this has probably been pointed out before but i love how there's a high note when he sings "these high walls" and then a low note when he sings "came up short".
just like how in habit there's a repitition of the beat throughout the song because its a habit "he can't break". and how his voice is softer in too young nostalgic almost, reminiscing to a time when he was too young. and how the beat builds up and then drops in miss you just before the line "just like that and i'm sober".
and finally how only the brave literally has a mic drop at the end (signalling the end of the album and the end of really the song that sums up everything in the album). i just really love how listening to his music is such a whole experience, with attention drawn to every single thing he has done with a particular song and an album as a whole too. i love it all so much.
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okay, first of all. this one was hard. this one was complex. at times i was like ??? and !!! about these lyrics, especially because they can mean so much all at once. they tell so many stories. so i guess that this is my disclaimer that if you absolutely disagree and your own interpretation is way different, then you should own it and hold on tight to it bc who is a random stranger on the internet to tell you what to feel about a song by your fave, right????? alright. letâs fucking go and see where this takes us
there is a cut, bc this is a long one. i get into louisâs references to oasis, mention possible parallels to his as well as othersâ earlier work, and try to wrap my head around wallsâ message as a whole, basically. open at your own risk
walls, track 6
TITLE SONG. - statement: this is what the album is about, this ties everything together
6th song on the album: last of the first half - lot of personal struggles in that first half: devil in my brain, please kill my fucking overactive mind, kept me living, prison of a past life, doing better, life gets hard, driving to something better, donât give up, we made it, waving to the hard times, what i couldâve become, i gave in to the pressure etc etc etc last warning are you sure you wanna get into this
Nothing wakes you up like waking up alone
literally, but also figuratively: a wake-up call
âyouâ - general you, referring to himself
loneliness on walls: âbut iâll leave a message so iâm not aloneâ, âeven when iâm on my ownâ in two of us (not the same kind of loneliness, necessarily: grief can make you feel very alone, no matter how many ppl are around you. but worth mentioning) + âi still felt aloneâ - always you
And all thatâs left of us is aâ cupboardâ full of clothes
breakup feel -Â âusâ
cupboard?! who keeps their clothes in a cupboard? is that a tourbus thing? is that an inside joke?Â
or is it a reference to the closet?Â
implication of shared clothes, shared âclosetâ - domestic
Theâ day you walked away and tookâ the higher ground
Was the day that I became the man that I am now
they were in a bad place, they were fighting immaturely, implied by âhigher groundâ - it was getting nasty and the other person left
key moment in growing up, in the past. L doesnât seem too remorseful about it anymore bc it was for the better - hardest shit in processing everything that happened is behind him
the shit that happened between âusâ caused personal growth and thatâs what this song is about - focus is on L, on the âIâ
But these high walls, they came up short
âhigher groundâ - âhigh wallsâ: the other person walked away and took the high road, but that meant avoiding the conversation, the confrontation, anything involving sharing their emotions ✠thatâs what L can finally see now
âhighâ - âshortâ: antithesis. simply some nice writing
who put up these walls? âyouâ? or louis? both?Â
walls = emotional blockades. in louisâs words: ânot letting your guard down for anyone, until you meet that certain person and then you have the confidence to, kind of, let people inâ - so definitely that sense of finding the one, and that person saving L from being stuck in his mind, not being open ---- the layers ! !!?
Now I stand taller than them all
ânowâ: the walls used to tower over him, lock him in, limit him
I conquered that shit
These high walls could never break my soul
And I, I watched them all come falling down
I watched them all come falling down for you, for you
again with the (soul) almost breaking, again with the shit that nearly killed MY MAN can he spare my emotions for a sec
powerful, though:Â âcould neverâ: he stands STRONG.
âwatchedâ: wasnât actively breaking them down himself? was simply watching it happen? - confident, again. self-possessed Â
also âwatchedâ like: it just happened naturally. thanks to âyouâ, because you help me to my guard down, to stop guarding my heart
is this âyouâ the same one that walked out?Â
Nothing makes you hurt like hurting who you loveÂ
And no amount of words will ever be enoughÂ
the song right after too youngâs: âiâm sorry that i hurt you darlingâ, âlooking back a lot latelyâ, âwe can finally have the conversationâ and âtrying to find some better words to sayâ so that definitely ties in to one another
I looked you in the eyes, saw that I was lostÂ
âeyesâ: honest, romantic
lost inside your eyes?
âi was lostâ like louis just kill me it would hurt less. anyways, positive: itâs in the past. he was lost: he was hurt emotionally, he was being influenced by people putting too much pressure on him, he was misled by people who told him shit that was not in his best interest, that made him lock up his heart and act without listening to it (which are things we learned in the previous songs)
the eyes of his lover that form a mirror - the most honest view
For every question why, you were my because
i mean honestly are you kidding me. this is the most romantic shit ever. for every question why??????? you were my because?????????????!! me and who and also when fuck
âyouâ = purpose in life, moral compass
So this one is a thank you for what you did to me
Why is it that âthank youâs are so often bittersweet?
little bit sinister? âyouâ walked out and took the higher ground (which is what louis is referencing here, i assume) and thatâs what changed louis for the better
âbittersweetâ: they havenât resolved their shit yet, bc louis has grown and won, but heâs also lost in the process bc of the personal struggles, the time lost, the growing apart, or even âyouâ still not being in his lifeÂ
this makes me think âyouâ is a layered concept in this song - multiple interpretations:
you is the love of his life, his home, his anchor - someone still in his life right now
you is someone he was close with in the past and shared close living spaces with, as well, that he fell out with and that hasnât been resolved yet (yk who iâm thinking of)
I just hope I see you one day, and you say to me ooh
(chorus)
they donât see each other - or at least they didnât when louis wrote this song
âand you say to me: these high walls came up shortâ
L expects the other person to come around, get on his level, let the walls come down too
anon who asked about this line in particular - how the lyric could also be âand you say to me, âoh, ohââ like it is on genius. in the official album booklet, however, it just says it like i wrote it above. in any case, i donât think it changes the meaning much? it generally feels like louis just wants the other person to show some form of emotion
Nothing wakes you up like waking up alone
weâll end just like we started
full circle: the story is finished? itâs a closed chapter? or (more likely): itâs not over yet, bc the song might as well start over again
sense of bitterness, tooÂ
SYNTHESIS
Louis asked permission to cite writing credits to Noel Gallagher on Walls for inspiration taken from some of Oasisâs songs (thanks to @bluewinnerangelâ for bringing this to my attention in the first place!! this is essential background knowledge in understanding this song and album as a whole tbh)
âLouis Tomlinson has added Noel Gallagher as a songwriter on his Walls track.
The former One Direction star - who is releasing an album of the same name on 31 January 2020 - asked the ex-Oasis rockerâs permission to lift elements of the Manchester bandâs classic tracks Stop Crying Your Heart Out, Cast No Shadow and Acquiesce on his new single.â
Acquiesceâs lyrics, the chorus of which is heavily echoed by Wallsâ chorus:
I donât know what it is that makes me feel alive
I donât know how to wake the things that sleep inside
I only wanna see the light that shines behind your eyes
I hope that I can say the things I wish Iâd said //Â finally have the conversation (...) trying to find some better words to say - too young // defenceless
To sing my soul to sleep and take me back to bed
Who wants to be alone when we can feel alive instead // never coming down with your hand in mine - wmi
Because we need each other
We believe in one another
And I know weâre going to uncover
Whatâs sleeping in our soul
Cast No Shadow:
Hereâs a thought for every man
Who tries to understand what is in his hands // too young to know we had everything, wish i could have seen it all along // habit
He walks along the open road of love and life // weâre driving down a one-way road - wmi // fearless
Surviving if he can // donât you let it kill you
Bound with all the weight of all the words he tried to say // too young // defenceless
Chained to all the places that he never wished to stay // a prison of a past life - kmm // fearless
As he faced the sun he cast no shadow // bc he shines so bright
As they took his soul they stole his pride (Pride)
Stop Crying Your Heart Out (the intro of which has definitely been copied (heh) for Copy of a Copy of a Copyâs intro) and the whole thing in terms of message is just DLIBYH (and i always hear L echoing this song as him directing it at H yk cry with me)
Donât be scared
Youâll never change whatâs been and goneÂ
May your smileÂ
Shine on
Your destiny may keep you warm
âCause all of the stars
Are fading away
Just try not to worry
Youâll see them someday
Take what you need
And be on your way
And stop crying your heart out
Get upÂ
Come onÂ
Whyâre you scared? (I'm not scared)
Weâre all of us stars
Weâre fading away
Just try not to worry
Youâll see us someday
Music video: direct reference to Live Forever clip by Oasis, which features Liam Gallagher sitting on a chair thatâs attached to a wall, just like the one Louis sits on (see post linked down below for further parallels between these clips and other Oasis trickery). Considered an âoptimistic balladâ, itâs definitely a clear, purposeful message by Louis: despite everything, weâre getting up and going on.Â
Just some more lyrics that have the same feeling Louis created on Walls:Â
Lately, did you ever feel the pain // i can ease the pain - kmm
In the morning rain
As it soaks you to the bone? // dlibyh
Maybe I just wanna fly // now i stand taller than them all - walls
Wanna live, I donât wanna die // kept me living - kmm, waving to the hard times - wmi
Maybe I just wanna breathe
Maybe I just donât believe
Maybe youâre the same as me
We see things theyâll never see // if they could see us now - wmi
You and I are gonna live forever
Maybe I will never be
All the things that I wanna be // what i couldâve become - we made it
Now is not the time to cry // dlibyh
Nowâs the time to find out why // looking back - too young
shit hurts sometimes but we acknowledge it and let it make us live life even better / us against the world / reflecting on the past and on who you are and fighting for what you stand for /Â we fucking know whatâs up and thatâs why life is ours for the taking
Itâs clear that Louis takes a lot of inspiration from Oasis and the Gallaghers (especially Liam) in general, since heâs always been a massive fan of theirs and clearly, for obvious reasons, finds recognition in their art and style. This post by @bluewinnerangelâ should shine an even brighter light on that. During Louisâs solo career, heâs mirrored his style to Liamâs and has also been working with Charlie Lightening, a filmmaker who has also worked with Liam Gallagher.Â
In Oasisâs lyrics there is a general sense of ease with the self, with reality, the past and whatâs to come. Really, these English lads know how to own up to their emotions and still come off as effortlessly cool in that shy but confident way that is also exactly what Louis does and I?? have been taking notes for years now. Now, before I get entirely sidetracked: Louis has purposely echoed this band and these specific songs in Walls as an album and as a track. This is the sound Louis wants his solo career to have, this is the message he wants to put out, but perhaps in an even gentler way (bc letâs be honest those Gallagher boys arenât that accessible compared to Louis and I think Louisâs general down-to-earthness is one of his best assets). Here are my emotions, hereâs whatâs on my mind, the worldâs shit sometimes but it is what it is, all we can do is love and do our best to be aware of whatâs right in front of us.Â
That last part is precisely what Louis has learned in his years writing on Walls. The story heâs telling us is that heâs gone through periods/a time where he didnât realise the worth of what he had. That he didnât stick to the simple truths in life: love above all matters. And that we canât run away from our emotions.
