the arrival of Nane Ashob and the lack of evidence suggesting that Taj ol-Dowleh was a murderer, it still caused the Shah's wives to open a new border of hypocrisy and animosity toward each other, which was a precursor to the subsequent riots and violence that occurred.

The Good Fortune of the Shokouh al-Saltaneh

Nane Ashob had a different perspective on Shokouh al-Saltaneh than the other wives and concubines of the monarch, who were engaged in constant battle with one another. Despite the fact that Nane Ashob was unable to identify Mohammad Mirza's killer, Shokouh al-Saltaneh, who is pregnant and is considered to be one of the most important women in the court, would most likely be elevated to the position of Mozaffar ad-Din Shah's mother in the near future.

The crowning of Moin Al-Dawlah in the 28th episode of the Jeyran series

In the end, Naser al-Din Shah was forced to appoint Moin al-Dawlah as his crown prince and successor, despite all of the pain and suffering he went through due to the death of Mohammad Mirza. This was done in order to protect himself from any potential harm that could be caused by his half-brother Abbas Mirza. Shah Qajar was more determined than ever before to secure the continued existence of the Qajar monarchy, despite the fact that it seemed that the rest of the ladies and the adversaries of the court would have a difficult time accepting this tragedy.

The Role of Nane Ashob in the Qajar Dynasty

Nane Ashob is a witch who makes a brief appearance in the first episode of the Jeyran series. Despite her brief appearance, she has a significant impact on the story. A witch who first appeared in the narrative in the nightmare that Khadija Tajrishi, who subsequently married Naser al-Din Shah, experienced. Khadija Tajrishi eventually became the wife of Naser al-Din Shah. Later, she revealed the mystery behind the charm to Jeyran, and in recent episodes, she accompanied Naser al-Din Shah's wives, Jeyran and Golin, who are mourning for their sons, to expose the secret behind their son's death. Jeyran and Golin were joined by Naser al-Din Shah.

In the 28th episode of the Jeyran series, Nane Ashob went to the Taj Al-Sultanah chamber with Jeyran and the other wives of the king to search for signs of her involvement in the murder of Jeyran's kid. Naturally, while everything was going on, she also brought up the fortunate upbringing of the son of Shokouh al-Saltaneh, who was another wife of Naser al-Din Shah. The youngster whose name was stated by Shokouh al-Saltaneh in the preceding episodes: either Muzaffar al-Din Mirza or Mozaffar ad-Din Shah Qajar.

Behnaz Nazi As Nane Ashob

These days, a lot of people are interested in seeing the true face of the actress that plays Nane Ashob, the villainous witch from the Jeyran series. This actress has garnered a lot of attention for her role as Nane Ashob. The version of Nane Ashob that is portrayed here by Behnaz Nazi, who wears a lot of makeup for the role, has never before been documented in history.

However, a significant number of historians have shown that magic was practiced throughout the Qajar dynasty, particularly in the Sultan's harem. By the way, in one of the historical texts authored by Dr. Toluzan, it is indicated that there was a relationship between magicians and one of Naser al-Din Shah's favorite princes.

Golin Khatun, The First Wife of Naser al-Din Shah

Golin Khatun, also known as Khanum, was the first lady that Naser al-Din Shah ever married. Golin Khanum, the 19th son of Fath Ali Shah, was born to Ahmad Ali Mirza as the daughter of Golin Khanum. Golin Khanum tied the knot with Naser al-Din Shah when she was just eleven years old. She gave birth to four children: Fakhr al-Moluk, Sultan Mahmud Mirza, Afsar al-Dawlah, and Muhammad Mirza, who died at the age of nine months. Fakhr al-Moluk and Sultan Mahmud Mirza both passed away when they were eleven months old.

It has been said that this young lady's name is Umm Salma, although she is also known by the name Golin Khatun. She is the grandson of Fath Ali Shah Qajar, who married Naser al-Din Shah, who is the grandson of his cousin. This makes her the granddaughter of Fath Ali Shah Qajar. It is said that she was calligraphing during the Qajar dynasty and that she participated in creative endeavors during the 13th century. This information comes from reports. Her schooling in calligraphy included instruction from Zeyn al-Abedin Esfahani, who was one of her tutors.

She was exceptionally talented in the art of calligraphy, and she left behind a number of pieces of her work. She is an expert in poetry, in addition to calligraphy, which is one of her specialties. She was born in Georgia to a woman whose name was Zibachehereh Khanum. Her mother was Georgian. Ismat Qajar is her pen name when she writes poems.

Samira Hasanpour As Golin Khatun

We are able to cite Ali Agha, the son of Mohammad Ali Khan Nazm al-Dawlah, as one of her other masters in the art of calligraphy. She is skilled in the arts of calligraphy and poetry, as well as the art of ornamentation, which she has mastered. Because of her extensive expertise in a variety of subjects, the inquiries the princes of the court had to be directed toward her as their source of reference.

