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Ablagh Movie | A Detailed Review of The Movie Directed by Narges Abyar

About The Ablagh; A Film Directed By Narges Abyar

Abiyar's "Ablagh movie" is a seemingly powerful film that both wants to talk big and is different from Narges Abiyar's other previous works in terms of direction. In the movie Ablaq, apart from Bahram Radan's weak acting, there are several impressive sequences. The most important thing is the two encounters between "Jalal" (Radan) and "Rahleh" (Elnaz Shakerdoost), whose narrative suspense is both breathtaking and nail-biting. Elnaz Shakerdoost's performance in the film is also remarkable: her most crucial performance after "Suffocation," which, because this time her role was opposite to Fereydoun Jirani's film with dialogue, may indicate a turning point in her career.

But if we take into account these few little details, we can see that the Ablagh movie does not live up to any of those promises. The film does not deliver its speech in a manner that is memorable and impactful, and the visual concepts it employs while shooting does not bear any fruit other than to irritate the audience. Ablagh is, without a doubt, the least impressive of the four movies that Abyar has directed (Since "Shiyar 143" in 2014). The movie covers the narrative of a lady who lives on the outskirts of the city with her husband and kid. But the film also shows how the story of their life evolves during the course of the movie.

Ablagh Movie

In the first hour of the movie, the audience is presented with an important question: what will become of Jalal and Raheleh? In addition to this many enigma, there are one or two more minor issues, the solutions to which will be discussed in the remaining time of the Ablagh movie. However, the cumulative effect of these riddles and the manner in which one pays attention to the nuances of the film are not sufficient to alleviate the dullness that characterizes the first hour of the film.

The screenwriter has likely spent several sequences and even sections defining the characters in the Ablagh movie and establishing the atmosphere, possibly with the hope that the audience will acquire a deeper understanding of the factors that led to the development of such criminal behavior in that setting. We might highlight the scene of Ali's escape (played by Hootan Shakiba) from the hands of creditors, the set of a family celebration, pigeon keeping sequence, and the delight of the townsfolk when Jalal and Shahla (played by Gelareh Abbasi) got a boy as some of the intriguing parts of the film.

The sequence of the municipal officers going to the place to follow up on the situation of the rats and that sequence of fighting with its old symbolism, which must have wanted to make a metaphor of glory and honor, are going to be amazed the audience. A girl who is unable to speak and gain her rights in this harsh and terrifying atmosphere, or a young guy who is silent after seeing all of the wrongs that Jalal has done, are just two examples of the many symbols that can be found in this movie.

Why We Call Ablagh Movie A Boredom

In reality, the film doesn't reveal its story for an hour. And during this time, the script for Ablagh movie was unable to properly connect the deep movement of the narrative to properly create the atmosphere of the neighborhood and the people who lived there with the main story that was being told in the movie. Because of this, the Ablagh movie of Narges Abyar appears to go at a sluggish and monotonous pace.

It is fascinating to consider the plot of this picture in light of "About Eli," which was directed by Asghar Farhadi. In "About Eli," the most important event takes place sometime around the 60th minute (that is, in the middle). Up until that point, everything runs smoothly, and there is little suspense, allowing the audience to acquire a better feel for the characters and a better understanding of the issue. However, it begins with a little cliffhanger, which is "the direction that Eli and Ahmed's relationship will take." However, this warm, welcoming, and friendly environment, via the use of a soft dissolve, gradually crosses a bridge and enters the anxious second half of the film.

The picture itself does not split into two sections at this point. Remember the pantomime sequence in the middle of the movie and how it creates a feeling of nervousness and anticipation for a significant event by using a simple game between friends that has no apparent link to the screenplay.

Narges Abyar and The Way She Directed Ablagh

The Ablagh movie does not have consistent cohesion in terms of casting and direction. The camera on the quivering hands with unusual whipping pans in the packed mezzanines alongside the various discussions of the characters has merely become a cause of difficulty for the spectator as opposed to boosting the tension and psychological stress of the scenario. The long and emotional (and possibly satirical) slow motions of the local party scene (for example, the moment of blowing bubbles) or the peculiar and pointless camera movement in the scene where Jalal and Shahla watch Raheleh on the roof as if each of them were from a different movie with their own distinct visual identity. They have arrived on their own accord.

These pictures seem to have been sewn together for no apparent purpose and defy logic in the same way that a forty-piece quilt does. The Ablagh movie demonstrates that even with a skilled professional cinematographer like Saman Lotfian - whose body of work includes critically acclaimed films such as "The Last Snow" - the weight of the director's will and guidance in the final output of the camera is so daring and significant that it cannot be overstated. It does not matter how beautiful each plan is as long as the pictures do not come together to make a single texture that can be easily identified.

The cast of Ablagh Movie

The film is also affected by the composition of its actors. Bahram Radan, in the role of Jalal - a different character in his collection of works - has nothing more to offer than his other roles in these years, except for his flawless makeup. It is strange that an actor, after two decades of playing various roles, still has such problems. He still sticks his words together while speaking; It's as if you hear them halfway.

Shadi Karamroudi's role as a girl from the lower city - with her own brags and fears - is unbelievable. And Hootan Shakiba has clearly worked hard to bring this character to life. Although his efforts in the two-person solitudes with Raheleh are memorable, he has not succeeded in making Ali's complex character real. Ali is a mischievous and ignorant young man who seems to have no sense and cannot handle life, but at the crucial moment of the story, he stands by his wife with courage and honor.

After the assault sequence, the film finally comes to life. But unlike the uneventful first half, everything moves at lightning speed to reach the final conclusion. First. At the same time, we have all seen Rahele's innocence; in a sequence copied from the movie about Eli, the cards are stacked against her, and even her close friend leaves her alone in this sensitive moment.