âAcquiesceâ also means to accept, which is also a heavy theme on Walls: the acceptance of what has happened in the past, and moving past it, but using it to your advantage. Accepting that itâs all part of life.
Walls clearly references a specific story, a specific time in Louisâs life where he went through something that changed him forever. Whatever this event may be, the songâs message clearly reaches beyond that and pulls from multiple learning experiences that Louis has been through in his life so far. Whether it be purely personally, with a friend, family or in his love life. The key message is that heâs learned to open up, deal with his emotions and what has happened properly - like a grown-up, like someone who possesses himself and has confidence in what he knows and feels.Â
The music video for Walls - directed by Charlie Lightening - is definitely way too interesting not to mention here. Thereâs Louis on that chair against that wall, which is the Oasis reference. âYou and I are gonna live forever.â Louis in the desert. Thereâs a single door, which to me is a Steal My Girl reference (the one Harry walked through, also in a desert); a door as a harsh border between two contrasting spaces (brightly lit desert vs dark ballroom, outside vs inside), transitional movement. Louis surrounded by mirrors, him having a good look at himself + âreflectingâ on everything. Louis in that ballroom, wearing a suit, alone, surrounded by heterosexual couples. Louis on stage. Surrounded by hooded people in masks, in a red glow. In front of a wall of fire. Louis on the floor in the middle of a target, spinning. Louis joining a lineup in the spotlights four, then three, other figures.Â
Obviously, there are parallels to be found with many works of art, as this music video has done a really good job in being as complicated as possible. Donât we love Louis for that. I even feel like the tv series Twin Peaks is referenced. The most blatant parallel is with Harryâs Lights Up mv, though, and here is a post that will make that super clear. From the lighting to the shot sequence: these videos have been aligned to reference one another and thereâs no way around it. The menaces that are husbands love nothing more than to cross-reference and then shrug like weâre hallucinating it all. But weâre here and WE CAN SEE YOU
Louis then also doesnât fail to insert some One Direction for us, with first the Steal My Girl echo and then the unmistakeable representation of the other members, with the painful disappearance of one of them.Â
With all of this in the music video, itâs safe to say the song is layered as fuck and it would be blasphemy to pinpoint one single meaning. Yes, there is the hurt of Zayn leaving the band and the subsequent falling out of two people that were best friends for years for reasons we donât (yet) know. Thereâs the relationship struggles heâs been through. The struggle of losing yourself, for whatever array of meanings. Fame. Pressure put on him by others. Forgetting to listen to his heart, and so on.Â
I have said this time and again, as have many others on this wonderful hellsite, but Louis does every little thing in his work and even outside of that deliberately. He wants us to look into these things, and he knows that those who get it get it. His music videos and lyrics pretend to be simple and he loves to play dumb about it all, but thereâs always way more to it than what heâll let on. His smirk says it all. Heâs also incredibly proud of this song, stating it as his favorite, and of this video, which he considers their best work. Itâs his statement that heâs standing tall and strong, victorious.Â
Larry songs timeline & what it tells us about the evolution of their relationship
**These are all just my interpretations but the more I listen to the music they wrote, the more it all fits together. ESPECIALLY BECAUSE THROUGHOUT THE YEARS THEYâVE BEEN TALKING ABOUT WRITING âAUTOBIOGRAPHICALLYâ AND âFROM PERSONAL EXPERIENCEâ
I deffo missed some songs but these stood out to me:
2013
L-Strong: Love isnât easy (waves trying to break it)Â but what we have means something and itâs worth fighting for. read: love is only for the brave (Think of how much love thatâs been wasted...thereâs nothing iâm running from...i donât care, Iâm not scared of love)Â And we bring out the best in each other so lets not throw this away (iâd do anything to save it...when iâm not with you iâm weaker).Â
H-Happily: I want to fight for us too bc weâre on fire and our love is powerful af. ik we have to do stunts and stuff (and if (s)he feels my traces in your hair, sorry love but I donât really care) but what we have is insane and fuck everyone else bc youâre MINE and iâm YOURS at the end of the day (i wanna be the one who holds you when you sleep). Together, weâre magic so just be with me so happily
H-Something Great: ****this song is very straightforward so i wonât explain it much***** (i want you here with me like how i pictured it so i dont have to keep imagining... Weâre better off together here tonight). Written as a longing for what could be if they dont have to suppress the relationship. (script was written...want to rip it all to shreds) Louisâ response (youâre all I want so much itâs hurting) basically says âitâs not too much to ask babe, i want it too.â This has the kind of longing that âwouldnât it be nice- beach boysâ which Harry has admitted is kind of a theme song.Â
L-Through the Dark: I know all this bs weâre going through is taking a toll on you and hurts you and i hate seeing you upset (you tell me that your sad...you tell me that youâre hurt and youre in pain and i can see your head is held in shame...i just wanna see you smile again) but I will do everything physically possible to protect you from any pain bb (iâd never let you fall and break your heart, if u wanna cry or fall apart, iâll be there to hold ya). Weâre going through this together and I will take on any responsibility needed to keep you happy. IâM WILLING TO GO THROUGH HELL TO FIGHT FOR US HARRY LOVE (entire chorus basically).
