Rewatching The Curse of Cornelius Sigan and I gotta say you Merthur people are far more forgiving than I could ever be.

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Rewatching The Curse of Cornelius Sigan and I gotta say you Merthur people are far more forgiving than I could ever be.

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“Tell him… I love him more than anything he could ever do wrong.”
Ok I know this is a forkle hating house but please listen to how do a say goodbye by Dean Lewis and then think how much of that relates to Sophie when forkle 1 died
oh…oh you’re right…ow
Namjoon, the older brother you never got along with, calls you to pick him up from the bar he was thrown out of for being drunk and disorderly. You go get him because he's still family.
title: thanks warnings: alcohol consumption
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Namjoon: ehu
Namjoon: arre yoj free
Namjoon: ,??
You click your phone shut before throwing it back on your couch with a plop, refocusing on the movie you just turned on.
Good riddance. Your brother is completely gone. Why he texted you of all people is a mystery since he always has people around him but, in any case, you ignore him.
Namjoon: Incoming Call
Togruta Gods: Koshetsu (”Travel”)
Overview: The god of solitary travelers, the lost, the seeking, and the winds. Called the Wanderer and the Guide.
Depicted most often as a slender young Togruta man, with spirals on his cheeks, a traveler's staff, and a simple cloak. Koshetsu wears minimal clothing usually, lacking any of the jewelry, rich clothes, or hunting trophies many other gods sport. Even the staff he carries is very basic, usually just a length of wood capped at either end with brass, copper, or iron. Viewed in profile, as Koshetsu is often depicted, the markings on his montrals and lekku are reminiscent of wave designs, perhaps reflecting his role as god of the winds.
Alternate depictions may show Koshetsu as an elderly man, or more unusually as an elderly woman or of indeterminate gender. In all cases, as with all Togruta gods, his facial and montral-lekku markings remain consistent no matter what form he takes. In semi-rare cases, he may be depicted alongside a rrask (a hoofed mammal used as a riding and pack beast by some Togruta tribes), though he is almost never actually riding it.
Koshetsu takes something of an odd role in Togruta mythos. Unlike most of the “major” gods, he is not part of the gods' tribe. He is specifically the god of solitary travelers, which is a somewhat rare occurrence for such an intensely tribal species. Togruta traditionally only travel alone under a handful of circumstances. Sometimes young Togruta leave their tribe to seek another, as a way to keep up genetic diversity within a tribe. Other lone travelers may have lost the rest of their tribe, or been separated temporarily in an accident or the like, or been exiled for crimes they committed. A truly rare few choose voluntarily to live as solitary or paired nomads. Whatever the case, any Togruta lacking or separated from their tribe is under Koshetsu's domain, and as such he is also a god of the unfortunate, as far as most are concerned. This is likely why he is depicted so simply, bearing no jewelry, trophies, or weapons. In modern times, of course, Togruta traveling alone is much more common, and predictably, Koshetsu has become more commonly revered.
As a solitary traveler, Koshetsu is said to wander between the earthly realm and the realm of the gods carrying only his simple traveler's staff and cloak. Many stories about Koshetsu revolve around his direct interactions with mortals, bestowing gifts to those respectful to him and vengeance to those who are needlessly cruel. (As a result, custom is to always be kind and respectful to lone travelers, ostensibly because you never know when one might be Koshetsu in disguise; whatever the case, this undoubtedly benefits Togruta as a whole by discouraging tribes from bullying solitary travelers.) He may carry messages between the realms if he is so inclined, and in some myths even visits the land of the dead. However, most often Koshetsu is simply a source of comfort to those isolated from their families, watching over and protecting those alone in their travels no matter why they are alone. Even exiled criminals are under his protection and care.
Koshetsu's role as the Guide is particularly interesting from a sociological perspective. In some myths, it is literal – he may guide lone heroes to the realm of the dead or even the realm of the gods, or speed their travels from one place to another in the earthly realm. However, more often he is said to guide the lost. Koshetsu helps the physically lost find their way back home, and the spiritually lost find their purpose and sense of self. This likely reflects traditions surrounding young Togruta leaving their own tribe to seek another. Practically speaking, this practice prevents inbreeding and promotes genetic diversity. Spiritually, the Togruta view it as more than this; it is a deeply meaningful and very emotionally difficult journey to make, as the individual separates themself from their birth family and tribe forever and seeks another. Most Togruta never undergo this journey, and only move between tribes when tribes meet and intermarry as a matter of course. Those who do, however, are both honored and mourned by their birth tribe. The individual loses a piece of their identity, and during the journey is expected to reconstruct it, so that they might be whole again when they find a tribe that will accept them and that they wish to stay with. Though it is a difficult journey, they emerge stronger for it, having grappled with their sense of self and their relationship to the world around them. Koshetsu guides this process, and in some stories may actually appear to the young Togruta either in dreams or in disguise as a mortal to speak with them.

