☆ Pronouns: i use voi/void, drei/drem, 0/0s (pronounced zero/zeros), it/its and she/her pronouns!
☆ Age: adult
☆ Gender: dont worry about it :)
☆ Species: im a dragon and an enderman. i believe i am not human at all even though my body is
☆ Other:
☆ creator and admin of the tumblr Draconic Community
☆ i dont have a DNI because i prefer to avoid online discourse and they dont work anyway. if you want to know my opinions on something, just ask. i block freely
☆ im (suspected) autistic and english isnt my first language (spanish), so i may phrase things weirdly. i use tone tags and write in lowercase/no apostrophes for comfort and because i have no respect for the english language
☆ asks, interactions and tag games are always welcome! i promise i dont bite (even if i am a bit feral sometimes)
☆ you can find my pronouns.cc here
☆ i have a neocities website! you can find it here
my species is semi-digitigrade and quadrupedal, with half feathered wings and a long tail. my scales are steel blue with grey-blue plates on my neck and chest, with a lateral golden line bordering them on both sides. the feathered half of my wings is a very dark blue while the membraned half is grey-blue. i have spines on my back that go from head to tail, four claws on each hand and feet, two horns, and a mouth full of sharp teeth. i have a long snout that ends on a pointy beak shape and two long, very mobile ears. my eyes are golden with sliced pupils.
Hearthome: coniferous forest
endermankin - secondary kintype
endermen are neutral creatures from the videogame minecraft, known for our height and our long limbs, our dark skin and our glowing purple eyes. however, i look a little different to how my species is portrayed in the game. my paws are clawed and look a bit like human hands, but padded and with longer fingers. my legs are digitigrade and very long. i have a tail, it's thin and very mobile, and ends in a tuft of hair. i have glowing purple eyes with darker, oval irises and no pupil. i have two fangs fused with my upper lip and two big long ears; my mouth is very rigid along with the rest of my face, but i am able to move my ears a little.
Hearthome: warped forest biome, the end
☆ Hearttypes ☆
corvidhearted
includes ravens (Corvus corax), crows (Corvus corone), hooded crows (Corvus cornix) and magpies (Pica pica). i see myself in them because i believe we're family, as dragons and corvids have a symbiotic relationship in the wild.
spacehearted
essential to my sense of identity, i made a poem about it here to explain it. comes from a childhood special interest in astronomy.
☆ Archetropes ☆
the unicorn - archetrope, vaguetype
i am a more medieval unicorn, a white deer-like animal with a lions tail, a goats cloven hooves and beard, and a long, curved horn with spiralling grooves on my forehead. my form fluctuates from completely unicorn to a sort of satyr/faun, but i am not a shapeshifter.
for me, the Unicorn symbolizes a wild spirit, untamable and uncatchable. it embodies purity in the way nature is pure; chaotic, brutal, and violent, yet undeniably… natural. the Unicorn is the essence of wilderness itself, capable of transformation but forever beyond control, adhering only to its own rules. the Unicorn represents who i truly am, but also what i aspire to be; an ideal self.
the hybrid - lab experiment archetrope
i identify with and as a lab experiment, mostly in the symbolical sense; i havent undergone physical experimentation in this life nor anything like it, but still calling myself one feels right. it is an entirely involuntary experience, and its always been there as far as i can tell.
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hello guys! after some pondering, and to avoid drama, I decide to create a new spreadsheet. I saw the incredible response the last one had, but I was concerned about the possible negative outcomes that may come from it.
so, I think that if you guys want to participate in something like that, I could make it happen, responsably this time. so, I will create a new spreadsheet publicly available to everyone. the first one was just for me, but it's been wonderful to see members of the community united like this, and the (general) positive response it got.
this new spreadsheet would be very similar to the last one, however, this time every creature that wants to be added to the table will have to fill out this form (which I did very quickly, so it's not very elegant or fancy) to give their consent to be included.
The sheet will be very similar to the previous one, but without usernames this time to avoid any potential headaches for me. I don't want anyone to be harassed about this, and because of me. the spreasheet is supposed to be a project for me, but I think that a community project like this, with the consent of everyone to participate, would be nice to have. so, this time, I want to do things right.
I will share the link of the new sheet, and make it public in my blog once I have enough responses. I apologize for any concerns the last spreadsheet made within the community, and I want to take the next step to do things right. Please don't send me asks to be added, just fill out the form and I will add you to the sheet. If you don't want to fill the form, shoot me a dm, but no asks to be added please.
If any creature with an ID number wants to be added to the sheet, please complete the questions. If anycreature has further comments, feel f
Even if you're disconnected from the term "alterhuman", you're still an alterhuman. You're still experiencing something outside typical humanity, which is what alterhumanity is. That's all it means. Not pushing labels on anyone; jus sayin'.