L-Better than Words: holy fuck our love is amazing canât even describe it can i just sing to you foreva love u babycakes
L-Why donât we go there: what if...we just forgot about the world and escaped and enjoyed each others love and rode the high??? Also sex
2014
L-Ready to Run: *******Followup to Why Donât We Go There*********** But this time letâs escape for real bc (thereâs me inside a sinking boat running out of time). Like iâm ready to get out of here and it could just be us living happily ever after (this time iâm ready to run). Honestly nothing else makes sense (without you iâll never make it out alive...wherever you are is the place i belong). I know what i want out of life and ITâS YOU HARREH (i want to be free and i wanna be yours, i will never look back).Â
L-Steal My Girl: all u thirsty hoes find someone else bc Harry is MY pretty princess. Srsly ask his family. But you can still admire how he looks in those jeans. We all do. You know the ones
L-No Control: boy u fine, letâs do what lovers do IN THE MORNING. bc we can. also you own me and i am urs
L-Clouds: WE KNEW THIS WAS GONNA BE HARD SO WHY ARE YOU BEING A LITTLE BITCH (you dont like it complicated...but love is never ever simple...you are tired of all the changes, but love is always always changing). We could be great yo, just keep fighting (if weâre never coming back down, weâll looking down on the clouds...we go and we go and we dont stop)
H-Where do Broken Hearts Go: IM SORRY LOU BABY YOURE EVERYTHING (rest of my crimes dont come close the look on your face when i let you go... the taste of your lips...is at the top of the list of things i want). H&Lâs call and response at the end is basically forgiveness and acknowledgment (come on baby come and get me out, come on baby cuz i need you now)
H-Two Ghosts: *****was written around this time according to Harry******. This is fucking hard yo. Weâre drained and exhausted and idk how much more we can fight for this... (itâs not you and itâs not me...sounds like something that i used to feel). That infatuation and electricity and hope that fueled our younger selves isnât really there anymore and iâm just tired man (weâre just two ghosts swimming in a glass half empty, trying to remember how it feels to have a heartbeat, weâre not who we used to be...this was all we used to need). Weâre empty vessels going through the motions (same eyes blue, couple more tattoos). AND WE ARENâT FUCKING COMMUNICATING (we dont say what we really mean).Â
2015
H&L-Perfect: so what if... we get rid of the pressure of forever? What if we just have fun doing the stupid shit we love and makes us feel alive (trouble up in hotel rooms, secret little rendezvous, things you know that we shouldnât do). Like we wonât be out of each othersâ lives, Iâm still around and we can find comfort in each other and even mess around here and there (I can be the one you love from time to time). Remember how we used to be young and EXCITED (when i first saw you from across the room, i could tell that you were curious) letâs get that energy back without the responsiblity of an adult relationship. And we can keep making art lmao (if youre looking for someone to write your breakup songs about).Â
L-Long Way Down *****this song fkn hurts man. Itâs overlooked a lot but shows so much insight**** We were...everything. And maybe thatâs the problem? Weâve been through so fucking much, more than anyone our age should have to endure. (We've been in fire, Went down in the flames. We sailed the ocean And drowned in the waves. Built a cathedral But we never prayed) We didnât know what we had. We were damn kids man. We werenât prepared for all this. We didnât know how powerful this would be. We didnât know what it required of us. (We had a mountain But took it for granted. We had it all yeah. Who couldâve planned it). We didnât know what to do with it, how to deal with it, so here we are. (We had a spaceship But we couldn't land it) Weâre each otherâs everything, but we canât keep going on like this babe. (We found an island But we got stranded). I donât want to leave you but being together is breaking us down. (Point of no return and now It's just too late to turn around) We thought we were untouchable. That love conquers all. Maybe, we were wrong. This is gonna hurt like a bitch (We built it up so high and now I'm fallin', itâs a long way down)
H-Olivia: I LIVE FOR YOU, I LONG FOR YOU, I LOVE YA. And i think iâll always love ya. And Iâm scared...of life without you (i get the feeling youâre walking out, time is irrelevant when iâve not been seeing you, the consequences are falling now, thereâs something iâm having nightmares about...dont let me go). But maybe just maybe thats okay, because youâre AIMH (you live in my imagination...i love you, itâs all i do).Â
L-Love you Goodbye: I fucking love you and Iâll always fucking love you but i think this is the right thing to do even though it feels so wrong (i know thereâs nothing i can do to change it, but is there something that can be negotiated?) We made some goddamn fireworks together though (unforgettable together held the whole world in our hands) and do ya maybe think...we can make them just once more? (if tomorrow you wont be mine, let me give it to you one last time, baby let me love you goodbye...one more taste of your lips just to bring me back to the places weâve been and the nights weâve had because if this is it, then at least we could end it riiiiight). ********in the interview with our FAVE Gwen Garcia, she asked if itâs better to say goodbye and end a relationship thatâs not feeling right or keep trying even if your heartâs not in it. Harry responds with âI think itâs better to say goodbye...but sometimes if youre trying to protect..â Then Louis cuts him off and says âyouâre going deep arenât youâ, brushing the question off as a joke but imho i think there was pain in that answer. Then Harry continues âif youâre not 100% in it, I think itâs better for both parties if you say goodbyeâ. And Louis adds a âyeahâ at the end.********
H-Walking in the Wind: I know this is scary but i think we can do it, (you said to me do you believe iâll be too far? if youre lost just look for me youâll find me) I think because youre AIMH and iâm always in yours, itâll be good for us. And look at us being mature, weâre killing it babe. We can live our separate lives and grow on our own. We dont need to make it messy and hurtful. Weâre on the same page. (the fact that we can sit right here and say goodbye means weâve already won. A necessity for apologies between you and me, baby there is none). At this point, weâre kinda part of each other right? So itâs healthy for us to be apart for a bit. (itâs not the end, iâll see your face again... i know weâll be alright...just close your eyes and see iâll be by your side any time you need me). And youâve helped me grow into the person I am, and I you, so thatâs cool as hell, right? (you will find me in places that weâve never been). We had a TON of fun (we had some good times didnt we) so i feel okay that weâre doing this (goodbyes are bittersweet) and starting the next adventure in our lives.Â
H-If I could fly: I. am. yours. Louis. William. Tomlinson. (for your eyes only, iâll show you my heart). Maybe this growth thing isnât worth it, let me prove to you how much you mean to me (i think i might give up everything just ask me to). This is gonna be hard as shit because iâm so dependent on you (iâm missing half of me when weâre apart). Iâm being honest and Iâm being scared and Iâm being vulnerable because I canât lie to you and pretend Iâm strong (i let my guard down, right now iâm completely defenseless). But weâre part of each other, right? (i could feel your heart inside of mine). Iâll always be here for you Lou (for when youâre lonely and forget who you are) even if for now we canât physically be together.Â
L-Home: Iâve tried, Harry. Iâve tried to play pretend (told myself i kind of like her but there was something missin in her eyes). But i was lost (i was stumblin, lookin in the dark with an empty heart) because none of it was enough, none of it was YOU (it was there i sawr it in your eyes). And then i met you and you felt the same and weâre both lost souls playing pretend who found magic in each other (but you say you feel the same, could we ever be enough?) Is our love enough to overcome everything? Maybe we can be enough. Maybe I can make this enough, let me try to make it enough for you. And if we go our separate ways, know that Iâm here for you no matter what. I wonât let you be lost again. (When youâre lost Iâll find a way and Iâll be your light, you will never feel like youâre alone, Iâll make this feel like home). So go. wander. find yourself. Then when youâre ready, come home.Â
 2016-2017
H- Sweet Creature: ***Harry admit that this was the first song he wrote for the album**** We arenât in the best place rn. Weâve been fighting (had another talk about where itâs going wrong...itâs hard when we argue, weâre both stubborn). But itâs you Louis. It canât be anyone else. (donât know where weâre going but we know where we belong... wherever I go, you bring me home). Thatâs not even a question. Iâm still trying to figure out who I am, but the one thing I know is that a large part of who I am is you (we started 2 hearts in one home). And aint no way Iâm losing that part of myself (when i run out of road, you bring me home). It was always you.Â
H-MMITH: Whenever youâre ready, Iâm ready (just let me know iâll be at the door, hoping youâll come around). I know I need to work on myself a little more (i gotta get better, and maybe weâll work it out) but honestly iâm getting impatient and i want things to go back to how they were and i want to be yours again (once you go without it, nothing else would do). But I canât communicate this to you clearly so let me just put this in a song and hope you get it (we dont talk about it, itâs something we dont do) ****Harry mentioned in an interview that he expresses himself through songwriting when he canât say the words directly to a person because itâs easier to just write it in a song than have difficult conversations*****
H-ESNY: ****honestly no idea what this song is about but itâs something to do with them fighting and not communicating and being in a weird place before their relationship is rekindled******* edit: this could be about his stepdad
H-FTDT: I MISS YOU AND IâM TOO FULL OF PRIDE TO TELL YOU DIRECTLY JUST COME BACK INTO LIFE LOU IâM LONELY AND SAD AND EMPTY AND IM NOT FUCKING FINDING MYSELF LIKE YOU SAID I WOULD (woke up alone, played with myself where were you...we havent spoke since you went away, why wont you ever say what you wanna say) So until then I sit and wait for your sorry ass to make the first move (maybe one day youâll call me and tell me that youâre sorry too...but you never do). Also like i have to hear from other people how you are?? (i saw your friend that you know from work, he said that you feel just fine) ANd youâre sharing OUR clothes with people?? wtf just swallow your pride and call meÂ
L-Miss You: OKAY BUT I CANT JUST CALL YOU BECAUSE I HAVE PRIDE TOO also my mates are trying to make me get over you (now iâm asking my friends how to say Iâm sorry, they say lad give it ttime thereâs no need to worry, and we canât even be on the phone now). So iâm just numbing your absence with partying and drinks but CLEARLY ITS NOT WORKING (should be laughing but thereâs something wrong...shit maybe i miss you...when i feel it coming up i just throw it all away, get another few shots cuz it doesnât matter anyway...such a good time, iâll believe it this time). This is weird bc like you were my everything but im trying to get used to this and it fucking sux (oh how shit changes, we were in love, now weâre strangers). And tbh, its scary af bc what if this is it (iâm asking myself, is it over?). BUT ALSO LIKE WTF U COULD REACH OUT FIRST YA KNOW (iâve been checking my phone all evening).