Rahim, Jalal, and Finally Raheleh

Then, the neighborhood's women are violent, making a demon out of Jalal, as if he rapes all the women in the community. In the following, Rahim, with a passionate speech, makes the ambiguous and intertwined dimensions of the issue complete for Raheleh and leaves the final decision to herself. And now she is the one who has to decide the end of this story. In a melodious mise-en-scène, she passes through the fire, and although she seems to burn, she actually comes out of this predicament pure and reasonable because the door and the wall testify to her purity and innocence.

Verdict On Ablagh Movie

In the Ablagh movie, which she directed two years ago, Narges Abyar has gone for an inflammatory and up-to-date theme; "Me Too." She reveals what the process of sexual harassment of women is and how, when everyone knows that the male abuser is guilty, they expect patience and silence from the abused woman. In the end, the film's hero is redeemed due to the understanding, courage, and trust of her dim-witted, reckless and troublesome husband, and she leaves the neighborhood with pride.

Roozi Roozegari Merikh series | Social humor in a fantasy series

Roozi Roozegari Merikh Series; Human problems on Mars!

Peyman Qasemkhani is one of the most famous and popular serial writers in Iran. He has very successful works in his career, all of which have been one of the most enduring Iranian comedy series. After Peyman Qasemkhani decided not to operate for a long period of time, he returned to the series of serialization by making Roozi Roozegari Merikh Series. A serial that has not been published in many parts, so it is not easy to criticize it. However, in some early episodes, it has also been able to attract the audience. Here's a look at Roozi Roozegari Merikh Series to see if this comedy series is worth watching.

Peyman Qasemkhani in the role of a director!

Peyman Qasemkhani initially began his career in cinema. He wrote his first filter for the movie "I Love Earth". A movie that has similarities to Roozi Roozegari Merikh Series. He worked as a writer for most years of his career and had no interest in directing comedy series. However, he decided to be the author and director of his new series, Roozi Roozegari Merikh. A series that has become one of the most popular comedy series on the Filimo platform in recent weeks.

In general, Peyman Qasemkhani is very interested in making strange characters in his comedy script. That's why he has come to the alien characters several times in his work. Peyman Qasemkhani always strives to narrate his world in his works and create Unicked characters. Although this is a high risk, he can always succeed in creating Unicked characters. The series "Passengers" is another successful series related to space aliens.

After the success of the series "Passengers", Peyman Qasemkhani decided to build Roozi Roozegari Merikh Series. The serial also plays the director. In fact, in this series, we are on the side of his first comedy series. A fantasy series that has imaginary characters. Humans have gone to Mars because of the bad conditions of the earth. But wherever humans go, their funny problems will be with them. Peyman Qasemkhani has created a unique and funny serial, considering the contradictions that exist in the modern life of an astronaut or space traveler.

Roozi Roozegari Merikh Series summary

The story of Roozi Roozegari Merikh Series is about the unfortunate criminal named Nasser (played by Sam Derakhshani). His job is betting and always fails in his betting. In the first and second episodes, he takes the greatest gambling of his life. On the other hand, Nasser borrowed money from people who must hide. But the main part of the story begins when Mars, Luna, Lady-Merrik, and Mars' real estate consultant, are waiting for a package to be sent from the Earth. In the end, Nasser goes to Mars, and the story of his life and misfortune continues this time on another planet.

As mentioned, the story of the Roozi Roozegari Merikh Series is told in a fantasy atmosphere. When humans can travel to Mars and live on the planet. But we are not just going to watch a narrative of ordinary people on Mars. Rather, in Roozi Roozegari Merikh Series, we come up with a set of comedy events that happen to the UNIC series. Peyman Qasemkhani has made every effort to get rid of the stereotypical comedy and have a different space with its previous serials. In terms of storytelling, characterization, and narrative, Peyman Qasemkhani was able to be well away from the stereotypes. However, humor and script situations are still very similar to his previous works.

Get to know the actors of the Roozi Roozegari Merikh Series

One of the parameters that greatly influences the success of a comedy series is its acting team. Roozi Roozegari Merikh Series also uses a very powerful acting team to maximize the quality of the serial. Among the most famous actors in the series include Sam Derakhshani, Vishka Asayesh, Amir Norouzi, Amir Kazemi, Bahador Maleki, Noshin Tabrizi, Amir Mehdi Jouleh, Ramin Nasser Nasir, Falamak Joneidi, Peyman Fatemi, Kazem Nourbakhsh Behrouz Khani. Actors are each professional in comedy and are very popular among the audience.

Among these actors, Sam Derakhshani and Vishka Asayesh play a more prominent role in the series. Both of these actors have also been able to play and play it well. The serial side actors also performed well. So you can take Peyman Qasemkhani as a serious director. However, there is still a long way to go until the end of the series.

Is Roozi Roozegari Merikh Series worth watching?

Probably for you the question is whether Roozi Roozegari Merikh Series is worth watching. We have to say that there are many parameters that make this comedy series a good work. For example, the screenplay of this series is well-written and is not similar to any Iranian comedy series. On the other hand, the décor design team has also worked hard to make the series Unic. The serial comedy style is also very similar to Peyman Qasemkhani. A strong and deep social humor that has tried to explain social problems to the audience in a different way. Here are some of the positive points of this series.

Extraordinary Screenplay

In the first part, the amount of creativity in the Roozi Roozegari Merikh Series script will surprise you. The serial manufacturer has made every effort to write a Unique Script. All the details in the writing of this script have been careful to watch the audience a law violation. Of course, it cannot be said that the screenplay of this series is flawless and has no problem. But the Roozi Roozegari Merikh Series script gets an acceptable score for a comedy series. If you want to watch a professional comedy series in a different style, this series can be one of your main choices.

Deep social humor

One of the problems that many Iranian comedy films and serials are involved in is superficial comedy. In most of the works of Iranian cinema, you do not find a deep comedy that indirectly points to social problems. That's why many serial makers are looking for drama serials. But in Roozi Roozegari Merikh Series everything is different. By watching this series, you are going to see the content of social humor with some of the Parodi. Creative humorous situations on another planet have not been found in any of the comedy works of Iranian cinema. Perhaps Roozi Roozegari Merikh Series cannot compete with Hollywood comedy series, but definitely from many Iranian comedy series and movies.