Samira Hasanpour was born on December 6, 1994, in Tehran. She is a drama graduate from Surah University and started her artistic career in 2005 at the Theater in the name of Naveed Makan and his wife, Engineer Rakhshid Farzin Bahram Bayzaei. She has appeared in the series Chardiwari and the Paytakht of Sirous Moghadam, as well as the series "Maybe It Will Happen To You" and the telefilms Ava and Mardan Namaki. Her first movie Tameshk's Saman Salor (2012), was nominated for Simorgh Crystal Award for Best Actress at the 32nd Fajr Film Festival. She married Saman Salor in 2016.

In 2019, she was nominated for the Crystal Simorgh Award for Best Supporting Actress at the Fajr Film Festival for her role in the movie "Sekam Habs."

Now It's Time for Siavash Zand

The lone living member of the Zandiye Dynasty, Siavash Zand, had a secret that was not revealed until the 28th episode of the Jeyran series. Siavash is now responsible for a greater burden. Before he became the head of an opposition movement against the central government with the assistance of Kefayat Khatun, he was a lover who had lost his way and failed in his romantic endeavors.

Nader and Simin, A Separation

A Separation is an Iranian drama film that was released in 2011 and was written and directed by Asghar Farhadi. The film stars Leila Hatami, Peyman Moaadi, Shahab Hosseini, Sareh Bayat, and Sarina Farhadi. A Separation is also known by its alternate title, "Nader and Simin, A Separation." The plot centers on an Iranian couple from the middle class who decide to divorce, the anguish and desperation endured by their daughter as a result of the egotistical disputes that led to their divorce, and the conflicts that arise when the husband hires a lower-class caregiver for his elderly father who suffers from Alzheimer's disease. The daughter also suffers from egotistical disputes and the divorce of her parents.

A Separation; A Movie More Than A Film

Even though it has been more than a decade since the premiere of Asghar Farhadi's most significant picture, A Separation, viewers interested in the film might find something new and appeal in viewing the film once more in the present day. When seeing the movie for a second time, one of the essential things to look out for is the discovery of minute and specific details. These details demonstrate the director's talent for turning a mundane occurrence into a dramatic situation that is both captivating and terrifying.

The success of Asghar Farhadi's fifth feature film has elevated him to such a high position that the script may easily serve as a learning unit in colleges throughout the world that teaches screenwriting and directing. In addition to having a remarkable effect on society, the picture's phenomenal success at international film festivals, for which it was nominated for the first Academy Award in the history of Iran's cinema, inspired a large number of other filmmakers to follow in his footsteps.

Because of the success of the movie "A Separation," filmmakers in Iran were inspired to produce films that could never provide the same level of creativity and effect that the story of A Separation had in the cultural and social spheres, but which nonetheless earned them recognition. It would seem that the key to Farhadi's success is a point that is both straightforward and challenging at the same time. This point is what sets him apart from all of his contemporaries and other directors. This uncomplicated argument is nothing more than an accent on the specifics.

Minute Details In “A Separation”

It is here that simple details such as taking the girl to school, leaving garbage at the door (which becomes a significant issue in court when the garbage bag is torn and the entrance stairs of the apartment are dirty), taking the change from the station attendant (which, along with the sequence of Nader's presence at Razie's house and writing a payment check in their name and recalling Nader's usual monologue about not giving money by force to anyone, shows a real manifestation of the contradictions of human behavior in different situations).

All the details above show us that we have seen a movie with an accurate and skilled filmmaker behind it that has a dramatic logic for all the moments of the story he is telling. Unlike directors who design and execute many scenes and dialogues of secondary characters just to increase the time of the film and reach the 90-minute limit of screening in cinemas; Surprisingly, Asghar Farhadi has not included any dialogue or action outside the structure of the drama or help characterization in the story.

Perhaps a look at the impact of secondary characters such as the neighbors and the teacher who tries the primary concern of the girl (Termeh, played by Sarina Farhadi), which is learning, let us know more about Asghar Farhadi's skill in complicating a simple situation through attention and focus on details.

Two Key Sequences in A Separation

Perhaps, Asghar Farhadi's intelligence can be seen in two sequences; 1) in The opening sequence - where the reason for the separation is migration to a country that offers a brighter future for them - 2) In the second scene of the film, Simin (played by Leila Hatami) amidst the clutter her house and passing through the workers who are busy carrying her piano, she went to different corners of her house to collect her belongings. This is the trembling camera on Farhadi, which, with its dynamic mise-en-scène, fuels the chaos in the atmosphere of the couple.

It takes about 7 minutes from the moment Simin enters the house to the moment she leaves, taking the nurse with her. During these 7 minutes, Asghar Farhadi quickly introduces us to the atmosphere of the house, the relationships between the main characters in his story, the grandfather who has Alzheimer's, and the nurse who agrees to work in their house to help the Simin family, making an acquaintance and spends the next few minutes of the film on the strength of the foundations of the drama, which all come to fruition in the second half with Razie's (played by Sareh Bayat) complaint against Nader.

A Separation Is NOT A Classic Drama

The exciting thing is that Farhadi, unlike the everyday classic dramas, which starts with a crisis in the relationship between the couple, and by involving them in a story, in the end, the story brings them to peace; The crisis of the couple in A Separation has continued endlessly, and even after solving their problem with Razieh's family (and despite the closeness of the husband and wife to each other, which leads to Simin's paternal house document being at their disposal), they are still aware of the divorce issue. It is deadlocked and makes the initial crisis of the film seem like an eternal inevitability.