H-Anna: wtf Louis how do you not see how much this is killing me. I miss you so much and seeing you on tv or in pics drives me wild bc youâre not mine. (I donât want your sympathy but you donât know what you do to me...everytime I see your face thereâs only so much I can take...I guess it would be nice if I can touch your body). And idk if youâre replacing me (donât know where youâre laying, just know itâs not with me) and weâre in SUCH a weird place rn how do I tell u youâre the loml (donât know what Iâd say if I passed you on the street...donât know what Iâd tell you if you asked me for the truth) so I refuse to put this song on the album and let you know this and give you satisfaction from knowing how gone I still am for you bc I have 0 idea how you feel (hope you never see this and know that itâs for you)
L-Always You: SO THIS IS ME SWALLOWING MY PRIDE STANDING IN FRONT OF YOU SAYING IM SORRY FOR THAT NIGHT... ok but fr i miss u i miss u i miss u i miss u and nothing else compares like i can travel the whole world and all i think about is how much more fun it was with you and the memories we shared and i wish i could just say thx fr th mmrs and move on but actually no thx actually fuck you for making me not able to enjoy my life without you. So like...come home? and wrap your legs around me? also lmao i took El to a gay bar in amsterdam for her bday lmao i miss u come cuddle me and iâll tell you all about it
L-We Made It: looks like we made it, look how far weâve come my baby. They saidd I bett theyâll never make it, but just look at us holding onn, weâre still togetherr, still going stronggg. Also to the fans, miss our single bed and the nights we talked about our dreams :-* also Andrew my man luv u
2018-2019
L-KMM: our love was youthful and exhilarating and fucking electric and i think it still can be. dont know what iâd do without you now HÂ
L-DLIBYH: Weâre strong babe and weâve grown and we arenât gonna let life drag us down. Iâm doing better, youâre doing better, this is what we wanted. And now any shit we go through, weâll go through TOGETHERÂ
L-Too Young: Okay but looking back, that was a lot of shit we went through and we were just babies and iâm sorry for not fighting harder (i cant believe i gave in to the pressure when they said a love like this would never last so i cut you off cuz i didnt know no better)Â baby i tried, i tried to protect you but like it was just so much and i hate that you got hurt and i wont ever let that happen again. ALso go us for being mature and COMMUNICATING (face to face at the kitchen table, we can finally have a conversation that I wish we couldâve had before). ANd i know youâre an arrogant son of a bitch who canât admit when heâs sorry so here let ME say iâm sorry that i hurt you darling. Like we were too young to know we had everything BUT now weâre old(er) and can realize that when weâre together, we DO have everything now and omg is this our happily ever after and we can have a daughter and name her DarcyÂ
L-Habit: do i need to spell it out for you iiiiii aaaaaaaaammmmmmm sssssssoooooorrrrrrrrrrrrrrrrrrrrryyyyyyyy. But tbh i let you go because it felt right because mentally you were already out the door and i needed to give you room to grow babe. And i needed the space too (you gave me the time and the space i was out of control and iâm sorry i let you down). but like also iâve learned i canât escape you Styles. Youâre always in my fucking heart and my fucking mind and in every essence of my being and somehow I knew that 9 years ago and it took me this long to realize how powerful this really is (guess that that i know what i already knew, i was better with you and i miss you now). Ooooh also my favorite line i wrote (took some time cuz i ran out of energy of playing someone I heard Iâm supposed to be and honestly i dont have to choose anymore) like who am i kidding, im done pretending i just wanna be yoursss now
L-Defenseless: I canât help it okay theres something about you that doesnât let me stay away. I need you and I know that rekindling this relationship isnât going to be easy even though it feels so so right. Itâs going to be hard work (sleeping on our problems but weâll solved them in our dreams, wake up early morning and itâs still under the sheets)Â and we need to communicate and solve our problems but here I am, raw and unfiltered and emotionally naked in front of you ready to lay it all on the table (not sure how to say this right, got so much to lose. NEver been so defenseless). So like this branch Iâm reach out to you and you be honest with me too babe (you dont have to keep on being strong for me and you. Acting like you feel no pain, you know i know you do...I canât get inside, when youâre lost in your pride but you donât have a thing to prove). Be open with me. Lets talk. Letâs solve problems. Lets have an adult relationship. Iâm asking for a little vulnerabiltiy babe. Itâs just me. Theres nothing to be scared of
L-Walls: And here you have me in my purest form. No lies, no secrets, no insecurities to hide behind. Losing you was fucking painful but i got through it. Iâve been through hell and back and Iâve fought. And without you, I grew into the person I am. And any further growing iâm doing is gonna be with you. bc it was all for you babe. and honestly i can take anything life throws at me now. Iâm strong baby. Iâm fucking strong and fucking brave and fucking resilient and...fucking yours. ***** wtf is the I just hope i see you one day and youâll say to me oh oh********
H-Golden: You are the literal sun and Iâm not ready. YOUâRE SUCH A GOOD PERSON (you were way too bright for me, iâm hopeless, broken, so you wait for me in the sky). Iâm scared to go through this alone, I need your comfort and your guidance (i can feel you take control of who i am and all iâve ever known). But youâre scared to go through this with me bc you dont wanna get hurt and iâm too open so where tf does that leave us. ******this could be about coming out especially with the London AND NY secret shows where Harry added the lyric Iâm hoping someday youâll open*******
H-Adore You:Â You dont have to say you love me, you dont have to say nothing, you dont have to say youâre mine. Iâd walk through fire for you. Just let me adore Lou. Like its the only thing Iâll ever do. read: Louis is a great person to just admire what heâs like. ALso I dont need anything back. I just dont want to hide my love for you anymore. I donât need answers or promises. Just let me adore you. ********the music video is also basically a Louis appreciation post. He was the boy with the smile that the world took away from him. He found Harry lost and loved him and nurtured him and made him confident and allowed him to be who he wanted to be. But in doing so, Harry became big and unsatisfied and wanted to explore the world and was clearly interested in Hollywood and Rockstardom especially evident in his behavior 2014-2015. And Louis wasnât about that life and didnât want to hold him back. So he let him free. But they realized that they donât work apart. Wherever theyâre going, theyâre going together, as the boy sails into the unknown following the fish. I see it as Harryâs version of âthis one is a thank you for what you did for meâ ************* I see it, I appreciate it, and I love you for it
H-Lights Up: ****fight with Louis. (What do you mean Iâm sorry by the way) About coming out? About fame? (Step into the light, so bright sometimes) Either way, L is the guy driving the motorcycle in the video who makes H feel comfortable and safe until they get pulled over because SOMEONE wont let them love*******
H-Falling: What if iâm out, what if iâm someone you wonât talk about? Okay maybe I lied I do want you to claim me. Would me coming out of the closet make that hard for you? I CANâT GO THROUGH AN IDENTITY CRISIS WITHOUT YOU LOU. I picked someone supportive and now Iâm spoiled and I dont know how to be with myself. You want back in my life but what if I dont deserve it? (you said you cared and you missed me too...what iâm someone i dont want around). What if youâre better off without me? (i get the feeling that youâll never need me again). I know youve been through so much shit because of me, things youâve never even told me about and im afraid...that I wasnât worth it. Am I being selfish? because either way, i want YOUÂ (what if youâre someone i just want around). Does that make me a bad person?Â
H-TBSL: ****Probably when they starting talking again but it was v casual and they didnât really discuss their relationship yet*****. I MISS U BUT I WONT TELL U THAT and its nice to talk to u again i missed your voice but if u call me baby i will kill u bc that word has weight OKAY. Like i know you just call everyone babe and darling and sweetheart but baby is FOR ME and only for me when you wake up with me and cuddle me and if you think you have any right calling me baby without giving the luxury of being in a relationship with you then piss off because that shit hurts dude. (i know that youâre trying to be friends, know that you mean it...itâs hard for me to go home to be so lonely). ALso itâs not my fault iâm like this, you literally captured my heart when i was 16 like wtf do u expect (dont blame me for falling, i was just a little boy)
H-Sunflower Vol. 6: we were babies and i was so enamored by you and youâre so bright and beautiful and i want to watch you all day and make you smile and i want you to touch my hair and call me curly and i hope im not making you uncomfortable with my heart eyes but like how are you so perfect. I hope you think iâm cool, iâm really trying but like youâre SO FUNNY and charming and everyone loves you i hope im not embarassing myself. And now itâs like 8 years later and i think i can have you again and i want you so bad but i dont wanna seem too eager and im trying to have dignity and not text you first but like also i want nothing more than to talk to you. Do you think iâm cool now? did you like my new hairstyle? Do you think iâm funny on tour? I want everything i want to be domestic again and kiss in the kitchen and i want to cook for you and as;ldfa;sdhaf i want to buy you flowers everyday and shower ur cute face with kiss. boopx28Â
H-Canyon Moon: Hell yea i got ma man back and i have a girlfriend named Jennifer ;) and we are domestic and even though I HATE being away from him for work (so hard to leave it) we have the 2 week rule yall then i can wrap my legs around him and after so so so long Iâll be h.o.m.e. Also did i tell you his eyes are so so blue like sky who i dont know her