The unique design of décor and clothing

Roozi Roozegari Merikh's costume design will definitely surprise you in the initial sequences. Because the producers of this series have tried their best to make the sets and clothes of the actors in this series completely unique. Something that is rarely seen in Iranian comedy series.

Many viewers think that these two parameters do not have a great impact on the final quality of the series. If this is a misconception. Because if a series does not have a suitable decor design, it will become repetitive for its audience over time. Also, choosing different clothes for the characters also helps to make the series more dynamic. Especially this series is narrated in a fantasy atmosphere, and the audience should feel that the characters live on Mars.

Qasemkhani has a lot of experience in making comedy serials

Another positive point of Roozi Roozegari Merikh is Qasemkhani's high experience in making comedy series. He has been the author of dozens of comedy series and movies and has even acted in some of them. That's why Qasemkhani has used all his years of picking experience in making Roozi Roozegari Merikh. By watching the first episode of the series, you will easily notice the great influence of Roozi Roozegari Merikh in the atmosphere, dialogues, and script. So if you are his fan, this series can definitely be fun for you. Because in this series, he has decided to return to his peak writing days and prove once again that he is one of the best writers of comedy series in Iran.

Roozi Roozegari Merikh Series; A fun series

Peyman Qasemkhani is named after quality comedy serials and movies. The audience has a greater passion to watch that effect when it comes to writing a series. Now if the director of the series is Peyman Qasemkhani himself, we will definitely watch a funny comedy series. He has made every effort to make the audience spend time watching the series. However, attention to social problems has also been the focus of Peyman Qasemkhani so the series is not just a superficial comedy series.

28th Episode of the Jeyran Series

On Friday, October 5, the 28th episode of the Jeyran series, which was directed by Hassan Fathi and directed by Hassan Fathi, was shown on Filimo. In this episode, the audience observed a variety of incidents. We are going to go through the key takeaways from the 28th episode of the Jeyran series together. Golin Banoo, the first wife of Shah Qajar, visited Jeyran in the 28th episode of the Jeyran series after observing that Jeyran was grieving the death of her son.

While Golin Banoo was there, she tried to soothe Jeyran by discussing a similar suffering that they both had. The discovery of intrigues that led to the death of Shah Qajar's baby boys in order to prevent reaching the crown prince is a source of discomfort that seems to be a forerunner to a significant source of uncertainty. Jeyran was already grieving the death of her son when she heard Golin's comments, but in addition to that, she felt rage and resentment since she had just recently discovered that her son had been murdered and not passed away from a fever.

Jeyran's conflict with Taj al-Dawlah in the 28th episode of the Jeyran series

Jeyran went to Taj ol-Dowleh as a result of being prompted to do so by Golin's conversation with Nane Ashob. After hearing the news that his son would become crown prince, Taj ol-Dowleh was overjoyed and in a good mood. However, she was taken aback when she saw Jeyran seem furious and with a red face. It wasn't until then that Jeyran understood that in addition to his own kid and Golin's, the small son of Setareh, the little wife of the Shah, had also passed away when he was a youngster.

Jeyran's child and Golin's child were the only ones who died before reaching adulthood. As a result of the event, Jeyran has come to the conclusion that Taj ol-Dowleh is responsible for the deaths of the Shah's boys and has pointed the finger of blame in her direction. Even though the incident took a different turn after the arrival of Nane Ashob and the lack of evidence suggesting that Taj ol-Dowleh was a murderer, it still caused the Shah's wives to open a new border of hypocrisy and animosity toward each other, which was a precursor to the subsequent riots and violence that occurred.

The Good Fortune of the Shokouh al-Saltaneh

Nane Ashob had a different perspective on Shokouh al-Saltaneh than the other wives and concubines of the monarch, who were engaged in constant battle with one another. Despite the fact that Nane Ashob was unable to identify Mohammad Mirza's killer, Shokouh al-Saltaneh, who is pregnant and is considered to be one of the most important women in the court, would most likely be elevated to the position of Mozaffar ad-Din Shah's mother in the near future.

The crowning of Moin Al-Dawlah in the 28th episode of the Jeyran series

In the end, Naser al-Din Shah was forced to appoint Moin al-Dawlah as his crown prince and successor, despite all of the pain and suffering he went through due to the death of Mohammad Mirza. This was done in order to protect himself from any potential harm that could be caused by his half-brother Abbas Mirza. Shah Qajar was more determined than ever before to secure the continued existence of the Qajar monarchy, despite the fact that it seemed that the rest of the ladies and the adversaries of the court would have a difficult time accepting this tragedy.

The Role of Nane Ashob in the Qajar Dynasty

Nane Ashob is a witch who makes a brief appearance in the first episode of the Jeyran series. Despite her brief appearance, she has a significant impact on the story. A witch who first appeared in the narrative in the nightmare that Khadija Tajrishi, who subsequently married Naser al-Din Shah, experienced. Khadija Tajrishi eventually became the wife of Naser al-Din Shah. Later, she revealed the mystery behind the charm to Jeyran, and in recent episodes, she accompanied Naser al-Din Shah's wives, Jeyran and Golin, who are mourning for their sons, to expose the secret behind their son's death. Jeyran and Golin were joined by Naser al-Din Shah.

In the 28th episode of the Jeyran series, Nane Ashob went to the Taj Al-Sultanah chamber with Jeyran and the other wives of the king to search for signs of her involvement in the murder of Jeyran's kid. Naturally, while everything was going on, she also brought up the fortunate upbringing of the son of Shokouh al-Saltaneh, who was another wife of Naser al-Din Shah. The youngster whose name was stated by Shokouh al-Saltaneh in the preceding episodes: either Muzaffar al-Din Mirza or Mozaffar ad-Din Shah Qajar.

