you've got laughing colors singing in your brain

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you've got laughing colors singing in your brain

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Round 4:
Which band name do you like best?
Nothing But Thieves
Ultimate Spinach
Note that this is about band names not their music or members.
And now -- now it only remains for me to light a cigarette and go home. Dear God, only now am I remembering that people die. Does that include me?
But don't forget, in the meantime, that this is the season for strawberries.
Clarice Lispector
The Shocking Blue: The Shocking Blue (1970) [a.k.a. At Home]
Here's a trivia question for you: what group wrote songs that were successfully covered, decades later, by both Nirvana AND Bananarama?
Why, Dutch psychedelic rock outfit The Shocking Blue, and, even more impressively, the original versions of the universally-recognized "Venus" and "Love Buzz" can both be found on this Japanese pressing of the group's 55-year-old sophomore album.
Alternatively called At Home in select countries, this was the group's first LP with emblematic frontwoman Mariska Verez (*), who replaced army-bound original singer Fred de Wilde (don't laugh) following the group's 1967 debut album, also self-titled.
Founded by guitarist and songwriter Robbie van Leeuwen (ex-Motions) and completed by bassist Klaasje van der Wal and drummer Cornelis van der Beek, The Shocking Blue emerged from the so-called Nederbeat movement, alongside Golden Earring, The Outsiders, and others.
But none of those bands enjoyed a No. 1 hit on the U.S. charts, as The Shocking Blue did with "Venus" in February 1970 -- and again in 1986 via Bananarama's spirited pop rendition -- following similar success in European countries when it was first issued as a single in late '69.
Spin The Shocking Blue's powerful original and you'll be amazed at the song's reimagining of the baleful "Peter Gunn Theme," The Who's "strummy" "Pinball Wizard," and, based on this stunning live performance, the proto-punk menace of The Stooges!
The band's original recording of "Love Buzz" is just as fascinating; building on van der Wal's distinctive bass lick, made grunge-famous by Krist Novoselic, with copious Eastern inspirations like van Leeuwen's sitar (see also "Acka Ragh") and Mariska's seductive delivery.
But that's not all: this record yielded another modest hit via the fuzz guitar urgency of "Send Me a Postcard" and other could-a, should-a been singles in the hard rocking "Long and Lonesome Road" and the subtler, darker, simply spectacular "I'm a Woman."
Other cuts showcasing van Leeuwen's innate pop smarts and songwriting range include the soulful groover "Love Machine," the plaintive "California Here I Come," the trippy, horn-enhanced "The Butterfly and I," and Stones-tough blues rockers, "Mighty Joe" and "Boll Weevil."
In sum: the caliber of pop and rock songcraft found on this LP is simply astonishing and has very few comparable contemporaries, in my humble opinion -- certainly beyond the superstar bands and releases we know all too well.
And yet, The Shocking Blue could never replicate this incredible run of success and inspiration, and though they had sold an estimated 13 million records by 1973, persistent line-up instability contributed to the group's break-up the following year.
Today, all except Robbie van Leeuwen are sadly deceased (Mariska passed away in 2006, aged just 59, after a brief battle with cancer) and their responsibility for the two songs in my trivia question is all but forgotten -- but hopefully this blog will help.
* Born Maria Elisabeth Ender to a French-Russian mother and Hungarian Romani violinist Lajos Veres, this incredibly talented and exotic singer deserves recognition as a true icon of the psych-rock era, right up there with Grace Slick!
More Psychedelic Rock: The 13th Floor Elevatorsâ The Psychedelic Sounds Of The 13th Floor Elevators, The Amboy Dukesâ Journey to the Center of the Mind, Andromedaâs Andromeda, Artâs Supernatural Fairy Tales, Black Pearlâs Black Pearl, Bliss' Bliss, Blue Cheerâs Outsideinside, Bubble Puppyâs A Gathering of Promises, Covenâs Witchcraft Destroys Minds & Reaps Souls, Crowâs Crow Music, The Damnation of Adam Blessingâs The Damnation of Adam Blessing, Dragonflyâs Dragonfly, Fever Treeâs Fever Tree, Fieldsâ Fields, Fractionâs Moon Blood, Goldenrodâs Goldenrod, Sam Gopalâs Escalator, Gunâs Gun, Hamilton Streetcarâs Hamilton Streetcar, The Head Shopâs The Head Shop ...
Even More Psychedelic Rock: The Jimi Hendrix Experienceâs Are You Experienced?, The Hookâs Will Grab You, H.P. Lovecraftâs H.P. Lovecraft II, Iron Butterflyâs Ball, The Litterâs Emerge, The McCoysâ Human Ball, Moby Grapeâs Wow, Morgenâs Morgen, Mount Rushmoreâs â69, Os Mutantesâ Os Mutantes, The Open Mindâs The Open Mind, Panâs Pan, Power of Zeusâ The Gospel According to Zeus, Puzzleâs Puzzle, Rhinocerosâ Rhinoceros, Roadâs Road, Rockinâ Fooâs Rockinâ Foo, Sainte Anthonyâs Fyreâs Sainte Anthonyâs Fyre, The Bob Seger Systemâs Rambinâ Gamblin Man, Silver Metreâs Silver Metre, Small Facesâ Ogdensâ Nut Gone Flake, Spiritâs Twelve Dreams Of Dr. Sardonicus, Steppenwolfâs Stepppenwolf, Stone Gardenâs Stone Garden, Ultimate Spinachâs Ultimate Spinach, Valhallaâs Valhalla, The Vanilla Fudgeâs âWhere is My Mind.â

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Some songs I like/love (I like/love all)
- Life and Death by Wicked Lady
- Will Work for Food by The Halo Benders
- Chime by Alisonâs Halo (I get to see them soon after listening to them for 4 years Iâm so excited)
- Jazz Thing by Ultimate Spinach
- Hazel by Far Apart (put the EP back up pls)
- Guns, Guns, Guns by The Guess Who
- Sleep by Dystopia
- Whatâs With You Lately? By Car Seat Headrest
- Light My Fire by The Doors
- The Draize Train by The Smiths
- Nerves by Possum Dixon
- Love Is an Illness by Romeo Void
- The Good and The Bad by Sonic Youth
- Anorexorcist by Nirvana
- Faithless The Wonder Boy by Radiohead
Psychedelic Scene's Jason LeValley picks his top 100 psychedelic rock albums from the original psychedelic era.
 the greatest psychedelic rock albums of the Golden era, there are a couple of things to take into consideration.First, one must determine the parameters of the era: when did it begin and when did it end? In this case, the beginning is much clearer than the end. The Yardbirds released the single, âShapes of Things on February 25th, 1966, followed by The Byrds releasing the single âEight Miles Highâ on March 14th of that year. Prior to those two singles psychedelic rock didnât exist, so itâs safe to say that 1966 was the beginning of psych-rockâs golden era.The end of the era is a bit more difficult to determine. Psych rock appeared to be dying down toward the end of the 60s with the biggest bands of the decade (The Beatles, The Rolling Stones, The Byrds, etc.) already moving on to other styles. The Manson murders occurred in fall of â69 followed by the stabbing of a man during the Rolling Stones set at Altamont and I donât think itâs any exaggeration to say that these events damaged the psychedelic vibe. When the new decade took hold, psychedelic music faded fast, particularly in America. Most bands that had been playing psych moved on to progressive rock or hard rock. The new artists that emerged in the 70s did their own thing, be it singer-songwriter, glam rock, proto-punk, and werenât interested in continuing the fads of their elder siblings. By the time punk and disco came to prominence in the mid to late 70s, psychedelic rock was dead as a door nail.
Ultimate spinach