The bitterness of the story takes on wider dimensions when we remember the girl who has always made her parents and those around her idol (We see the girl regularly studying and practicing the right behavior), and occasionally they teach her honesty and abstinence. She invites self-interested behavior by observing the mistakes and lies of his parents during the crisis, and she reaches strange conclusions from the complications of life, which even forces her to lie when faced with the judge's question; where she falsely says when facing the judge's question that she was the one who told her father about the exchange of phone numbers between the teacher and the nurse.

Maybe now, and in the face of the endless crisis that has gripped Nader and Simin's family, we can better understand the endgame that Asghar Farhadi has planned for the final chapter of his film. The end of the game comes from the heart of the drama itself and becomes an undeniable necessity.

All Things Turn Against Razieh

Both gender and social class are important considerations. In one of the scenes, a group of individuals can be seen lounging about the apartment and having a good time while playing table football. Family and friends are welcome to take part in the activity. But not Razieh. She is seen doing something quite pathetic in the kitchen where she is said to be working.

When Termeh's instructor Miss Ghahraii (Played by Merila Zare'i), stops over, she is shown respect due to a highly esteemed visitor. After all, she is instructing their daughter in the subject. However, what about Razieh? In addition, she is an essential family member since she is responsible for the care of Nader's father. On the other hand, nobody respects her. In addition to this, she is additionally constrained by the convictions of her own religious tradition.

The scenario, as shown by Farhadi, is like a pool of gasoline into which any occurrence falls like a lit match. Everyone is aware of their rights and how outraged they are when injustices or slights are committed, and the women bitterly realize that they must simultaneously discover a workable solution and persuade their male counterparts to accept it. However, the children are one item that cannot be negotiable.

Termeh takes the stage toward the conclusion. She observes everything, coerces her father into making a crucial admission, and is then painfully made to act in his place. Her suffering and rage are well concealed. But she is the one who will bear a dreadful, indescribable load—a moral and juridical burden. This is a pernicious kind of maltreatment that has been imposed upon her by the adults' conceit and greed. Farhadi skillfully and subtly turns this unpleasant argument into a modern tragedy.

A Separation Is Worth Watching Again and Again

In spite of Nader's careful care for his father, we still have a tendency to conceive of him as an authoritative patriarch along the lines of the character that Alfred Molina portrayed in the film Not Without My Daughter. However, after the opening scene, which is a magnificent single shot of the pair speaking to a judge who we only hear, Simin vanishes for a period of time.

Best Iranian Series | Top Iranian Video On-Demand Series You Should Watch

Best Iranian Series Since 2009

Since 2009, when the first video on demand (VOD) series was made and released in Iran, this new means of broadcasting movies and series has had several highs and lows all the way up to the present day. However, the introduction of online VOD streaming services is seen as a watershed moment for this sector of the entertainment business. Because of this, we have compiled a list of the best Iranian series here. 

n the beginning, nobody took this newly developing market very seriously at all. However, after some time, it became abundantly clear that it is a very difficult competitor for television in light of the fact that it does not have the conventional audits and regulations of content that are present in television, nor does it have its monopoly in the field of production. The most prominent figures in Iranian cinema have made their way into the video on demand industry in recent years.

1-    Yaghi Series

The Outlaw Series (Yaghi) is, without exaggeration, one of the best Iranian series up to this point. The meticulous and star-studded series that holds the audience's attention throughout each episode and makes them eager to see the next episode. Yaghi series has become the stage to see the presence of stars such as Parsa Pirouzfar and Tanaz Tabatabai together, the forceful and distinct presence of Niki Karimi and Farhad Aslani, and the gorgeous appearance of Ali Shadman along with Amir Jafari. The book Salto, which was written by Mehdi Afroozmanesh, served as inspiration for the creation of this series.

The story of Yaghi series focuses on a young man called Javid who, despite facing opposition from his family, friends, and a culture that encourages him to go in the other direction, is determined to make a path for himself and ultimately achieves his goal. According to the official description, the series Yaghi narrates a story about a hero's journey that is full of highs and lows and has a cast of individuals from a variety of socioeconomic strata who either help him along the way or get in his way. In order to succeed, Yaghi himself often has to push through excruciating pain and exhaustion.

·         Director: Mohammad Kart

·         Producer: Seyed Maziar Hashemi

·         Screenwriters: Mohammad Kart, Pedrampour Amiri, Hossein Domari

·         Cast: Parsa Pirouzfar, Ali Shadman, Tanaz Tabatabai, Amir Jafari, Farhad Aslani, Niki Karimi

·         Broadcast year: 2022

2-    Mortal Wound Series (Zakhm-e Kari) 2021

The Mortal Wound, a series that was produced just for the Filmo platform and is widely considered to be one of the most intriguing shows of the year 2021. The book Twenty Mortal Wounds served as the basis for this VOD series adaption. The "Zakhm-e Kari" series is the first series that was created by Mohammad Hossein Mahdavian. This series has a unique narrative in comparison to the director's subsequent works.

