Apr 7, 2024
Albuquerque, New Mexico (1957) - Gary Winogrand
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Albuquerque, New Mexico (1957) - Gary Winogrand
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“I don't have anything to say in any picture. My only interest in photography is to see what something looks like as a photograph”.
—Garry Winogrand
Los Angeles, 1964 Garry Winogrand (American; 1928–1984) Gelatin silver print, mounted on board, printed before 1973 Christie’s, New York
Garry WINOGRAND (1928-84) "Central Park Zoo, New York City" (1967) Gelatin silver print Silbergelatineabzug Collection Ambassador Trevor Dow Traina Exhibition / Ausstellung “AMERICAN PHOTOGRAPHY” ALBERTINA Vienna / Wien until 28 NOVEMBER 2021
Hurry to the Museum to catch the final two weeks of Garry Winogrand: Color—the first exhibition dedicated to the nearly forgotten color photographs of Garry Winogrand. Be sure to share your next visit using #mybkm and you may end up on our feeds like recent visitors @tykie.photography @sarahxwhitten @philcooleyphotography @anniecoggan @insanewndrlnd @jnsphoto @linette @ericpointingatcats and @ameyerowitzadvisory
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
New Documents (1)
En 1967, el MoMA presentó una exposición con la obra de Garry Winogrand, Diane Arbus y Lee Friedlander como representantes de los nuevos caminos que tomaba la fotografía.
Fotos casuales, tomadas desde perspectivas subjetivas e innovadoras de la cotidianidad americana mostraban un mundo de gasolineras y freaks, de cuerpos en sombras y luces que a nadie le cegaban.
El mundo arropado por la espontaneidad que nadie veía, era el tema de las miradas de estos fotógrafos.
Garry Winogrand (1928-1984)
'Women are beautiful' (1960-1975)
Garry Winogrand, 'Modus operandi'
Garry Winogrand
This image by Winogrand, like most of his work, is street photography. Street photography is unique because of its rare content. By this I mean that each photograph is one of a kind as the content is ever moving. The image captures that one moment before it is changed forever. The expressions on their faces, interactions, conversations and the stories of these people in the bar are all unique to this one photograph.
EL MOROCCO, NEW YORK, 1955