Behnaz Nazi As Nane Ashob

These days, a lot of people are interested in seeing the true face of the actress that plays Nane Ashob, the villainous witch from the Jeyran series. This actress has garnered a lot of attention for her role as Nane Ashob. The version of Nane Ashob that is portrayed here by Behnaz Nazi, who wears a lot of makeup for the role, has never before been documented in history.

However, a significant number of historians have shown that magic was practiced throughout the Qajar dynasty, particularly in the Sultan's harem. By the way, in one of the historical texts authored by Dr. Toluzan, it is indicated that there was a relationship between magicians and one of Naser al-Din Shah's favorite princes.

Golin Khatun, The First Wife of Naser al-Din Shah

Golin Khatun, also known as Khanum, was the first lady that Naser al-Din Shah ever married. Golin Khanum, the 19th son of Fath Ali Shah, was born to Ahmad Ali Mirza as the daughter of Golin Khanum. Golin Khanum tied the knot with Naser al-Din Shah when she was just eleven years old. She gave birth to four children: Fakhr al-Moluk, Sultan Mahmud Mirza, Afsar al-Dawlah, and Muhammad Mirza, who died at the age of nine months. Fakhr al-Moluk and Sultan Mahmud Mirza both passed away when they were eleven months old.

It has been said that this young lady's name is Umm Salma, although she is also known by the name Golin Khatun. She is the grandson of Fath Ali Shah Qajar, who married Naser al-Din Shah, who is the grandson of his cousin. This makes her the granddaughter of Fath Ali Shah Qajar. It is said that she was calligraphing during the Qajar dynasty and that she participated in creative endeavors during the 13th century. This information comes from reports. Her schooling in calligraphy included instruction from Zeyn al-Abedin Esfahani, who was one of her tutors.

She was exceptionally talented in the art of calligraphy, and she left behind a number of pieces of her work. She is an expert in poetry, in addition to calligraphy, which is one of her specialties. She was born in Georgia to a woman whose name was Zibachehereh Khanum. Her mother was Georgian. Ismat Qajar is her pen name when she writes poems.

Samira Hasanpour As Golin Khatun

We are able to cite Ali Agha, the son of Mohammad Ali Khan Nazm al-Dawlah, as one of her other masters in the art of calligraphy. She is skilled in the arts of calligraphy and poetry, as well as the art of ornamentation, which she has mastered. Because of her extensive expertise in a variety of subjects, the inquiries the princes of the court had to be directed toward her as their source of reference.

Samira Hasanpour was born on December 6, 1994, in Tehran. She is a drama graduate from Surah University and started her artistic career in 2005 at the Theater in the name of Naveed Makan and his wife, Engineer Rakhshid Farzin Bahram Bayzaei. She has appeared in the series Chardiwari and the Paytakht of Sirous Moghadam, as well as the series "Maybe It Will Happen To You" and the telefilms Ava and Mardan Namaki. Her first movie Tameshk's Saman Salor (2012), was nominated for Simorgh Crystal Award for Best Actress at the 32nd Fajr Film Festival. She married Saman Salor in 2016.

In 2019, she was nominated for the Crystal Simorgh Award for Best Supporting Actress at the Fajr Film Festival for her role in the movie "Sekam Habs."

Now It's Time for Siavash Zand

The lone living member of the Zandiye Dynasty, Siavash Zand, had a secret that was not revealed until the 28th episode of the Jeyran series. Siavash is now responsible for a greater burden. Before he became the head of an opposition movement against the central government with the assistance of Kefayat Khatun, he was a lover who had lost his way and failed in his romantic endeavors.

Nader and Simin, A Separation

A Separation is an Iranian drama film that was released in 2011 and was written and directed by Asghar Farhadi. The film stars Leila Hatami, Peyman Moaadi, Shahab Hosseini, Sareh Bayat, and Sarina Farhadi. A Separation is also known by its alternate title, "Nader and Simin, A Separation." The plot centers on an Iranian couple from the middle class who decide to divorce, the anguish and desperation endured by their daughter as a result of the egotistical disputes that led to their divorce, and the conflicts that arise when the husband hires a lower-class caregiver for his elderly father who suffers from Alzheimer's disease. The daughter also suffers from egotistical disputes and the divorce of her parents.

A Separation; A Movie More Than A Film

Even though it has been more than a decade since the premiere of Asghar Farhadi's most significant picture, A Separation, viewers interested in the film might find something new and appeal in viewing the film once more in the present day. When seeing the movie for a second time, one of the essential things to look out for is the discovery of minute and specific details. These details demonstrate the director's talent for turning a mundane occurrence into a dramatic situation that is both captivating and terrifying.

The success of Asghar Farhadi's fifth feature film has elevated him to such a high position that the script may easily serve as a learning unit in colleges throughout the world that teaches screenwriting and directing. In addition to having a remarkable effect on society, the picture's phenomenal success at international film festivals, for which it was nominated for the first Academy Award in the history of Iran's cinema, inspired a large number of other filmmakers to follow in his footsteps.

Because of the success of the movie "A Separation," filmmakers in Iran were inspired to produce films that could never provide the same level of creativity and effect that the story of A Separation had in the cultural and social spheres, but which nonetheless earned them recognition. It would seem that the key to Farhadi's success is a point that is both straightforward and challenging at the same time. This point is what sets him apart from all of his contemporaries and other directors. This uncomplicated argument is nothing more than an accent on the specifics.

Minute Details In “A Separation”

It is here that simple details such as taking the girl to school, leaving garbage at the door (which becomes a significant issue in court when the garbage bag is torn and the entrance stairs of the apartment are dirty), taking the change from the station attendant (which, along with the sequence of Nader's presence at Razie's house and writing a payment check in their name and recalling Nader's usual monologue about not giving money by force to anyone, shows a real manifestation of the contradictions of human behavior in different situations).

All the details above show us that we have seen a movie with an accurate and skilled filmmaker behind it that has a dramatic logic for all the moments of the story he is telling. Unlike directors who design and execute many scenes and dialogues of secondary characters just to increase the time of the film and reach the 90-minute limit of screening in cinemas; Surprisingly, Asghar Farhadi has not included any dialogue or action outside the structure of the drama or help characterization in the story.