The following is a synopsis of the events that took place in Mortal Wound: An emergency arises in the Rizabadi family, and as a result, everyone is eager to get a portion of this huge business. But Malek recounts a different tale, one that is replete with remorse and political maneuvering "Do you agree that winter is one of favorite seasons here? It is lovely, although it may be challenging to...".

·         Director: Mohammad Hossein Mahdovian

·         Producer: Mohammadreza Takhtkashian

·         Cast: Javad Ezzati, Rana Azadivar, Hanieh Tavasoli, Saeed Changizian, Elahe Hesari, Abbas Jamshidifar, Mehdi Zaminpardaz, Amirhossein Hashemi

·         Broadcast year: 2020

 3-    Frog Series (Ghoorbagheh) 2019

It is one of the best Iranian series that was able to catch the attention of the public, and the director of that series is Houman Seyyedi. The series is called "Frog." The tale of the series is told in a new setting, and the filmmaker makes an effort to keep the film's distinct tone intact all the way through until the conclusion of the series. It is seen as a positive step forward for Houman Seyyedi's career, despite the fact that it does not have a satisfying conclusion.

The following is a synopsis of the story: The Frog series tells the tale of an ordinary and almost unlucky person who rises from obscurity to become wealthy; the challenges that are placed in the path of this character from the story and also how he faces each problem complete the story line of this masterpiece. The story of the Frog series is related to the achievement of wealth, but at what cost?

·         Director and writer: Human Sidi

·         Producer: Ali Asadzadeh

·         Cast: Navid Mohammadzadeh, Saber Abar, Sahar Dolatshahi, Fereshteh Hosseini, Mehran Ghafourian, Anahita Afshar, Mohammad Amin Shirbaf, Ehsan Mansouri, Nima Mazaheri, Saeed Haj Ali, Siamak Al-Mahbiyan and Homan Seidi.

·         Broadcast year: 2019

 4-    Jeyran Series

The Jeyran series tells the narrative of a romance of sorts and a game of power that takes place in an Iranian court. A tale that, despite the fact that it is set in the past and relates the story of what happened there, is not a historical series. It is a fast-paced series that makes an attempt to depict love in a fresh light. The extraordinary nature of this series may be attributed, in large part, to the participation of well-known actors like Bahram Radan and Parinaz Izdiyar, as well as to the outstanding work of Merila Zarei and Amir Jafari.

Be sure to pay close attention to the clothing design of the Jeyran series while you are watching it since this is one of the ways in which it excels above other instances of its kind. The following is a plot summary of the story: the series focuses on the life of Jeyran, who was Naser al-Din Shah's favorite mistress and his first. The time period of the narrative is the 19th century in Iran. Jeyran is one of the best Iranian series.

·         Director: Hassan Fathi

·         Producer: Ismail Afifeh

·         Screenwriter: Ehsan Jovanmard, Hassan Fathi

·         Cast: Bahram Radan, Parinaz Izdiyar, Amirhossein Fathi, Amir Jafari, Roya Teimourian, Mehdi Pakdel, Rana Azadivar, Kataneh Afsharinejad, Setare Pesiani, Ghazal Shakri, Morteza Ismailkashi, Homan Barknoord, Mehdi Koshki, Samira Hasanpour, Fateme Masoudifar, Behnaz Nazi

·         Broadcast year: 2021-2022

 5-    Shahrazad Series

Shahrazad series is considered the best Iranian series so far. One of the most important reasons for this reception were the actors of the Shahrazad series, all of whom were considered stars of Iranian cinema. The first season of this drama, romantic and historical series was aired in 2014 and was quickly welcomed, so that the next season was made and aired immediately. The story of Shahrzad series takes place in the 1950s and is a romantic story in a historical context.

Shahrazad is a love story between two loving couples. Shahrazad (played by Taraneh Alidousti) is a medical student and Farhad (played by Mostafa Zamani) is a literature student and journalist. These two are in love and intend to get married. Farhad's father (Mehdi Soltani) and Shahrazad's father (Mahmoud Pakniat) are both of the people listening to the great Agha (Ali Nasirian) who was a powerful and influential person in the country at that time i.e. 1954 during Mossadegh's era.

Farhad and Shahrazad were among the staunch supporters of Dr. Mossadegh until Farhad was arrested and hanged on charges of murder and conspiracy against the monarchy. The Bozorg Agha has only one daughter named Shirin (Parinaz Izadiyar), who is the wife of his nephew Qobad (Shahab Hosseini), who is a proud girl and loves Qobad, but Qobad is not interested in Shirin at all and is forced to carry on because of the fear of his uncle's power. Shirin and Qobad do not have children, and the Bozorg Agha, who wants to have a grandchild to have an heir later, decides to take Shahrazad, who is Farhad's fiancee, as a second wife for Qobad.

  Third Season of Shahrzad

But in the third season of the Shahrzad series, the answers to all questions are clear. No mystery remains in relation to any character and all the pieces of the puzzle are put together. Shahrazad's life situation improves and Shirin reaches a more suitable mental state. In the meantime, Farhad is conspiring with his friends to make a plan to make Dr. Mossadegh escape.

