The Talisman (1987) | Mohammed Shebl
"A family tormented by paranormal and demonic activities in their home After rejecting a warlock's request to buy their house."

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The Talisman (1987) | Mohammed Shebl
"A family tormented by paranormal and demonic activities in their home After rejecting a warlock's request to buy their house."

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The Emigrant (Youssef Chahine, 1994)
Khaled Nabawy and Youssra in The Emigrant
Cast: Khaled Nabawy, Youssra, Mahmoud Hemida, Michel Piccoli, Hanan Turk, Safia El Emari. Screenplay: Youssef Chahine, Rafiq El-Sabban, Khaled Youssef. Cinematography: Ramses Marzouk. Production design: Hamed Hemdan. Film editing: Rashida Abdel Salam. Music: Mohamad Nouh.
It's refreshing to see a historical epic set in ancient Egypt that doesn't look like it was filmed at Cinecittà or on a Burbank back lot and that features actors who look like Egyptians and not A-listers in dark makeup. That's because Youssef Chahine's The Emigrant was filmed in Egypt with Egyptian actors -- with the exception of French actor Michel Piccoli, who does look a little out of place in his long white patriarchal beard. Piccoli plays Adam, the father of Ram (Khaled Nabawy) and his treacherous brothers. They're thinly disguised variations on Jacob, father to Joseph and his brethren, whose story is told in the book of Genesis and in the Quran. Chahine's movie ran into a little trouble with the censors because of where that story is told: A Muslim fundamentalist recognized the obvious parallel between film and scripture, and invoked the Islamic proscription against depicting figures mentioned in the holy book. And as if not to be outdone, a Christian fundamentalist protested that the story in the film was not close enough to the biblical account. Nevertheless, The Emigrant was a box office success in Egypt. There are other changes from the source: In the film, there's no coat of many colors, and Ram makes his way in Egypt not by exercising the gift of prophecy but by native smarts, charisma, and a thirst for knowledge. The captain of Pharaoh's guard to which Ram is sold in slavery is not called Potiphar but Amihar (Mahmoud Hemida), and his wife, who lusts after Ram, is a priestess called Simihit (Youssra). She comes by her desire for Ram honestly, for not only is he good-looking but her husband is impotent -- he was one of the eunuchs who guarded his master's household. It's not one of Chahine's best films, but it's a thoroughly satisfying one, marred only by a little muddling in the narrative -- Chahine cuts back and forth in the story too often and too abruptly, especially confusing to anyone who doesn't know the story on which it's based. Nabawy's lively and appealing performance made him a star.
Cara Compagna di Musica buon sabato ! Domani è pasqua e al di là di ogni implicazione religiosa, da bambino per me significava l'uovo di cioccolata con la sua sorpresa.
Cosa conta di più ? Il cioccolato oppure la sorpresa ? Se ti dovessi rispondere oggi ti direi il cioccolato, fondente , almeno un 70%. La sorpresa invece da bambino era la cosa più attesa. Perchè allora era più facile sorprendermi. Bastava una cosa che stimolasse la mia fantasia, che mi portasse in mondi all'apparenza lontani. Oggi purtroppo molto meno. Non ho saputo conservare questa parte cosi importante.
Data questa mancanza cerco di rimediare qui con te. Cosa trovi in questa canzone-uovo numero 47 ?
Sono sicuro che sarà una sorpresa, arriva da un mondo vicino che però qui da noi non ha molta fortuna. Sarà gradita questa sorpresa ? Me lo dirai tu.
Intanto ti abbraccio , ciao e buona pasqua
https://open.spotify.com/track/0uxTfF35vomzEtb7sHlP1N?si=-SBTaBw7SRq5exfIxfPj9Q
Buonasera Compagno di musica,
Cosa conta di più? Senza ombra di dubbio il cioccolato. E forse alcune cose non ci sorprendono più come da bambini, ma non dover aspettare il giorno di Pasqua per aprire l’uovo per me è TUTTO. Ah, le libertà della vita adulta…
A parte gli scherzi.