Perhaps a look at the impact of secondary characters such as the neighbors and the teacher who tries the primary concern of the girl (Termeh, played by Sarina Farhadi), which is learning, let us know more about Asghar Farhadi's skill in complicating a simple situation through attention and focus on details.

Two Key Sequences in A Separation

Perhaps, Asghar Farhadi's intelligence can be seen in two sequences; 1) in The opening sequence - where the reason for the separation is migration to a country that offers a brighter future for them - 2) In the second scene of the film, Simin (played by Leila Hatami) amidst the clutter her house and passing through the workers who are busy carrying her piano, she went to different corners of her house to collect her belongings. This is the trembling camera on Farhadi, which, with its dynamic mise-en-scène, fuels the chaos in the atmosphere of the couple.

It takes about 7 minutes from the moment Simin enters the house to the moment she leaves, taking the nurse with her. During these 7 minutes, Asghar Farhadi quickly introduces us to the atmosphere of the house, the relationships between the main characters in his story, the grandfather who has Alzheimer's, and the nurse who agrees to work in their house to help the Simin family, making an acquaintance and spends the next few minutes of the film on the strength of the foundations of the drama, which all come to fruition in the second half with Razie's (played by Sareh Bayat) complaint against Nader.

A Separation Is NOT A Classic Drama

The exciting thing is that Farhadi, unlike the everyday classic dramas, which starts with a crisis in the relationship between the couple, and by involving them in a story, in the end, the story brings them to peace; The crisis of the couple in A Separation has continued endlessly, and even after solving their problem with Razieh's family (and despite the closeness of the husband and wife to each other, which leads to Simin's paternal house document being at their disposal), they are still aware of the divorce issue. It is deadlocked and makes the initial crisis of the film seem like an eternal inevitability.

The bitterness of the story takes on wider dimensions when we remember the girl who has always made her parents and those around her idol (We see the girl regularly studying and practicing the right behavior), and occasionally they teach her honesty and abstinence. She invites self-interested behavior by observing the mistakes and lies of his parents during the crisis, and she reaches strange conclusions from the complications of life, which even forces her to lie when faced with the judge's question; where she falsely says when facing the judge's question that she was the one who told her father about the exchange of phone numbers between the teacher and the nurse.

Maybe now, and in the face of the endless crisis that has gripped Nader and Simin's family, we can better understand the endgame that Asghar Farhadi has planned for the final chapter of his film. The end of the game comes from the heart of the drama itself and becomes an undeniable necessity.

All Things Turn Against Razieh

Both gender and social class are important considerations. In one of the scenes, a group of individuals can be seen lounging about the apartment and having a good time while playing table football. Family and friends are welcome to take part in the activity. But not Razieh. She is seen doing something quite pathetic in the kitchen where she is said to be working.

When Termeh's instructor Miss Ghahraii (Played by Merila Zare'i), stops over, she is shown respect due to a highly esteemed visitor. After all, she is instructing their daughter in the subject. However, what about Razieh? In addition, she is an essential family member since she is responsible for the care of Nader's father. On the other hand, nobody respects her. In addition to this, she is additionally constrained by the convictions of her own religious tradition.

The scenario, as shown by Farhadi, is like a pool of gasoline into which any occurrence falls like a lit match. Everyone is aware of their rights and how outraged they are when injustices or slights are committed, and the women bitterly realize that they must simultaneously discover a workable solution and persuade their male counterparts to accept it. However, the children are one item that cannot be negotiable.

Termeh takes the stage toward the conclusion. She observes everything, coerces her father into making a crucial admission, and is then painfully made to act in his place. Her suffering and rage are well concealed. But she is the one who will bear a dreadful, indescribable load—a moral and juridical burden. This is a pernicious kind of maltreatment that has been imposed upon her by the adults' conceit and greed. Farhadi skillfully and subtly turns this unpleasant argument into a modern tragedy.

A Separation Is Worth Watching Again and Again

In spite of Nader's careful care for his father, we still have a tendency to conceive of him as an authoritative patriarch along the lines of the character that Alfred Molina portrayed in the film Not Without My Daughter. However, after the opening scene, which is a magnificent single shot of the pair speaking to a judge who we only hear, Simin vanishes for a period of time.

Best Iranian Series | Top Iranian Video On-Demand Series You Should Watch

Best Iranian Series Since 2009

Since 2009, when the first video on demand (VOD) series was made and released in Iran, this new means of broadcasting movies and series has had several highs and lows all the way up to the present day. However, the introduction of online VOD streaming services is seen as a watershed moment for this sector of the entertainment business. Because of this, we have compiled a list of the best Iranian series here. 

n the beginning, nobody took this newly developing market very seriously at all. However, after some time, it became abundantly clear that it is a very difficult competitor for television in light of the fact that it does not have the conventional audits and regulations of content that are present in television, nor does it have its monopoly in the field of production. The most prominent figures in Iranian cinema have made their way into the video on demand industry in recent years.

1-    Yaghi Series

The Outlaw Series (Yaghi) is, without exaggeration, one of the best Iranian series up to this point. The meticulous and star-studded series that holds the audience's attention throughout each episode and makes them eager to see the next episode. Yaghi series has become the stage to see the presence of stars such as Parsa Pirouzfar and Tanaz Tabatabai together, the forceful and distinct presence of Niki Karimi and Farhad Aslani, and the gorgeous appearance of Ali Shadman along with Amir Jafari. The book Salto, which was written by Mehdi Afroozmanesh, served as inspiration for the creation of this series.

The story of Yaghi series focuses on a young man called Javid who, despite facing opposition from his family, friends, and a culture that encourages him to go in the other direction, is determined to make a path for himself and ultimately achieves his goal. According to the official description, the series Yaghi narrates a story about a hero's journey that is full of highs and lows and has a cast of individuals from a variety of socioeconomic strata who either help him along the way or get in his way. In order to succeed, Yaghi himself often has to push through excruciating pain and exhaustion.