·         Director: Hassan Fathi

·         Producer: Seyyed Mohammad Emami

·         Authors: Hassan Fathi, Naghme Samini

·         Cast: Ali Nasirian, Taraneh Alidousti, Shahab Hosseini, Mostafa Zamani, Parinaz Izadiyar, Ghazal Shakeri, Mehdi Soltani, Mahmoud Pakniat, Hooman Barghnavard, Amir Hossein Rostami, Abolfazl Pourarab, Jamshid Hashempour, Roya Nonahali, Reza Kianian, Amir Jafari,

·         Broadcast year: 2016 (first season), 2017 (second season), 2018 (third season)

6-    Made In Iran 1

The Made in Iran 1 Series is a social satire series that has gotten a lot of attention owing to the star-studded acting team as well as the utilization of locales and actors from outside of Iran when it was being aired. Five years passed between the filming of the first and second seasons, yet despite this, the second season was unable to match the popularity of the first. The lives of two friends who are without jobs and who often find themselves in precarious situations are the focus of this series. If you are looking for an Iranian comedy series, Made In Iran 1 is considered the best Iranian series in this genre.

·         Directors: Mohammad Hossein Latifi (First season) - Barzo Niknejad (Second season)

·         Screenwriters: Khashayar Elvand, Arash Qadri, Peyman Qasemkhani (First season) - Amir Arabi (Season 2)

·         Cast: Amin Hayai, Mohammad Reza Golzar, Farhad Aslani, Behnam Tashkar, Pamela El-Kaik, Pir Daghar, Gohar Khairandish, Elika Abdul Razzaghi, Bahare Rahnama, Mohsen Kiaei, Mehran Ahmadi and Sara Bahrami

·         Broadcast year: 2010

7-    Raaz-e Bagha (The Secret of Survival)

The comedy series Raz-e Bagha, also known as The Secret of Survival, is an option worth considering. The director, Saeed Agakhani, is responsible for the series, and it is included among his other successful works. The majority of the performers in Raz-e Bagha had already collaborated with AghaKhani on the television series "Noon KHeh," making this the least risky aspect of the production.

 The events that transpire in the Raz-e Bagha series are centered on the passing of a character by the name of Rahim Timsar. Through the course of the show, we get familiar with this individual and gain insight into his life. The actions and conversations of two people called Hatam and Rahim serve as the primary center of the narrative. The situation between these two characters becomes more tense once Rahim becomes acquainted with a peculiar and questionable organization.

·         Director: Saeed Aghakhani

·         Producer: Saeed Agha Khani

·         Screenwriter: Amir Vafaei

·         Cast: Bahram Vafaei, Nima Shabannejad, Saeed Aghakhani, Hassan Majouni, Hadih Bazund, Sirus Mement, Yadullah Shadmani, Sadruddin Hejazi, Jafar Dehghan, Ehsan Rozbahani, Behzed Zibandeh

·         Broadcast year: 2022

 Eclipse series

The Eclipse series is considered to be one of the greatest examples of Iranian VOD serues in the social drama genre. Maziar Miri, whose filmography includes hits like Saadat Abad and Howz-e Naghashi, is the director of this series. Miri's prior work includes other popular films as well. The majority of the show's stars are well-known and well-respected, and in addition to them, this series has also given us our first look at several promising newcomers to the acting world, making the show one of the best Iranian series.

The events of this series get underway in the college where the protagonist, Amir, is a student. Even though he had committed to marrying his cousin, he has developed feelings for another girl. This forbidden love tale is taking place behind their families' backs, and they are completely oblivious of it. But as it is discovered that Amir has feelings for another girl, the plot really starts to pick up steam, and the problems that are presented in the story get underway.

·         Director: Maziar Miri

·         Producer: Homayun Asadian

·         Screenwriter: Hossein Tarabnejad, Homayun Asadian, Mehdi Shirzad

·         Cast: Amin Tarokh, Minoo Sharifi, Sajjad Babaei, Ali Omrani, Pouria Rahimi, Elmira Dehghani, Masoud Karamati, Setareh Eskandari, Shohreh Soltani, Amir Haji Mohammadi, Shams Fazl Elahi, Fariba Khademi

Unrequited love

A mind-boggling question

Manoocher’s untimely death has devastated Forough, his wife and Janan, his daughter, but it has also raised many questions like what Manoochehr wanted to tell the whole family the night of his mother-in-law’s birthday. Was he going to uncover a secret? What was the story behind the text messages on Manoochehr’s phone? Why had Manoochehr lost faith in Forough and her love for him? Both Forough and her only child are confused and cannot make head or tails of the recent happenings. There are many missing pieces to their puzzles. Why had Manoochehr rented an apartment of his own? We hope to find the answers in the following episodes.

INNOCENT BIGONAH

The best section of the second episode

Sina, the oldest child in Ata’s family, is crazy about rap music. He is a member of a rap group in which there’s a girl who has been harassed by a man. He shows a lot of chutzpah by going to the man’s clothing store and fobbing himself off as a customer. When the opportunity presents itself, Sina is quick-enough to take the man’s laptop and run away. Later as he is being followed by several people including the police, he throws the laptop, which apparently had some indecent photos of the girl, on the street and it smashes into tiny pieces! (It was absolutely brave of him, kudos to Sina) This part was, hands down, the most intriguing part of this episode.