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the last conversation.
idk if this scene will stay in my zoe baker longfic or not so here y'all go
Romania
The room smelled faintly of coffee. Not strong — just enough to drift through the air, waft gently towards her nostrils. The room was was warm; quiet. Still. The kind of thing that was enough to stir her gently from whatever dream she was having.
Mia stirred slowly.Â
For a moment, she didn’t open her eyes. She stayed where she was, half-buried in the blankets, just listening — to the low hum of the heater, to the distant creak of the house settling, to something softer, closer, something she could sense without having to open her eyes at all.
There was breathing to her left. Steady; familiar.
Reflexively, Mia closed her eyes at the glistening sunlight pouring into the room and burrowed deeper into the covers, not quite ready to accept that she was awake yet. It was morning, but early. Too early for anything urgent.
Too early, she thought blearily.
How strange it was to wake up on a pale morning like this. How strange to wake up anywhere but a dirty cell.
The thought made Mia finally open her eyes and turn her head.
Ethan was already awake, of course. He sat at the opposite edge of the bed, a mug cradled carefully in both hands. Steam curled up past his face, and in the low light, he looked less…burdened. Maybe that thousand yard stare was less long in this light.
He looked over when he felt her move.
“Hey,” he said quietly.
His voice was gentle, but there was something just beneath it — something tired, something that told her he hadn’t slept, even if he’d tried to.
Mia watched him for a second longer than she meant to.
“Hey,” she echoed, her voice still thick with sleep.
He shifted, just slightly, like he wasn’t sure if he should come closer or give her space. Then he made the decision, easing back toward her and holding the mug out.
“I made coffee,” he murmured. “Figured you’d want some.”
She pushed herself up slowly, and accepted the mug he offered her, cupping her hands around the white ceramic. The heat and solidity of it poured into her hands, a reminder that this was real. He was real.
Her voice came out quiet, almost like a croak. “Thanks.”
Ethan said nothing, and a small pause settled between them. Not uncomfortable. Just… careful.
Mia took a sip, wincing slightly at the heat, but not pulling away. It tasted right: strong, but not too bitter. Exactly how she used to like it. He’d remembered, after all these years.
She glanced up at him over the rim of the mug.
“What time is it?”
“Early,” Ethan said, after a beat. Then, softer, “Didn’t check.”
That made her smile, just a little. Of course he didn’t.
Her eyes lingered on him — the set of his shoulders, the way his fingers flexed faintly against his knees, like he didn’t quite know what to do with his hands when they weren’t holding something. That feeling came back again: the one that made her feel as though they were sewn together with invisible thread, and she immediately wanted to scoot closer to him.
“You’ve been up a while,” she mumbled instead. Not a question.
Ethan huffed out something that wasn’t quite a laugh.
“Yeah. Couldn’t really—” He trailed off, shrugging. “Y’know.”
She did.
Mia looked down at the coffee again. For a moment, neither of them said anything.
It wasn’t like before, and she hated it. Before, silence had been easy. Background noise. Something you didn’t notice. Now it felt like something they were both stepping around, careful not to press too hard on the wrong part of it.
Ethan reached out, almost automatically, brushing a dark strand of hair from her face and tucking it behind her ear. Then, almost shyly, he leaned in and pressed a gentle kiss on the back of her neck.
Mia let her eyes close for a second, letting the warmth settle in, and breathed out slowly.
This is warm. This is good. This isn’t the cell.
Then, to her shock and his, she burst into tears.
'the night we met' by lord huron is really hitting different today huh