A differenza delle sorprese nelle uova di Pasqua, le canzoni rimangono sempre qualcosa di gradito. E questa in particolare si è sicuramente distinta dalle altre. Molto carina! Ovviamente non la conoscevo, ma ormai non mi ripeto più.
Che poi, in generale, io sono sempre sorpresa di vedere una notifica nella posta di Tumblr, anche a distanza di tempo.
Questa comunque è stata la mia sorpresa di quest’anno:
Chissà cosa apre questa mini chiave.
Una buona Pasqua anche a te! 🩷
[Come sempre lascio l’intera playlist su spotify e su youtube per chi volesse ascoltarla insieme a noi ♡]
Khaled Nabawy and Youssra in The Emigrant (Youssef Chahine, 1994)
Cast: Khaled Nabawy, Youssra, Mahmoud Hemida, Michel Piccoli, Hanan Turk, Safia El Emari. Screenplay: Youssef Chahine, Rafiq El-Sabban, Khaled Youssef. Cinematography: Ramses Marzouk. Production design: Hamed Hemdan. Film editing: Rashida Abdel Salam. Music: Mohamad Nouh.
How refreshing to see a historical epic set in ancient Egypt that doesn't look like it was filmed at Cinecittà or on a Burbank back lot and that features actors who look like Egyptians and not A-listers in dark makeup. That's because Youssef Chahine's The Emigrant was filmed in Egypt with Egyptian actors -- with the exception of French actor Michel Piccoli, who does look a little out of place in his long white patriarchal beard. Piccoli plays Adam, the father of Ram (Khaled Nabawy) and his treacherous brothers. They're thinly disguised variations on Jacob, father to Joseph and his brethren, whose story is told in the book of Genesis and in the Quran. Chahine's movie ran into a little trouble with the censors because of where that story is told: A Muslim fundamentalist recognized the obvious parallel between film and scripture, and invoked the Islamic proscription against depicting figures mentioned in the holy book. And as if not to be outdone, a Christian fundamentalist protested that the story in the film was not close enough to the biblical account. Nevertheless, The Emigrant was a box office success in Egypt. There are other changes from the source: In the film, there's no coat of many colors, and Ram makes his way in Egypt not by exercising the gift of prophecy but by native smarts, charisma, and a thirst for knowledge. The captain of Pharaoh's guard to which Ram is sold in slavery is not called Potiphar but Amihar (Mahmoud Hemida), and his wife (Youssra), who lusts after Ram, is a priestess called Simihit. She comes by her desire for Ram honestly, for not only is he good-looking but her husband is impotent -- he was one of the eunuchs who guarded his master's household. It's not one of Chahine's best films, but it's a thoroughly satisfying one, marred only by a little muddling in the narrative -- Chahine cuts back and forth in the story too often and too abruptly, especially confusing to anyone who doesn't know the story on which it's based. Nabawy's lively and appealing performance made him a star.
مريم وثقت في يوسف وعملت له توكيل عام عشان خايفة على بناتها من موتها المفاجيء فسرقها وطلقها 😨 #حرب_أهلية #العدل_جروب #رمضان٢٠٢١ #خليك_على_أفلام_حصرية_ُExclusive_Movies #Youssra #يسرا https://www.instagram.com/p/CN1c2e9B9D_/?igshid=1juo7u4305ayk

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(via Haifa Wehbe after black light series brings and Youssra in Ramadan 2021)
#Repost @sonamkapoor @filmynewslive The Middle East is bubbling over with incredible fashion talent and I had a chance to be part of the MBC Project Runway first hand! Have you watched the show yet? @meprojectrunway @eliesaabworld @afefjnifen #Youssra #MEProjectRunway
Youssra :) Love your blog
Youssra: strong. powerful. born leader. determined. tough but in a positive way. Iconic rock songs. Writing your favourite quotes and statements on public walls. Watching the night sky. Laying in grass. A cool summer breeze. Beautiful tattoos. Aesthetic. Caring a notebook with you everywhere you go. polaroid cameras. vintage shops. travelling. road trips. going to concerts and festivals. feeling free. feeling young. living the best life possible.
name aesthetics <3