Love and futility

The relationship between Forough and Bahman had reached a cul-de-sac thanks to Rashid Farshbaf, Forough’s dad. Though we still don’t have a clue as to why Rashid sent his potential son-in-law overseas, suffice to say he made his daughter live with a man she had no feelings for! In her novels, Forough has written about her failure in love and you can feel how desparately in love she had been with the man she had never forgotten all these years.

Me too movement

The youngest daughter of Rashid Farshbaf, Yalda, who is an executive editor of a cultural magazine had intended to interview with a renowned artist who happens to be acquainted with her father. To this end, she invited him to the magazine’s office, where Yalda claimed they served the best coffee! Farhang Kesrati, the host and the interviewee, however, cancelled the meeting on short notice and suggested that Yalda pay him a visit at his apartment instead. Reluctant and disgusted, she refused the invite, but she blew a gasket when she learnt this is a very common practice for Kesrati and he has lured several other women into going to his place and has sexually harassed them. Me too movement has recently gained popularity in Iran and has provided women with the opportunity to publicize their experiences of sexual abuse in an attempt to stop cruelty against women. This plot can thicken in the following episodes.

Bahman’s lucky charm

Mustering up enough courage, Bahman visited the house previously owned by Farshbafs and now inhabited by Mahtab, Bahman’s ex-wife and her mother ( Roya Teymoorian) in Monirieh neighbourhood where he met Mahtab’s indignant  mother. She explicitly asked Bahman not to get in touch with Mahtab as it would devastate her. Bahman later went to the old house’s basement and was able to find the very coin he had hidden there decades ago, his brother’s memento.

Taking the youth into account

Ata (Mehran Ahmadi) is a considerate and caring father who has his daughter’s back, but tries to be next to her, not in front of her. He knows Sarina is keen on photography and uses it as a means to encourage her to be productive and to keep her away from the evil of the society. His wife is an overprotective mum though and her being strict has driven a wedge between Sarina and her.

The world of cryptocurrencies

این زخم‌های تنت دیر یا زود خوب میشه اما زخم عشق تنها چیزیه که برات می‌مونه

سریال جیران را از تلویکا تماشا کنید

In the 11th episode of Yaghi, Javid finally managed to draw a line between emotions and logic by not letting his feelings take the better of him. He can’t be distracted or driven away from his objectives, nor risk his relative success in the realm of wrestling. He has made a vow to himself not to go astray from his goals no matter what ebbs and flows life has in store for him and is resolute-enough to be a man of his word. Wrestling can shine light on the otherwise dismal life of Javid, hence he has made up his mind to continue wrestling and stand by his goal which is hopefully going to take him to fortune and prosperity.

http://r.televika.com/ygh.tmb

قسمت اول سریال بی‌گناه روز یکشنبه 28 اگوست از تلویکا به صورت اختصاصی پخش شد. این سریال به کارگردانی مهران احمدی و تهیه‌کنندگی مصطفی کیایی یکی از آثار پربازیگر و پرقصه نمایش خانگی است که قرار است روزهای یکشنبه از پلتفرم تلویکا پخش شود. 

About Bigonah Series

Bigonah series “Innocent series” is the name of a series that is released for the audience on televika. The series, which is a social drama, is directed by Mehran Ahmadi and will be aired in 2022. Here you can read the news related to this series as well as the information that has been published so far about the origin of the Bigonsh series.

Story of Bigonah Series

Bahman Mardani returns to Iran to discover the secret of what caused him to flee abroad 25 years ago. Bahman’s emigration to Iran puts the family of Rashid Farshbaf, a famous master of carpet design, in a new situation, a very strange situation that forms the main story of the Bigonah series.

Actors and Director of the Bigonah series

Bigonah series is the latest film produced by Mostafa Kiai, which attracted a large audience last year with the series “Hamgonah” on the VOD network. On the other hand, this series is the first collaboration between Mehran Ahmadi and Mostafa Kiai as a director and producer. The supervisor of screenwriters is Mohsen Kiai. Emad Rezaeenik and Reza Alipour wrote the story of Bigonah series. Among the actors of this series – currently – we can mention these stars:

Masoud Rayegan

Shabnam Moghaddami

Vishka Asayesh

Mohsen Kiai

Mehran Ahmadi; Director of Bigonah series

Mehran Ahmadi migrated to Neishabour as a child and returned to his hometown of Tehran as a teenager. He entered Azad University in 1994 and graduated in acting with a master’s degree. He started his activity in 2006 by acting in the movie “Adam” directed by Reza Kahani. He has also appeared in several movies as a programmer, assistant director, and production manager. Ahmadi’s serious performance in films such as Mahi was remarkable. In 2013, he played the role of Shakib in the TV series Avaye Baran.

According to the public relations of the Bigonah series, the shooting of the first part of Bigonah, directed by Mehran Ahmadi, has ended in Tehran. The series which is Mehran Ahmadi’s first series is franchised for the VOD network. In Tehran, the staff, after completing the recording process, is shooting the remaining scenes of the 60s. The series includes scenes back from the 60s, which have been the subject of many Iranian series makers for many years

Mostafa Kiaei; Producer of Bigonah series

Mostafa Kiai, born in Karaj in 1976, is a director, producer, and screenwriter of cinema and television and is the brother of Mohsen Kiaei, a film actor. The Hamgonah series was his first mark on the VOD network. He started his cinema activity in 1994 in the filmmaking training center of Karaj and since 1996, while studying filmmaking at the university, he worked as an assistant director in TV and cinema series.

