#yuzuyan

Publication: December 12, 2023

Hirakawa Yuzuki plays the immovable Rita Kaniska (PapillonOhger) in the Super Sentai series "Ohsama Sentai King-Ohger." In her first appearance in this magazine, she says that while her first priority is to complete this role, there are also things she wants to accomplish next.

"When did you first become interested in acting?"

Hirakawa: It wasn't until I joined my agency that I first became interested. Until then, I was attending a business high school in Kumamoto, my hometown, and wanted to become either a tax accountant or a certified public accountant in the future. Around that time, I learned about the "LDH Presents THE GIRLS AUDITION" and I told my parents, "I should enter like it's a commemorative entrance exam.*" I won the Grand Prix in the vocal and dance category, not the acting category. However, it wasn't until I joined the agency that I tried singing, dancing and acting genuinely. So, it was abit embarrassing being told that I was the Grand Prix winner in the vocal and dance category. (*exams taken for schools you have little to no chance of getting into)

"Your first performance was in a stage play."

Hirakawa: It was in "Moryo no Hako" starring Tachibana Kenchi-san. The play was set where the curtains rise on a scene between me and another girl, and I was so nervous that it caused my stomach to hurt every day. Once I said a few words on stage, I was okay, but until then…I guess that once I got on stage, I felt like I had no choice. But, until I was offstage, my heart would be pounding like crazy.

"Did the fact that it was your first time on stage, and your first performance, have a big impact on you?"

Hirakawa: I always thought that if I broke the tempo of the play in the first scene, things would become out of sync. Even during rehearsals I was told, "The beginning is important. It determines the quality of the performance." That's kind of scary. It's a big responsibility. But, I think they trained me well on that stage.

"What did you find interesting about the stage?"

Hirakawa: I always took lessons with two or three people at most, so more than anything, I enjoyed creating a production together with many people. I also thought it was fun to be with my dependable and kind seniors all the way through the rehearsal period, and that they started to feel like friends.

"Were there any memorable words that were said to you during rehearsals for the play or on the stage itself?"

Hirakawa: They'd say "Just try things out for now." I think I tend to worry about what other people think of me. If I think that I have to do something, I focus on only that. Still, I was told, "Just give it your all for now. It'll be easy to control things from there." This is often said on the set of the Sentai series that I'm currently performing in.

"Ohsama Sentai King-Ohger, right?"

Hirakawa: Their keyword is "Immovable," and I do what I can within that context and to "just give things a try." If I really deviate from the character, the Director will get me back on track.

"Have you seen any other Sentai productions?"

Hirakawa: When I was little, I watched "Tom and Jerry." I haven't really watched the previous series. In middle and high school, I was either doing practice lessons, club activities, eating meals, or sleeping (laughs).

"What kind of programs do you currently watch?"

Hirakawa: Since I started working, because I have alot to learn, I've been watching various things. I've only been alive for 22 years, so there are many things that I don't know. I'm learning about these experiences as I watch these works. What have I been watching…I really can't remember (laughs).

"(laughs). How do you remember your lines?"

Hirakawa: One of my strong points is memorizing things, but I'm the type of person who (intentionally) forgets them immediately (laughs). When they say, "We're done filming this scene," I instantly forget about it. So, I don't really remember much. Recently however, at the recommendation of a co star in King-Ohger, I watched the entirety of "Heaven and Hell: 2 Psychos," starring Ayase Haruka-san.

"Were you interested in Ayase-san and Takahashi Issei-san's personality changing performances?"

Hirakawa: It was interesting to see how the two of them came to know each other through swapping bodies. I also experienced performing a body swap in King-Ohger. Before we filmed it, it was recommended to me with, "This show, it's got body swapping," so I learned alot from it.

"For Rita, did they have the keyword "Immovable" from the beginning?"

Hirakawa: Since my role is that of the International Chief Judge, the words "always neutral" were there from the audition stage. When I was reading the script before filming started, the Director said to me, "Rita is Immovable. That's it." It doesn't mean that they shouldn't move, but that they're unwavering. I was also told, "There may not be much movement, but it holds various meanings. Please be extremely immovable this year." That's why even now, I'm looking for things I can do within being "immovable."

"What did you do at the audition?"

Hirakawa: It was an audition for two roles, the yellow Hymeno Ran, and Rita, who I'm playing. I played both roles in the first round, but when I entered the second round, in terms of her character, I thought, "I'm definitely not Hymeno." From there, I went after Rita.

"Did you feel any similarity between Rita and yourself?"

Hirakawa: I thought I could create something close to the calm and dignified feeling of the character. I'm also pretty tall (166 cm, 5'5"), so I thought that the darker color would also suit me in terms of image. Actually, I had auditioned for the Sentai series and Kamen Rider series multiple times, but most of the roles I've gone for up until now have been for the heroine. So, I thought it wasn't really suited for it. But, with Rita I thought, "That's definitely me." I was pretty enthusiastic, thinking that if I missed out on Rita, I wouldn't get a role like this for about four or five years. And then, until I started working in this industry, I hated my voice.

"But it's an attractive voice, with a deep bassy tone."

Hirakawa: When I finished my first performance, many people said to me, "Your voice is really nice." Do the people around me see this voice as my weapon? Rita's words are very persuasive, or rather, have weight to them. I knew from the audition that I could use my voice in this role. However, since filming started in King-Ohger, I felt that my voice has become even lower. I was trying to make my voice sound deeper, but I ended up sounding lower than usual (laughs). I might be stuck with this low voice. Maybe it'll go back to normal once this role ends.

"What do you currently find interesting about performing?"

Hirakawa: Rita only keeps their left eye visible, right? However, there's a limit to what can be expressed with just the eyes. They're a character that doesn't move that much and doesn't laugh. Things like the inflection and intensity of my lines and how they're conveyed are different from how it's been in the past. Still, by experiencing this kind of role, I feel that the range of my expressions have expanded in slightly different directions. I think I'm lucky.

"What kind of roles would you like to play in the future?"