#writing tutorial

words and phrases for…

…vaginas:

general

- pussy

- folds

- core

- heat

- cunt

- slit

- entrance

descriptions

- tight

- swollen (clit)

- dripping/soaking/drenched

- puffy

- leaking

- fluttering walls

- clenching around

- sensitive

- wet and needy

- slick with arousal

- quivering

fingering

- thumb their clit

- tease their entrance

- curl fingers inside

- scissors fingers apart

- pump fingers in and out

- rub tight circles over their clit

- over their folds

- drag fingertips along their slit

- press knuckles deep

- hook fingers inside

oral

- suck their clit into your mouth

- lap at their folds

- flick tongue over their clit

- trace their entrance with your tongue

- drink them down

- groan into their heat

- drag tongue from entrance to clit

- wrap lips around their sensitive bud

- sloppy, open-mouthed kisses against their cunt

- hold their hips down as they grind into your mouth

vibrator

- press the vibrator against their clit

- drag the buzzing toy over their entrance

- hold the toy against them until they beg

- push it deep and leave it there

- edge them with slow pulses

- set it to the highest setting and watch them come undone

…penises:

descriptions

- precum-oozing tip

- aching cock

- throb hotly

- cum shoots out in spurts

- heavy and twitching

- swollen with need

- slick with precum

- pulsing against their palm

- veiny and thick

- pressing against the fabric

- tip throbbing

oral

- hollow cheeks around them

- tongue swirling over the tip

- bobbing head up and down their shaft

- gagging around their length

- lips wrapped tightly around

- suckling at the head

- drool dripping down their cock

- holding the base as they thrust into your mouth

- slurping around them

- moaning against their length

hand

- pump with hand

- (pump) to full mast

- thumb swiping over the tip

- stroke from base to tip

- squeeze and twist on the upstroke

- grip tightening with each jerk

- slow, teasing strokes

- thumb pressing against the slit

- letting precum coat their fingers

- rubbing against their own stomach

…(afab) bodies:

nipples

- dusty rose

- perky

- pinch

- roll (tongue over)

- suck/suckle

- lick stripe over

- flick

- rub

- tug

- graze teeth over

- tease with fingertips

- harden under their tongue

- pebbling under their touch

hips

- bucking against them

- grinding down

- fingers digging into flesh

- guiding their movements

- pinned in place

- rolling in slow circles

- jerk forward in need

thighs

- clench around their waist

- soft against their hands

- shaking from pleasure

- held open by firm hands

- straddling them with ease

- squeezing around their hips

stomachs

- tensing with every thrust

- shudder under their touch

- arch from pleasure

- slick with sweat

- soft and warm beneath their palm

butts

- gripping tight in both hands

- spanking just enough to hear them gasp

- holding them still while they take every inch

- grinding down against them

- fingers slipping between their cheeks

…sex (p in v/strap in v):

missionary

- hips rolling against theirs

- thrust back into someone

- pull out and thrust back in

- fuck (cock/strap) into someone

- body slamming against the others

- pound into

- hook legs around their waist

- hold their wrists down

from the back

- hands gripping their hips tight

- arching deeper for them

- hair wrapped around their fingers

- slapping against their skin

- hitting deeper from this angle

- bending them further down

- hands pinning them in place

- breath hot against their shoulder

from underneath/on top of them

- thrust up into

- bounce up and down

- rocking hips in slow waves

- grinding down to feel every inch

- holding onto their shoulders for leverage

- hands gripping their waist, guiding the rhythm

general

- push/pull hips

- walls tighten around

- guide oneself into place

- hips jerk (giver)

- pull away so only the head/tip is inside

- push oneself deeper

- rock ones hips

- ease it into someone inch by inch

- piston something into

- shallow thrusts before slamming in deep

- slow, teasing strokes before going rough

- fingers gripping at skin for stability

…orgasms:

- feel it build up

- come undone (around someone)

- fuck then through their orgasm

- shake apart in their arms

- ride out their high

- eyes rolling back as pleasure crashes over them

- pulsing around them, milking every drop

general words & phrases:

- bounce

- writhe

- squirm

- moan

- cry/whimper/whine

- rut

- twitch

- chest heaving

- ride

- depths

- nestled into

- never break pace

- back arching into their mouth

- clutching at the sheets

- gripping onto their shoulders

- hands fisting in their hair

- leaving marks behind

- gasping out their name

- skin slick with sweat

- desperate for more

- dragging nails down their back

- whispers of “please” in between moans

- legs trembling afterward

…positions:

classic positions

- missionary → deep eye contact, body pressed flush together, legs wrapped around their waist