Mohsen Kaiei; Actor of Bigonah series

Mohsen Kiaei was born on the sixth day of September 1981 in Tehran to an art-lover family. In addition to acting, he also writes. His brother Mustafa Kiaei is one of the most successful cinema directors.

Mohsen Kiaei married Soheila Amir Hosseini in 2006 and the result of this marriage is a daughter named Rose Kiaei. Soheila Amir Hosseini is also an artist who works in the field of photography and makeup. His latest work in Cinema is his role in Bigonah series, working along with his senior brother, Mostafa Kiaei and Mehran Ahmadi.

At the age of 21, he met Soheila Amir Hosseini in the theater, and at the age of 24, they got married. He says that “if I had not been married when I was young, it would have been very difficult to get married now”. According to his wife, they have a very friendly relationship.

It is worth mentioning that in addition to acting, Mohsen Kiaei is also a screenwriter and has had professional artistic activities since 2009. Mohsen says that “I went to work as an assistant director with my brother Mustafa, and I accompanied him in the short films and commercials that my brother made.”

This young Iranian actor has entered the field of acting through academia. Mohsen Kiaei is an acting graduate of Azad University. During his studies, he was a classmate of some artists, including Saman Darabi and Farnaz Rahnama at the University of Art and Architecture.

In an interview with Fereydoun Jeirani on January 23, 2017, Mustafa Kiaei spoke about many aspects of his life and talked about the films and series he had made. In 2007, he sent a request for a license to make “The Dog’s Afternoon” film to the Monitoring and Evaluation Office of the Ministry of Guidance, but he did not succeed in obtaining a production license. He uses his brother Mohsen Kiai in most of his films. In 2009, Mostafa Kiaei directed his first series called Hamgonah, which was written by Mohsen Kiai and Ali Kouchaki.

Vishka Asayesh; Actress of Bigonah Series

Vishka Asayesh, an Iranian film and television actress, was born on November 7, 1972 in Tehran and has an older sister named Avisa. Vishka Asayesh, who in addition to acting, also works in the field of costume and stage design, is the niece of Maziar Parto, a famous filmmaker, and the granddaughter of Shirin Parto, a writer and poet of Iran. Vishka Asayesh continued her education in costume design,

at the age of 14, this actor went to London with his sister to study, but because it was not possible to go to London directly, they had to go to their uncle in Germany and study there, but this did not last long and they returned to Iran. Vishka Asayesh returned to Iran and received her diploma and played in the series Imam Ali. One night after playing in this series, she left for England and continued her education until received her bachelor’s degree in England. She also acts in Bigonah series in 2022.

The new Televika series “The Innocent”, which is going to be available on Televika platform, is the product of the triangular cooperation between Mehran Ahmadi, Mohsen Kiaei and Mostafa Kiaei. This coming soon social drama serial is directed by Mehran Ahmadi.

The plot of The Innocent

To unravel a mystery which has resulted in fleeing his homeland, Bahman decides to return to Iran. By doing so, he puts a renowned carpet designer, Rashid farshbaf and his family in a new weird state of affairs.

The cast and crew

Having already made a name for himself by previously producing the series “The Accomplice”, Mostafa Kiaei’s brand new production is “The innocent, his first cooperation with director Mehran Ahmadi. The head writer of the screenplay is Mohsen Kiaei, working with Reza Alipoor and Emad Rezaei Nik. Some of the actors starring in The Innocent are Masoud Raygan, Shabnam Moghadami, Vishka Asayesh and Mohsen Kiaei.

The Innocent harks back to the 60s

The Innocent is currently being filmed in Tehran. Having shot the scenes related to the present, the team will move on to the episodes related to the 60s, a commonplace trend practiced by many series directors

Shadravan is the second movie directed by Hosein Namazi first presented in the 40th fajr festival and now available on Televika. Shot in the suburban parts of Tehran, Shadravan is about a slum-dwelling family. Living hand to mouth by merely selling herbs, Nader, the oldest child of the family, has to pay all the expenses of his now deceased father’s hospital treatment and burial. This comedy mainly centers on this family’s effort to pay the bills for their father’s funeral. Shadravan is written and directed by Hosein Namazi and produced by Abas Naderan.

The cast:

Reza Rooygari, Bahram Ebrahimi, Roya Teymoorian,Iman Baratpoor, Sina Mehrad, Gelare Abasi, Nazanin Bayati, Behrang Alavi, Hafez Nabizadeh, Behnaz Naderi, Azam Kaboodian, Farnaz Salehtash, Elahe Afshari,Mohsen Mehri, Sajad Rezaei, Babak Jafarie, Maryam Afshar and Mohamad Moosa Akbari

  What movie critics said

 Reza Daemi

   A poor and irresponsible dad is much of a trouble even once dead. Meanwhile, all the people related to the dead man, one way or another, try to help the family organize a reputable memorial service which most probably reminds us of Mehmane maman in which neighbours and relatives united to throw a party. Shadravan is a black comedy illustrating how Orwellian life is for poverty-stricken people.