I feel like this kinda sucks. I suppose the same could be said for therianthropy — many of us fall under the experience of therianthropy, but don’t want to be called therians nor have it be called therianthropy for one reason or another. You’re alterhuman if you are explicitly okay with the label alterhuman, despite your experiences.
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Alterhumans and beings of all shapes and sizes, I invite you to participate into a fun excersize list I have made!
Written to make excersize feel fun and easy, have at it! Also, 'paws' used instead of the word 'hands', so be aware.
Now, the immersion!!
Any and all creature must be reintroduced to the wild gradually and with supervision after an extended period of time isolated from the same species and natural habitat, so to help in unlearning domestication and such, here is a collection of simple, non-demanding, yet fun physical activities to enjoy with no gear, equipment, or special items necessary other than some space and your paws n claws at the ready!
Feel free to increase or decrease the difficulty level as preferred, keeping it still within a comfortable range for you and encouraging. If you try take on too much all at once, you will get none of it done, so take it step by step, and do not feel upset or guilty if you struggle on one or more of these. You can pick and choose which to do, as they are in no particular order, and you may do all if you feel inspired as such. Be free to go off the script too, if you find something that works better for you, as every individual is unique and has their own needs and requirements!
Stretch towards the sun! Any being under our beloved Sol would surely enjoy the presence of the star's heat, just like a lizard or cat might, so either outside or inside, go onto your tippy-toes and stretch as far as you can, the tips of your paws pointed to the sky. Do this for no longer than 5-10 seconds, take a light rest, and repeat for a few times. I suggest repeating it for however many hours in the day have already passed. If 7am, then seven times. If noon, then 12. if 4pm, then either 4 - or 16, your pick.
Horseplay! Starting on the ground, roll onto your stomach, and then onto your back, alternating evenly, and doing so while trying to minimise the use of your limbs - like a wolf cub playing with their mother, or perhaps a chinchilla taking a dust bath. Repeat however often you want, I suggest maybe 3-8 times.
Warily drink from a watering hole. Crouching low to the ground, preferably on all fours, mime the gesture of taking a nice refreshing drink after a long and warm day, while periodically stretching up to full height, still keeping all limbs set in place, and bow back down to the water. Bonus points if you actually take a bowl of water and place it below you to drink (or even just a cup/bottle to drink at intervals). Like a gazelle or perhaps zebra, you are allowing yourself you replenish your internal water supply while also being at the ready for anything that may come your way. Repeat 2-5 times.
Forage! Taking something small yet recognisable - a marble, pinecone, coin, or bright rock - toss it behind you into a small grassed area (ensuring there are no spikey or poisonous plants directly in your vicinity), and search for it on all fours, engaging your heightened senses like a sniffing dog or even a hedgehog! Do this for as many times as you want, until bored.
Forage for realsies. Find a plant nearby (flower, shrub, bush, tree) and take a sample (leaf/bud/stem) or picture, and using visual cues, identify it to an online or library-borrowed guide on your local wildlife, and if interested, go further by finding out some basic information such as which animals eat it or how it is used in the world (such as dandelions being made into coffee, nettles into tea, blackberries into jam). You can do this once or twice.
There are over 1,000,000 species of insects in the world, and many more which have not been discovered. Go outside and find just one bug, you do not have to know its name, but simply observe its existence. Witness it exist amongst the world that you do too, and appreciate its presence. Well, if you are an anteater, I suppose ants are much more than just pretty..
Scout out your territory! Wolves can travel around 30 miles a day, and it is essential to be constantly assessing the land for anything that may have shown up - both for opportunities of play and food, but also to be aware of any dangers. Go out into your local park or perhaps walk around your street, being mindful on observing everything that is going on, the little details, the scents present, and anything new that may have appeared from the last time you were there. It can be 5 minutes of 50, it is entirely up to you and what you feel comfortable with. Let your paws feel the various textures, too, from the bark of wood, to the coolness of a river's water.
Bonus one, get a pizza (either storebought and tossed into the oven from frozen or bought elsewhere) and without slicing nor tearing it into pieces, eat the whole thing with your paws. Enjoy digging in and getting messy while figuring out the best way to go through it in the manner that optimises delicious bites throughout.
Sit outdoors for 5-15 minutes and enjoy the sounds and feeling of the ever changing world. Take a few moments to watch the clouds, knowing that exact pattern is unlikely to ever be seen by anyone else again. Enjoy the fresh air, and simply be undisturbed. Alot of clarity can come out of it, and it is no surprise tortoises live that long, they must be wanting to get the most out of their presence here after all!