·         Director: Mohammad Kart

·         Producer: Seyed Maziar Hashemi

·         Screenwriters: Mohammad Kart, Pedrampour Amiri, Hossein Domari

·         Cast: Parsa Pirouzfar, Ali Shadman, Tanaz Tabatabai, Amir Jafari, Farhad Aslani, Niki Karimi

·         Broadcast year: 2022

2-    Mortal Wound Series (Zakhm-e Kari) 2021

The Mortal Wound, a series that was produced just for the Filmo platform and is widely considered to be one of the most intriguing shows of the year 2021. The book Twenty Mortal Wounds served as the basis for this VOD series adaption. The "Zakhm-e Kari" series is the first series that was created by Mohammad Hossein Mahdavian. This series has a unique narrative in comparison to the director's subsequent works.

The following is a synopsis of the events that took place in Mortal Wound: An emergency arises in the Rizabadi family, and as a result, everyone is eager to get a portion of this huge business. But Malek recounts a different tale, one that is replete with remorse and political maneuvering "Do you agree that winter is one of favorite seasons here? It is lovely, although it may be challenging to...".

·         Director: Mohammad Hossein Mahdovian

·         Producer: Mohammadreza Takhtkashian

·         Cast: Javad Ezzati, Rana Azadivar, Hanieh Tavasoli, Saeed Changizian, Elahe Hesari, Abbas Jamshidifar, Mehdi Zaminpardaz, Amirhossein Hashemi

·         Broadcast year: 2020

 3-    Frog Series (Ghoorbagheh) 2019

It is one of the best Iranian series that was able to catch the attention of the public, and the director of that series is Houman Seyyedi. The series is called "Frog." The tale of the series is told in a new setting, and the filmmaker makes an effort to keep the film's distinct tone intact all the way through until the conclusion of the series. It is seen as a positive step forward for Houman Seyyedi's career, despite the fact that it does not have a satisfying conclusion.

The following is a synopsis of the story: The Frog series tells the tale of an ordinary and almost unlucky person who rises from obscurity to become wealthy; the challenges that are placed in the path of this character from the story and also how he faces each problem complete the story line of this masterpiece. The story of the Frog series is related to the achievement of wealth, but at what cost?

·         Director and writer: Human Sidi

·         Producer: Ali Asadzadeh

·         Cast: Navid Mohammadzadeh, Saber Abar, Sahar Dolatshahi, Fereshteh Hosseini, Mehran Ghafourian, Anahita Afshar, Mohammad Amin Shirbaf, Ehsan Mansouri, Nima Mazaheri, Saeed Haj Ali, Siamak Al-Mahbiyan and Homan Seidi.

·         Broadcast year: 2019

 4-    Jeyran Series

The Jeyran series tells the narrative of a romance of sorts and a game of power that takes place in an Iranian court. A tale that, despite the fact that it is set in the past and relates the story of what happened there, is not a historical series. It is a fast-paced series that makes an attempt to depict love in a fresh light. The extraordinary nature of this series may be attributed, in large part, to the participation of well-known actors like Bahram Radan and Parinaz Izdiyar, as well as to the outstanding work of Merila Zarei and Amir Jafari.

Be sure to pay close attention to the clothing design of the Jeyran series while you are watching it since this is one of the ways in which it excels above other instances of its kind. The following is a plot summary of the story: the series focuses on the life of Jeyran, who was Naser al-Din Shah's favorite mistress and his first. The time period of the narrative is the 19th century in Iran. Jeyran is one of the best Iranian series.

·         Director: Hassan Fathi

·         Producer: Ismail Afifeh

·         Screenwriter: Ehsan Jovanmard, Hassan Fathi

·         Cast: Bahram Radan, Parinaz Izdiyar, Amirhossein Fathi, Amir Jafari, Roya Teimourian, Mehdi Pakdel, Rana Azadivar, Kataneh Afsharinejad, Setare Pesiani, Ghazal Shakri, Morteza Ismailkashi, Homan Barknoord, Mehdi Koshki, Samira Hasanpour, Fateme Masoudifar, Behnaz Nazi

·         Broadcast year: 2021-2022

 5-    Shahrazad Series

Shahrazad series is considered the best Iranian series so far. One of the most important reasons for this reception were the actors of the Shahrazad series, all of whom were considered stars of Iranian cinema. The first season of this drama, romantic and historical series was aired in 2014 and was quickly welcomed, so that the next season was made and aired immediately. The story of Shahrzad series takes place in the 1950s and is a romantic story in a historical context.

Shahrazad is a love story between two loving couples. Shahrazad (played by Taraneh Alidousti) is a medical student and Farhad (played by Mostafa Zamani) is a literature student and journalist. These two are in love and intend to get married. Farhad's father (Mehdi Soltani) and Shahrazad's father (Mahmoud Pakniat) are both of the people listening to the great Agha (Ali Nasirian) who was a powerful and influential person in the country at that time i.e. 1954 during Mossadegh's era.

Farhad and Shahrazad were among the staunch supporters of Dr. Mossadegh until Farhad was arrested and hanged on charges of murder and conspiracy against the monarchy. The Bozorg Agha has only one daughter named Shirin (Parinaz Izadiyar), who is the wife of his nephew Qobad (Shahab Hosseini), who is a proud girl and loves Qobad, but Qobad is not interested in Shirin at all and is forced to carry on because of the fear of his uncle's power. Shirin and Qobad do not have children, and the Bozorg Agha, who wants to have a grandchild to have an heir later, decides to take Shahrazad, who is Farhad's fiancee, as a second wife for Qobad.

  Third Season of Shahrzad

But in the third season of the Shahrzad series, the answers to all questions are clear. No mystery remains in relation to any character and all the pieces of the puzzle are put together. Shahrazad's life situation improves and Shirin reaches a more suitable mental state. In the meantime, Farhad is conspiring with his friends to make a plan to make Dr. Mossadegh escape.

