I can conceive of no greater mistake, more disastrous in the end to religion if not to society, than that of trying to make charity do the work of justice.
William Jewett Tucker
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I can conceive of no greater mistake, more disastrous in the end to religion if not to society, than that of trying to make charity do the work of justice.
William Jewett Tucker

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[Untitled], William Tucker, 1995, Brooklyn Museum: Contemporary Art
© William Tucker Size: 6 x 6 in. (15.2 x 15.2 cm) Medium: Letterpress on paper
https://www.brooklynmuseum.org/opencollection/objects/154946
Study for Witness, William Tucker, (1983), MoMA: Drawings and Prints
Gift of Edward R. Broida Size: 71 1/2 x 42 1/4" (181.6 x 107.3 cm) Medium: Charcoal on paper
http://www.moma.org/collection/works/100333
@Regrann from @rocstarliv - #WilliamTucker was the first person of African ancestry born in the 13 British Colonies. His birth symbolized the beginnings of a distinct African American identity along the eastern coast of what would eventually become the United States. William Tucker was born in 1624 near Jamestown, Virginia, the son of “Antoney and Isabell,” two African indentured servants. Historians do not know much of William Tucker’s life due to the fragmented pieces of primary source material available for contemporary study. According to the 1624-1625 Virginia Census, 22 Africans lived in Virginia at the time of Tucker’s birth. The first 20 of these Africans arrived in 1619 and all of them worked under indentured servitude contracts. These men and women were not slaves because Virginia’s General Assembly had not yet worked out the terms for enslavement in the colony. Consequently these first Africans in Virginia received the same rights, duties, privileges, responsibilities, and punishments as their white indentured counterparts from Great Britain. They also worked under the same terms and many but not all were given land at the end of their period of indenture. In fact they and their descendants became the nucleus of the free black population which existed in Virginia prior to the Civil War. William Tucker’s parents were among this group of 22 first Africans. They worked for a Captain William Tucker, the Virginia envoy to the Pamunkey Indians, and his wife, Mrs. Mary Tucker. Anthony and Isabella participated in the establishment of Elizabeth City County, Virginia which is now the city of Hampton, in 1634. In the early 1620s Captain Tucker allowed the couple to wed though the practice violated English custom for indentured servants. Anthony and Isabella married at least a year before giving birth to their son William Tucker in 1624. William Tucker seems to have had a childhood similar to that of other children born to indentured servants in the colony. According to the 1624-1625 census, there were two other servant children, both white, born around the time of William Tucker. Many facts regarding Tucker’s life remain a mystery. http://www.blackpa
NEW IN THE BOOKSHOP: OTHER PRIMARY STRUCTURES (2013) The landmark Jewish Museum exhibition Primary Structures offered the first presentation of Minimalist sculptures in the United States, in 1966. The accompanying catalogue by Kynaston McShine became a key resource on artists such as Donald Judd, Carl Andre, Dan Flavin, and Sol LeWitt, who were virtually unknown at the time. Other Primary Structures is a long-overdue reintroduction of this classic, out-of-print text. This two-volume set includes a replica of the original catalogue, plus a new companion volume by Jens Hoffmann that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, featuring important sculptors from Asia, Africa, Latin America, and Eastern Europe, and complementing the earlier catalogue’s focus on American and British artists. Beautifully designed, this publication comes enclosed in a clear jacket that pays homage to the original catalogue’s iconic cover. Other Primary Structures is invaluable for the study of modern art history and provides an authoritative survey of Minimalist sculpture in the 1960s. Artists: Carl Andre, Lyman Kipp, Tim Scott, Richard Van Buren, Isaac Witkin, Tony DeLap, Tom Doyle, Richard Artschwager, Michael Bolus, Paul Frazier, Douglas Huebler, John McCracken, Peter Phillips, Anne Truitt, Ronald Bladen, Robert Grosvenor, Donald Judd, Robert Morris, Larry Bell, Walter de Maria, Sol LeWitt, Daniel Gorski, David Gray, David Hall, Phillip King, John McCracken, Peter Pinchbeck, Michael Todd, Derrick Woodham, Rasheed Araeen, Sérgio Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandell, Gego, Stanislav Kolíbal, Edward Krasiński, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahović, Oscar Bony, Benni Efrat, Yoshida Katsurō, Stanislav Kolíbal, Susumu Koshimiz, Ivan Kožarić, David Lamelas, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Kishio Suga, Jirō Takamatsu, Lee Ufan Available via our website and in the bookshop. #worldfoodbooks #primarystructures #otherprimarystructures #williamtucker (at WORLD FOOD BOOKS)

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Bassorilievo, William Tucker, 1982-88, HAM: Sculpture
Harvard Art Museums/Fogg Museum, Bequest of William S. Lieberman Size: 40.64 x 50.8 cm (16 x 20 in) Medium: Painted bronze
https://www.harvardartmuseums.org/collections/object/316107
House of the Hanged Man, William Tucker, 1982, Brooklyn Museum: Contemporary Art
© William Tucker Size: 29 1/2 x 41 1/2 in. (74.9 x 105.4 cm) Medium: Lithograph on paper
https://www.brooklynmuseum.org/opencollection/objects/112448
Bassorilievo, William Tucker, 1982-88, HAM: Sculpture
Harvard Art Museums/Fogg Museum, Bequest of William S. Lieberman Size: 40.64 x 50.8 cm (16 x 20 in) Medium: Painted bronze
https://www.harvardartmuseums.org/collections/object/316107