The more you write, the more you discover your writing style, the more you develop the craft. So write, write even if you think it’s not good enough. Write to master the process of writing.
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The more you write, the more you discover your writing style, the more you develop the craft. So write, write even if you think it’s not good enough. Write to master the process of writing.

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this is a little hyper specific lmao but i was wondering if you have any advice on writing a pov character being mysterious? tyyy
Writing A Mysterious POV Character
Thanks for the question!
Here are some characteristics that I think makes a POV character "mysterious"
The reader is not meant to understand everything the POV character says, describes or alludes to.
The POV character actively holds off information from the readers either because (1) it's hard for them to talk about it or (2) they don't think it's important, somehow.
They reconstruct the narrative in the way they perceive it, not following the chronological order of events and often providing piecemeal information that only (if ever) comes together at the end.
The POV character simply has a wholly different perspective that a human reader will have difficulties understanding (i.e. story told from an animal or alien's POV)
I think the best way to portray this is to provide examples, which I think qualify as mysterious narrators. Note that not all mysterious narrators are unreliable narrators, although they could be. Here are the selected narrators and a few extracts for illustration purposes, divided by loosely defined subcategories (there can be overlaps!):
Incomprehensive Jargon & Allusions
Given that you can do this without boring or genuinely pissing off the reader, using lots of jargon, making allusions to things your target audience will probably not know to create atmosphere can be effective.
I recommend having a strong thematic core to justify all that jargon and reference, though.
Richard Papen from <The Secret History> by Donna Tartt
The characters talk and make references to Greek/the Classics. Arguably, it is not "incomprehensible", but the entire book is tirelessly full of them and unless you are a scholar in a related field, very unlikely to know all the Greek/ancient works being referenced all the time.
by M.L.Rio
Interesting style where the characters talk and even think in Shakespeare. They literally quote lines from Shakespeare to talk to each other. Not as difficult to follow as <The Secret History>, given that these are q famous plays (Hamlet, Macbeth, etc.) but it certainly adds well to the mystery at the heart of the book's plot.
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Witholding Information
Have your narrator subtely refer to a large event in their past (a murder, a traumatic memory, etc) but never telling the reader upfront, making them only make implied guesses.
The only reservation I would have for this option is to not annoy the reader by letting them know the narrator has information, but is somehow not telling them. It would help to have a clear reason for them to not talk about it: e.g. they haven't accepted the past themselves, they're too scared to talk about it, etc.
by Eliza Clark
In here, the narrator has killed someone in the past - a fact that only becomes kind of clear at the end. Even then, the murder is never referenced because this narrator has some serious mental issues, but when you look back with this knowledge at the end of the book, her behavior starts making more sense.
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Reconstructing the Narrative
Don't go in chronological order. Use time skips, or invent a new system for the narrator to arrange their memories and thus, retell the story. This gives the narrator power over the narrative because they've seen the whole thing play out, but the readers are getting bits and pieces, trying to get the puzzle pieces to fall together.
Other options:
POV character has amnesia
POV character has dementia
Using narrative interruptions that are in a completely different style (can work for 3rd person, look at Olivie Blake's work referenced below)
Olivie Black's <Alone With You in the Ether>
Using screenplay-like interruptions to the narrative that limits the reader's access to the characters' minds. Also creates interesting tone.
Kim Youngha's <Diary of the Murderer>
[I don't have pictures for this because I only have the Korean version....but really worth mentioning]
Here, the narrator has dementia and cannot fully remember the murders he has committed in the past. He is also an unreliable narrator who can only remember things in bits and pieces - thus the typical chronological order is interrupted.
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"Non-Human" Perspectives
Give yourself a narrator that is not human, or is "dehumanized" in some way (lack of emotion, inability to relate to others, etc.) to view the entire world from a perspective not often experienced by the average human.
Death as a narrator from <The Book Thief> by Marcus Zusak.
Zusak inserts these little "pronouncements" or "interruptions" to the narrative and the calm but transcending tone constantly raises questions.
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Do note that the overall tone of the novel contributes significantly to how the narrator comes across to the readers. Many of the works above also deal with "reality vs. unreality" as a theme, which is augmented by the use of a mysterious narrator that prompts the reader to challenge
Hope this helps, Happy writing :)
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Hey writers!
I will write 10 words in book 2 for every note this post gets by May 10th
Limit of 5 comments >:]
I'll also accept suggestions in the comments or Reblogs, Book 2 is a Kasi Book but has the beginnings of Viasaki and Kila's Arcs ,and a light bit of Marril and Shyre's
It also focuses a bit on Chrin's Arc, which unlike the twins, hasn't started in Book 1
Man….
I need get my priorities straight
⚠️ ATTN: SEEKING AN EDITOR ⚠️
Hi!! I really need an editor. I'm looking for someone that can help push/motivate me to write when I'm struggling; someone to bounce ideas off of when I'm stuck; someone that can read and review my work; that can edit my writing (if you want to).
The catch is, I can't pay you. I'm a self publishing author who is trying to complete their first novel. I'm hoping to have a team of people one day that I can pay, but today is not that day. If you'd be willing to help, I would be forever grateful! I hope to be able to repay your kindness one day.
Please share this post even if you aren't interested. If you are, please comment below & I will DM you! Thank you so much🙏🏻

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As promised, a Female!Alastor (we're calling her Alice)/Female!Reader. I tried my utmost to fit every theme you requested into my story.
NSFW~
You had gotten into it deep. Like, the way Alice would look at you sometimes; that calculated stare, red and gleaming, the sight of her pointed and gray face loomed in the darkness of her radio station like a coined moon. How she *walked*, as if her slim hips swayed to silent music, her cane tapping with her feet on the soft carpet.
Ho, boy.
Established friendship, you reminded yourself.
Difficult to do when Alice was so vehemently friendly with you; and she didn't, not often, and not with very many people. This made you feel special, but also a little sad. Female friends were hard to come by for you, so shoving down your own concerns about *the stupidest of bisexual crushes* was the least you could do for her.
Night Song
Written on Wattpad on the 9th of August 2018.
I'm sick of people, including me, acting like writing has to be some serious borderline chore-like thing
Have fun with your life, write that completely self indulgent thing. Make Pinterest boards, and playlists. Create mood board of things your character do or dress. Trauma dump in your notebook, I don't care what you do. Be free children. Be freeee