Relistening to one of my fav rnb albums of all time.

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Relistening to one of my fav rnb albums of all time.

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Photo Š Jeffrey Mayer Photography.
âGeorge absolutely took the press to heart [during the Dark Horse Tour]. [âŚ] But in spite of all that, he remained very kind to all of us, always. Heâd pull little surprises. Youâd check into your hotel room, and there was no telling what would be waiting for you there. It was the classiest tour Iâve ever been on, the best hotels, the best everything. He wanted to make everybody happy. It was beautiful.â - Willie Weeks, Here Comes The Sun: The Musical and Spiritual Journey of George Harrison (2006) âBilly Preston, man â Billy Preston, I just love him. I never wanna play in another band without Billy. I mean, I hope I donât ever have to.â - Billy Preston, KLOL, November 1974 âWe became like brothers, very close. [âŚ] [George] was a very, very loving person, a great guy. [âŚ] He had such a heart. [âŚ] He was very unaffected by the fame. He just loved God and his family and his friends.â - Billy Preston, WBUR, November 30, 2001
Photo by Henry Grossman.
âWeâd take a break [during recording sessions for "Dark Horse"] to go for fish and chips [âŚ]. The next time we went for fish and chips, he took a Porsche and he took the same route. The Porsche seemed to handle the road better, so he started speeding up. I just thought, âHeâs such a big fan of racing, I guess thereâs this little racecar driver inside him.â But then he really started going, and when we got into Friar Park we were flying so fast that the car got away from him. There were these high hedges that lined the driveway to the garage, and weâre running through the hedgesâand I just sat there acting as normal as I could, but I was praying, O Lord, please donât let them read about us in the newspaper. Just get us back to the house. After he came out of the hedges, he shrugged and gave me a little laugh as though it never happened. Iâm looking at George, and he just looks away like, Donât say nothing. Well, we went into the house and neither of us ever said a word.â - Willie Weeks, Here Comes The Sun: The Spiritual and Musical Journey of George Harrison (x)
Dark Horse Tour, November/December 1974.
âEvery show [during the 1974 Dark Horse tour] was probably hard for [George Harrison]. He was trying sincerely to do something to benefit people. You see, in Indian tradition you cannot separate music from spirituality, and my impression was that George wasnât just looking to popularize Indian music but also a path to spirituality. He was trying to make people aware of the music because he knew gradually they would get to the root - the spirituality. But the press really wasnât always sympathetic. The press could sometimes be very harsh. Anyone else under that kind of pressure would have said, âOK, Iâm calling it off. Weâll tell the press I have a sore throat, and Iâll be on the next flight home.â But he took the risk of going on, of people writing something negative about him, of putting in all that effort. Why did he do it? I always had the feeling someone very special was occupying that body.â - L. Subramaniam, Here Comes The Sun: The Spiritual and Musical Journey of âŞGeorge Harrison (x)

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Willie Weeks and George Harrison onstage during the Dark Horse Tour, Olympia Stadium, Detroit, Michigan, 4 December 1974. Photos courtesy of Kim S. on Flickr. She wrote: âMy aunt went to see George Harrison at the (now demolished) Detroit Olympia Stadium in 1974 and got a front row seat. Her friend took these pictures.â
âSaw the late show at Olympia Stadium in Detroit, and while I struggled to get into the Indian music, George and the others were great. I was in the front row, and I remember George looked really thin (and sick). Nevertheless, he put on a great show Iâll never forget. Thanks George!â - âDetroitJerry,â topix dot com, 2 January 2011 (x)
Guarda "Steve Winwood - Hold On" su YouTube
The best song on a criminally underrated album, in my opinion superior to most of Winwood's other works, both with bands and solo. Inspired melodies, sophisticated arrangements, groovy rhythms.. here's a great Willie Weeks on bass!
Hace poco tiempo ponĂamos a Robin Tower y ahora recuperamos a otro del âblues espacialâ, Roy Buchanan en su sorprendente LP de 1978 "You're Not Alone". En ĂŠl se hizo acompaĂąar nada menos que de Ray Gomez (Pop Tops, Los Pekenikes, La Mosca), Willie Weeks (sus sesiones: Wonder, Bowie, Harrison y miles mĂĄs) y Andy Newmark (Sly & The Family Stone y sus sesiones, algo asĂ como un millĂłn). Con semejante supergrupo, Buchanan dio rienda suelta a su faceta mĂĄs experimental, ambient y âto the moonâ sin perder el ârootsâ. La portada habla por sĂ sola.