- doggy style → hands gripping their hips, arching deeper, hair pulled back, skin slapping against skin

- cowgirl/reverse cowgirl → riding on top, hands braced on their chest/stomach, rolling hips, bouncing up and down

- spooning → pressed up against their back, slow deep thrusts, hand slipping between their legs

- side-lying → one leg hooked over their hip, lazy grinding, deep and slow strokes

- against the wall → legs wrapped around their waist, pinned in place, struggling to keep balance

- lap riding → straddling them, arms draped over their shoulders, rocking in their lap

intense positions

- bent over the table/desk → hands flat against the surface, back arched, helpless against their thrusts

- standing from behind → held up by strong arms, struggling to keep balance, deep and rough strokes

- pinned against a surface → back pressed against the wall, legs spread, trapped in place

- on their knees → forced to take it, submissive position, gripping onto their thighs for stability

- over the edge of the bed → hips dangling off, head thrown back, deep and unrelenting thrusts

- folded in half → legs pinned to their chest, completely open, deeper penetration

- one leg hooked over shoulder → allows for deeper angle, rough and desperate movements

soft & intimate positions

- face to face, foreheads touching → whispering against their lips, slow and sensual movements

- straddling while kissing → soft rolls of the hips, holding each other close, hands tangled in hair

- entangled limbs → wrapping around each other, slow grinding, deep eye contact

- lazy morning sex → half-asleep, sleepy rocking, breath moans

- holding hands while thrusting → vulnerable, fingers laced together, slow and passionate

risky/public positions

- backseat of a car → cramped, fogged-up windows, hands gripping at leather seats

- bathroom stall → quiet gasps, trying not to get caught, one hand bracing against the wall

- library/study room → pushed up against the bookshelves, biting their lip to stay silent

- pool/hot tub → water adding to the sensation, gripping the edge for support

- party hookup → corner of a dark room, drunken whispers, hands sneaking under clothes

…wlw positions

classic and intimate positions

- scissoring (tribbing) → legs intertwined, grinding against each other, slick heat pressing together

- face sitting → straddling their face, thighs trembling as they’re eaten out, hands gripping their hair

- lying between their legs → one partner on top, grinding against their thigh or pressing their clit against them

- mutual masturbation → lying side by side, fingers working between each other’s legs, watching the other fall apart

- kneeling between their legs → holding their thighs open, diving in

- reverse face sitting → sitting on their face but facing away, giving a perfect view of their back arching

fingering positions

- straddling while fingering → one on top, hips rolling down while fingers pump deep

- pinned down and fingered → wrists held above their head, completely at their mercy

- facing each other, both using fingers → legs tangled, staring into each other’s eyes as they bring each other closer

…phrases/things that are HOT

- sucking breast through the thin fabric of their top/their bra

Although we see these as the ways to condense and portray as much important information as possible, without losing many facts, it is all these forms are but a small section of the way we actually record history.

We tell stories orally, we paint and draw the scenes before us, we preach and follow faiths that contain the words of men written thousands of years ago.

From the cave painting to the intricate tapestry to the shadow puppets to the golden age of animation to the skits seen in short-form vertical videos... All of these are a form of history recorded and retold.

And often at some point they were the means of news.

The characters in your world should rely on recorded information in the same way, but with the implements of your worldbuilding. If you have a high magic or high-tech world, give me a sensible reason as to why magic or tech aren't used in recording history, otherwise I better see some magic and some tech

And get creative. Who says we have to write on paper? Who says are paper is made of wood? Or that the ink sits still in its image? For all we know the characters we design could record their history through painted rocks, and toss them into the bowl to represent an era or historical event.

Language & Arts

The language we use itself changes the means in which we write drastically. Some languages are pictographic, use hieroglyphs, or are ideographic. These languages can be condensed onto a shape or surface very differently compared to a logographic or alphabetic language.

In your worldbuilding, if you're designing a conlang for this purpose, it can have two versions of print, such as a language that can be written alphabetically and have a pictographic version of it used for ceremonial use.

Singing and music are also a language (shout out to my music theory homies). Art also is a fantastic means of storytelling, and retelling history is basically the same thing.

Storytelling

Do children watch documentaries and old cartoons to learn about their history? Or are they brought to the village elder, who accompanied by sacred dances, tells them a story they won't forget? Maybe the hero of a story finds the truth of a prophecy on the walls of an ancient mural? Perhaps the wizard ponders an orb to hear to a re-telling of a wizard hearing...

All of these are ways that we tell both stories and history.

I like to decide how important storytelling is to a culture, and the means in which they tell those stories.