H-TPWK: So weâre really doing this. We donât need to have it all figured out. We can just be us. and happy. and dance. The world loves us babe. (Giving second chances, I donât need all the answers and if weâre here long enough weâll see itâs all for us and weâll belong)
H-Fine Line: Youâve got my devotion but man I can hate you sometimes....Weâll be a fine line. Between what? love and hate? public and private? out and in the closet? each othersâ and ourselves? Idk. But iâm going to swallow my pride (my hands at risk I fold) because no matter what, the worst possible outcome is not having you. And I never wanna go through that again. I know we have work to do on our relationship (spreading you open is the only way I know you). And thereâs lot of unknown here (thereâs things that weâll never know) but what i do know is that i cant resist you (you sunshine you temptress) and i cant be without you ever again. I think itâll be hard as hell. But when have we known love as anything but hard? And when have we known our love as anything but worth it? Weâll be a fine line baby. But i know, i knowww with every part of me that weâll be alright. Because these past 10 years, weâve been through A LOT. ANd it could have ruined us and made us cynical and cold and closed off. And I think at one point it did. But you know what we did? We fought it. We fought it together. Then we fought it individually. And we became BRAVE. And a brilliant man once said, âlove is only for the braveâ.Â
Itâs the 28th of pride month, and fitting to post this now. The soul of Walls is the unabashed, fierce, tender, and brave love of a man who has shown for years that he is proud. This album isnât a cohesive story line, nor do I think itâs even the album Louis envisioned himself putting out. He only flirts with true indie music like that of his idols; Always You is a pop masterpiece, TOU is a ballad, and Perfect Now a love song in the style of Little Things. The album is a collection of letters each addressed to a singular recipient, personal, self-searching, blunt, too vulnerable to be easy listening (if you really listen). Walls shows us the scope of Louisâ capacity for love. Itâs the culmination of years of pain, heartbreak, and hope, written with the raw honestly of an archeologist stumbling upon his own personal memoirs.Â
Please feel free to ask questions if any of the technical stuff is confusing, and remember these are my interpretations as a classically trained musician. I will use the name âSubjectâ for the implied âyouâ in each of Louisâ songs.Â
Kill My Mind: in F minor. The verses are i VII IV, the tiny bridge IV III I (?), and the chorus is VII IV I, repeat.Â
There are two oddities about this. First, in a natural minor key, the forth chord is minor (iv) but Louis keeps this B flat chord in major, changing the D flat to a D natural. Secondly, in the chorus, Louis changes from using a minor one chord to a major one. He raises the A flat to an A natural as he sings âRaise my body [A natural here] back to life.â This bit of text painting not only illustrates his words, but lends the song an off kilter feel, confusing the key signature between F minor and B flat Major (which has an A and D natural).Â
Kill My Mind is Louisâ only âdrugsâ song on the album, and I say that both because the metaphor is obvious and because he uses that obvious metaphor to compare addiction to a relationship. It reminds me, lyrically, of Back To You, and, like that song, could easily be interpreted as about a controlling force in his life on whom heâs become dependent, or a lover.Â
Donât Let It Break Your Heart: this is easily in the key of B flat Major. The verses are I IV vi 6/4 V 6/4, the bridge vi vi V IV vi V, the chorus same as the verses, I IV vi 6/4 V 6/4.Â
This is Louisâ most hopeful track, and is so clearly about grief. Much has been made of the first line âon our way to twenty sevenâ being a reference to the 27 Club, a cultural phenomenon of icons/musicians/artists that die at that age due to fame/high risk lifestyle, but Louis then says theyâre âdoing better,â implying that both he and Subject are in this category. The rest of the song is him counseling and comforting Subject, empathizing with the hurt of loss, encouraging Subject, âDonât let it kill you even when it hurts like hell.â He knows this pain, knows it deep, and knows that it takes time to heal.Â
Two Of Us: IV I V iv V IV I V vi V. This progression is the same for both verses and chorus. The bridge is a bit hard to decipher as it moves in 3rds and not triads, something like IV V vi V vi V.Â
Not much needs to be said about this song. Itâs Louisâ beautiful ode to his mom, and he sings it with incredible vulnerability and heart.Â
We Made It: this is the revolving door song. One progression is used, IV I V iii, and repeats from start to finish. It keeps reminding me of Coldplay.Â
Whatâs interesting is that each chord functions as the subdominant or leading chord of the next, basically spinning us ever forwards so we never stop on a tonic home base. The E flat IV chord leads to the B flat I, the B flat I then functions as a IV chord to the V chord (F Major), then the D minor III chord functions as a major VII leading to a I of E flat (the beginning IV chord we started with in B flat Major) and the cycle repeats.Â
Louis leaked part of this song several years ago, and a line about moonlight replaced the âmet you at your uniâ section, interestingly. âPlaying something popây on the same four chords, used to worry bout it but I donât no more.â Young love. He remembers how it tasted. Subject was high on what? Adrenaline? Orgasm? Itâs a tender reminiscence with a hint of tragedy, âdonât know why they put this all on us when were so young.â Â
Too Young: in E Major, the verses and chorus are IV I V vi (the vi is omitted at the cadences), the bridge is vi I V IV I V.Â
Louis is once again looking back, regretful. Louis doesnât speak in metaphors, the lyrics are to the point and precise. Heâs hurt Subject, heâs given in to pressures, heâs cut subject off... the â2 years since Iâve seen your faceâ of course doesnât fit the chronology of the album, but rather of his public life, as does the previous songâs line of âmet you at your uni.â Itâs interesting, then, that while Louis takes the blame for so much, he still says âwe were too youngâ and not âI was too young,â implying that Subject was at least partly to blame for the hurt too, if only by fault of immaturity.Â
Walls: This is in B Major. The chord progression for verses is
 vi I vi I, V [V7 with the melody note on the E natural] IV V V7 II IV i6 (passing chord)
chorus, IV I V I6, IV I V III6 vi V II6 Vi ii I (IV I passing chords)Â
bridge, IV vi V, IV vi V, Vi vi III6 vi V II (this holds over til chorus)Â
This is Louisâ tour de force. Walls is as complex as it is beautiful. His use of Major II chords, altered from a normal ii chord in Major key signatures, and his use of a Major III chord (which, again, is minor in Major key signatures) adds an unconventional twist. The opening and closing lyrics, ânothing wakes you up like waking up alone,â are set against a sparse vi I; but you see the vi chord doesnât normally go to I, usually ii, IV, and V have that role, so by using a vi to I Louis is showing us the tonic alone, nothing âsurroundingâ it. This song is so complex and layered, and I would argue itâs the one song besides OTB that is ripe for poetic interpretation; on first glance the lyrics seem so obvious, but thereâs the music video to consider, the metaphor of him being left alone, high on a wall that has not fallen down, a blank name tag on his chest. The door opening to a desert on one side and a bullseye masquerade on the other has no happy implications, yet Louis has become a man through it all, he says, and he has no regrets about letting his walls crumble for love, damn the consequences heâs suffered.Â
Habit: in G Major, the verses are I ii IV I, the bridge vi V IV I vi V IV ii7, the chorus I ii IV (vi V added when leading to next verse). Interestingly, in the verse that says âcome so far from Princess Park,â the repeated line âin front of me, in front of meâ adds two chords to the verse, between the IV and I, a vi and V.Â
Like in too young, this is an apology, and Louis lays out his sins plainly. And while itâs unequivocal, we can see the extenuating circumstances: âtook some time âcause I ran out of energy playing someone I heard Iâm supposed to be.â There is no more damning line of lyrics. Louis has been exhausted holding some line, an invisible current through his music that he never truly addresses, yet always its there, a background character, a force of cruel divinity. âDonât know why they put this all on us when were so young.â âIâm too far gone to pray.âÂ
Always You:Â This song could conquer radio in half a heartbeat, given a chance. Itâs in E Major, verses are I vi IV, chorus is I vi IV, the same.Â
This is world tour of missing Subject, this is Miss You but rephrased, reworked, gone from punk to pop princess. We have Amsterdam, Tokyo, LAX, Heathrow, which speak for themselves. âMy baby,â Louis quotes over and over. Heâs been âchasing a high,â and Iâm reminded of the high in We Made It, âbaby you were still high.â Orgasm? Adrenaline? Love?Â
Fearless: A minor. Verses, i VII VI (added VI VII when leading back to verse), bridge is i V VI (III VII passing chords can be heard) i V VI VII
Now the very short chorus (âfearless, fearless,â) is, if we stick to A minor, III, III4/2, i, VI. I think, however, that at this point the piece modulates, going from A minor to C Major, (A minor is the relative minor of C Major, which means that the two keys share a key signature and can go into and out of each other easily) making the progressions I I4/2 (4/2 is an inversion of a 7th chord) vi IV. Now to add complexity on top of that, having a I7 chord is incredibly unusual, so I wouldnât label it that, I would label it a V4/2 of IV, meaning that C7 chord functions as a cadential chord leading to F, or the IV chord, of C Major. This is all rather complicated, but knowing how it was constructed shows the songâs complexity. The final âfearless, fearlessâ progression then is: I, V4/2 of IV, vi, VI.Â
In this song I believe Louisâ Subject is himself. itâs a song about fame and anxiety and the lost innocence (and gutsiness) of youth. Itâs a brutal song that I doubt Louis would write to anyone besides himself given how he focuses solely on his own faults and doesnât lay anything at the feet of his other Subjects. The laughing children heard fist and last are a cutting effect.Â
Perfect Now: D Major. Verses, I I7 [again this is technically a V7 of IV, and functions as that since it leads to IV] IV6/4 iv6/4
bridge, iii vi ii vi
chorus, IV V I IV V I, IV V I IV I
second bridge, V vi IV I, V vi IV vi (then to chorus)Â