·         Director: Hassan Fathi

·         Producer: Seyyed Mohammad Emami

·         Authors: Hassan Fathi, Naghme Samini

·         Cast: Ali Nasirian, Taraneh Alidousti, Shahab Hosseini, Mostafa Zamani, Parinaz Izadiyar, Ghazal Shakeri, Mehdi Soltani, Mahmoud Pakniat, Hooman Barghnavard, Amir Hossein Rostami, Abolfazl Pourarab, Jamshid Hashempour, Roya Nonahali, Reza Kianian, Amir Jafari,

·         Broadcast year: 2016 (first season), 2017 (second season), 2018 (third season)

6-    Made In Iran 1

The Made in Iran 1 Series is a social satire series that has gotten a lot of attention owing to the star-studded acting team as well as the utilization of locales and actors from outside of Iran when it was being aired. Five years passed between the filming of the first and second seasons, yet despite this, the second season was unable to match the popularity of the first. The lives of two friends who are without jobs and who often find themselves in precarious situations are the focus of this series. If you are looking for an Iranian comedy series, Made In Iran 1 is considered the best Iranian series in this genre.

·         Directors: Mohammad Hossein Latifi (First season) - Barzo Niknejad (Second season)

·         Screenwriters: Khashayar Elvand, Arash Qadri, Peyman Qasemkhani (First season) - Amir Arabi (Season 2)

·         Cast: Amin Hayai, Mohammad Reza Golzar, Farhad Aslani, Behnam Tashkar, Pamela El-Kaik, Pir Daghar, Gohar Khairandish, Elika Abdul Razzaghi, Bahare Rahnama, Mohsen Kiaei, Mehran Ahmadi and Sara Bahrami

·         Broadcast year: 2010

7-    Raaz-e Bagha (The Secret of Survival)

The comedy series Raz-e Bagha, also known as The Secret of Survival, is an option worth considering. The director, Saeed Agakhani, is responsible for the series, and it is included among his other successful works. The majority of the performers in Raz-e Bagha had already collaborated with AghaKhani on the television series "Noon KHeh," making this the least risky aspect of the production.

 The events that transpire in the Raz-e Bagha series are centered on the passing of a character by the name of Rahim Timsar. Through the course of the show, we get familiar with this individual and gain insight into his life. The actions and conversations of two people called Hatam and Rahim serve as the primary center of the narrative. The situation between these two characters becomes more tense once Rahim becomes acquainted with a peculiar and questionable organization.

·         Director: Saeed Aghakhani

·         Producer: Saeed Agha Khani

·         Screenwriter: Amir Vafaei

·         Cast: Bahram Vafaei, Nima Shabannejad, Saeed Aghakhani, Hassan Majouni, Hadih Bazund, Sirus Mement, Yadullah Shadmani, Sadruddin Hejazi, Jafar Dehghan, Ehsan Rozbahani, Behzed Zibandeh

·         Broadcast year: 2022

 Eclipse series

The Eclipse series is considered to be one of the greatest examples of Iranian VOD serues in the social drama genre. Maziar Miri, whose filmography includes hits like Saadat Abad and Howz-e Naghashi, is the director of this series. Miri's prior work includes other popular films as well. The majority of the show's stars are well-known and well-respected, and in addition to them, this series has also given us our first look at several promising newcomers to the acting world, making the show one of the best Iranian series.

The events of this series get underway in the college where the protagonist, Amir, is a student. Even though he had committed to marrying his cousin, he has developed feelings for another girl. This forbidden love tale is taking place behind their families' backs, and they are completely oblivious of it. But as it is discovered that Amir has feelings for another girl, the plot really starts to pick up steam, and the problems that are presented in the story get underway.

·         Director: Maziar Miri

·         Producer: Homayun Asadian

·         Screenwriter: Hossein Tarabnejad, Homayun Asadian, Mehdi Shirzad

·         Cast: Amin Tarokh, Minoo Sharifi, Sajjad Babaei, Ali Omrani, Pouria Rahimi, Elmira Dehghani, Masoud Karamati, Setareh Eskandari, Shohreh Soltani, Amir Haji Mohammadi, Shams Fazl Elahi, Fariba Khademi

Unrequited love

A mind-boggling question

Manoocher’s untimely death has devastated Forough, his wife and Janan, his daughter, but it has also raised many questions like what Manoochehr wanted to tell the whole family the night of his mother-in-law’s birthday. Was he going to uncover a secret? What was the story behind the text messages on Manoochehr’s phone? Why had Manoochehr lost faith in Forough and her love for him? Both Forough and her only child are confused and cannot make head or tails of the recent happenings. There are many missing pieces to their puzzles. Why had Manoochehr rented an apartment of his own? We hope to find the answers in the following episodes.

INNOCENT BIGONAH

The best section of the second episode

Sina, the oldest child in Ata’s family, is crazy about rap music. He is a member of a rap group in which there’s a girl who has been harassed by a man. He shows a lot of chutzpah by going to the man’s clothing store and fobbing himself off as a customer. When the opportunity presents itself, Sina is quick-enough to take the man’s laptop and run away. Later as he is being followed by several people including the police, he throws the laptop, which apparently had some indecent photos of the girl, on the street and it smashes into tiny pieces! (It was absolutely brave of him, kudos to Sina) This part was, hands down, the most intriguing part of this episode.

Love and futility

The relationship between Forough and Bahman had reached a cul-de-sac thanks to Rashid Farshbaf, Forough’s dad. Though we still don’t have a clue as to why Rashid sent his potential son-in-law overseas, suffice to say he made his daughter live with a man she had no feelings for! In her novels, Forough has written about her failure in love and you can feel how desparately in love she had been with the man she had never forgotten all these years.

