Nation.Cymru staff Welsh poets’ use of the language of love and intimacy to describe their relationships with powerful patrons is being expl
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Nation.Cymru staff Welsh poets’ use of the language of love and intimacy to describe their relationships with powerful patrons is being expl
EATING THIS FUCKIN STUDY EATING ITTTTT

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Do you think there's potential if you can use Chief Bard Taliesin as The Fourth Wall/Meta Guy™ of Arthuriana?
As in, Taliesin - as a supernatural storyteller, arguably superior to the prophetic Merlin - being an almighty observer of ALL continuities of Arthuriana, able to know who is who, what happens in what version, and just being able to jump in and out of the different storylines whenever he wants.
One moment, Taliesin is hanging out in Caerleon-on-Usk, performing for Lucius Artorius Castus and then teleport on over to laugh at Monty Python!Arthur and co. getting owned by the killer rabbit.
In another scene, Taliesin talks about the different versions of the Grail Quest to Arthur and Peredur, giving comments about what he likes and doesn't like about each one, while expressing how he's annoyed with the French writers obsession with Lancelot and Tristan. Also, Taliesin gets to talk about all the different love interests of Lancelot and Gawain to French!Lancelot (who's in complete meltdown) and Welsh!Gwalchmai, who's like 😎
Taliesin predominantly hangs out with Merlin, his tutor Blaise and fellow aspiring bard, Sir Dinadan, inside Magic Treehouse!Morgan's Treehouse but every once in a while, Taliesin gets into an adventure and then brings along whatever character he needs, from Sir Segurant and Culhwch to BBC Merlin!Merlin and Fate!Artoria.
(Okay, so I know I said I was gonna do marriage laws and queenship stuff in regards to welsh laws - and I will! - but here is a nice, quick round-up about BARDS
*SHREDS ON A HARP*
Okay, so this is inspired by @gawrkin 's recent posts on bards because the laws surrounding them are SUPER FUN. And Wales LOVES LOVES LOVES their bards. (Myself included.)
Right, so, without further ado, ONWARDS.
*shreds harp aggressively again*
So the 'spurious triads' the author is referring to are presumably to do with IOLO MORGANNWG *ominous thunderclap*.
I shan't go too much into him as suffice to say, we gotta keep this shit SHORT, but he was a massive forger from Glamorgan (that's what Morgannwg means. It's his bardic name. Iolo is Edward.) who made up a bunch of triads and Celtic / medieval manuscripts including some of the Welsh Triads. Also, he is the reason why the Eisteddfod has the Gorsedd of bards.
So a mixed bag, y'know.
ANYWAY. They're very high-rank on account of being the literally Yellow Pages of Celtic and medieval Welsh societies. If you had a question that needed answering you'd ask a bard. They were like Google. They would know a man's lineage (and Welsh lineages are confusing. There were men named Dafydd ap Dafydd ap Dafydd ap Dafydd. No, I'm not joking.) battles, monarchs, myths, songs, stories. Anything.
And they had to SING. And play an instrument. Namely either a harp or a crwth.
This baby is crwth! It's a little like a violin but much darker in tone. They were extinct for a while but they've undergone a revival and they are FUN!
Also, the court bard had to SING to the queen about Camlann 'in a low voice.' I've heard various reasons suggested as to why and one of them is to remind her that Gwenhwyfar's infidelity was the main reason for King Arthur's downfall, but I think it's probably because of The Slap. Idk though. I'm just guessing, buddies.
Still, it's cool that the queen got a special sing-song.
Also, the bard being 'invested with a chess board' suggests to me that the game of Gwyddbwyll that Arthur and Owain play in the Mabinogion signals that they're bards. Gwyddbwyll being the type of chess the bards would've been familiar with. Plus, we know Arthur is somewhat of an amateur bard (Culhwch and Olwen being the prime example where he sings his terrible englyn about Cai to his face. Arthur, ur a fuckin BASTARD.) so it's in keeping with his character.
Also, I think it's adorable that the harp 'always descended to the youngest son.'
If you want a story that deals with bards and their privileged position in Welsh society and also wants ur heart RIPPED OUT may I suggest 'The Assembly of the Severed Head' by Hugh Lupton. It deals with a bard in a monastery after he's almost perished in a raid and the monks writing out the Mabinogion so they can give it to Llywelyn Fawr. It deals with war, love, loss, and also stonking good historical context. Also lots of poetry!!!!
Final fact: bards in Wales weren't wiped out by Edward the First. That's a fuckin myth. Don't come round here with ur fuckin myths. Old Longshanks has done enough already. May he eat shit.
(Also, Taliesin gets all the good rep but what about my boy Aneirin?)
Okay, BYEEEEE!!!!
P.S.: have an Eisteddfod chair!
What do you make of King Arthur's title of Frivolous Bard? He does have some musical talents in Welsh myth, but his most well-known composition was a poem ragging on Kay that got Kay all pissed off at him. Why was his position as a bard "frivolous"?
One source I found praises Arthur's poetic skills, alongside Tristan and Llywarch Hen. In general, it seems Arthur was largely seen with Bardic talents, and Bards are a very esteemed position in Celtic society.
"Frivolous bard" is a translation of the term "Oferfardd", which may mean to be "Scurrilous Bard" or "Amateur/Semi-Professional Bard"
It could mean that Arthur may have been irresponsible or incompetent with his position (not hard to believe, all things considered) .
But more likely, given the praise Arthur recieves, it could mean that Arthur can "fill-in" as a Bard as a side occupation.
Arthur being a King means he can't be a Full Professional Bard - with all the implied powers and privileges - but can act as one in an emergency/impromptu situation.
Top Ten Worst Things Arthur has done: Satirizing Kay for no reason, harming his reputation, and implicitly damaging his career. Kay is understandably pissed and subsequently quits his job. It shall be noted that being a Bard, in exchange for its prestigous position in Celtic society, is a massive responsibility not to be abused.

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From Son of Prophecy: The Rise of Henry Tudor, by Nathen Amin
King Mark: [Exists]
Sir Dinadan:
(Source: The Bardic Traids, from Peniarth 20 manuscript)
Some triads showing a few key concepts of Bardism
Its a pretty neat shorthand guide.