This is a strange little song, perhaps its most unusual quirk being the switch from a Major IV chord to a minor iv chord in the verse. The Subject in this song loves to dance, and Iâm reminded of KMM. Subject isnât just not feeling pretty, theyâre depressed, they are reticent to be looked upon (âdonât hide awayâ) they are a crown-less queen, and tears are the norm. Subject has a platform - everyone is looking at them - and is a scene stealer, charismatic without trying. Iâve attempted and failed to understand this song in any way other than that Subject is dealing with dysphoria, and that this is Louisâ ode to their perfection, an affirmation of an identity that perhaps can only be realized in private. It is in this interpretation that the Major to minor flip of the 4 chord makes me absolutely crumble into pieces.Â
Defenceless: C flat Major (a most unusual key for a pop song). Verses are I V6 vi IV, bridge IV vi I V, chorus is IV vi I V (the falsetto second bridge is the same)Â
Defenceless is Louis at his most honest. Who writes these lyrics in a pop song? âYou donât have to keep on being strong for me and you,â âjust want to be loved by you,â âyou donât have a thing to prove,â âIâm too tired to be tough,â âWish I didnât need so much of you.â A moth to a flame is different from a moth to a light; immolation is a theme in love stories. This is too honest for a love song, and it feels intrusive just to listen. Louis has a deep love for Subject, an abiding care and need for them.Â
Only The Brave: E flat Major. Verse, I (IV I) IV I, I (IV I) IV I
Chorus is vi V IV I [ii iii IV V OR IV V IV V, I canât determine because of the movement in 3rds]Â IÂ
This song. I can only compare it to when I used to cry when Iâd see speeches about gay love; I never understood why, but I just knew, in my heart, before my brain had figured it out yet, that I was the same. This song is that. It is so intrinsically gay, the metaphors are woven in every word, every nuance. Burn history, break rules, cry like a fool, close enough to touch... the church of burnt romances. âIâm too far gone to pray.â Love is only for the brave. Of course it takes a great deal of bravery to love anything completely, to face the prospect of loss knowing how that love will rip you apart. And in the end, some might say from the cradle to the grave you are ultimately alone. Yet Louis knows better than any that those you love are always with you, âeven when Iâm on my own, I know I wonât be alone.â I believe this song is Louisâ concluding thesis to an album filled to the brim with anecdotes of his own love, a gift to us speaking of the commonality he shares with the wider community, a history of brave love, of loneliness, of too many dying stars in the sky. The tall tales, only hello hello, no goodbye; we donât focus on the goodbyes. We tell our stories with happy endings, but love, sometimes it doesnât have those, for some of us itâs a solo song.Â
Louis Tomlinson, Iâm sure thereâs not a chance in a million youâll ever read this but, if you do, I see you, we see you. You are so loved. Thank you for this album, thank you for giving us this gift of love. Continue your artistic journey and follow your heart. Weâll be here, because for us, itâs Always You.Â
this is louis speaking from the heart, getting so honest it hurts. good thing these lyrics are not directed at me bc wow i would be brittle. itâs louis the strong leader shining through, the wise older brother who gently offers advice when someone he cares about is going in the wrong direction. yea ig i did that sorryÂ
i care about this one a lot, and genuinely itâs just another fucking banger, so here we go.
walls, track 8
*playground noises*
Cash in your weekend treasuresÂ
For a suit and tie, a second wife
(another inconsistency with louisâs album booklet: there it says âcashingâ - imp âcash inâ makes the most sense, since otherwise there wouldnât be a sentence)
âweekend treasuresâ - earns money over the weekend? has fun? good experiences? or is it sarcastic and is âyouâ just escaping for the sake of it
âcash inâ: exchange your fun life for the one in a suit with a wife - living a double life
âsuit and tieâ: trope of the businessman with the family living a lie (- she)
superficial - looks, image of someone who has their shit together
Now Iâmâ notâ saying that youâ couldâve done better
Just rememberâ that I, Iâve seen that fire alight
iâm saying you can be better though. iâm an old friend, i know you, and i can see now that your fire has been extinguished
Tell me, do you, tell me, do you still remember feeling young?
Tell me the truth, tell me, do you still remember feeling young
conversation; louis is pressing the matter gently, repeating his question with added âtell me the truthâ bc âyouâ is lying, to louis and to themselves
âyouâ can live a lie all they want but louis sees through it and wonât take them lying to him too. louis wants to get the truth out of them in order to help them
always âyoungâ - old friends, lifelong experiences
And strong enough to get it wrong in front of all these people?
âyouâ is not being strong atm, though they used to be
âenoughâ - implies that the challenges and expectations are high and it takes a lot of strength to handle them
âyouâ is afraid to fail, and though they used to be resilient enough to get back up when it did happen, they lost that will to fight
âall these peopleâ - who are they? an audience, watching? people judging them? âtheseâ also implies theyâre still there, and also that theyâre close to/ (perhaps) watching louis - otherwise he wouldâve used âthoseâ
general âtheyâ on walls, always with the eerie connotation of people judging, exercising influence
âwonder what theyâd say if they could see us nowâ - wmi
âdonât know why they put all of this on us when weâre so youngâ - wmi
âwhen they said a love like this would never lastâ - too young
âand theyâll say, âi told you soââ - only the brave
Just for tonight, look inside and spark that memory of you
Strong enough to get it wrong in front of all these people
stop ignoring yourself, for once
this person has thoroughly lost themselves: they need to spark the memory first, since that âyouâ is buried so deep down
âsparkâ -Â âfire alightâ: keeping up the metaphor of this personâs personality and life force as fire, burning bright
Fearless, fearless
Fearless, fearless
remember when you were fearless?Â
come on, babe, letâs be strong, proud, happy
Now if happiness is always measured
By the life you design, that car on the drive
a life by design: fake
material possessions wonât bring you happiness, although âyouâ seems to be chasing happiness in that direction - got priorities wrong
louisâs own mentality about happiness shining through: itâs all about staying true to yourself, thatâs when youâre truly happy
Then you should feel better than ever
But you know as well as I, itâs all lies
âweâre in the same boatâ - louis knows about this side of life: trying to chase happiness through wealth + living a lie
the life you have as a celebrity is not real: the riches, the attention, the stories; but âyouâ has lost sight of that, lost themselves in it - started living the lie without staying grounded in their real self, like they used to
implication that a celebrity always leads a double life, no matter what, and the way to stay sane is to keep that split in check, keep those lives separate
Tell me, do you, tell me, do you still remember feeling young?
SYNTHESIS
In Louisâs own track by track, he stays very close to the lyrics (for once) when explaining what the song is about. Additionally, our Peter Pan says that itâs about âencouraging youth and a little bit of recklessness.â *act my age starts playing*
This definitely reminds me of Louisâs relationship with a certain someone, but Iâll leave that in the middle. (Thereâs so many interpretations that I wonât interfere with your own findings, or my own future findings for that matter. Iâd honestly love to hear whatever you think about this song!!)
In any case, Fearless is interesting in how it tells a story about someone else, someone Louis is speaking to and knows well, while it reveals a lot about Louis too. This âyouâ that has lost their way, lost their spark, has gone down a path that Louis could have gone down too, and maybe he almost did, or even tried out for a bit. Louis is full of patience and understanding, because he knows how hard it can be. He also knows, and says, that itâs necessary to keep re-evaluating yourself and what youâre doing in order to not get lost. He knows how easy it is to lose yourself and lose sight of what really makes you happy. Itâs what heâs been singing about throughout the entire album.
Here, his friend, who heâs talking to as if heâs an older brother, almost, seems to have given up the fight without meaning to. What that fight is, in specifics, is something weâll never know, of course, but Louis is still very revealing. Money, a second wife? If thereâs one thing celebrities have said is how easy it is to lose yourself once youâre in the limelight. The attention, the money, the whirlwind of press surrounding you, a manufactured image to keep fans and labels/... as happy as possible... it sounds like hell to try to stay sane. If you have a network of people around you who genuinely care about your wellbeing, you might succeed in keeping your feet on the ground, but not everyone is that lucky. âTheyâ might not have your best interests at heart, which is something Louis seems to have a lot of experience with.Â
Being a celebrity and staying sane as a someone in the public eye involves this image thatâs all lies, but Louis seems to be saying that thereâs no way around it. Heâs definitely been vocal about how the industry is full of shitty experiences, Copy of a Copy of a Copy as a loud example of that, but he might be saying that the public image, the front that the fans and outsiders believe in, is necessary to be able to maintain some sanity, privacy, happiness.Â
What âyouâ has been doing, though, is leaning into that life, that image, that focuses only on material wealth, looks, having the picture-perfect job and relationship, and has lost of who they are along the way. And Louis, their friend since a long time, is asking them to calm the fuck down and use their brain for just one second to see if they can even remember who they used to be. (Honestly, if someone would ask me that? If I could spark the memory of me? I would burst into tears and sob until I was dehydrated. Seriously wtf.)Â
So, I definitely think there is truth in what Louis said in his track by track, but it digs a little deeper than just asking his friend to take life less seriously. As usual.
