#zolfwilde

Oscar Wilde, as re-imagined in the RQG universe, is a homme fatale; a dangerous, attractive man, skilled in encouraging people to underestimate him, wearing different masks, never quite being able to trust or be trusted by anyone.

There is NO personal/professional line for Wilde. He lives his work, and his work is subterfuge and interpersonal manipulation. (whether or not he started this way in his field as a journalist, or was forced to become this way by the changes in his world, is another post.) He is a person who either cares very deeply what people think of him, or is has decided that manipulating what people think of him is the way to get what he wants, and from the outside it makes no difference.

Zolf Smith does not care what people think of him. He isn’t even skilled at being kind and empathetic to people he cares about; he has no time for emotional manipulation or genuine charm. He doesn’t even have a fantastic grasp on his OWN feelings, let alone other people’s. He’s grounded, disinterested in frippery or appearances. Which is why Zolf and Wilde started out so deeply at odds with one another.

Despite the differences in the interpersonal approaches, they have plenty of common ground.

They are both deeply dedicated to a cause. They care about their work to the exclusion of all else. They are both pragmatists who have their own internal moral code, and are willing to bend or break other people’s rules in order to get the job done. They are fundamentally good people. Despite their rocky beginnings, they can respect each other because of these things.

And they might have maintained their mutually disdainful, begrudgingly respectful working relationship and that could have been the sum total... Except then the world fell apart. The Meritocratic organisation was initially compromised, then disintegrated. The blue vein plague isolated everyone and made it even harder to trust supposed allies. The Cult of Hades was on everyone’s ass making their life difficult, the other PCs disappeared off the face of the planet. Zolf and Wilde ended up in a situation where they had no one else they could trust.

Familiarity breeds contempt, but maybe if the contempt is already there, it builds Something Else. Wilde was stripped of his magic in a way that made it much harder for him to keep people at a distance and (pardon the pun) project the illusion of the debonair playboy. Zolf would have had the chance to see through Wilde’s masks, and get a better understanding of what parts of Wilde were a calculated tactic, and what was his genuine self.

Whatever betrayal transpired that gave Wilde his scar and hardened him, Zolf was privy to. He was either there and saw it happen, or he was close enough in the aftermath to see Wilde properly vulnerable for the first time in their friendship. Hell, maybe Zolf was the one who rescued him and patched him up. That was a chance for Zolf to realise that this insufferable man is a friend who he cares about deeply. At this point, he’s cared for awhile, but has been too wrapped up with his own spiritual difficulties to have space to admit that to himself.

And Wilde, oh Wilde, he’s desperate to be seen and known and loved, but he’s never allowed himself. He’s never felt SAFE to. He doesn’t let people get close, treats every conversation as a battle to be won. His safety and his power lies in being admired, but never loved. So even as trust and fondness for Zolf blossoms within him, he won’t for a second allow himself to hope that the fondness is reciprocated

With all that out of the way, this is my version of events.  

Wilde is a slut (affectionate), and Zolf is gray-ace, so if there’s any bridging of that gap in terms of physical intimacy, it has to be from Zolf’s side. Giving canon a tender massage into place, that first instance of Zolf grabbing Wilde by the collar changes. (This happens on the Vengeance after Zolf has taught Wilde to steer the ship). Zolf drags Wilde down to say “I’m glad to see you perked up.” That moment now involves a whiskery kiss on Wilde’s cheek, and the man would be absolutely FLOORED by it.

I’m talking slow-mo glittering lights as Zolf stomps off blushing, unsure what just came over him; Wilde touches his cheek in bewilderment for a stretched moment before realising he’s completely agog, and he let go of the wheel for a dangerous length of time. Every interaction, every moment they’ve spent together over the last two years is flashing before Wilde’s eyes and a new context is being applied rapid fire. I’m talking the italacised oh kind of moment.

(on top of Zolf being witness to The Betrayal, throw some other moments of almost-intimacy into said flashbacks. I’m talking late nights, Zolf doing his gruff-yet-kind caretaker thing, cooking for Wilde, maybe sharing quiet and rare downtime with Zolf reading a Campbell novel on a couch in Wilde’s office)

Wilde is realising, “Oh this is allowed, oh this is reciprocated, this is possible.”

And of course they don’t talk about it, because what’s a slowburn if they immediately go and TALK about their feelings? No, the kiss goes completely unremarked upon, and Wilde continues to needle and tease and get under Zolf’s skin, except now with an added warmth in his eyes because he finally gets it. He finally understands that Zolf cares, that Zolf loves him, he’s just not the kind of dwarf that knows how to express it.

And Zolf, frustrated by feelings he can’t express but is beginning to understand, can hear the undertone of “haha, you looooove me,” shining through Wilde’s deliberate antagonism. They continue their time on the Vengeance just a little easier and closer to one another.

And we continue on to the death/resurrection arc, and Wilde’s spirit pushes for Zolf to open up about his feelings, because if not when he’s literally past death’s door, then when? When Zolf finally manages his “I need you,” it’s like a dam has broken for both of them. The second collar-grab and “We’ll go on a holiday or somethin’,” is now followed by a full kiss on the lips, not particularly erotic but passionate, (it’s the epitome of kissing someone to shut them up) and Wilde makes a surprised and delighted squeak that he would be glad he can’t quite remember when he returns to land of the living.

Once returned, Wilde might not remember everything that his spirit said or did, but he remembers the kiss. The comfort and ease that the two of them share in 179 (Eat Drink and Be Merry) is there, only instead of the two characters still being in a place of questioning their feelings for one another, it’s been answered.

Whether or not this relationship is sexual in nature is kind of up to you and what kind of fan works you like to read/write. I think there are wonderful scenes to be written an explored in many directions.

Wilde allowing himself to enjoy sex for intimacy and closeness instead of using it as a tool/ Zolf not being one for sex but Wilde’s never slept more soundly than when he’s being held in Zolf’s arms/ Zolf realising that the unfamiliar feeling he’s been struggling to express is the desire to rail Wilde til he cries/ Wilde realising that if his partner doesn’t want it from him, he’s actually quite content without sex/ The two of them being mean, antagonistic bastards to each other while fucking but Make It Kink (of the trusting and RACK kind). There really isn’t a single bad interpretation.  

So really, I’m not doing anything different with them other than reading between the lines, giving canon a little nudge, and sticking the landing. This isn’t to disparage the concept of queer platonic partners. (I’ve got one!) or to talk shit about Ben or Alex (I DO respect their craft).