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A hypnotic study in motion and perception, Slit Sines explores the interplay between waveform curvature and the rigid logic of segmented geometry. The rhythm of shifting tones and segmented bars produces a moiré-like dance that oscillates between mathematical precision and optical instability. Procedural system built with trapcodeTAO and After Effects expressions. Digital Archive (opensea)
1080p, 300 frames, 50fps, 21 grayscale tones
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Today I drew the Deltoidal Icositetrahedron, which is the dual body of the Rhombicuboctahedron.
A few of many tutorial sheets about “visual math” - my term for perspective techniques and visual proofs. In my experience, these simple techniques are usually the ones that artists need to know (AND know how to use) most in order to actually CREATE instead of just copy.
Learning these skills saved my life - maybe they’ll do the same for you.
“Cathmatics.”
When squaring cats, please remember to follow the order of operations.
Some quick 3d function plot
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That book sounds like it might be a gold mine for my neurodivergent brain!
His approach tends to try making it all more comprehensible and intuitive in a similar approach to my own - hopefully, my attention span will allow at least a tiny bit of focus to digest it without an overload of euphoric enthusiasm - (my must my brain absorb and dissect every information like that?) I look forward to indulging deeper in that book. I found the free pdf online https://umv.science.upjs.sk/hutnik/NeedhamVCA.pdf
(But I seriously need a print version to at least allow the haptic feedback of a physical version enhance my attention span by at least a tiny degree. - Why have good books to be so expensive.... I wish I were rich, so I could afford all the books I need to learn about what the world holds together in its innermost (referring to Goethe here...) )
Another tutorial, a little bit of a crash course on 2-point perspective. Despite what many people believe, perspective is NOT just for machines and architecture - you’re supposed to use it WHENEVER you depict a 3-dimensional space!
Also - just because you don’t SEE the horizon lines and vanishing points drawn DOESN’T mean the artist didn’t use perspective in their piece
The “Underlay & Rendering Process Sheet” mentioned in the “Construction Process” tutorial sheet
Even if it’s not the final style for your piece, understanding linework and line weight hierarchy is extremely important. It increases clarity and visual appeal, which are necessities when pitching an idea or working on a team.
The speed and precision of a line drawing makes it a standard in visual design - but in order for you to get the most out of them, you have to understand how lines “work”!
This example shows an orthographic drawing, but the process/principles can be used for any and all line drawings!