I hope the person who this song was directed to got the message and perhaps also made the decision to spend some more time with his old friend Tommo, bc heâs on the right side of things here. (As I think he usually is.)Â And heâs got their back.
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a "quite autobiographical" song by louis, according to him, and lyrically a "break-up song", but i think we'll all agree that this is a "history about how we were apart for a bit, got fucked up, then realized we can't be apart for very long, as we always should've known really but i guess we're stupid, but anygays now we're happily at home, together" song. or yk that's how i see it, at least
walls, track 8
I went to Amsterdam without you
Amsterdam, city of sex, drugs and a place largely accepting of the lgbtq+ community - so yk louis should feel right at home. we've seen him out and about there (but wasn't that with...? so who was he missing...?)
And all I could do was think about you
And oh-oh-oh, I should've known
when they're not together, his lover is all that's on his mind
general theme on the album: i should have realized all along that it's you, always you
"now i realize" - too young
"wish i could've seen it all along" - too young
"guess i know what i already knew" - habit
I went to Tokyo to let it go
Drink after drink, but I still felt alone
I should've known
now who have we seen visiting tokyo in their free time?
sounds like a duet in some ways (especially if you keep the above in mind): louis went to amsterdam to get high, his lover went to tokyo to get drunk, both just felt alone in their chosen exile
amsterdam, with the implication of weed, and now drinks, echoing "smoke something, drink something" - we made it
louis is clearly also no stranger to either kind of substance for a good time: "is it something that i'm taking?", "glazed over eyes, just one more pint or five", "i'm off my face" - miss you
I went to so many places
Looking for you in their faces
I can feel it, oh, I can feel it
weird lyric typo "looking for you in their faces": in the album booklet it says "and the faces", which might just be a mistake? unless i'm missing something and "looking for (...) the faces" has some serious double meaning
Wasting my time when it was always you, always you
Chasing the high, but it was always you, always you
Should've never let you go
Should've never let you go, my baby
"wasting my time"
"took some time 'cause i ran out of energy" - habit
"you give me the time and the space" - habit
looking for answers about why he feels so lost in life, thinking he should look somewhere outside of what he's always known, perhaps thinking what he's always known is the cause of his problems (bc he started believing lies that were told to him or sth). his excursion away from home proved the opposite: it's his home, the person that is his home, that brings him the most comfort and stability he can ever know with the life he leads
"chasing the high": love as a drug: very present theme throughout the album and previous work (and h's music for that matter)
"on a mission just to feel like how you kissed me for the last time", "you kill my mind" - kmm
"you're the habit that i can't break" - habit
"your addictive heart" - habit
"baby you were still high, never coming down with your hand in mine" - we made it
"you got me so addicted to the drama", "you can be the pill to ease the pain" - back to you
"it was always you, always you"
"it's been ages (...) i'll always need you" - habit
"me and you is all i've ever known" - too young
"should've never let you go"
"so i cut you off 'cause i didn't know no better" - too young
I went from LAX to Heathrow
Walked through my door, but it felt nothing like home
'Cause you're not home
Waiting to wrap your legs around me
And I know you hate to smoke without me
And, oh, now you know
heathrow: london
home = the other person: theme
"wrap your legs around me" yeah they have sex
another inconsistency in the lyrics! in the official booklet: "i know you hate the smoke without me" and "the smoke", as in "the old smoke", refers to london, which obviously matches the rest of the verse
"to smoke" would fit too, ofc, bc these lovers clearly aren't strangers to lighting something together, but the general sense of "we hate london unless the other is here" is a more significant message, more profound lyric + again, matches the rest of the verse: we're in london, where we have a home, but we generally don't like it bc it doesn't feel like home when the other isn't there
"got a place on the other side of london" - dlibyh - doesn't matter which house they're in, bc the house/city itself doesn't matter
My baby
Oh, my baby
harry is louis's baby <3 (bc yk he is one)
SYNTHESIS
While analysing the lyrics, I first of all wanted to point out some Miss You parallels: perhaps they were written around the same time? (Louis mentions in his track-by-track that he wrote Always You about two years before the album was released, so that would def make Miss You a bit older (as it was released at the end of 2017) but you never know with that man.) Drinking, partying, having recently split up/taken the decision to spend time apart, and now Louis misses them. Consistent with the rest of the narrative on Walls, Louis also feels the need to say sorry in Miss You: "Now I'm asking my friends how to say "I'm sorry"."
In any case, Always You fits in with the rest of the love story on Walls, with almost every line matching a line of another song. Louis hurt them, because he needed time apart, or took that time apart after hurting them, and then he came to the realization that he can't live without them, because they're his life force, like a drug he's addicted to and wouldn't try to kick off from if he wanted to.
There's this nice inclusion of cities where he's passed time and doesn't exactly care for unless his love, his baby, is there too. There's Amsterdam and Tokyo, both cities linked to L and H respectively, and then we have the whole London thing. Do they not like London? Do they have to spend time there because of work, so that's what it feels like to them? (Like L.A., as they've both mentioned before.) Their true home being more up north, where they're both from? In any case, the whole lyric thing with "to smoke" and "the smoke" is weird to me, but I will stick to the official, original lyrics being "the smoke", since that ties in the story that verse tells way better.
I enjoy this song a lot because of the sense of victory in Louis's own realization, which we can hear in other songs of the album, and the release or relief it must have caused. He was on the dole, truly lost, as he admits as well, and then he finally came around and everything clicked: his life really only makes sense with that one person, who he's known and been with all these years, who makes him feel most alive and the best version of him; his baby. The red line of this one person being there through it all, through all the ups and downs in his life, sharing everything from the start, from when they were only kids, is so powerful. There really has only been one, the only one he's ever known, the person that's always been there, always been the one, always been home. And they made it :')
weâre baaaaack! sorry for the wait on this seventh instalment of my (to me) thoroughly enjoyable walls analysis <3 iâve been on a nice long break and have missed writing like crazy, so this one felt like taking a hit. like louis has a habit he canât break, so do i. though mine is less romantic, ig. but it is very fulfilling and life-affirming, just like louis is telling us his addiction is. love that for him. iâm not jealous in any way. alright enough bullshit
walls, track 7
I always said that Iâd mess up eventually
whatâs this low self-esteem? - in terms of the relationship, of filling expectations, not letting the one who he loves down
there was so much pressure on him ď˝Â too young
I told you that, so what did youâ expectâ from me?
