1982.
SCTV was one of the more intelligent comedy programs of its day, but Bob and Doug McKenzie attracted some of the stupidest people in the world.
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1982.
SCTV was one of the more intelligent comedy programs of its day, but Bob and Doug McKenzie attracted some of the stupidest people in the world.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Siouxsie and the Bansheesâ âPeek-A-Boo,â released in 1988 when they unapologetically dropped the goth thing and headed straight for the alt-pop dance floor. Great track.
Anyone else listen to WLIR in the 80s?
Fumbling with my car #radio revealed a nostalgic tuner style. I remember driving my parent's station wagon with manual -tuned radio blasting #WLIR https://www.instagram.com/p/Btlcpwhl4Y5/?utm_source=ig_tumblr_share&igshid=1eazj9s7pryp4
Step from the road to the sea to the sky And I do believe what we rely on When I lay it on Come get to play it on All my life to sacrifice #snow #rhcp #redhotchilipeppers #converse #conversefamily #chucks #chucktaylor #chuckseveryday #lifeinchucks #thetravelingchucks #instachucks #chuckollectors #wlir #wdre #tbt #white #hightops #bestfriends (at MaliBlue Oyster Bar) https://www.instagram.com/p/BmAIcQrglBZ/?utm_source=ig_tumblr_share&igshid=y66wsgc2a52q

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# 2,394
Re-Flex âThe Politics Of Dancingâ (1983)
Iâm not going to lie to you, but my trip to Riverheadâs Sunday Records made an impact on me. Itâs that store that really opened my eyes to the Eighties and Long Islandâs radio culture. How so? Sunday Records classified their records not by genre but by radio stations. Yes, radio stations. The owner had a one-of-a-kind system based on playlists and station hits acquired from anyone who cared to preserve radio history through YouTube and Discogs, and of course being there when it happened. One of those stations was WLIR, once a long-standing station that âdared to be differentâ and now has a documentary about it. Sundayâs owner went as far as labeling some of itsâ records as âScreamers Of The Weekâ as voted by WLIRâs listeners at the time (week) of broadcast. Thatâs how special and direct the experience was. As mentioned here, itâs why Sunday specialized in new-wave and synthpop; and why Iâm now re-discovering it. It opened my eyes to all the many hits I never knew existed, but also to my surprise the many industrial acts like Front 242 and Strawberry Switchblade recieving airplay which it sells. It was new-wave and synthpopâs connections that lead to us discovering industrial in the first place because they more-or-less shared similar elements. So hereâs a question: if you are into Underworld to where you need more of it, would you embrace their early incarnation as Freur and appreciate the Eightiesâ new-romantic sound all around it? You would. Thatâs why Iâm here, and thatâs why youâre here.
Re-Flexâ âThe Politics Of Dancingâ was one of the selections Sunday Records were selling and the one watermarking my visit there. Itâs one of the ânewâ discoveries I canât quit on. Itâs been recently featured on the Atomic Blonde motion picture soundtrack (Leitch, 2017)
Some of Louâs archive, the entire contents of which was donated to the New York Public Library.
The tape at bottom-left looks like itâs from his legendary appearance at WLIRâs Ultrasonic Recording Studio in Hempstead, NY. Itâs been bootlegged for years under a variety of names, but you can buy a remastered and official version, known as American Poet, HERE.
Duran Duran comes to WLIR studios on Fulton Aveune in Hempstead in 1980.Â
From left: Nick Rhodes; DJ Bob Waugh; Simon LeBon of Duran Duran; and DJ Ray White.Â
Photo Credit: WLIR