"It was a splendid summer morning and it seemed as if nothing could go wrong."
-John Cheever

oozey mess
Today's Document
DEAR READER
h

occasionally subtle
Jules of Nature

shark vs the universe
i don't do bad sauce passes
wallacepolsom
almost home
YOU ARE THE REASON
todays bird

pixel skylines
Monterey Bay Aquarium
noise dept.

if i look back, i am lost

@theartofmadeline
Sweet Seals For You, Always
2025 on Tumblr: Trends That Defined the Year
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@tail-feathers
"It was a splendid summer morning and it seemed as if nothing could go wrong."
-John Cheever

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Unknown -  Janhendrik Dolsma
Dutch, b. 1950 Â -
Oil on panel, 150 x 85 cm.
Shiny Things - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas. , 24 x 12 in.
Purtud, Bed of a Glacier Torrent (1904) by John Singer Sargent

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Point Lobos Coast by California plein air painter, Brian Blood
“The satisfactions of manifesting oneself concretely in the world through manual competence have been known to make a man quiet and easy. They seem to relieve him of the felt need to offer chattering interpretations of himself to vindicate his worth. He can simply point: the building stands, the car now runs, the lights are on. Boasting is what a boy does, because he has no real effect in the world.”
— Matthew B. Crawford, Shop Class as Soulcraft: An Inquiry Into the Value of Work
John Steinbeck, by his friend James Fitzgerald. 1935.
Smithsonian Institution.
Ópera Garnier
L'Hermitage at Pontoise (1867) by Camille Pissarro

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In the AESOP fable “The Quack Frog”, a well-tailored toad comes to town passing himself off as a learned physician and promising cures for ailments. A skeptical fox pipes up to ask, “How can we believe you if you cannot heal yourself of that ugly, wrinkled skin?”
Moral: Those who would mend others, should first mend themselves.
Cabo Sunion, Grecia
Grown-Up
by Edna St. Vincent Millay
Was it for this I uttered prayers, And sobbed and cursed and kicked the stairs, That now, domestic as a plate, I should retire at half-past eight?
Antonio Barahona - Los Platos (2025)

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Still Life on a Red Checkered Tablecloth - Pierre Bonnard , 1930-35
French , 1867-1947
Watercolour, gouache, and pencil on paper , 31.1 x 24 cm.
Dostoevsky: