Contracorriente (2009, dir. Javier Fuentes-Leon)
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Kiana Khansmith
AnasAbdin
we're not kids anymore.
he wasn't even looking at me and he found me
d e v o n
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

@theartofmadeline
Keni

❣ Chile in a Photography ❣
Alisa U Zemlji Chuda
wallacepolsom
ojovivo
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
Claire Keane
RMH
seen from Spain
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@folms
Contracorriente (2009, dir. Javier Fuentes-Leon)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jonas Mekas (1922 — 2019)
http://www.incite-online.net/jonasmekas.html
Maborosi (1995), dir. Hirokazu Kore-eda
Drifting Clouds (1996, dir. Aki Kaurismäki)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Distance (2001, dir. Hirokazu Kore-eda)
Distance (2001, dir. Hirokazu Kore-eda)
Zama (2017, dir. Lucrecia Martel)
“When the light goes out, God is dead.” Death and Transfiguration (1983, dir. Terence Davies)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Terence Davies Triology (1976-1983)
“The Academy Awards began as an effort of appeasement. It was the late 1920s, and Louis B. Mayer—the studio head who was one of the founders of Metro-Goldwyn-Mayer—was worried about the spread of unionization throughout the movie industry. Wanting to keep the studio workers in his employ from organizing, he came up with a canny solution: He founded a collective, the Academy of Motion Picture Arts and Sciences, that would, among other things, distribute prizes to Hollywood’s creators—and that would help, Mayer hoped, to keep producers and actors and other laborers of the film industry in his thrall. “I found that the best way to handle [moviemakers] was to hang medals all over them,” Mayer would later note. “If I got them cups and awards,” he reasoned, “they’d kill themselves to produce what I wanted. That’s why the Academy Award was created.””
— anyway
https://www.theatlantic.com/entertainment/archive/2018/03/the-power-structure-oscars/554837/
Visages, Villages (2017)
she’s in front of g*dard house lmaoooooooo
Life on Earth (1998)
The Brood (1979, dir. David Cronenberg)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Brood (1979, dir. David Cronenberg)
Il Posto (1961, dir. Ermanno Olmi)