David Hockney
Three trees near Thixendale (series). 2007-08
"Trees are the largest manifestation of the life-force we see. No two trees are the same, like us." David Hockney
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David Hockney
Three trees near Thixendale (series). 2007-08
"Trees are the largest manifestation of the life-force we see. No two trees are the same, like us." David Hockney

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Great artist. Terrible loss. RIP.
Hockney was comfortable with his own mortality.
“I love it when we give death a good run. But a time comes when the contest is over, and we shake skeletal hands. For life is God’s, and He bids us move along.” — David Warren
Noted personality: Lee Marvin
“Hey, it’s time to put down the screen and have a drink.”
Claire Denarié-Soffietti
(South African/French, born 1923)
"Parasol", 2024.
Acrylic on Canvas, 150 × 150 cm.
Private Collection.
Terracotta scyphus (drinking cup), ca. 15 B.C.–A.D. 60, Metropolitan Museum of Art: Greek and Roman Art
Gift of J. Pierpont Morgan, 1917 Size: H. with handle 4 9/16 in. (11.6 cm); diameter 4 ½ in. (11.4 cm) Medium: Terracotta
https://www.metmuseum.org/art/collection/search/250118

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Mary Pettis | Breakfast, 2016
Pettis was selected for the Art Renewal Center’s ARC Salon in 2014 and 2015
Join Me - Erika Toliusis , 2021.
Canadian , b. 1969 -
oil on canvas painted only by palette knife , 120 x 120 cm.
The House on the Shore - Teresa Lawler
British , b. 1948 -
Oil on canvas , 30 x 30 in.
The Aperitif - Raoul Dufy , 1908
French, 1877-1953
Oil on canvas. 59 x 72,5 cm.
Musée d'Art Moderne de l’ Ville. París. France.
🥂Cneers

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"It was a splendid summer morning and it seemed as if nothing could go wrong."
-John Cheever
Unknown - Janhendrik Dolsma
Dutch, b. 1950 -
Oil on panel, 150 x 85 cm.
Shiny Things - Antonia Tyz Peeples
American , b. 1957 -
Oil on canvas. , 24 x 12 in.
Purtud, Bed of a Glacier Torrent (1904) by John Singer Sargent

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Point Lobos Coast by California plein air painter, Brian Blood
“The satisfactions of manifesting oneself concretely in the world through manual competence have been known to make a man quiet and easy. They seem to relieve him of the felt need to offer chattering interpretations of himself to vindicate his worth. He can simply point: the building stands, the car now runs, the lights are on. Boasting is what a boy does, because he has no real effect in the world.”
— Matthew B. Crawford, Shop Class as Soulcraft: An Inquiry Into the Value of Work