   The movie is appealing and has potentials. It stands away from misplaced levity and fecklessness. It’s a good example of observational comedy. There is a curious paradox between the bitter events of the story and a twinge of comedy in them.

  Three features of Shadravan

Success in making a minimalist comedy

Extraordinary  acting especially by Sina Mehrad and Nazanin Bayati

Low  comedy avoidance

Seyed Arya Ghoreyshi

Appealing and involving, Shadravan has high potentials. The acting and the paradox between tone and content is exciting and unpredictable. Some of the actors, namely Behrang Alavi play quite professionally. Having said that, the film doesn’t have much to offer past the first 20 minutes or so and this shortcoming  has its roots in the script’s lack of clarity and direction. The story seems stranded which is so common in Iranian movies. What is Shadravan really all about? A man’s metamorphosis from a selfish person to a devoted one? The importance of helping someone up? or an effort to release a corpse from the hospital?!

Apparently, it is about all the above-mentioned, but in practice the director hasn’t been able to link these ideas well togetherEach section of the movie deals with one aspect and all you see is incompatibility.

Three features of Shadravan

Behrang Alavi’s performance which is unlike his other roles in other films

Professional make-up

Scanty humor and fragmentary account of the story

Ali Naeimi

Shadravan is an observational movie by Hosein Namazi, a paradoxical encounter of comedy and tragedy. It’s a genre we have already seen in other directors’ films such as Reza Kahani.

Three features of Shadravan

Skillful act especially by Behrang Alavi and Sina Mehrad

The sequence in a registry for receiving an ID card

Creating comic moments

Kamal Poor Kaveh

Just like many other films produced in the contemporary cinema of Iran, Shadravan takes its audience as naïve, undemanding and uncritical!It reminds us of the soap operas of 70s in Iran like Zire Asemane Shahr with one notable difference and that is cheap and vulgar humour. Actors like Gelare Abasi and Nazanin Bayati who had only begun to make a name for themselves, ruined their reputation by appearing in this movie.

Three features of Shadravan

The devastating ending

Behrang Alavi’s different acting

The romantic relationship between the actors Gelare Abasi and Sina Mehrad which is hilarious

What the cast and crew said

Hosein Namazi

I had written an account of this story in a newspaper and decided to make a movie out of it using my own interpretation. If I feel like I have what it takes to make a film, I’ll definitely go for it. The ending of Shadravan is by no means comic, but rather melodramatic and a sweet one indeed!

Sina Mehrad

When I was offered a role in Shadravan, I admired Hosein Namazi and Abas Naderan for having taken this risk. I went through the script and weren’t concerned about my different though not challenging role.

Roya Teymoorian

Hosein Namazi and I had already worked with each other. I already knew he embarks on a new movie production after listening to many ideas and suggestions. Hence, I didn’t hesitate to play the role of Nazi. I would call it a transparent refreshing movie.

The broadcast of the Iranian mini-series "Darmangar" (The Therapist) has started on Televika. This series has a mysterious theme, which makes it one of the most different TV series.

During the last few years, famous platforms like Netflix and HBO have released episodes of some series all at once. Televika is the first VOD platform that legally releases this unique dark-themed mini-series "Darmangar".

The story of the "Darmangar":

"Baran" has been secretly visiting a therapist "Atabak Masoudi" for some time due to depression, without her husband's knowledge, but something strange happens, and she asks her therapist to come to her home to help.

About the series:

Today, the world's major VOD platforms have started to innovate and have produced many series that are very different from what we used to watch on TV. This difference is not only in the episode releasing method but also in the episode's duration. The Emmy-winning mini-series Love Death + Robots by Tim Miller and David Fincher is one of those series with short episodes. The success of this mini-series encouraged Netflix to produce "Man vs. Bee" with nine short episodes.

 Televika has released all five episodes of "Darmangar" mini-series together with a duration fewer than 10 minutes for each episode. The mystery genre and the fact that this content is a mini-series and its short duration episodes are something that we rarely see in Iranian cinema and series, and these features make "Darmangar" unique.

In praise of the opening sequence of the mini-series Darmangar:

The opening credits of "Darmangar" is very calculated, and the interesting thing is that the opening credits of each episode give you more information. Unlike boring routine opening sequences, you can enjoy watching Darmangar's intro, and the credits itself is mysterious and suspicious.

 The atmosphere of the series is very close to the Film Noir style. The noir style has always had an ambiguous and enigmatic quality. This style, dark atmosphere, night, rain, cold and soulless characters, the makeup, the colorless clothes, and the little lighting helped this mini-series to increase its charm and impact. The main feature of this mini-series is this uniformity in the service of mystery.The number of shots is not many, and each shot conveys important information to the viewer.The music in this series is very efficient, effective and serves the purpose of the series.

 Despite the few characters presented in "Darmangar", the screenplay manages to create a clever story. Every dialogue or event has a reason and ultimately surprises the audience. This mini-series proves well that it values the audiences.

If you are interested in the mystery genre, you should Darmangar. Watching this series on Televika will be a different enjoyable experience.