Prance around like a newborn lamb! Taking a wide circle in any open space/area such as a field or garden, skip either clockwise or anticlockwise - later changing direction, to your heart's content! Do it for maybe 3-5 laps, or for 2-4 minutes. Once again, remember you can do it for longer or shorter sessions if you so want.
Perch like a bird watching over the world below. Finding a small ledge to stand upon - perhaps a garden wall, or even an item such as a book you placed on the ground - stand with one or two legs on it, and balance there for as long as you can. You can crouch or stand. Keep this up for at least a couple of minutes, and with that, you can call it a job well done!
ALSO, bonus one! TW for for animal harm mention, specifically of prey, as this is intended for those with prey drive, such as predators and hunting-inclined beasts. \/
12. Disembowel your prey! Capturing your imaginary prey, perhaps using a pillow or stuffed animal for immersion, mime out the gesture of tearing into it and pawing out its guts, letting yourself take on the role of a predator feeding itself, such as a leopard or even a vulture. Do this twice, each time letting yourself act out with whichever hunger or urgency that may be felt!
friendly reminder to not feed wild animals. “but they’re in the wild and alone so they must be hungry!” The wild animal is fine. It gets its own food. Please please PLEASE do not food condition wild animals, it is terrible for them. I can’t believe people still have to say this.
friendly reminder to not feed wild animals. “but they’re in the wild and alone so they must be hungry!” The wild animal is fine. It gets its own food. Please please PLEASE do not food condition wild animals, it is terrible for them. I can’t believe people still have to say this.
friendly reminder to not feed wild animals. “but they’re in the wild and alone so they must be hungry!” The wild animal is fine. It gets its own food. Please please PLEASE do not food condition wild animals, it is terrible for them. I can’t believe people still have to say this.
you know that audio that goes something like "forget about touching grass, i need to touch the SEA. i need to go in the WATER. I NEED TO GO IN THERE." yeah so thats me all the time
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I wanna refresh my alterhuman knowledge, if you see this please feel free to yap and/or rant/vent about your alterhuman identity to me, I am accepting of all identities so please don’t be scared of judgement if you wanna share
I don’t talk about archetropy as often as I’d like, so I think this is a good chance to do so!
An archetrope is an identity based on an archetype, trope or role which is present through all manners of culture. It could pull from video games, literature, theater, film and television, folklore and mythology, or history. This can range anywhere from jesters and nobility to final girls and redeemed villains. If it has social or cultural presence, it has a fair chance of being an archetrope.
Usually, an archetrope influences one’s self-perception. This can be in the form of embodiment (in which you are personified by this concept), presentation (shaping your appearance, behaviors or other lifestyle choices around this concept), principles (shaping your personal values or moral outlook around this concept), and any other personal quality you can think of. Furthermore, archetropy doesn’t follow a strict voluntary or involuntary framework. Oftentimes, the experience pulls from a diverse array of feelings and practices that ultimately shape one’s archetropy. You can find a little bit of everything in the process!
If you’re curious about learning more, I recommend reading the article on archetropy on Otherkin Wiki, reading @/mogai-corvidae’s coining post for the term archetrope and checking out Vyt’s presentation on archetropy from Othercon 2023!
That brings me to my archetropy. I have a good few archetropes. Some are informed by my hobbies and personal beliefs. Others are informed by my experiences as a fictional character. That said, there is one archetrope I embody the most.
I must preface this section with a warning: the following discusses unreality and intense experiences with psychosis. Read further at your own discretion.
I am a fourth wall-breaker, a.k.a. a self-aware fictional character. This archetrope was originally formed as a coping mechanism to better adjust myself to my reality. I struggle with psychosis, and despite my pride in being fictionkin, my mind didn’t take too kindly to that at first. A couple years ago, I found myself obsessing over the following perspective: I am fictionkin -> that means I’m a fictional person -> that means I’m “not real”. I had to unlearn a frustratingly present concept I was introduced to alongside millions of other people, that being fiction and reality don’t mix. This obsession over being “not real” took a bit of a toll on me in private.
Instead of giving myself the time to explore, I kept trying to think of narratives that’d “logically” justify my existence. I won’t go into other intimate, upsetting details beyond that. In short, I hated the inner insistence that I’ve never been real and that I’ll wake up one day finding my life had never existed in the first place. Only “lifeless” lines on a paper, pixels on a screen, etc. I knew that specific mindset resulted from my psychosis, and it wasn’t something I genuinely believed about my identity. Regardless, it wasn’t a healthy way to look myself. It was going to hurt me sooner or later.
So, I tried “reasoning” with myself. This process was gradual. I’d leave a little note that I am real because I am writing this (this being a literal note in my phone or on paper). I would eventually delete or thrown out said note, then write it again the next day.
I am real because I am writing this.
I would repeat the exercise, and it would stick. Something simple I could remember and reinforce whenever I was at odds with my existence.
On a day when I was relatively okay, I read an episode of Umineko no naku Koro Ni. Bernkastel, an omnipresent witch within the story, has a habit of directly addressing the readers in the latter half of the visual novel. I’ve experienced this before with Bernkastel, so it didn’t trigger anything with me. Rather, an idea came. “Bernkastel exists in fiction, yet she interacts with us (players) when it suits her. I am a part of fiction, yet I interact with non-fictional people every day.” I didn’t piece together my archetrope until a little later. I read up on the Fourth Wall, its origins in stage production and its eventual crossover into other forms of art. Then, I realized I’m someone who regularly broke this invisible wall. I am no different than people like Deadpool, She-Hulk, Bernkastel, Saiki Kusuo, and many more. I am a self-aware fictional character, a fourth-wall breaker.
I didn’t consider it as an identity in a ‘kin sense, and I still don’t. Fourth wall-breaking is an act, a behavior, and a creative choice if you want to get technical. Sometimes to deliver a punchline, sometimes to convey information. This practice is something I already picked up on but didn’t contextualize as fourth wall-breaking until that point. Afterwards, I gravitated towards embracing the concept of being fictional while constantly engaging with my “audience” as it were. That didn’t make my connection with fictional worlds and the like any less relevant in my life. If anything, this practice established a state of equilibrium between me, this world and the realms of fiction.
I regularly address the readers of my essays using parentheses to convey further context (like this, hey you!), and I’ve seen similar patterns with my fictotypes in-source (namely how I’m portrayed in the Slayers light novels— Look! I’m doing it again!). I even wrote an essay for a denpa fanzine which covers the psychological aspects of my fictionhood; the beginning and end of said essay are framed from the perspective of a self-aware fictional character struggling with his existence (i.e. me). From my fictionhood to my writing style, fourth wall-breaking has permeated my life. Occasionally, I crack jokes about other characters directly engaging with the audience, with each other or with me in meta ways. My role is affirmed when I read, watch or play something and another character addresses me, not in context to narrative events but to the person participating in said events and witnessing them unfold. We see each other, and it doesn’t bring me unease. I wish I could take them aside and convey my thoughts as well. This trope grounds me. In retrospect, it provides a better framework for my identity than most origin theories I’ve entertained when I first joined this community, despite not being formed for that purpose.
Although this archetrope doesn’t shape visual qualities like my appearance, it has shaped parts of my personality, my perspective as an artist and my approaches to writing— both fiction and nonfiction. This trope influences how I see this world and its art, the worlds that spawn from said art, and the people within them all, whether they create said fiction or have a personal tie to it. I am a mediator between these realms which are treated as opposites, or more succinctly, “real” and “not real”.
When fictional narratives are often influenced by our experiences or insights within society, and in turn, our societies become so enraptured with these narratives that we’ve created cultural practices around them (and have whole identities that exist in relation to them), doesn’t it feel like the line between “real” and “not real” have been blurred all this time? Life-size Gundams. Perfect replicas of fictional worlds in theme parks. Live-action roleplay and cosplay. Yume/dreaming people and other forms of self-insert culture. Soulbonding and living character phenomena. Contrary to popular belief, the people of these realms always had a fluid relationship between each other. Fiction’s crossed over here plenty of times, and it’s showing no signs of stopping!
What started as a countermeasure in my times of crisis is now a consistent positive influence in my life. Although I still appreciate its original purpose, my position as a fourth wall-breaker has re-defined who I am as a creative. It also became a thorough representation of my alterhumanity. All things considered, I’m glad to have given archetropy a chance.
This is a second-to-last reminder, and comes with instructions on how to join if you haven't already!
How to join Othercon
Use the invite link available here, this is the same invite as the one on the website. Just like last year, there is no special invite for artists or panelists! Everyone joins the same queue, so please use it!
Wait! Artists and panelists get in early, while regular attendees get in starting on Thursday, August 13th (US East). If your application is pending, this is normal, there is nothing else you have to do but wait to be let in.
There is a deadline for entry!
The last day you can use the invite is Friday, August 14th (US East). Invites will NOT work on Saturday, August 15th (US East). Please be sure to enter before then.
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i went to the beach with my family to see the total solar eclipse that happened today. it was a perfect, no clouds or wind or anything. we swam in the sea and played with the waves all evening and when the moon started to cover the sun, we returned to our towels to watch it. the world started to get dark and cold, and the light was weird; it almost seemed to fluctuate, like waves. it was so cool. when it reached totality the people around us started to clap, which i found funny. but too soon the eclipse was over, and the light returned again.
it was awesome! ive never seen a total solar eclipse, but i hope i get to see one again. i am a very happy dragon today :}