#until well

anyway. anbu is so fucked up and minato…i love minato but the illusion that he’s a pure little guy who’s a wife guy and a little shy nerd is crazy. he saw kakashi, someone he’s seen grow up, someone he’s guided and taught, some he’s supposed to care for. and he thought, ah yes, i need to keep you close to me. how best to do it? perfect! you are now forever marked as an asset to me and the village! and he does it with what he assumes to be love in his heart.

and i’m not saying this is a good or a bad thing, the morality of minato’s choices within the context of the story is nothing entirely out of the ordinary, but the way in which he’s portrayed, how we see him and his demeanor… it’s all very much a sweet facade to mask what’s hidden underneath. he’s twisted and calculated and ugh, i love him. because he genuinely thinks he’s doing the best thing he can by kakashi and also by the village. kakashi is talented. he has a sharingan and he’s vulnerable. of course minato wants to help but he also sees an opportunity and he strikes. now they have kakashi of the sharingan in their highest ranks, and he won’t ever be able to escape the duty instilled in him. not unless he becomes a nukenin but everyone knows by that point that kakashi is so indoctrinated, the thought of leaving never crosses his mind.

and then minato dies. and kakashi is still a tool. his feelings should not affect his use. but they do. and for the first time…

kakashi of the sharingan, anbu hound, thinks maybe… leaving the village might be a good idea. if not to get away from everything. he can’t be a good tool if he’s rusty and broken. he can fix himself, he can he can. he doesn’t want to keep breaking over and over again. it hurts it hurts it hurts and the village never puts him back together the right way and for once he just wants to feel whole.

so when kakashi disappears, it’s quiet. it’s full of guilt. ashy tongue, scratchy throat, tears in his eye, and aches in his joints. but he leaves because he needs to be whole to be useful again. but it hurts. it’s not right. he’s not supposed to feel this way. he’s a tool he’s a tool he’s a tool. a weapon. an extension of the village’s wide reach. he almost can’t bear it. he throws up bile all night, on the verge of returning and getting on his knees and begging for forgiveness. he didn’t mean it, he’s sorry he just wants to be better. to feel better.

he doesn’t return that night if only because he can’t make himself get up. his body weak and feverish. he’ll go back the next day.

but he doesnt. he feels better the morning after. only a little bit but it’s enough. maybe he can take care of himself. he can mend his wounds, tighten the loose screws, clean off the rust and dirt. he can do it.

and for every day he stays away, he feels better. more whole. he’s still a shinobi. he does odd jobs when he can but mostly, he takes to helping out villages in need. he likes to help out on different farms, it feels right to him, like something in his muscle memory. he’ll also help with construction if needed, anything that uses his hands in a thoughtful, meaningful manner is good. it makes him feel good.

he likes being a shinobi, he thinks. it doesn’t feel quite right when he says that anymore. but he loves the way it feels when he builds something instead of destroying it. when he uses chakra to make the kids in all the villages he visits eyes light up with joy and wonder. he loves using katon for fires that create. he loves it he loves it he loves it.

Thomas is a man who works himself near to death, always caring about everyone else, always propping up everyone else. And he is certainly someone who shuns, the help that's offered to him. But when he is sick, his boys are there. They take care of him, whether he wants them to or not, the wait by him, they handle his affairs, etc.

It's interesting seeing how the dynamic changes as well - especially between Richard and Rafe. Rafe is gone, so it's Richard. And the scene where he wouldn't let Richard go.