Contracorriente (2009, dir. Javier Fuentes-Leon)

@theartofmadeline

titsay
macklin celebrini has autism

★
Monterey Bay Aquarium
YOU ARE THE REASON
will byers stan first human second
Noah Kahan
The Stonewall Inn
Fai_Ryy
Sweet Seals For You, Always
NASA
EXPECTATIONS

oozey mess

Origami Around
Cosimo Galluzzi
sheepfilms
RMH

bliss lane

seen from United States

seen from Türkiye

seen from T1
seen from Saudi Arabia

seen from Italy

seen from United States
seen from Bangladesh
seen from Germany
seen from United States

seen from United States
seen from Pakistan
seen from Brazil
seen from South Africa
seen from Kenya
seen from South Africa

seen from Türkiye
seen from South Africa
seen from South Africa
seen from South Africa
seen from United States
@folms
Contracorriente (2009, dir. Javier Fuentes-Leon)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jonas Mekas (1922 — 2019)
http://www.incite-online.net/jonasmekas.html
Maborosi (1995), dir. Hirokazu Kore-eda
Drifting Clouds (1996, dir. Aki Kaurismäki)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Distance (2001, dir. Hirokazu Kore-eda)
Distance (2001, dir. Hirokazu Kore-eda)
Zama (2017, dir. Lucrecia Martel)
“When the light goes out, God is dead.” Death and Transfiguration (1983, dir. Terence Davies)

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The Terence Davies Triology (1976-1983)
“The Academy Awards began as an effort of appeasement. It was the late 1920s, and Louis B. Mayer—the studio head who was one of the founders of Metro-Goldwyn-Mayer—was worried about the spread of unionization throughout the movie industry. Wanting to keep the studio workers in his employ from organizing, he came up with a canny solution: He founded a collective, the Academy of Motion Picture Arts and Sciences, that would, among other things, distribute prizes to Hollywood’s creators—and that would help, Mayer hoped, to keep producers and actors and other laborers of the film industry in his thrall. “I found that the best way to handle [moviemakers] was to hang medals all over them,” Mayer would later note. “If I got them cups and awards,” he reasoned, “they’d kill themselves to produce what I wanted. That’s why the Academy Award was created.””
— anyway
https://www.theatlantic.com/entertainment/archive/2018/03/the-power-structure-oscars/554837/
Visages, Villages (2017)
she’s in front of g*dard house lmaoooooooo
Life on Earth (1998)
The Brood (1979, dir. David Cronenberg)

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The Brood (1979, dir. David Cronenberg)
Il Posto (1961, dir. Ermanno Olmi)