Me too movement

The youngest daughter of Rashid Farshbaf, Yalda, who is an executive editor of a cultural magazine had intended to interview with a renowned artist who happens to be acquainted with her father. To this end, she invited him to the magazine’s office, where Yalda claimed they served the best coffee! Farhang Kesrati, the host and the interviewee, however, cancelled the meeting on short notice and suggested that Yalda pay him a visit at his apartment instead. Reluctant and disgusted, she refused the invite, but she blew a gasket when she learnt this is a very common practice for Kesrati and he has lured several other women into going to his place and has sexually harassed them. Me too movement has recently gained popularity in Iran and has provided women with the opportunity to publicize their experiences of sexual abuse in an attempt to stop cruelty against women. This plot can thicken in the following episodes.

Bahman’s lucky charm

Mustering up enough courage, Bahman visited the house previously owned by Farshbafs and now inhabited by Mahtab, Bahman’s ex-wife and her mother ( Roya Teymoorian) in Monirieh neighbourhood where he met Mahtab’s indignant  mother. She explicitly asked Bahman not to get in touch with Mahtab as it would devastate her. Bahman later went to the old house’s basement and was able to find the very coin he had hidden there decades ago, his brother’s memento.

Taking the youth into account

Ata (Mehran Ahmadi) is a considerate and caring father who has his daughter’s back, but tries to be next to her, not in front of her. He knows Sarina is keen on photography and uses it as a means to encourage her to be productive and to keep her away from the evil of the society. His wife is an overprotective mum though and her being strict has driven a wedge between Sarina and her.

The world of cryptocurrencies

In the 11th episode of Yaghi, Javid finally managed to draw a line between emotions and logic by not letting his feelings take the better of him. He can’t be distracted or driven away from his objectives, nor risk his relative success in the realm of wrestling. He has made a vow to himself not to go astray from his goals no matter what ebbs and flows life has in store for him and is resolute-enough to be a man of his word. Wrestling can shine light on the otherwise dismal life of Javid, hence he has made up his mind to continue wrestling and stand by his goal which is hopefully going to take him to fortune and prosperity.

http://r.televika.com/ygh.tmb

Shadravan is the second movie directed by Hosein Namazi first presented in the 40th fajr festival and now available on Televika. Shot in the suburban parts of Tehran, Shadravan is about a slum-dwelling family. Living hand to mouth by merely selling herbs, Nader, the oldest child of the family, has to pay all the expenses of his now deceased father’s hospital treatment and burial. This comedy mainly centers on this family’s effort to pay the bills for their father’s funeral. Shadravan is written and directed by Hosein Namazi and produced by Abas Naderan.

The cast:

Reza Rooygari, Bahram Ebrahimi, Roya Teymoorian,Iman Baratpoor, Sina Mehrad, Gelare Abasi, Nazanin Bayati, Behrang Alavi, Hafez Nabizadeh, Behnaz Naderi, Azam Kaboodian, Farnaz Salehtash, Elahe Afshari,Mohsen Mehri, Sajad Rezaei, Babak Jafarie, Maryam Afshar and Mohamad Moosa Akbari

  What movie critics said

 Reza Daemi

   A poor and irresponsible dad is much of a trouble even once dead. Meanwhile, all the people related to the dead man, one way or another, try to help the family organize a reputable memorial service which most probably reminds us of Mehmane maman in which neighbours and relatives united to throw a party. Shadravan is a black comedy illustrating how Orwellian life is for poverty-stricken people.

   The movie is appealing and has potentials. It stands away from misplaced levity and fecklessness. It’s a good example of observational comedy. There is a curious paradox between the bitter events of the story and a twinge of comedy in them.

  Three features of Shadravan

Success in making a minimalist comedy

Extraordinary  acting especially by Sina Mehrad and Nazanin Bayati

Low  comedy avoidance

Seyed Arya Ghoreyshi

Appealing and involving, Shadravan has high potentials. The acting and the paradox between tone and content is exciting and unpredictable. Some of the actors, namely Behrang Alavi play quite professionally. Having said that, the film doesn’t have much to offer past the first 20 minutes or so and this shortcoming  has its roots in the script’s lack of clarity and direction. The story seems stranded which is so common in Iranian movies. What is Shadravan really all about? A man’s metamorphosis from a selfish person to a devoted one? The importance of helping someone up? or an effort to release a corpse from the hospital?!

Apparently, it is about all the above-mentioned, but in practice the director hasn’t been able to link these ideas well togetherEach section of the movie deals with one aspect and all you see is incompatibility.

Three features of Shadravan

Behrang Alavi’s performance which is unlike his other roles in other films

Professional make-up

Scanty humor and fragmentary account of the story

Ali Naeimi

Shadravan is an observational movie by Hosein Namazi, a paradoxical encounter of comedy and tragedy. It’s a genre we have already seen in other directors’ films such as Reza Kahani.

Three features of Shadravan

Skillful act especially by Behrang Alavi and Sina Mehrad

The sequence in a registry for receiving an ID card

Creating comic moments

Kamal Poor Kaveh

Just like many other films produced in the contemporary cinema of Iran, Shadravan takes its audience as naïve, undemanding and uncritical!It reminds us of the soap operas of 70s in Iran like Zire Asemane Shahr with one notable difference and that is cheap and vulgar humour. Actors like Gelare Abasi and Nazanin Bayati who had only begun to make a name for themselves, ruined their reputation by appearing in this movie.

Three features of Shadravan

The devastating ending

Behrang Alavi’s different acting

The romantic relationship between the actors Gelare Abasi and Sina Mehrad which is hilarious

What the cast and crew said

Hosein Namazi

I had written an account of this story in a newspaper and decided to make a movie out of it using my own interpretation. If I feel like I have what it takes to make a film, I’ll definitely go for it. The ending of Shadravan is by no means comic, but rather melodramatic and a sweet one indeed!

Sina Mehrad

When I was offered a role in Shadravan, I admired Hosein Namazi and Abas Naderan for having taken this risk. I went through the script and weren’t concerned about my different though not challenging role.

Roya Teymoorian

Hosein Namazi and I had already worked with each other. I already knew he embarks on a new movie production after listening to many ideas and suggestions. Hence, I didn’t hesitate to play the role of Nazi. I would call it a transparent refreshing movie.