Contracorriente (2009, dir. Javier Fuentes-Leon)
Mike Driver
Lint Roller? I Barely Know Her
AnasAbdin
he wasn't even looking at me and he found me
d e v o n

Discoholic 🪩
Show & Tell

JVL
Keni
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

★

Janaina Medeiros
Xuebing Du
i don't do bad sauce passes
ojovivo

blake kathryn
we're not kids anymore.
seen from United States

seen from United States

seen from United States
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seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from Canada
seen from Canada

seen from Philippines
seen from United States
seen from South Africa

seen from Malaysia
seen from South Africa
seen from Bolivia
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seen from Germany
@folms
Contracorriente (2009, dir. Javier Fuentes-Leon)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jonas Mekas (1922 — 2019)
http://www.incite-online.net/jonasmekas.html
Maborosi (1995), dir. Hirokazu Kore-eda
Drifting Clouds (1996, dir. Aki Kaurismäki)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Distance (2001, dir. Hirokazu Kore-eda)
Distance (2001, dir. Hirokazu Kore-eda)
Zama (2017, dir. Lucrecia Martel)
“When the light goes out, God is dead.” Death and Transfiguration (1983, dir. Terence Davies)

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The Terence Davies Triology (1976-1983)
“The Academy Awards began as an effort of appeasement. It was the late 1920s, and Louis B. Mayer—the studio head who was one of the founders of Metro-Goldwyn-Mayer—was worried about the spread of unionization throughout the movie industry. Wanting to keep the studio workers in his employ from organizing, he came up with a canny solution: He founded a collective, the Academy of Motion Picture Arts and Sciences, that would, among other things, distribute prizes to Hollywood’s creators—and that would help, Mayer hoped, to keep producers and actors and other laborers of the film industry in his thrall. “I found that the best way to handle [moviemakers] was to hang medals all over them,” Mayer would later note. “If I got them cups and awards,” he reasoned, “they’d kill themselves to produce what I wanted. That’s why the Academy Award was created.””
— anyway
https://www.theatlantic.com/entertainment/archive/2018/03/the-power-structure-oscars/554837/
Visages, Villages (2017)
she’s in front of g*dard house lmaoooooooo
Life on Earth (1998)
The Brood (1979, dir. David Cronenberg)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Brood (1979, dir. David Cronenberg)
Il Posto (1961, dir. Ermanno Olmi)