he warned âyouâ off - guarded despite seeming open
It shouldnâtâ come as no surprise anymore
double negative: just louisâs colloquial english shining through - makes his music more personal, more like heâs actually speaking to us
itâs no surprise to him that he disappointed âyouâ, while âyouâ might have been keeping their hopes up, ignoring his warnings
I knowâ you said that youâd give me another chance
given a chance - tattoo on louâs arm in some beautiful handwriting ď˝ tpwk âgiven/giving second chancesâ
But you and I knew the truth of it in advance
That mentally, you were already out the door
so much hurt and waiting, âyouâ needed to protect themselves in the end
physically âyouâ might have still been there, but mentally they were losing faith, getting distant
Never thought that giving up would be so hard
God Iâm missing you and your addictive heart
theme of love as a drug, better than any high they could try to chase, theyâll give into it at any cost
ď˝Â back to you, âyou got me so addictedâ âyou can be the pill to ease the painâ,Â ď˝ mmith âgive me some morphineâ,Â ď˝ medicine âgot drunk on youâ,Â ď˝ kmm âjust a little taste, babeâ,Â ď˝ always you âi was chasing the habitâ,Â ď˝ wmi âyou were still high, never coming down with your hand in mineâ,Â ď˝ defenceless âi come running to you like a moth into a flameâ
âmissingâ
ď˝Â right now âi wish you were here with meâ,Â ď˝ change your ticket âitâs not the same when youâre goneâ,Â ď˝ home âwanna wake up and see your faceâ,Â ď˝ miss you,Â ď˝ canyon moon âiâve been gone too long from youâ
Youâre the habit that I canât break
Youâre the feeling I canât put down
Youâre the shiver that I canât shake
Youâre the habit that I canât break
Youâre the high that I need right now
Youâre the habit that I canât break
allusion to a comedown - L is addicted to âyouâ and canât function without - all he wants to do is give in to the feeling
I took some time cos I ran out of energy
Of playing someone I heard Iâm supposed to be
he took a break from everything for a moment: career, relationship
âplayingâ a part ď˝Â defenceless ârunning all my linesâ
âi heardâ: âthis is not my opinion, not my storyâ (iâm proud of who i am and donât think i should be anyone else) - following instructions, believing what others are saying
closeting, management forcing him into a role, controlling him - went along with it, but couldnât anymore - story consistent along the entire album
But honestly, I donât have to choose anymore
couldnât combine it all anymore âśÂ now heâll do anything to keep âyouâ in his life, no matter the context // heâs not in that situation anymore where he has to play that partÂ
And itâs been ages, different stages
verb tense: present perfect: something that started in the past and continues to this day - been ages that theyâve been together
âagesâ -Â âtoo youngâ - they were kids when they fell in love
âstagesâ: great play on words: different phases in their lives + places where they performed - performing together, all around the world, and solo (+ stage can hint at playing a role again)
Come so far from Princess Park
first residence they had after x-factor - apartment louis and harry publicly shared. thereâs no way around it
theyâve come far: conquered the world with the band, grown immensely personally and in their relationship - very positive connotation
Iâll always need you
In front of me, in front of me
iâll always follow you - you pull me forwardÂ
You give me the time and the space
ď˝Â mmith âjust let me know, iâll be at the doorâ
I was out of control and Iâm sorry I let you down
lost the plot for a hot sec
another apology! ď˝Â too young
I guess that I know what I already knew
I was better with you
And I miss you now
ď˝Â too young ânow i realize...â
open, honest: heâs found the words to say that he was still looking for in too young
âbetter with youâ - âyou make me feel like being someone good to youâ - perfect now
SYNTHESIS
So ObViOuSly Louis tried to make this song seem like a story about his fans or his job, as he tells us in his track by track, nicely adding that it âalludes to a girlâ uhuh thanks for that mate, you really think highly of us donât ya. Since thereâs no female pronoun to be sniffed out, the word âalludeâ is a nice choice: itâs Louis hiding in plain sight once again, knowing the song will be interpreted that good olâ heteronormative way even though he hasnât exactly written that. Itâs also the clever, age-old trick of steering public opinion, pointing and waving to get people to LOOK THERE LOOK OVER THERE THATâS WHAT ITâS ABOUT instead of actually listening to the lyrics and coming to the single possible conclusion if you do that. Which he knows. Which he has done on purpose. He just knows who will hear the song for what itâs really saying and who wonât, as is his aim.Â
The song continues the story already established on the album, consistently building this narrative involving his life and his relationship, every song fitting in a new puzzle piece. Habit feels like a continuation of Too Young: heâs found the words he wants to say, at last. Heâs made it clear now that he feels like heâs the one that made mistakes and hurt his loved one. Heâs saying sorry, owning up to them, but also giving an explanation and context. He was under a lot of stress, told things he started to believe, made to play a role to the extent that he lost sight of what he truly was and felt.Â
I wonât pretend that this is not about Harry and only Harry, we know and accept that truth. It would be ridiculous not to. I hear a bunch of parallels in the stories they tell, especially with Meet Me in the Hallway with this one. Harry was the one who gave the space, who was faced with his loved one seemingly far away from him, unreachable in a mental maze. Who had to also take a step back in order to not get too hurt. (Which ig they all did not succeed in but they worked it out yk.) Also, the loud parallel of love as a drug, âgive me some more / give me some morphineâ should not be ignored. âWe donât talk about itâ with now Louis finding what he wants to say. maybe i should just go ahead and make a post about more of these parallels cause i just love the pain
Yes, the story involves Louisâs career, as he states, but it obviously centres around how he got lost and hurt the love of his life in the process. Something that others predicted that would happen. Itâs that weird fucking manipulation where, despite it not being in your nature, you start to become what others tell you you are. Louis was simply under a lot of pressure, a lot of emotional stress. And then they were in this relationship together, through it all.Â
Because it was the only thing they ever knew, it became hard to figure out at one point if it really was the best for them, along with all of the shit around them. Especially since it brought along so much extra shit from outsiders. The relationship was never easy because of that: external pressure, people lying to them, underestimating their love, making Louis believe at some point that it was simply all too much to keep up. That life would be easier if they were apart. âyou shouldnât be together: youâre too young, youâre in a band together, youâll put your careers at risk especially if the world finds out youâre gay, youâll sacrifice the careers of your friends and crew, youâll hurt yourself and each other, the band will never be as big as it can be if it gets out that you're taken, and gay, if you break up you wonât be able to work with each other and thatâll fuck up the band, so why not make it easier on everyone and put a stop to itâ i can just hear simon saying it yk
Weâre in for more of this as the album goes on, reaching its peak in Defenceless.Â
Luckily, his crash and burn, and time spent alone, made Louis realise that their relationship was the thing that was actually keeping him going, giving him strength, making him the best version of him, amongst the chaos in his life - instead of making his life even more chaotic, as he was led to believe. He knows that now. Itâs completely understandable that they needed to go through something like this, after being together from such a young age and being put through extremely stressful situations, many of them directly âcausedâ by them being together. Iâm just fucking ecstatic that they made it and know the anchor needs his rope and vice versa, and so on and so forth.Â
it was an honor to analyse this gorgeous song, where louis poured his heart out for his beautiful mother, jay, who passed away in 2016. itâs been, without a single doubt, so fucking hard for louis, pursuing his dreams without her a phone call away to give him the boost he needs. but heâs so brave, so strong, and heâs doing her proud with every move he makes.
this oneâs for all of us that have lost a loved one, and for those memories we honor by going on
walls, track 3
Itâs been a minute since I called you
Just to hear the answerphone
Yeah, I know that you wonât get this
But Iâll leave a message so Iâm not alone
it happened a while back but the missing remains - will never go away
talking to her, or feeling like heâs talking to her, makes him feel less alone. they used to be so close, and in his case, sometimes you just need mom
This morning I woke up still dreaming
With memories playing through my head
Youâll never know how much I miss you
The day that they took you, I wish it was me instead
doesnât believe she can hear him, that she knows what heâs telling her
grief: iâd take their place - they deserve to be here more than i do
not a casual thing to say at all, even for someone whoâs grieving - darkness from previous songs
But you once told me, âDon't give up
You can do it day by dayâ
And diamonds, they don't turn to dust or fade away
needs encouragement to keep going, to stay alive - devil in his brain from kmm
they already had a conversation about this, she once had to tell him to not give up ď˝Â just hold on
she was a diamond, so sheâs never truly gone - like a diamond in his memory, strong and brilliant - his rock - he doesnât need to leave to be with her, bc sheâs there still
So I will keep you, day and night, here until the day I die
Iâll be living one life for the two of us
I will be the best of me, always keep you next to me
Iâll be living one life for the two of us
Even when Iâm on my own, I know I wonât be alone
Tattooed on my heart are the words of your favourite song
I know youâll be looking down, swear Iâm gonna make you proud
Iâll be living one life for the two of us
i will stay alive and keep you alive too through my actions
her memory, the life she lost, motivates him to get the most out of his own life and not waste it
favorite song: sharing music as one of the purest forms of love
âi know youâll be looking downâ - heaven ⡠sentiments from verse âyouâll never know how much i miss youâ - him looking all the way up during the livestream
I can feel your blood run through me
Youâre written in my DNA
Looking back in every mirror
I know youâll be waiting, Iâll see you again
very direct reference to him singing about a family member
again, her living on with him
afterlife!
I promised you Iâd do this
So all of this is all for you
Oh, I swear to God youâre living
Through everything Iâll ever do
clearly had a conversation before she passed away, her asking him to keep going and make his own dreams come true - first just hold on live performance
selfless: he is dedicating his life to his mother - living to honor her memory - how well does he value his life for him?
religion
Weâll end just like we started
Just you and me and no one else
I will hold you where my heart is
One life for the two of us
it started with him and his mom, the two of them against the world
SYNTHESIS
Grief is something incredibly complicated and deep, which always brings out emotions that one never experienced before. This song obviously recounts those moments, where Louis was struggling because of his grief, because he missed his mother. Along with this grief is the story of how he was already down and out before experiencing that grief - for an array of reasons, without a doubt - that his mom still guided him through before passing. That was such a powerful moment, or memory, or element in their relationship as a whole, that itâs at the heart of what this song is about: itâs his mom who always knew how to keep him from going under. And now that he has to navigate life without her, he needs to repeat her words back to him and embody what she knew what he wanted to be.
Honestly so much on this album mentions the need for encouragement, a reason, to go on, and I donât know how well I can get into that without breaking down.
Louis mentioned many times before that this song is one he knew he had to write to make the album feel like it was something. That basically sums up what the core message is of the song: Louisâs work, his life, is entirely dedicated to his mother, who undoubtedly asked him, made him promise, to go through with it all. If it werenât for her and what she told him, who knows what might have happened. Now that sheâs gone, Louis knows what to do to honor her memory and wishes to the best of his abilities. What was said between them we will never know, but that isnât even necessary to know what the bottom line was: Louis was ready to give up. He was struggling to see the bigger picture and get through the days. You can do it day by day, she had to tell him. If youâre overwhelmed by whatever the future might bring, or what the world has in store, then focus on whatâs right ahead and get through that. Life gets hard, shit gets overwhelming, but it is what it is and tomorrow is a new day. Itâs like what he learned from his mother is translated into Donât Let It Break Your Heart, having internalised the message enough for him to be able to spread it again.Â
Life will never stop throwing shit at us, and we will always miss those that weâve lost, but we keep going. If not for us, at some point, then for those who couldnât. And weâll make their memory shine through in every chance we take, in every moment we didnât give up.Â