The House on the Shore - Teresa Lawler
British , b. 1948 -
Oil on canvas , 30 x 30 in.
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祝日 / Permanent Vacation
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The House on the Shore - Teresa Lawler
British , b. 1948 -
Oil on canvas , 30 x 30 in.

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The Aperitif - Raoul Dufy , 1908
French, 1877-1953
Oil on canvas. 59 x 72,5 cm.
Musée d'Art Moderne de l’ Ville. París. France.
🥂Cneers
"It was a splendid summer morning and it seemed as if nothing could go wrong."
-John Cheever
Unknown - Janhendrik Dolsma
Dutch, b. 1950 -
Oil on panel, 150 x 85 cm.

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Shiny Things - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas. , 24 x 12 in.
Purtud, Bed of a Glacier Torrent (1904) by John Singer Sargent
Point Lobos Coast by California plein air painter, Brian Blood
“The satisfactions of manifesting oneself concretely in the world through manual competence have been known to make a man quiet and easy. They seem to relieve him of the felt need to offer chattering interpretations of himself to vindicate his worth. He can simply point: the building stands, the car now runs, the lights are on. Boasting is what a boy does, because he has no real effect in the world.”
— Matthew B. Crawford, Shop Class as Soulcraft: An Inquiry Into the Value of Work
John Steinbeck, by his friend James Fitzgerald. 1935.
Smithsonian Institution.

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Ópera Garnier
L'Hermitage at Pontoise (1867) by Camille Pissarro
In the AESOP fable “The Quack Frog”, a well-tailored toad comes to town passing himself off as a learned physician and promising cures for ailments. A skeptical fox pipes up to ask, “How can we believe you if you cannot heal yourself of that ugly, wrinkled skin?”
Moral: Those who would mend others, should first mend themselves.
Cabo Sunion, Grecia

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Grown-Up
by Edna St. Vincent Millay
Was it for this I uttered prayers, And sobbed and cursed and kicked the stairs, That now, domestic as a plate, I should retire at half-past eight?
Antonio Barahona - Los Platos (2025)