For some nations I've designed it has been through the thrill of theater and opera, while others I've felt touched by the native americans folktales I used to read as a kid and the great art of foxes and birds that I would rub my fingers against, hoping I could imagine their texture, and thus storytelling through fairy tales has proceeded childhood wonder in my worldbuilding.

Education

The people gotta learn somehow, at least if you don't live in the United States that is. Recording history accurately is important for scholars, research, inventors, and science. It's also there for us to pass onto the younger generations in hopes that they don't make our mistakes.

Usually things have to be formatted differently for efficiency and accuracy. That's why we read so many regular books on top of studying textbooks, especially at younger ages, it helps us not only remember the information but relate to something.

So do children and adults learn about history in your worldbuilding?

Examples

Uh I dunno man the uh

IRL Examples

Cave paintings

Statues

Museums

Murals

Tapestries

Paintings

Comics/Manga/Manhwa

Oral Storytelling Traditions

Dancing

Opera, Plays, & Musicals

Puppetry

Bedtime Stories

Fairy Tales

Folk Tales

Religious Scripture

Novels

Textbooks

Libraries

Stained Glass

Graffiti

Songwriting

Poetry

Photography

My own worldbuilding examples

The Irisians of Irisia record history both personal and national onto things such ribbons, sashes, and scarves. For a nation's important history a long tapestry is slowly formed as they record each moment through a pictograph system, completing the tapestry only once the historical era or event has come to pass. People wear their personal history, showing their achievements and traits, through complex symbolism based on their accessories and the symbols sewn into them. (They also write it down, but on long strips of paper, that's also just how they write in general)

Mondieans are practical are big fans of books and therefor have large regional libraries. They try their best to protect these settlements from the constant war they find themselves either waging or under, but it's slowly became an impossible venture. Instead Mondiean libraries are set up with their own personal militia and magical defenses to protect their books (museums are also integrated into libraries).

Last Notes

How did I begin to write?

It's hard to remember, but I really just jumped into the deep end. When I first began writing, I had no plans to do anything more than write short, 1k stories about frivolous things. I did no research, took no classes, read up on no advice.

I just started.

Of course, back then, I had no expectations for myself. I wasn't writing for a specific audience, nor was I looking to take myself seriously, and I think that helped in a lot of ways. Having fun with it, letting yourself make mistakes, and not being afraid to jump into the deep end definitely helped. In the end, all that mattered was that I was putting words down on the page.

I think that this works for a lot of hobbies. Like drawing for example. Say that you wanted to learn how to draw, but read no books on the subject, looked up no tutorials, and didn't take anyone's advice. Even without any instruction, if you drew a picture every day for 100 days straight, there would still be improvement in your ability to draw. In the end, it doesn't entirely matter whether you thought the drawings were good on a day to day basis, but rather the act of drawing that's important.

Writing is similar in many ways. And while I think that learning to write in a formal environment is great and should be encouraged for all people, practicing your writing without any rules or structure shouldn't be looked down upon either!! They're two sides of the same coin, and they contribute to your goal in their own individual ways.

Let yourself write shitty things. Let yourself write meaningless, stupid things. Trust me, it'll make your life better.

-

How do I try to improve my writing?

a. Read!

I've thought A LOT about what kind of advice I might give you, and while I don't have any concrete "hacks" to writing well, I think there are some things that every writer can do to expand upon their own abilities!

I know this is common advice, but it's true advice:

If you want to write well, you need to read well.

For a long time, I (like an idiot) assumed that I didn't really read that much, so when people were always saying that writers need to read, I was kind of like "huh well I guess I'm behind on the game lmao"

But, in actuality, I realized that that it was the complete opposite 💀 I guess it just didn't register in my mind because I don't consider reading reading....like, I just considered it me having fun alkdfjlkaf 💀

Like, reading is basically on the same level as playing video games and going to parties for me aldskjfaklj It's not a task so much as it is something I am actually viscerally addicted to lmao

I read at least 2 hours every day, usually more. I read for about an hour when I wake up and about an hour when I go to bed, mostly fiction novels. I read news articles every day at lunch for the large part of my break, which is about an hour. I read academic journals and nonfiction for class, and I also read other academic journals just in my free time 💀 that sounds dorky but it's not really serious reading as it is so much me looking up a question on google and then getting sucked into a journal about evolutionary biology LMAO

Basically, reading is like doing crack to me, and like a dumbass, I read so much that I actually thought I didn't read at all because everyone was talking about it like it was some big chore or something 💀

But honestly, it's great advice.

