Noted personality: Lee Marvin
âHey, itâs time to put down the screen and have a drink.â
Xuebing Du
KIROKAZE
taylor price

Janaina Medeiros
Lint Roller? I Barely Know Her
wallacepolsom

çĽćĽ / Permanent Vacation

blake kathryn

NASA

â

Kiana Khansmith

titsay
Jules of Nature
he wasn't even looking at me and he found me

â
cherry valley forever
"I'm Dorothy Gale from Kansas"
occasionally subtle

#extradirty

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seen from Malaysia
seen from United States
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seen from United Arab Emirates

seen from Morocco
seen from United States

seen from United States

seen from United States
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seen from United States
seen from United States
@tail-feathers
Noted personality: Lee Marvin
âHey, itâs time to put down the screen and have a drink.â

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Claire DenariĂŠ-Soffietti
(South African/French, born 1923)
"Parasol", 2024.
Acrylic on Canvas, 150 Ă 150 cm.
Private Collection.
Terracotta scyphus (drinking cup), ca. 15 B.C.âA.D. 60, Metropolitan Museum of Art: Greek and Roman Art
Gift of J. Pierpont Morgan, 1917 Size: H. with handle 4 9/16 in. (11.6 cm); diameter 4 ½ in. (11.4 cm) Medium: Terracotta
https://www.metmuseum.org/art/collection/search/250118
Mary Pettis  |  Breakfast, 2016
Pettis was selected for the Art Renewal Centerâs ARC Salon in 2014 and 2015

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Join Me  -  Erika Toliusis , 2021.
Canadian , b. 1969 Â -
oil on canvas painted only by palette knife , 120 x 120 cm.
The House on the Shore - Teresa Lawler
British , b. 1948 -
Oil on canvas , 30 x 30 in.
The Aperitif  -   Raoul Dufy  , 1908
French, 1877-1953
Oil on canvas. 59 x 72,5 cm.Â
MusĂŠe d'Art Moderne de lâ Ville. ParĂs. France.
đĽCneers
"It was a splendid summer morning and it seemed as if nothing could go wrong."
-John Cheever
Unknown -  Janhendrik Dolsma
Dutch, b. 1950 Â -
Oil on panel, 150 x 85 cm.

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Shiny Things - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas. , 24 x 12 in.
Purtud, Bed of a Glacier Torrent (1904) by John Singer Sargent
Point Lobos Coast by California plein air painter, Brian Blood
âThe satisfactions of manifesting oneself concretely in the world through manual competence have been known to make a man quiet and easy. They seem to relieve him of the felt need to offer chattering interpretations of himself to vindicate his worth. He can simply point: the building stands, the car now runs, the lights are on. Boasting is what a boy does, because he has no real effect in the world.â
â Matthew B. Crawford, Shop Class as Soulcraft: An Inquiry Into the Value of Work

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John Steinbeck, by his friend James Fitzgerald. 1935.
Smithsonian Institution.
Ăpera Garnier