Sweet Seals For You, Always
Claire Keane
Keni
Monterey Bay Aquarium
almost home
macklin celebrini has autism

oozey mess
h
Cosimo Galluzzi

Kiana Khansmith
Lint Roller? I Barely Know Her
Doug Jones
KIROKAZE
One Nice Bug Per Day
taylor price
Fai_Ryy
official daine visual archive
let's talk about Bridgerton tea, my ask is open

seen from Philippines

seen from Germany
seen from Ukraine
seen from United States
seen from United States
seen from Germany
seen from United States
seen from Germany
seen from Venezuela
seen from China
seen from United States

seen from Türkiye
seen from Ukraine

seen from Maldives
seen from Uzbekistan
seen from Belarus
seen from Indonesia

seen from Singapore
seen from Bangladesh
seen from Brazil
@takafilm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I have gotten used to looking at reality in an artistic way, especially through the viewpoint of painting. When I look at nature, I see a frame of painting. I see everything from an aesthetic angle. Even when I am in a taxi looking out of the window, I put everything in a frame. This is the way I see painting, photography and film – all interrelated and connected. The movie industry captures reality in frames. For me particularly, painting is a source of diversity, and refuge from daily life. When tired, everyone seeks refuge in something. For me painting is that form of refuge – a place to go and entertain myself and perhaps recreate reality in an aesthetic sense.
-Abbas Kiarostami
[via]
Richard Linklater, Ethan Hawke & Julie Delpy on the set of Before Sunrise, 1995.
Road trippin’.
“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”
R.I.P. Andrzej Zulawski, 1940 – 2016
This year sucks.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Frieze: What could you imagine doing if you didn’t do what you do?
Agnes Varda:Finding ways other than photography and cinema to capture fragile instants – as substitutes for memory.
Taxi (Jafar Panahi, 2015)
杨德昌 - 一一
Setsuko Hara: The Millennium Actress
WOMEN CINEMATOGRAPHERS APPRECIATION WEEK⁴
Eternal Sunshine of the Spotless Mind (2004) | DP - Ellen Kuras

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Carol - Carter Burwell
Burden of Dreams (1982, dir. Les Blank)
“Life is a mixture of sad and happy things. Movies are so life-like, that’s why we love them […] My uncle says we live three times as long since man invented movies […] It means movies give us twice what we get from daily life.”
yi yi (dir. edward yang, 2000)
US one sheet for ANOMALISA (Charlie Kaufman, USA, 2015)
Designer: BLT Communications
Poster source: IMPAwards
This has been the shittiest fucking week in a very long time. I need something from Kaufman to keep my soul from dying completely. I know, tall order.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Anna Karina by Jeanloup Sieff
Rest in Peace, Setsuko Hara (1920-2015)