Read a lot. Enjoy reading a lot. Don't read just for the sake of reading, or because you have to do it. Read because you just fucking love reading! Read stupid novels that have bad reviews. Read short articles that don't mean anything. Read highly academic works for your studies, or read a journal about a topic you can barely understand purely because you're curious!

Don't let those haughty literature people tell you that you're only reading if you're reading something like Dostoevsky.

Reading is a skill and there are different levels to it. Maybe dense literature is too much for you. Doesn't mean you're worse than someone who can choke down the Iliad like it's nothing. Maybe it just means you want to spend time on things like Percy Jackson or Harry Potter instead!

b. Analyze the media you consume!

Now, this is definitely more difficult to do than just picking up a book and reading it. Admittedly this skill takes awhile to develop, and if you haven't done higher level reading in a formal setting before, you might find it kind of hard. However, if you're looking to take writing more seriously, then this is what I recommend. Here's a few things you should consider when analyzing a piece of media.

Just because you criticize something doesn't mean you can't love it, too. No piece of media is perfect. In fact, search for things you think a great piece of media could improve upon, and it'll help identify flaws in your own writing. For example, in the newest season of Severance (no spoilers), I thought that the time spent on establishing the scenery and atmosphere of some episodes was too long, and that that it lost the focus of the plot after a certain length of time.

There is no objective morality. There is no one set of beliefs that is entirely correct in the world. Claiming that one certain belief is entirely true is kind of like telling someone God exists: you really can't prove it. If a piece of media goes against your own views, consider what points the author makes that supports their thesis. Do you have to agree with them? No. Do you have to support them? No. But should you recognize that such a view point exists? Yes. It's important to always keep yourself aware of different points of view. Don't allow yourself to exist in an echo chamber.

If a piece of media leaves you confused, ask yourself why you're confused about the story. Is it because of the length of the piece? Is it because you don't recognize all of the words the author used? Is it because it's a view point you've never considered before? Or is it because the knowledge was presented in a bad way, making it hard to understand? If so, how could the author have presented it to make it more comprehensible?

Okay okay before this starts sounding like your high school English textbook, let's take a step back. You don't need to get out your college rule notebook and have your pencil at the ready to analyze a book you're reading. You can do it in small and meaningless ways!

If you're at the theater watching a movie, tell your friends what you thought about the movie! Listen to what they thought about the movie! Things like "I liked the story, but that one guy's acting kinda ruined the message" is a totally valid criticism, too. Same thing goes for books and movies! Like, "I really liked this book, but I didn't understand the words the author used in this scene, and it made the story hard to understand."

c. Take Grammar Into Consideration

Okay...this might be kind of an unpopular take when it comes to fan fiction, but grammar does matter. When it comes to short pieces, not using capital letters or commas might not seem like a big deal. However, at a certain point, trying to read something without proper grammar transforms from an innocent writing choice into an incomprehensible mess, especially when you're writing long form documents.

If you're considering writing longer pieces, please take the time to learn the rules of grammar. I promise it will help you get your point across so much smoother! Also, there are many readers who simply won't take a chance on your writing if they see that it's not properly formatted, and then they'll be missing out! Make sure to put your best foot forward for the sake of yourself and to give your readers the story experience they deserve!!

d. Find examples of writing styles you like!

This kind of goes hand in hand with my point about reading. While you're doing your reading, find examples of stories and media that you like the style of! Try to identify characteristics of that style that you're attracted to.

What kind of imagery is there? Is it metaphorical? Is it literal?

Do they use a lot of complex sentences? Maybe they like simple sentences, like getting straight to the point?

What's their tone? Are they blunt? Are they flowery?

When you're doing your own writing, you can try to incorporate these characteristics into your own pieces! Here's an example.

One of my favorite pieces of writing and media is the video game Disco Elysium. It's written so well. I really love the style of the author, specifically how he incorporates personification into his description of objects. I also like how he relies on fairly simple sentences to create visual description. In fact, if you pay close attention to Chapter 12: Glass Cut of Texas Red, you'll probably be able to see the influence from Disco Elysium peeking through my own writing style there!

e. Don't be afraid to sleep on it!

This.

This is my best writing advice.

You can read every book in the library, take every course at your local college on writing, and you'll still sit down one day and write something that you're just not sure about. Is it bad? Is it good? Is it some monstrous type of in-between that you can't even describe?

Fuck if you know.

And that's okay.

Not everything you write will be amazing. But instead of giving up on a piece that's halfway written when you get frustrated, close your computer and re-read what you wrote in the morning. Go do something else, clear your mind, sleep well in the evening, and give it some fresh eyes in the morning!

9 times out of 10 you'll be able to come to a conclusion on it in the morning.

The way I personally like to do it is this: Stare at my word document until I'm about to rip my hair out, slam my laptop closed, go play some mindless game for wayyyyy too long, and then sleep until my alarm physically cannot ring any more obnoxiously. Then, before I do anything else, I'll open my phone and squint through my exhaustion to reread what I wrote.

Idk how to describe it, but somehow, it works like a charm LMAO

-

How would I describe my own writing?

Oh god......this one I actually might not know 💀 anon you've got me

Okay, I guess here's how I would describe my style. It's highly...emotional for me. I think that's how I live my life, and I think my writing reflects that. For example, when you think about description in a novel, you often think of describing how objects and people look. But over the years in my personal life, I've discovered that I really just...don't care about the visuals of a person or place. For me, I rely heavily on how that person or objects makes me feel, not what my opinion on its appearance is.

If you read my story Indigo, you might have noticed that I never truly described what Simon looks like beyond small details of his person. Particular scars that were important to the story, what color his hair was, what clothes he was wearing--those were the only things I ever really described about his appearance, and even then, they were only written into the story when it was important to what was going on.

But, in actuality, Simon's appearance was incredibly important to Indigo. In fact, the entire premise relies on his fixation with his own appearance. But the way that I approached it wasn't from the visual standpoint, but rather his perception of himself, how his appearance made him and other people feel.

Is Simon ugly? Are his scars hideous? Are they so grotesque he should cover his face at all times? Or, even, abstain from love at all costs?

I don't know. I don't care what he looks like. But that's what Simon believes himself to be, that's how he feels, and that defines his perception of the entire world, regardless of what the true visuals of his story actually are.

That's partially why I like the emotional type of writing instead of just visual description, because it doesn't really rely on any objective truth to convey a message. That....and I honestly just don't think about how things look that much lmao

Like, once a friend of mine asked me what my ideal boyfriend looked like and I legit couldn't answer her. Because like??? I don't have an ideal man. I've dated men from all different backgrounds, different heights, different weights, different styles---I just don't really care about someone's body. I care about the feeling they evoke in me.

Texas Red is a bit of a different game though, and there's a story reason for that. Basically, the basis of Jinx and Simon's relationship is physical attraction. It's not emotional in the beginning. Jinx feels weird about Simon, not because he's nice to her, but because she thinks he's hot lmao

All in all, I think I prioritize the emotional experience of it above all else, and that's about the only defining characteristic I can commit to when it comes to my writing lmao

-

And there you have it! A few tips on how I approached my own writing, as well as how you can improve your own! I hope you guys enjoyed my (completely unwarranted) gushing on the subject lmao

Thank you so much to the anon who sent the original request! I hope that this little guide helps you out!

hi! i’m going to assume that you’re reading this post because you’re interested in learning how to write. if so, you’re in the right place! (if not, i’m not entirely sure why you’re reading this :sob:)

as you (probably?) know by now, i am a fanfiction author. i primarily write dark romance with heavy angst and smut. i am also currently studying for a certificate in creative writing. my credientials are not that impressive, but hopefully, you’ve read my work and decided that i am sufficiently skilled at my craft. if not, here’s my masterlist, i guess?

anyway, sorry for the excessive yapping. let’s get to the point...

i am now offering one-on-one tutoring services for those interested in learning how to write. i am able to work with all ages and skill levels, so everyone’s welcome! all you need is some basic interest in writing.

so, what can i even do?

i can:

brainstorm ideas with you

help formulate an outline for your work

give guidance on the actual writing process

analyze your work and provide feedback

discuss ways to improve your writing

teach you methods that i employ myself when writing

answer questions regarding writing, ie: plot, characterization, pacing, phrasing, etc

explain certain specifics of the genres i write, ie: how to best write a reader insert, second person pov, nsfw content, etc

and various other things along these lines...

i wanted to say that i tried outlining what a regular lesson would be like, but honestly, it would be completely dependent on the individual and their goals. if you are looking for elaborate feedback on your work, then that’s what we’ll do. if you want help structuring a plot and adding depth to your characters, then i’ll advise you accordingly. if you want to discuss your story ideas with me, then i’m more than happy to yap.

i am able to give lessons over video call, voice call, and even text for those uncomfortable with calls.

and lastly, pricing!

a standard tutoring session will be an hour long, at the rate of 15EUR/session.

however, you can also pre-purchase packages for:

40EUR/3 sessions.

65EUR/5 sessions.

for those interested, please send me a dm here (on tumblr) or add me on discord: bloodblanks (｡･ω･｡)ﾉ and if anyone has any questions, feel free to send in an ask or message me privately.

thank you for reading! ♡